Tag: Slam poetry

Read Slam Poetry written by slam poets, cowboy poets, and literary giants inspired by the state of Arizona!

Satellite TV Sports poem by Nick Fox blog artwork | AZpoetry.com

Satellite TV Sports by Nick Fox

February 27, 2025

“Satellite TV Sports” by Nick Fox

you’re listening to the voice of Nick
Fox the Total Sports poet in five four
three fabulous new diet I lost 500 lb
act now and you can for the one on the
Green Bay too and this is what I’m
talking about put that salad down you do
not need protein shakes or tofu diets we
have pork rinds and onion dip to take
care of your nutritional needs so just
rear back in that Parco lounger feed off
the sonic waves beaming back from your
jumbotron home theaters personal satellite
in orbit 50 miles above the Earth and give
your thumb a workout because it’s Fourth
and one on the green
May 2 down by 5 and
3 seconds on the clock
all right boys I want classic
sweep around the outside
the pulling guard slamming the linebacker
like 300 lb of Frozen processed beef as
the tail back steps over the line for
six and The Crowd Goes

Wild

and now a word from our sponsor
drink this beer and beautiful women will
have sex with you

okay we’re back just
in time for full court match and a no look
dish to a man for unconscious threes I
want somebody in the zone high up the
fray before changing the chain net with a
backward crunching Jam his blue penny
hardaways all over the defender eyepiece
before dropping back to Earth and
shouting back that on you sun

a chill 66

it’s the greatest show on frozen water
roaring across thin ice on hot blades
give me a 90 mph Slap Shot Rapier glove
save and now a word from our sponsors

if you subscribe to Sports Illustrated
today we will send you this free
football phone wow is that a phone
really that looks just like a football
is that really
Hey, Scooter get load of this deal!

okay we’re back just a time
for football the old-fashioned way with
Henderson bicycle kicks and no hands
allow give me the neverending roar of a
singing Brazilian crowd
chanting Ole Ole Ole Ole
not make the blazing feet for a

GOAL!!!

Oh that’s got to hurt, Bob

I’m the greatest of all

to they’re up in ring of
the fifth race Island Park out the box
is old sport in the lead Follow by
Taylor man DP catcher with Baltimore Joe
bringing out the rear and here they come
in the first turn

CH 57 it’s the
American Passtime on a perfect summer’s
day and a farm boy fresher the miners
strides to the plate it’s a 3-2 count in
a one-run game in the bottom of the 9th
and the base is Juiced and the whole
crowd is chanting say it with me
now

CHARGE!

and now a word from our sponsor

these Nike shoes proudly endorsed by
Michael Jordan Andre Agassi and Tiger
Woods are specially engineered by
starving overworked underpaid third world
children to make you into your walking
billboard for a multinational corporation

okay we’re back he swings on single and
drives to the Gap whole stadium raises to
its feet the C man fry the whole stadium
screaming slide Willy slide up settle in
our home plate under a column
safe
safe
and that is when you realize that this
is the American Dream in action my
friends it is 550 channels of ass
kicking fan rooting six shooting fun
this is the American Dream in action
even if the world outside can’t see but
who the hell needs a life when you got
satellite TV

Watch “Satellite TV Sports” by Nick Fox on YouTube

About the poet Nick Fox

In Satellite TV Sports, Nick Fox delivers a satirical, rapid-fire commentary on the overwhelming spectacle of televised sports and the relentless consumer culture that fuels it. Nick Fox was the founder of the Flagstaff Poetry Slam. The poem mimics the high-energy voice of a sports announcer, bombarding the reader with play-by-play action from various sports—football, basketball, hockey, soccer, horse racing, and baseball—all interwoven with exaggerated commercial breaks that promise instant gratification through consumption.

Fox’s use of repetitive advertising language and hyperbolic imagery mocks the way sports broadcasting transforms athleticism into a commercialized, almost religious experience. The poem critiques corporate influence, as seen in the cynical nod to Nike shoes being produced by underpaid laborers, and the hollow promises of beer commercials that link consumption to sexual success. Beneath the humor of this poem originally written in 2003, the poem asks a deeper question: Has the American Dream become nothing more than an endless loop of entertainment, advertising, and passive consumption?

The final lines drive the point home: “Who the hell needs a life when you got satellite TV?”—a sharp indictment of a society that prioritizes escapism over reality. The poem doesn’t just describe the sports experience; it exposes the machinery behind it, revealing how entertainment and advertising have merged into an unstoppable force that dictates culture and identity.

