Tag: Slam poetry

Read Slam Poetry written by slam poets, cowboy poets, and literary giants inspired by the state of Arizona!

Ed mabrey revolution poem artwork

Revolution by Ed Mabrey

“Revolution” by Ed Mabrey

there’s a revolution. it spins like the
world on its axis, so fast it carries no
sound, no image, not even a vibration and
if you run fast, like a child, and come to
a sudden stop in your sprint, close your
eyes quick, and hold your breath. you’ll
feel it, you’ll hear it just say seconds
behind, or a lifetime ahead. right now,
there’s a Vietnamese boy running through
a field with a pair of Nikes tucked
under his arm, dodging bullets like
raindrops, his blistered feet barely
touching the grass, racing across the mud,
racing against consumerism. the shoes are
not for him, but for his grandmother so
that the time in the field can be
gentler in its monotony. right now, a
boy’s just found a stone, he checks his
weight for strength, it’s grooves for
accuracy, then darts off with his fist
held high, signaling to the other that
the stick ball game was officially on,
never knowing that the the rock he holds
is the last reigning piece to a church
bomb years ago in Selma, Alabama and the
sound he hears played after, when he
cracks a home run, is not the tinkling of
broken glass from Miss Johnson’s window,
but four little black angels crying
tears of joy, cheering him as his feet
hit every base. right now, in the Soviet
Union, where the red curtain might be
tatted, but its’ blood stained glow still
cast over the eyes of everyone living
there, and names like Stalin and Lenin
bring shivers colder than the Hudson in
December, and names like optimism, freedom,
and democracy can get you shot, killed if
you’re lucky. there was a girl sticking
her hand into a military bonfire
ignoring the pain and crackling of her
own skin, she takes out a book half charred,
which reads Three Sisters by Chekov
and tucks it underneath the shirt, not
for warmth, but salvation. right now, a
crackhead had waited 10 minutes longer than
he did yesterday, before going in the cop
and tells himself tomorrow I’ll shoot
for 20. a raced girl with bags underneath
her eyes, and in beneath the legs which
both by now her age stands, on the corner
Main & Champion, and when some Tide
State worker comes by flashing crisp $20
bills she gets on the bus and heads home
for the first time in months. can you
hear me now right now? a boy just ran for
his life to go to school today, some girl
got caught and smacked to some
piece of car, leaving her purse
behind, but not a virginity. can you hear
me now? right now, a man just cut off his
TV and actually had a conversation with
his kids. there is a revolution happening
around us every moment, of every day, and
it is not black power, nor white power, it
is not scary, not tyrannical, it is not
Hitler nor Gandhi, Martin or Malcolm, Mama,
no Nora. it is a young couple’s kiss
behind the bleachers and the old couple
holding hands in the mall, it is loving someone
intensely for 5 minutes, then letting go
when the song ends. it is your misfiring
synapses, your unfit high, your seemingly
miserable existence that still keeps
beating in your chest like some Drummer
Boy hellbent on getting through a
spiritual desert, it is writing a poem or
hearing one. it is your inhale and exhale.
right now, there’s a revolution being
fought right around us. look at the
person next to you. see the battle being
fought in their eyes and recognize it is
just a reflection of the same war being
fought inside you. it’s but the effort to
live your life the way you wish every
moment, every day of this life that you
have and that is the battle and that is
the Revolution and your goal tonight is
a inhale and exhale to living live
inhale, exhale. can you hear me now? if so
then fight on soldiers, ‘cuz the life you
saved this night will be your
own.

Transcribed from the video “Revolution” by Ed Mabrey and Poetry Slam Archives.

Watch Ed Mabrey perform “Revolution” on YouTube

About the poet Ed Mabrey

Ed Mabrey’s poem Revolution is an urgent and powerful meditation on the silent, ongoing battles that define human existence. Unlike traditional revolutions that are marked by violence, politics, or ideological shifts, the revolution in Mabrey’s poem is deeply personal, invisible to the untrained eye, yet ever-present in our lives.

The poem unfolds in a series of vignettes, each capturing a moment of struggle, resilience, or defiance from various corners of the world. A Vietnamese boy runs barefoot, dodging bullets, not for himself but to bring comfort to his grandmother. A child picks up a stone for a game, unaware that it is a remnant of a church bombing in Selma, infused with historical pain. A girl in the Soviet Union risks her life to rescue a banned book from flames—not for warmth, but for the survival of knowledge. A crack addict fights against addiction, pushing the boundaries of self-control. A young woman, forced into sex work, takes her first steps toward reclaiming her life.

Through these moments, Mabrey illustrates that revolution is not just found in grand historical narratives but in the quiet acts of endurance, courage, and self-reclamation that happen right now—in real time, all around us. He challenges the reader to recognize the struggles in the eyes of those around them and to see their own internal battles reflected there. The poem’s rhythmic repetition of “right now” creates a sense of immediacy, making the revolution feel not only inevitable but also deeply personal.