Fox’s signature style blends sharp wit, social commentary, and an uncanny ability to capture the absurdity of modern life. To read more about Nick Fox’s poetic career and unique voice, click here to visit his bio page.

Free Admission poem by Cylie Naylor | AZpoetry.com

Free Admission by Cylie Naylor

February 26, 2025

“Free Admission” by Cylie Naylor

the welcome sign to the gallery of my
heart reads free admission open every
day of the year and everything here has
some history and there’s plenty to see
on account of how I can fall in love so
quickly you know the average heartbeat
of a woman is about eight beats a minute
faster than a man’s which might explain
why it’s so hard to keep up with me so I
hope you’re up to the chase and I hope
you like what I’ve done with the place
take your time make yourself at home
enjoy the space you’re greeted with wine
and a waiver upon entry I’ve done
everything possible to ensure that it’s
not empty and that you won’t be bored
there are love letters scrawled on the
baseboards and the molding and the
hinges of every door it’s a bit chaotic
but you’re intrigued to see more and
please ignore the caution tape as some
rooms are still under construction but
there’s still plenty of me left for your
consumption there are some films about
Obsession and letters from past loves
held in resin the first hand that I held
in the first lips that I kissed this
room interactive at your own risk
because some before have been Reckless
cut their hands on my rough edges left
bloody finger paintings all over my
walls so I have something left to
remember them by
and this room a voicemail playing him
saying goodbye for the last time and
that room shattered glass covers the
floor for every bottle I never meant
more than
every piece of every heart that I broke
on my own accord and this room a single
framed portrait that neatly reads I’m
sorry for every time I messily couldn’t
and this place has a room decorated by
every love I’ve ever met I adorned them
with every memory and story they’ve
given me and on your way out I’ll hand
each of you an apology for anything
frightful that you might have seen But
honestly the one thing this place could
use is a little better security because
you are here every day
first in line to stake your claim as if
you couldn’t see that the biggest room
they gave me is already titled with your
name you are my largest most tragic
display for everyone to see The
Menagerie of the mess you’ve made of me
and when passersby say that you could
just spend days in this Gallery I think
about how there are 60000
miles of blood vessels within you
enough to go around the world twice
which is about how long that I would
travel to hear my heartbeat against
yours for one more night plenty of time
spent wandering trying to find you at
the right place or the right time and I
am the desperate Starstruck Basquiat to
your Warhol and I’ll walk endless Halls
haunted by crooked portraits of our
could have bins and every time I let
myself look around for too long you
become my muse all over again
I begged them not to let you in but you
never listen or you’re forced your way
through them but you’ll still find me
here and my ear is in a box on your
doorstep eager to listen for eternity if
you’ll just come home to me and I’ve
been busy scrubbing this place of your
memory but anyway
I’ll make some calls about that security
thank you for coming please take this
survey rating how much you all felt
loved by me.

Transcribed from the video “Free Admission” by Ghost Poetry Show and Cylie Naylor.

Watch Cylie Naylor perform “Free Admission” at Ghost Poetry Show on YouTube

About the poet Cylie Naylor

In Free Admission, Cylie Naylor masterfully constructs an extended metaphor of the heart as a museum—an open gallery where love, heartbreak, and memories are on full display. The poem invites the reader into an intimate, emotional space, detailing the artifacts of past relationships, the remnants of love lost, and the scars left behind by reckless visitors. The speaker’s vulnerability is woven into every exhibit, from love letters etched into door frames to shattered glass symbolizing broken promises. The museum is chaotic, unfinished, yet mesmerizing—reflecting the speaker’s emotional history and the lingering presence of a past love who still looms as the gallery’s most tragic display.

Naylor’s use of striking imagery and juxtaposition creates a powerful emotional impact. The speaker is both curator and captive, struggling to move on while still hoping for a return. The final lines—where the speaker acknowledges their futile attempts to erase the past while joking about improving security—underscore the poem’s aching vulnerability and quiet resignation.

With its blend of personal reflection, raw emotion, and artistic metaphor, Free Admission speaks to the universal experience of love, loss, and the struggle to reclaim one’s heart.

To learn more about Cylie Naylor and her poetic journey, visit her bio page here.