Mabrey’s final call to action is simple yet profound: breathe. The act of inhaling and exhaling, of continuing despite hardship, is itself an act of defiance, a way to reclaim one’s life. Revolution is not just about resistance; it is about existence, about the ongoing fight to live authentically and freely.

Discover more about Ed Mabrey’s poetry and performance legacy here on his bio page.

Get Tickets to see Ed Mabrey, Individual World Poetry Slam Champion, feature at Ghost Poetry Show on April 9th, 2025!

April 9th, 2025 at The Rebel Lounge

Doors at 7:00PM | Show at 7:30PM

Advance Price: $10 + fees 
Day Of Show Price: $12 + fees

21+This is a special Ghost Poetry Show for National Poetry Month! Individual World Poetry Slam Champion ED MABREY features award-winning poetry live and in-your-face in the intimate setting of The Rebel Lounge!

15 poets compete in a poetry slam for cash prizes judged by 5 randomly selected audience members.

To sign up to perform email us at GhostPoetryShow@gmail.com

BUY TICKETS HERE

Atlas st cloud grey walls poem artwork | azpoetry. Com

grey walls by atlas st. cloud

“grey walls” by atlas st. cloud

i am laying,
in an empty room.

the temperature is steadily dropping
and frost begins to crystalize on my eyelashes,
playing tricks with my irises.

i am a green eyed boy,
but ice has got me seeing with grey.

grey halls
with grey walls
led me to this hallowed space.

i am laying,
in an empty room.

the ceiling is a motley crew of colors,
galaxies are being spun before me.
two stars collide,
FLASH. BANG. BOOM.
the void opens up.

i stare into the vastness,
and the void whispers back,
“ice cannot kill a phoenix.”

i am laying,
in an empty room.

the stillness of space has no place in this room.
wind begins to howl,
ripping at the walls with nowhere to go.
this wind has teeth and it bites at my skin.

anger manifests monsters,
and this one is trying to
rip, freeze, tear me apart.

i am laying,
in an empty room.

the walls are closing in on me.
i exhale quick and can see my breath in fog.
my skin is beginning to plasticize
and i don’t know if i can move.

there once was a door,
but i can’t move my head to see if it is still there.

i am laying,
in an empty room.

my shoulders start to itch.
warmth floods my systems
and i can feel it in my chest.
my heart begins to beat.

blood flows once more
and something is happening to me.

i am laying,
in an empty room.

my shoulders begin to burn.
a tingle to go along with the itch.
then, suddenly,
i am screaming.

when i wake up,
i am on fire.

i am laying,
in an empty room.

and i sit up.

Originally published in Zilch Qualms, a Phoenix Poetry Slam anthology in 2019.

About the poet atlas st. cloud

atlas st. cloud’s poem grey walls is a haunting meditation on isolation, transformation, and rebirth. The poem places the speaker in an empty room, surrounded by the creeping cold that distorts perception—turning green eyes grey, freezing the breath, and numbing the senses. As the speaker remains motionless, they are enveloped by a void, an expanse of darkness filled with cosmic flashes and whispered reassurances. The line, “ice cannot kill a phoenix”, serves as a powerful moment of foreshadowing, hinting at an inevitable resurgence from the paralysis of despair.

The poem’s structure mirrors a cycle of entrapment and eventual release. The repetition of “I am laying, in an empty room” emphasizes stagnation, reinforcing the feeling of being stuck in an unchanging state. Yet, amid the cold and confinement, fire emerges. The warmth first presents itself as an itch, then an unbearable burn, until finally, the speaker erupts in flames—literally and metaphorically. The transformation is painful but necessary, illustrating a shift from suppression to liberation, from numbness to an awakening.

By the poem’s end, the speaker is no longer trapped in stillness. The final shift—from lying down to sitting up—marks a triumph over stasis, a rebirth from the ashes of struggle. grey walls is a deeply evocative piece that captures the internal battle between despair and resilience, ultimately leaving the reader with the image of survival and renewal.

Discover more about atlas st. cloud and his poetry here on his poet bio page.

Joshua wiss poet | azpoetry. Com

Joshua Wiss

Joshua Wiss: Spoken Word Poet and DIY Wordsmith

Joshua Wiss is a spoken word poet, musician, and storyteller based in Phoenix, Arizona. A poet of deep feeling and vibrant imagery, Wiss captures the essence of modern life, love, death, and the perils of suburban existence through his evocative performances. With a background rooted in the DIY aesthetic, Wiss merges raw emotion with carefully crafted verse, making his poetry a visceral experience for audiences.

A Veteran of the Poetry Slam Scene

Having competed at four National Poetry Slams, representing Flagstaff, Sedona, and the Valley of the Sun. Wiss has shared the stage with some of the world’s top-ranking performance poets, proving himself as a formidable force in the spoken word community. His poetry is as much a performance as it is an intimate conversation, pulling listeners into the rhythms of his words and the landscapes of his mind.

A Poet Rooted in Analog and Nostalgia

Beyond the stage, Wiss is a collector of stories and artifacts of the past. He can often be found tinkering with typewriters, playing musical instruments, or sorting through vinyl records at his day job in a record store. A self-described feeler with a voice, he embraces the analog world—a poet who revels in the beauty of VHS tapes, cassette players, and the timeless swing of Louis Prima.

Themes and Style

Joshua Wiss’s poetry is infused with powerful, often dreamlike imagery, reflecting on themes of:

  • Love and loss – Capturing the fleeting nature of relationships and memory.
  • Time and the universe – Questioning the cyclical patterns of existence and the energy that connects us all.
  • The human experience – Chronicling life’s highs and lows with authenticity and grace.

His poem Wallflower is a perfect example of his craft, blending themes of memory, presence, and the ephemeral nature of time. Lines like “every good party needs a Wallflower to stand witness and materialize memories” illustrate his unique ability to translate the intangible into poetic form.

A Legacy in the Making

Wiss’s work goes beyond spoken word competitions—his poetry is an experience, a ritual, and a reflection of the world around him. Whether performing at slams or connecting with audiences in intimate settings, Joshua Wiss continues to be a powerful and unforgettable voice in Arizona’s poetry scene.

Satellite tv sports poem by nick fox blog artwork | azpoetry. Com

Satellite TV Sports by Nick Fox

“Satellite TV Sports” by Nick Fox

you’re listening to the voice of Nick
Fox the Total Sports poet in five four
three fabulous new diet I lost 500 lb
act now and you can for the one on the
Green Bay too and this is what I’m
talking about put that salad down you do
not need protein shakes or tofu diets we
have pork rinds and onion dip to take
care of your nutritional needs so just
rear back in that Parco lounger feed off
the sonic waves beaming back from your
jumbotron home theaters personal satellite
in orbit 50 miles above the Earth and give
your thumb a workout because it’s Fourth
and one on the green
May 2 down by 5 and
3 seconds on the clock
all right boys I want classic
sweep around the outside
the pulling guard slamming the linebacker
like 300 lb of Frozen processed beef as
the tail back steps over the line for
six and The Crowd Goes

Wild

and now a word from our sponsor
drink this beer and beautiful women will
have sex with you


okay we’re back just
in time for full court match and a no look
dish to a man for unconscious threes I
want somebody in the zone high up the
fray before changing the chain net with a
backward crunching Jam his blue penny
hardaways all over the defender eyepiece
before dropping back to Earth and
shouting back that on you sun

a chill 66


it’s the greatest show on frozen water
roaring across thin ice on hot blades
give me a 90 mph Slap Shot Rapier glove
save and now a word from our sponsors

if you subscribe to Sports Illustrated
today we will send you this free
football phone wow is that a phone
really that looks just like a football
is that really
Hey, Scooter get load of this deal!

okay we’re back just a time
for football the old-fashioned way with
Henderson bicycle kicks and no hands
allow give me the neverending roar of a
singing Brazilian crowd
chanting Ole Ole Ole Ole
not make the blazing feet for a

GOAL!!!

Oh that’s got to hurt, Bob

I’m the greatest of all

to they’re up in ring of
the fifth race Island Park out the box
is old sport in the lead Follow by
Taylor man DP catcher with Baltimore Joe
bringing out the rear and here they come
in the first turn

CH 57 it’s the
American Passtime on a perfect summer’s
day and a farm boy fresher the miners
strides to the plate it’s a 3-2 count in
a one-run game in the bottom of the 9th
and the base is Juiced and the whole
crowd is chanting say it with me
now

CHARGE!

and now a word from our sponsor

these Nike shoes proudly endorsed by
Michael Jordan Andre Agassi and Tiger
Woods are specially engineered by
starving overworked underpaid third world
children to make you into your walking
billboard for a multinational corporation

okay we’re back he swings on single and
drives to the Gap whole stadium raises to
its feet the C man fry the whole stadium
screaming slide Willy slide up settle in
our home plate under a column
safe
safe
and that is when you realize that this
is the American Dream in action my
friends it is 550 channels of ass
kicking fan rooting six shooting fun
this is the American Dream in action
even if the world outside can’t see but
who the hell needs a life when you got
satellite TV

Watch “Satellite TV Sports” by Nick Fox on YouTube

About the poet Nick Fox

In Satellite TV Sports, Nick Fox delivers a satirical, rapid-fire commentary on the overwhelming spectacle of televised sports and the relentless consumer culture that fuels it. Nick Fox was the founder of the Flagstaff Poetry Slam. The poem mimics the high-energy voice of a sports announcer, bombarding the reader with play-by-play action from various sports—football, basketball, hockey, soccer, horse racing, and baseball—all interwoven with exaggerated commercial breaks that promise instant gratification through consumption.