Bob Dylan's Love and Theft poem by Dom Flemons | AZpoetry.com

Bob Dylan’s Love and Theft by Dom Flemons

February 20, 2025

“Bob Dylan’s ‘Love and Theft’ by Dom Flemons

well you’ve heard a lot of stories
I’m going to tell you one

love and theft

it was the 10th of September 2001
and I went to bed knowing
that I would wake up the next day and
consume the album which I had waited
four years to buy
love and theft
the newest Bob Dylan album which I had pretty
high expectations for because I really
enjoyed the Grammy Award winning album
which had preceded it but as you all
might have guessed my delusion of sleep
was ruptured by something I’m going to
get into because the world has already
looked it over satired it analyzed it
digested it and it came out as a commercial

all I can think of when I see these scenes is love and theft
I love life
I love people
I love children
I love America
even with all of its faults

it’s like a friend that you’ve known all of your life who has a drug problem
because you know something’s wrong
but you don’t know how to say something that’s going to make a difference

and theft
when I dropped the 20 bucks
and when I knew I was overdrawn at that bank
and I knew that charge was going to cost me
more than that CD ever did yes

and theft when I watched that body count going
theft of the lives that were taken but damn
I love listening to Bob Dylan
but you see with this album the songs are all right
but the man’s voice showed the 60 years that I until then never regarded
because he used to phrase the words so well on the old AM
but now the words just go together and they go into a continuous phase
and they don’t seem to make that much sense anyway
but damn who knew someone was going to take a plane
and they would but I’m not going to get into that
because all I can think of is love and theft

now I hear people say I hate America
I hate George Bush
I hate capitalism
and I hate
but you know what
I hate hate
but what does that make when you hate is all you do
is embrace the theft of love
the theft of Freedom
the theft of letting people learn from their own mistakes
the theft of condemning people for not feeling the same way about something that you do
just let them fuck up

I’m sorry but
unless your life is in their hands and
you’re on the scene just let them fuck up
because after more of a year of
hearing about who did this who did that
who Jihad is righteous which crusade are
we in this time goddamn I don’t know
what’s going to go on and random bombing
in Palestine 30 people were killed and
175 were injured maybe it’s with
Al-Qaeda maybe it’s was some terrorist
group that could be linked with Bin
Laden who was with Saddam Hussein maybe
I think that we were thinking about that
in the news

I don’t care cuz when I look around
and I see all these scenes and I see
this one thing that happened September
11th what happened it stopped the whole
world in its tracks all I can think of is
is how much did
love and theft truly cost?

Transcribed from the video “unknown title” by Poetry Slam Archive and Dom Flemons.

Watch Dom Flemons perform “Bob Dylan’s Love and Theft” on YouTube

About the poet Dom Flemons

Before Timothée Chalamet brought Grammy-winner Bob Dylan back into the cultural zeitgeist with the film “A Complete Unknown”, and before songwriter Dom Flemons received his own Grammy, he performed “Unknown Title” or “Bob Dylan’s Love and Theft” at the 2003 National Poetry Slam in Chicago Illinois while representing the Flagstaff Poetry Slam.

“Love and Theft” is a reflective, bittersweet meditation on the collision of personal anticipation and collective tragedy. In the poem, Flemons recounts the night before September 11th, 2001, a night filled with mundane plans, like eagerly awaiting a Bob Dylan album he had long desired, only to be abruptly confronted by the overwhelming reality of loss and change. The refrain “love and theft” captures the dual nature of human experience: the love we hold for life, people, and moments, juxtaposed with the theft of innocence, freedom, and memory wrought by unspeakable events. With a blend of humor and raw honesty, the poem critiques the commercialization of tragedy and challenges us to confront the true cost of loss.

Learn more about The American Songster, Dom Flemons, HERE.

Nick Fox

February 20, 2025

Nick Fox: Founder, Performer, and “The Voice of God” in Slam Poetry

Nick Fox is a celebrated poet, performer, educator, and a pivotal figure in the American slam poetry movement. As the founder of the Flagstaff Poetry Slam and an early competitor in Arizona’s burgeoning poetry slam scene, Fox helped shape the vibrant spoken word community that thrives in the state today. His contributions extend far beyond Arizona, as Fox is also renowned for hosting the finals of the National Poetry Slam for over a decade, where he earned the nickname “The Voice of God” for his commanding presence and resonant delivery.

Early Days in Slam Poetry: The Mesa Years

Nick Fox’s journey into slam poetry began during the first wave of the movement, performing in Mesa, Arizona. As a competitor in the early days of Arizona’s slam scene, Fox showcased his ability to blend compelling storytelling with captivating performance, quickly becoming a standout voice in the community. His work explored themes of humanity, relationships, and the intricacies of everyday life, resonating deeply with audiences. His contributions during this time helped solidify Mesa as a hub for poetry slam in Arizona.

Founding the Flagstaff Poetry Slam

Fox’s passion for creating spaces where poets could thrive led him to establish the Flagstaff Poetry Slam. Under his leadership, the slam became a cornerstone of Flagstaff’s arts and culture scene, drawing poets and audiences from across the state. By fostering an inclusive and dynamic environment, Fox played an instrumental role in building a community where poets of all backgrounds could share their voices.

The Flagstaff Poetry Slam not only became a home for local poets but also attracted some of the most talented spoken word artists from across Arizona. Fox’s ability to nurture new talent and curate engaging events helped make Flagstaff a vibrant hub for spoken word poetry, with ripple effects felt throughout the state’s literary scene.

Hosting the National Poetry Slam Finals: “The Voice of God”

Nick Fox’s influence extended far beyond Arizona when he became the longtime host of the National Poetry Slam finals, one of the most prestigious events in the spoken word world. For over a decade, Fox’s booming voice, charismatic stage presence, and sharp wit elevated the event to new heights. His commanding presence as host earned him the nickname “The Voice of God,” a testament to the respect and admiration he garnered from poets and audiences alike.

Fox’s role as host was not simply about announcing poets or performances—it was about creating an atmosphere of excitement, reverence, and community. His ability to connect with audiences and performers alike made the finals an unforgettable experience, cementing his legacy as a cornerstone of the national slam poetry movement.

Nick Fox as a Writer and Traveler

Beyond his achievements in poetry and performance, Nick Fox is also a prolific writer and avid traveler. His travel blog, “…said the Fox”, chronicles his journeys across the globe, combining his poetic sensibilities with his love of storytelling. Through vivid descriptions and thoughtful reflections, Fox’s blog offers readers a glimpse into his experiences and the lessons he’s learned along the way.

His travel writing explores themes of identity, cultural discovery, and the connections we form with the world around us. The same attention to detail and emotional resonance that defines his poetry shines through in his prose, making his blog a must-read for fans of both travel and literary artistry.

Educator and Mentor

As an educator, Nick Fox has inspired countless poets, performers, and writers to explore their own creative voices. His dedication to fostering talent and building communities has left a lasting impact on Arizona’s literary and performance arts scenes. Fox’s ability to connect with people on a personal level, whether through his poetry or teaching, underscores his commitment to creating spaces where others can thrive.

Fox’s legacy in Arizona poetry is one of mentorship, innovation, and passion. His contributions to slam poetry, both as a competitor and as an organizer, have helped elevate the art form in Arizona and across the country.

Legacy and Influence

Nick Fox’s contributions to slam poetry and the arts have made him a vital figure in Arizona’s literary history. From his beginnings as a slam poet in Mesa to founding the Flagstaff Poetry Slam and hosting the National Poetry Slam finals, Fox has consistently demonstrated a commitment to amplifying voices and building vibrant artistic communities.

His unique blend of poetry, performance, and storytelling continues to inspire audiences and writers alike. Nick Fox’s legacy lives on in the thriving slam poetry scenes he helped cultivate and the countless poets he has mentored and influenced throughout his career.

For more about Nick Fox’s writing and travels, visit his blog at nickfox.wordpress.com.

Discover more poets and writers from Arizona HERE.

Patrick Hare

February 13, 2025

Patrick Hare: The Sardonic Voice of Phoenix’s Cubicle Realities

Patrick Hare is a dynamic performance poet whose sharp wit and unflinching observations have made him a staple of the Mesa Poetry Slam at Essenza Coffeehouse in Phoenix, Arizona. With over twenty years of experience on the spoken word stage, Hare’s poetry cuts through the everyday monotony of modern work life, transforming the struggles of the cubicle worker into a powerful, humorous commentary on contemporary society.

A Unique Perspective on Modern Life

In a city where call centers and digital marketing firms dominate the professional landscape, Patrick Hare has carved out a niche by exploring the untold stories of office life. His verses vividly capture the ironies, frustrations, and absurdities of the 9-to-5 grind. With a language that is both biting and relatable, Hare uses poetry as a weapon of humor—employing a sardonic scalpel to dissect the routines and rituals we often take for granted. His work invites listeners to laugh at the mundane and, in doing so, to recognize the hidden truths of their own lives.

A Veteran of the Mesa Poetry Scene

A fixture at the Mesa Poetry Slam, Hare has shared the stage with notable Arizona poets such as Bill Campana, Lauren Perry, and The Klute. His contributions to the local poetry community have helped define a uniquely Phoenix voice—a blend of humor, grit, and acute social observation. Whether performing at intimate open mics or competing at national events, Hare’s presence is always magnetic, drawing audiences in with his clever wordplay and raw honesty.