Fox’s use of repetitive advertising language and hyperbolic imagery mocks the way sports broadcasting transforms athleticism into a commercialized, almost religious experience. The poem critiques corporate influence, as seen in the cynical nod to Nike shoes being produced by underpaid laborers, and the hollow promises of beer commercials that link consumption to sexual success. Beneath the humor of this poem originally written in 2003, the poem asks a deeper question: Has the American Dream become nothing more than an endless loop of entertainment, advertising, and passive consumption?

The final lines drive the point home: “Who the hell needs a life when you got satellite TV?”—a sharp indictment of a society that prioritizes escapism over reality. The poem doesn’t just describe the sports experience; it exposes the machinery behind it, revealing how entertainment and advertising have merged into an unstoppable force that dictates culture and identity.

Fox’s signature style blends sharp wit, social commentary, and an uncanny ability to capture the absurdity of modern life. To read more about Nick Fox’s poetic career and unique voice, click here to visit his bio page.

Free admission poem by cylie naylor | azpoetry. Com

Free Admission by Cylie Naylor

“Free Admission” by Cylie Naylor

the welcome sign to the gallery of my
heart reads free admission open every
day of the year and everything here has
some history and there’s plenty to see
on account of how I can fall in love so
quickly you know the average heartbeat
of a woman is about eight beats a minute
faster than a man’s which might explain
why it’s so hard to keep up with me so I
hope you’re up to the chase and I hope
you like what I’ve done with the place
take your time make yourself at home
enjoy the space you’re greeted with wine
and a waiver upon entry I’ve done
everything possible to ensure that it’s
not empty and that you won’t be bored
there are love letters scrawled on the
baseboards and the molding and the
hinges of every door it’s a bit chaotic
but you’re intrigued to see more and
please ignore the caution tape as some
rooms are still under construction but
there’s still plenty of me left for your
consumption there are some films about
Obsession and letters from past loves
held in resin the first hand that I held
in the first lips that I kissed this
room interactive at your own risk
because some before have been Reckless
cut their hands on my rough edges left
bloody finger paintings all over my
walls so I have something left to
remember them by
and this room a voicemail playing him
saying goodbye for the last time and
that room shattered glass covers the
floor for every bottle I never meant
more than
every piece of every heart that I broke
on my own accord and this room a single
framed portrait that neatly reads I’m
sorry for every time I messily couldn’t
and this place has a room decorated by
every love I’ve ever met I adorned them
with every memory and story they’ve
given me and on your way out I’ll hand
each of you an apology for anything
frightful that you might have seen But
honestly the one thing this place could
use is a little better security because
you are here every day
first in line to stake your claim as if
you couldn’t see that the biggest room
they gave me is already titled with your
name you are my largest most tragic
display for everyone to see The
Menagerie of the mess you’ve made of me
and when passersby say that you could
just spend days in this Gallery I think
about how there are 60000
miles of blood vessels within you
enough to go around the world twice
which is about how long that I would
travel to hear my heartbeat against
yours for one more night plenty of time
spent wandering trying to find you at
the right place or the right time and I
am the desperate Starstruck Basquiat to
your Warhol and I’ll walk endless Halls
haunted by crooked portraits of our
could have bins and every time I let
myself look around for too long you
become my muse all over again
I begged them not to let you in but you
never listen or you’re forced your way
through them but you’ll still find me
here and my ear is in a box on your
doorstep eager to listen for eternity if
you’ll just come home to me and I’ve
been busy scrubbing this place of your
memory but anyway
I’ll make some calls about that security
thank you for coming please take this
survey rating how much you all felt
loved by me.

Transcribed from the video “Free Admission” by Ghost Poetry Show and Cylie Naylor.

Watch Cylie Naylor perform “Free Admission” at Ghost Poetry Show on YouTube

About the poet Cylie Naylor

In Free Admission, Cylie Naylor masterfully constructs an extended metaphor of the heart as a museum—an open gallery where love, heartbreak, and memories are on full display. The poem invites the reader into an intimate, emotional space, detailing the artifacts of past relationships, the remnants of love lost, and the scars left behind by reckless visitors. The speaker’s vulnerability is woven into every exhibit, from love letters etched into door frames to shattered glass symbolizing broken promises. The museum is chaotic, unfinished, yet mesmerizing—reflecting the speaker’s emotional history and the lingering presence of a past love who still looms as the gallery’s most tragic display.