Over the course of his career, Hare has competed in several National Poetry Slams, earning accolades and respect for his fearless approach to performance. His ability to translate the trials and triumphs of everyday work life into compelling, laugh-out-loud poetry has set him apart as one of the region’s most engaging spoken word artists. His collection of poems “Corporate Boilerplate Vinegar” was made available by Brick Cave Media in 2019.

Crafting Humor from the Heart of the Cubicle

At the core of Patrick Hare’s work is a deep understanding of the modern workforce. His poems serve as a mirror to the daily grind, revealing the absurdity of corporate culture and the human cost of a life confined to cubicles and deadlines. With a style that is both incisive and playful, Hare dismantles the polished veneer of modern professionalism to expose the often unspoken realities beneath. His poetry is unapologetically raw, inviting audiences to confront their own discomforts and find humor in the shared experience of modern life.

Hare’s work is characterized by its ability to transform mundane observations into memorable, thought-provoking performances. Each line is crafted with precision, offering a mix of clever puns, cultural references, and biting social commentary that resonates with anyone who has ever sat through another endless meeting or navigated the labyrinth of corporate life.

A Lasting Influence on Arizona Poetry

Patrick Hare’s contributions to the Arizona poetry scene extend beyond his performances at local slams. By capturing the spirit of the modern workplace and infusing it with humor and honesty, he has influenced a new generation of poets who see everyday life as a rich source of inspiration. His work not only entertains but also challenges his audience to reflect on the societal structures that shape our lives, making him a critical voice in the dialogue on work, identity, and community.

Hare continues to be a powerful advocate for the transformative power of poetry. His commitment to illuminating the overlooked aspects of life and his dedication to the art of performance have left a lasting legacy on the Phoenix literary landscape.

Read Arizona Poetry

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Alas, Poor Yorick I regard the sad little manAs I stand in …

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Bill Campana

February 13, 2025

Bill Campana: The Unstoppable Force of Arizona Slam Poetry

Bill Campana is a poet who defies conventions and leaves audiences spellbound with his razor-sharp, entertaining verse. Rooted in the vibrant 1990s poetry slam movement, Campana has established himself as one of Arizona’s most versatile and influential voices. His performances and published works traverse a wide spectrum of styles and ideas, marking him as a fearless explorer of language and emotion.

Electrifying Live Performances

Bill Campana is renowned for his dynamic live performances that capture the raw energy of slam poetry. With a stage presence that can only be described as electrifying, Campana unleashes a relentless barrage of linguistic observations that hit you like a pocket pistol of poetic brilliance. His ability to transform each performance into an unforgettable experience has earned him a reputation as one of the loudest and most captivating voices in the poetry slam arena.

A key highlight of his career is his consistent representation of the Mesa National Poetry Slam Team. Bill has taken the stage on multiple occasions, demonstrating not only his technical prowess but also his deep passion for the art of spoken word. His performances have consistently moved audiences, leaving a lasting impression and inspiring both established poets and newcomers alike.

A Versatile Writer and Poet

Beyond his live performances, Bill Campana’s literary contributions further showcase his versatility as a writer. His extensive body of published work spans a diverse range of styles and genres. Campana has released collections on respected platforms such as Brick Cave Media and Hoot n Waddle Press, where he challenges readers with innovative ideas and masterful command of language.

Whether delving into personal introspection or exploring broader social themes, his poems invite audiences to experience a spectrum of emotions—from the deeply melancholic to the triumphantly humorous. Campana’s fearless exploration of unique ideas not only engages readers but also encourages them to see poetry as a powerful tool for both self-expression and social commentary.

Contributions to the Arizona Poetry Scene

Bill Campana’s impact on Arizona’s literary landscape is immeasurable. As a stalwart of the local poetry slam community, he has played a pivotal role in cultivating a vibrant and supportive environment for poets across the state. His participation in regional competitions and his memorable performances have helped to define Arizona’s distinctive poetic voice, inspiring countless emerging artists.

Campana’s work reflects the spirit of the Southwest—bold, unapologetic, and full of life. His commitment to the art of poetry has not only elevated his own career but has also helped to bring greater attention to Arizona poetry as a whole, positioning the state as a significant hub for creative expression and innovation in the realm of spoken word.

Legacy and Ongoing Influence

Bill Campana continues to leave an indelible mark on the world of poetry through his uncompromising dedication and innovative spirit. His contributions to both live performance and published poetry have set a high standard within the slam community, inspiring a new generation of poets to push boundaries and explore the depths of human experience.

Campana’s work serves as a reminder that poetry is not confined to traditional forms but can be a dynamic, living art that evolves with its creator. His ability to mix humor, sharp social commentary, and personal reflection has established him as a beacon of creative energy—one whose legacy is woven into the fabric of Arizona’s cultural history.

Listen to Bill Campana on Spotify

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July 29, 2024“Arizona” by James William Foley

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August 13, 2024“The Giant Cactus of Arizona” by Harriet Monroe

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Aaron Hopkins-Johnson

February 13, 2025

Aaron Hopkins-Johnson: Poet, Organizer, and Arts Advocate

Aaron Hopkins-Johnson, a revered artist and writer based in Phoenix, Arizona, has made an indelible impact on the spoken word and poetry communities across the Southwest and beyond. Known for his dynamic performances, tireless event organizing, and advocacy for the arts, Aaron’s influence has stretched across nearly two decades of Arizona’s literary and performance art history.

A Champion in Spoken Word Performance

Aaron’s accolades in performance poetry are both impressive and far-reaching. In 2001, he became the International Poetry Interpretation Champion at the International Forensics Association, showcasing his skill in crafting and delivering emotionally resonant poetry. Over the years, he has performed alongside iconic figures in spoken word and literature, including Gil Scott-Heron, Saul Williams, Buddy Wakefield, Andrea Gibson, Henry Rollins, and Rachel McKibbens, to name just a few.

As a competitor, Aaron represented Arizona on multiple National Poetry Slam (NPS) stages, earning spots on both the Flagstaff Poetry Slam Team and the Phoenix Poetry Slam Team. Notably, he was a Haiku Deathmatch Finalist at NPS and the Arcosanti Slab City Slam Regional Haiku Champion, demonstrating his creative range in both traditional and experimental formats.

Builder of Community and Platforms for Poetry

Aaron’s commitment to fostering the poetry community in Arizona is unparalleled. From 2006 to 2008, he served as the SlamMaster of FlagSlam, ensuring the vibrant Flagstaff poetry scene remained a cornerstone of regional spoken word culture. He also hosted the beloved Monday Night Open Mic at Applesauce Teahouse and directed various flagship events, including the Southwest Shootout Regional Qualifiers, the Treetop Poetry Regional Slam, and the 2014 Individual World Poetry Slam (IWPS).

Additionally, Hopkins-Johnson was on the 2009 Phoenix Poetry Slam team alongside Myrlin Hepworth, The Klute and Ed Mabrey – an incredible team that placed the highest of any slam poetry team from Arizona in a National Poetry Slam. Aaron worked as the Program Director of Operations at NORAZpoets, supporting and mentoring poets throughout Northern Arizona. His legacy as an organizer extends far beyond local borders, making Arizona a vital hub for poetry and performance.

A Decade with Lawn Gnome Publishing

From 2004 to 2023, Aaron operated Lawn Gnome Publishing, a multifaceted space that served as a poetry venue, indie bookstore, and cultural nexus in Phoenix. Hosting events almost daily for nearly two decades, Lawn Gnome became a community cornerstone for Arizona artists, poets, and creatives.

Grant Recipient and Teaching Artist

Aaron’s contributions to Arizona’s arts scene have been recognized with multiple prestigious grants, including funding from the Arizona Humanities Council, National Endowment for the Arts, and the Arizona Commission on the Arts. These grants supported a range of his educational and community projects, from public art installations to teaching artist residencies.

A committed educator, Aaron facilitated workshops and programming at the Mesa Center for the Arts, empowering young poets and fostering a love for the written word. His “We Are One” grant-funded projects through the City of Glendale and his collaborations with the City of Phoenix cemented his legacy as a key figure in Arizona’s arts development.

Published Works and Poetry Collections

Throughout his career, Aaron Hopkins-Johnson published multiple collections of poetry that highlight his wit, depth, and unique voice. His books include:

“Roach Killer For Her”
“Chainsawsmoking“
“Rights4Lefty”
“Watering The Poetry”
“Irony Stinks: My Life Is Irony”

Each collection reflects Aaron’s raw, honest, and unfiltered style, offering readers an intimate glimpse into his creative mind.

Retirement and Legacy

In 2023, Aaron Hopkins-Johnson officially retired from public performances, event organizing, and projects, leaving behind an extraordinary legacy of creativity and community impact. His years of tireless work have laid the foundation for future generations of poets, performers, and artists in Arizona and beyond.

Aaron’s story is a testament to the transformative power of art and the importance of building platforms for others to shine. Even in retirement, his influence continues to ripple through Arizona’s poetry scene, cementing his place as one of the most significant contributors to the spoken word community in the Southwest.