Naylor’s use of striking imagery and juxtaposition creates a powerful emotional impact. The speaker is both curator and captive, struggling to move on while still hoping for a return. The final lines—where the speaker acknowledges their futile attempts to erase the past while joking about improving security—underscore the poem’s aching vulnerability and quiet resignation.

With its blend of personal reflection, raw emotion, and artistic metaphor, Free Admission speaks to the universal experience of love, loss, and the struggle to reclaim one’s heart.

To learn more about Cylie Naylor and her poetic journey, visit her bio page here.

Bob dylan's love and theft poem by dom flemons | azpoetry. Com

Bob Dylan’s Love and Theft by Dom Flemons

“Bob Dylan’s ‘Love and Theft’ by Dom Flemons

well you’ve heard a lot of stories
I’m going to tell you one

love and theft

it was the 10th of September 2001
and I went to bed knowing
that I would wake up the next day and
consume the album which I had waited
four years to buy
love and theft
the newest Bob Dylan album which I had pretty
high expectations for because I really
enjoyed the Grammy Award winning album
which had preceded it but as you all
might have guessed my delusion of sleep
was ruptured by something I’m going to
get into because the world has already
looked it over satired it analyzed it
digested it and it came out as a commercial

all I can think of when I see these scenes is love and theft
I love life
I love people
I love children
I love America
even with all of its faults


it’s like a friend that you’ve known all of your life who has a drug problem
because you know something’s wrong
but you don’t know how to say something that’s going to make a difference


and theft
when I dropped the 20 bucks
and when I knew I was overdrawn at that bank
and I knew that charge was going to cost me
more than that CD ever did yes


and theft when I watched that body count going
theft of the lives that were taken but damn
I love listening to Bob Dylan
but you see with this album the songs are all right
but the man’s voice showed the 60 years that I until then never regarded
because he used to phrase the words so well on the old AM
but now the words just go together and they go into a continuous phase
and they don’t seem to make that much sense anyway
but damn who knew someone was going to take a plane
and they would but I’m not going to get into that
because all I can think of is love and theft

now I hear people say I hate America
I hate George Bush
I hate capitalism
and I hate
but you know what
I hate hate
but what does that make when you hate is all you do
is embrace the theft of love
the theft of Freedom
the theft of letting people learn from their own mistakes
the theft of condemning people for not feeling the same way about something that you do
just let them fuck up

I’m sorry but
unless your life is in their hands and
you’re on the scene just let them fuck up
because after more of a year of
hearing about who did this who did that
who Jihad is righteous which crusade are
we in this time goddamn I don’t know
what’s going to go on and random bombing
in Palestine 30 people were killed and
175 were injured maybe it’s with
Al-Qaeda maybe it’s was some terrorist
group that could be linked with Bin
Laden who was with Saddam Hussein maybe
I think that we were thinking about that
in the news

I don’t care cuz when I look around
and I see all these scenes and I see
this one thing that happened September
11th what happened it stopped the whole
world in its tracks all I can think of is
is how much did
love and theft truly cost?

Transcribed from the video “unknown title” by Poetry Slam Archive and Dom Flemons.

Watch Dom Flemons perform “Bob Dylan’s Love and Theft” on YouTube

About the poet Dom Flemons

Before Timothée Chalamet brought Grammy-winner Bob Dylan back into the cultural zeitgeist with the film “A Complete Unknown”, and before songwriter Dom Flemons received his own Grammy, he performed “Unknown Title” or “Bob Dylan’s Love and Theft” at the 2003 National Poetry Slam in Chicago Illinois while representing the Flagstaff Poetry Slam.

“Love and Theft” is a reflective, bittersweet meditation on the collision of personal anticipation and collective tragedy. In the poem, Flemons recounts the night before September 11th, 2001, a night filled with mundane plans, like eagerly awaiting a Bob Dylan album he had long desired, only to be abruptly confronted by the overwhelming reality of loss and change. The refrain “love and theft” captures the dual nature of human experience: the love we hold for life, people, and moments, juxtaposed with the theft of innocence, freedom, and memory wrought by unspeakable events. With a blend of humor and raw honesty, the poem critiques the commercialization of tragedy and challenges us to confront the true cost of loss.

Learn more about The American Songster, Dom Flemons, HERE.

Nick fox voice of god poetry | azpoetry. Com

Nick Fox

Nick Fox: Founder, Performer, and “The Voice of God” in Slam Poetry

Nick Fox is a celebrated poet, performer, educator, and a pivotal figure in the American slam poetry movement. As the founder of the Flagstaff Poetry Slam and an early competitor in Arizona’s burgeoning poetry slam scene, Fox helped shape the vibrant spoken word community that thrives in the state today. His contributions extend far beyond Arizona, as Fox is also renowned for hosting the finals of the National Poetry Slam for over a decade, where he earned the nickname “The Voice of God” for his commanding presence and resonant delivery.