Listen to Aaron Hopkins-Johnson on Spotify

Read Featured Poetry

“Birdwatcher” by Aaron Hopkins-Johnson

I’m a bird.One day, the thru-hiker came byand tried guessing my name.She …

‘Alas Poor Yorick’ by The Klute

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Naughty A Mouse

February 13, 2025

Naughty A Mouse, AKA Jordan Bubin: A Maverick Voice in Arizona Slam Poetry

Naughty A. Mouse, also known as Jordan Bubin, has rapidly become a force to be reckoned with in Arizona’s vibrant poetry scene. A dynamic performance poet with a raw and authentic voice, Mouse burst onto the stage as the 6th Prescott Poetry Slam winner in March 2023, leaving audiences in awe with his intelligent execution, historical insights, and unfiltered honesty. His journey from a dedicated middle school teacher to a celebrated slam poet is a testament to his relentless passion for poetry and his commitment to building a thriving creative community in Arizona.

Discovering Slam Poetry in Phoenix

After moving out to Phoenix, Jordan Bubin discovered the electric world of slam poetry—a transformative moment that ignited his lifelong passion for the spoken word. Having written poetry for himself since he was a wee whippersnapper, Mouse always cherished the art of storytelling. It was his experience as a middle school teacher that introduced him to the realm of slam, as he began tracking down open mic events through the backpages of the New Times’ Events section. His journey led him to a Black Pearl event, hosted by two-time world champion Ed Mabrey, where touring poet Amy Everhart set the stage ablaze. That first immersive experience, reminiscent of an underground punk show, left an indelible mark on Mouse, confirming that slam poetry was his new church—a community where the art of performance and creative expression converged.

Overcoming Challenges and Embracing Creativity

Despite early successes, Mouse faced significant personal hurdles along the way. Two years ago, a concussion left him struggling with reading, writing, and even forming coherent sentences. For over a year, he battled to regain a sense of literacy and creative flow, often finding his inner critic overwhelming his ability to write. However, Mouse turned this challenge into a catalyst for growth. He discovered that setting manageable deadlines—such as the seven-minute response window at Ghost Poetry workshops—helped him reclaim his voice. By embracing small victories with every line written, he learned to silence his inner critic and continue producing work that resonates with authenticity and urgency.

Building Community Through Art and Innovation

A passionate advocate for Arizona poetry, Naughty A. Mouse has expanded his creative endeavors beyond performance. Recognizing the fragmented nature of the local poetry scene, he embarked on a project to produce both a monthly calendar and a comprehensive directory of Arizona poets and events. By blending traditional art forms with modern techniques—such as wheatpasting enlarged posters and digital artwork—Mouse has created an innovative bridge between the online and real-world poetry communities. His efforts not only celebrate the diversity of Arizona’s poetic landscape but also provide essential resources for touring poets and local organizers, ensuring that no vibrant segment of the community is left undiscovered.

Mouse’s dedication to community building is evident in his tireless work promoting open mic nights and poetry slams across the state. He has become a familiar face at events in Prescott, Phoenix, and beyond, always standing in the back of the room as one of the loudest fans, ready to support his fellow artists. His enthusiasm for poetry and his commitment to elevating others’ voices have cemented his reputation as a true pillar of Arizona poetry.

Legacy and Ongoing Impact

Today, Naughty A. Mouse continues to influence the Arizona poetry scene with his unique blend of performance, historical commentary, and candid self-expression. His journey—from discovering slam poetry in Phoenix to overcoming personal challenges and actively shaping the literary community—serves as an inspiration to both established poets and emerging voices in Arizona. His creative spirit and innovative projects are a testament to the power of poetry to transform lives and foster community connections.

Naughty A. Mouse’s contributions have helped unite disparate elements of the Arizona poetry landscape, encouraging artists to connect, collaborate, and celebrate their shared passion for the spoken word. As he continues to write and perform, his work remains a dynamic force in Arizona’s artistic heritage, ensuring that the rich tapestry of AZ poetry grows stronger with each passing day.

Discover more Arizona’s poets HERE.