Early Days in Slam Poetry: The Mesa Years

Nick Fox’s journey into slam poetry began during the first wave of the movement, performing in Mesa, Arizona. As a competitor in the early days of Arizona’s slam scene, Fox showcased his ability to blend compelling storytelling with captivating performance, quickly becoming a standout voice in the community. His work explored themes of humanity, relationships, and the intricacies of everyday life, resonating deeply with audiences. His contributions during this time helped solidify Mesa as a hub for poetry slam in Arizona.


Founding the Flagstaff Poetry Slam

Fox’s passion for creating spaces where poets could thrive led him to establish the Flagstaff Poetry Slam. Under his leadership, the slam became a cornerstone of Flagstaff’s arts and culture scene, drawing poets and audiences from across the state. By fostering an inclusive and dynamic environment, Fox played an instrumental role in building a community where poets of all backgrounds could share their voices.

The Flagstaff Poetry Slam not only became a home for local poets but also attracted some of the most talented spoken word artists from across Arizona. Fox’s ability to nurture new talent and curate engaging events helped make Flagstaff a vibrant hub for spoken word poetry, with ripple effects felt throughout the state’s literary scene.


Hosting the National Poetry Slam Finals: “The Voice of God”

Nick Fox’s influence extended far beyond Arizona when he became the longtime host of the National Poetry Slam finals, one of the most prestigious events in the spoken word world. For over a decade, Fox’s booming voice, charismatic stage presence, and sharp wit elevated the event to new heights. His commanding presence as host earned him the nickname The Voice of God,” a testament to the respect and admiration he garnered from poets and audiences alike.

Fox’s role as host was not simply about announcing poets or performances—it was about creating an atmosphere of excitement, reverence, and community. His ability to connect with audiences and performers alike made the finals an unforgettable experience, cementing his legacy as a cornerstone of the national slam poetry movement.


Nick Fox as a Writer and Traveler

Beyond his achievements in poetry and performance, Nick Fox is also a prolific writer and avid traveler. His travel blog, …said the Fox, chronicles his journeys across the globe, combining his poetic sensibilities with his love of storytelling. Through vivid descriptions and thoughtful reflections, Fox’s blog offers readers a glimpse into his experiences and the lessons he’s learned along the way.

His travel writing explores themes of identity, cultural discovery, and the connections we form with the world around us. The same attention to detail and emotional resonance that defines his poetry shines through in his prose, making his blog a must-read for fans of both travel and literary artistry.


Educator and Mentor

As an educator, Nick Fox has inspired countless poets, performers, and writers to explore their own creative voices. His dedication to fostering talent and building communities has left a lasting impact on Arizona’s literary and performance arts scenes. Fox’s ability to connect with people on a personal level, whether through his poetry or teaching, underscores his commitment to creating spaces where others can thrive.

Fox’s legacy in Arizona poetry is one of mentorship, innovation, and passion. His contributions to slam poetry, both as a competitor and as an organizer, have helped elevate the art form in Arizona and across the country.


Legacy and Influence

Nick Fox’s contributions to slam poetry and the arts have made him a vital figure in Arizona’s literary history. From his beginnings as a slam poet in Mesa to founding the Flagstaff Poetry Slam and hosting the National Poetry Slam finals, Fox has consistently demonstrated a commitment to amplifying voices and building vibrant artistic communities.

His unique blend of poetry, performance, and storytelling continues to inspire audiences and writers alike. Nick Fox’s legacy lives on in the thriving slam poetry scenes he helped cultivate and the countless poets he has mentored and influenced throughout his career.

For more about Nick Fox’s writing and travels, visit his blog at nickfox.wordpress.com.

Discover more poets and writers from Arizona HERE.

Patrick hare poet | azpoetry. Com

Patrick Hare

Patrick Hare: The Sardonic Voice of Phoenix’s Cubicle Realities

Patrick Hare is a dynamic performance poet whose sharp wit and unflinching observations have made him a staple of the Mesa Poetry Slam at Essenza Coffeehouse in Phoenix, Arizona. With over twenty years of experience on the spoken word stage, Hare’s poetry cuts through the everyday monotony of modern work life, transforming the struggles of the cubicle worker into a powerful, humorous commentary on contemporary society.


A Unique Perspective on Modern Life

In a city where call centers and digital marketing firms dominate the professional landscape, Patrick Hare has carved out a niche by exploring the untold stories of office life. His verses vividly capture the ironies, frustrations, and absurdities of the 9-to-5 grind. With a language that is both biting and relatable, Hare uses poetry as a weapon of humor—employing a sardonic scalpel to dissect the routines and rituals we often take for granted. His work invites listeners to laugh at the mundane and, in doing so, to recognize the hidden truths of their own lives.


A Veteran of the Mesa Poetry Scene

A fixture at the Mesa Poetry Slam, Hare has shared the stage with notable Arizona poets such as Bill Campana, Lauren Perry, and The Klute. His contributions to the local poetry community have helped define a uniquely Phoenix voice—a blend of humor, grit, and acute social observation. Whether performing at intimate open mics or competing at national events, Hare’s presence is always magnetic, drawing audiences in with his clever wordplay and raw honesty.

Over the course of his career, Hare has competed in several National Poetry Slams, earning accolades and respect for his fearless approach to performance. His ability to translate the trials and triumphs of everyday work life into compelling, laugh-out-loud poetry has set him apart as one of the region’s most engaging spoken word artists. His collection of poems “Corporate Boilerplate Vinegar” was made available by Brick Cave Media in 2019.


Crafting Humor from the Heart of the Cubicle

At the core of Patrick Hare’s work is a deep understanding of the modern workforce. His poems serve as a mirror to the daily grind, revealing the absurdity of corporate culture and the human cost of a life confined to cubicles and deadlines. With a style that is both incisive and playful, Hare dismantles the polished veneer of modern professionalism to expose the often unspoken realities beneath. His poetry is unapologetically raw, inviting audiences to confront their own discomforts and find humor in the shared experience of modern life.

Hare’s work is characterized by its ability to transform mundane observations into memorable, thought-provoking performances. Each line is crafted with precision, offering a mix of clever puns, cultural references, and biting social commentary that resonates with anyone who has ever sat through another endless meeting or navigated the labyrinth of corporate life.


A Lasting Influence on Arizona Poetry

Patrick Hare’s contributions to the Arizona poetry scene extend beyond his performances at local slams. By capturing the spirit of the modern workplace and infusing it with humor and honesty, he has influenced a new generation of poets who see everyday life as a rich source of inspiration. His work not only entertains but also challenges his audience to reflect on the societal structures that shape our lives, making him a critical voice in the dialogue on work, identity, and community.

Hare continues to be a powerful advocate for the transformative power of poetry. His commitment to illuminating the overlooked aspects of life and his dedication to the art of performance have left a lasting legacy on the Phoenix literary landscape.

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Bill campana azpoetry. Com

Bill Campana

Bill Campana: The Unstoppable Force of Arizona Slam Poetry

Bill Campana is a poet who defies conventions and leaves audiences spellbound with his razor-sharp, entertaining verse. Rooted in the vibrant 1990s poetry slam movement, Campana has established himself as one of Arizona’s most versatile and influential voices. His performances and published works traverse a wide spectrum of styles and ideas, marking him as a fearless explorer of language and emotion.


Electrifying Live Performances

Bill Campana is renowned for his dynamic live performances that capture the raw energy of slam poetry. With a stage presence that can only be described as electrifying, Campana unleashes a relentless barrage of linguistic observations that hit you like a pocket pistol of poetic brilliance. His ability to transform each performance into an unforgettable experience has earned him a reputation as one of the loudest and most captivating voices in the poetry slam arena.

A key highlight of his career is his consistent representation of the Mesa National Poetry Slam Team. Bill has taken the stage on multiple occasions, demonstrating not only his technical prowess but also his deep passion for the art of spoken word. His performances have consistently moved audiences, leaving a lasting impression and inspiring both established poets and newcomers alike.


A Versatile Writer and Poet

Beyond his live performances, Bill Campana’s literary contributions further showcase his versatility as a writer. His extensive body of published work spans a diverse range of styles and genres. Campana has released collections on respected platforms such as Brick Cave Media and Hoot n Waddle Press, where he challenges readers with innovative ideas and masterful command of language.

Whether delving into personal introspection or exploring broader social themes, his poems invite audiences to experience a spectrum of emotions—from the deeply melancholic to the triumphantly humorous. Campana’s fearless exploration of unique ideas not only engages readers but also encourages them to see poetry as a powerful tool for both self-expression and social commentary.


Contributions to the Arizona Poetry Scene

Bill Campana’s impact on Arizona’s literary landscape is immeasurable. As a stalwart of the local poetry slam community, he has played a pivotal role in cultivating a vibrant and supportive environment for poets across the state. His participation in regional competitions and his memorable performances have helped to define Arizona’s distinctive poetic voice, inspiring countless emerging artists.

Campana’s work reflects the spirit of the Southwest—bold, unapologetic, and full of life. His commitment to the art of poetry has not only elevated his own career but has also helped to bring greater attention to Arizona poetry as a whole, positioning the state as a significant hub for creative expression and innovation in the realm of spoken word.


Legacy and Ongoing Influence

Bill Campana continues to leave an indelible mark on the world of poetry through his uncompromising dedication and innovative spirit. His contributions to both live performance and published poetry have set a high standard within the slam community, inspiring a new generation of poets to push boundaries and explore the depths of human experience.

Campana’s work serves as a reminder that poetry is not confined to traditional forms but can be a dynamic, living art that evolves with its creator. His ability to mix humor, sharp social commentary, and personal reflection has established him as a beacon of creative energy—one whose legacy is woven into the fabric of Arizona’s cultural history.

Listen to Bill Campana on Spotify

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Aaron hopkins-johnson azpoetry. Com lawn gnome publishing bookstore

Aaron Hopkins-Johnson

Aaron Hopkins-Johnson: Poet, Organizer, and Arts Advocate

Aaron Hopkins-Johnson, a revered artist and writer based in Phoenix, Arizona, has made an indelible impact on the spoken word and poetry communities across the Southwest and beyond. Known for his dynamic performances, tireless event organizing, and advocacy for the arts, Aaron’s influence has stretched across nearly two decades of Arizona’s literary and performance art history.


A Champion in Spoken Word Performance

Aaron’s accolades in performance poetry are both impressive and far-reaching. In 2001, he became the International Poetry Interpretation Champion at the International Forensics Association, showcasing his skill in crafting and delivering emotionally resonant poetry. Over the years, he has performed alongside iconic figures in spoken word and literature, including Gil Scott-Heron, Saul Williams, Buddy Wakefield, Andrea Gibson, Henry Rollins, and Rachel McKibbens, to name just a few.

As a competitor, Aaron represented Arizona on multiple National Poetry Slam (NPS) stages, earning spots on both the Flagstaff Poetry Slam Team and the Phoenix Poetry Slam Team. Notably, he was a Haiku Deathmatch Finalist at NPS and the Arcosanti Slab City Slam Regional Haiku Champion, demonstrating his creative range in both traditional and experimental formats.


Builder of Community and Platforms for Poetry

Aaron’s commitment to fostering the poetry community in Arizona is unparalleled. From 2006 to 2008, he served as the SlamMaster of FlagSlam, ensuring the vibrant Flagstaff poetry scene remained a cornerstone of regional spoken word culture. He also hosted the beloved Monday Night Open Mic at Applesauce Teahouse and directed various flagship events, including the Southwest Shootout Regional Qualifiers, the Treetop Poetry Regional Slam, and the 2014 Individual World Poetry Slam (IWPS).

Additionally, Hopkins-Johnson was on the 2009 Phoenix Poetry Slam team alongside Myrlin Hepworth, The Klute and Ed Mabrey – an incredible team that placed the highest of any slam poetry team from Arizona in a National Poetry Slam. Aaron worked as the Program Director of Operations at NORAZpoets, supporting and mentoring poets throughout Northern Arizona. His legacy as an organizer extends far beyond local borders, making Arizona a vital hub for poetry and performance.


A Decade with Lawn Gnome Publishing

From 2004 to 2023, Aaron operated Lawn Gnome Publishing, a multifaceted space that served as a poetry venue, indie bookstore, and cultural nexus in Phoenix. Hosting events almost daily for nearly two decades, Lawn Gnome became a community cornerstone for Arizona artists, poets, and creatives.


Grant Recipient and Teaching Artist

Aaron’s contributions to Arizona’s arts scene have been recognized with multiple prestigious grants, including funding from the Arizona Humanities Council, National Endowment for the Arts, and the Arizona Commission on the Arts. These grants supported a range of his educational and community projects, from public art installations to teaching artist residencies.

A committed educator, Aaron facilitated workshops and programming at the Mesa Center for the Arts, empowering young poets and fostering a love for the written word. His “We Are One” grant-funded projects through the City of Glendale and his collaborations with the City of Phoenix cemented his legacy as a key figure in Arizona’s arts development.


Published Works and Poetry Collections

Throughout his career, Aaron Hopkins-Johnson published multiple collections of poetry that highlight his wit, depth, and unique voice. His books include:

  • “Roach Killer For Her”
  • Chainsawsmoking
  • “Rights4Lefty”
  • “Watering The Poetry”
  • “Irony Stinks: My Life Is Irony”

Each collection reflects Aaron’s raw, honest, and unfiltered style, offering readers an intimate glimpse into his creative mind.


Retirement and Legacy

In 2023, Aaron Hopkins-Johnson officially retired from public performances, event organizing, and projects, leaving behind an extraordinary legacy of creativity and community impact. His years of tireless work have laid the foundation for future generations of poets, performers, and artists in Arizona and beyond.

Aaron’s story is a testament to the transformative power of art and the importance of building platforms for others to shine. Even in retirement, his influence continues to ripple through Arizona’s poetry scene, cementing his place as one of the most significant contributors to the spoken word community in the Southwest.

Listen to Aaron Hopkins-Johnson on Spotify

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