“Love, Bacall” by Lauren Perry

February 3, 2025

Love Bacall by Lauren Perry

It had to be you that threw me the matches Bogie,

Each musky growl of my voice,
You couldn’t resist answering my question with a flick of your wrist and a smirk in your eye,
Confidence with a 5 o’clock shadow,
You were the smoke of my cigarette,
How we swirled around each other in celluloid films,
Bringing together big screen royalty Lauren Bacall and Humphrey Bogart!
Our movies would go on to make our love famous long after we were bones in boxes or stars on a sidewalk,
They always called me the smart guy’s gal and I was the perfect exclamation point at the beginning of each of your sentences,
It didn’t matter that I was 19 and you were 45,
I liked your sense of experience and even though I would be your forth wife,
You always said I was the true love of your life, Bogie
Have we not talked lately because I feel like when I run my lines?
You’re pushing me to be better,
Don’t let the wrinkles fool myself because getting old is just another script we have to write ourselves into,
I’ve had to come so far without you by my side,
Two little children to raise and a chin up the Hollywood Mountain,
I could see it shinning from New York City where the theater curtain replaced the silver screen,
Our stay at the hotel Key Largo feels like ages ago,
The last time we’d read a script together and laugh at how seriously we both took our rolls,
Before cancer would take your voice and you had to breathe through tubes,
Your voice once the velvet purr of a bass string now rough coughs,
Defeater by cigarettes at two packs a day,
For 12 years you where my perfect leading man and I would always be your leading lady,
No one could ever replace you for long,
I’ve got the divorce papers to prove it,

Sometimes I sit down to watch un-edited scenes of our conversations together,
Didn’t matter if you were gunning down gangsters or I was steaming the screen up,
Pressed against you with all the force of camera reel clicking behind steel,
The silk of my blouse rising and falling in the tide of “lets never let this moment go”,
But I had to let you go Bogie,
You were dying on the inside!
Getting ready for The Big Sleep in a bigger way, baby
That was the close up that all the world was never ready for you name to headline,

Humphrey Bogart Dies at 57 January 14, 1957!

Did you predict that year on purpose?

Joking your teeth and hair would fall out before your contract with Warner Brothers expired,
Laughing at your immobility when your body weighed all of 80 pounds,
You died with movie stars by your side,
Taken from us far too soon and far too irreplaceable,
So reached in your pocket for the gold whistle you gave me all those years ago,

When we did our first movie together and fell in love, because
“If you want anything, just whistle.”

About the poet Lauren Perry

“Love Bacall” by Lauren Perry is a playful yet poignant exploration of love, aging, and the enduring allure of Hollywood icons. In the poem, Perry draws parallels between her own unconventional romance and the legendary on-screen chemistry of Lauren Bacall and Humphrey Bogart. With vivid imagery and witty wordplay, she reflects on the bittersweet passage of time—acknowledging both the joy and melancholy that come with growing older and the inevitability of change. Her verse deftly blends humor with raw emotion, capturing a love that is as much about memory and identity as it is about passion and defiance.

Discover more about Lauren Perry’s journey as a poet, writer, and performer on her full bio page at AZpoetry.com.

Explore Arizona Poetry by themes

Jonathan Standifird

December 8, 2024

Jonathan Standifird: Arizona’s Versatile Performance Poet and Musician

Jonathan Standifird is a multifaceted performance poet, musician, and creative force whose dynamic contributions have enriched Arizona’s vibrant spoken word and independent arts scenes. Known for his engaging stage presence, innovative musical integrations, and diverse artistic talents, Standifird has left an indelible mark on the cultural landscape of Mesa, Phoenix, and Tempe.

Early Beginnings and Artistic Journey

Jonathan Standifird began his creative journey as a performance poet and musician at a time when Arizona’s alternative art scene was blossoming. With a passion for the spoken word from an early age, Standifird honed his craft by experimenting with various artistic forms, blending poetry, music, and theater into a unique style that would come to define his career. His early performances set the stage for a career that would span two decades, during which he became a central figure in the regional poetry slam community.

Performance Poetry and National Competitions

From 1998 to 2018, Standifird became a prominent performer in Arizona, gracing stages at renowned venues such as EssenzaSlam in Mesa, Fair Trade Cafe in Phoenix, and Mill’s End in Tempe. His raw and expressive delivery, combined with his sharp wit and lyrical prowess, quickly earned him recognition among peers and audiences alike.

Standifird’s prowess on the spoken word stage led him to represent Arizona at the National Poetry Slam. Between 2002 and 2007, he competed on teams representing both Mesa and Phoenix, showcasing his talent on a national platform. His participation in these high-stakes competitions not only bolstered his reputation as one of Arizona’s leading poets but also contributed to the growth and visibility of the regional poetry slam movement.

Musical Innovations and Creative Collaborations

Beyond the realm of poetry, Jonathan Standifird is also an accomplished musician. As the frontman of the band Paper Box, he merged his love for performance poetry with a compelling musical edge. The fusion of rhythmic verses with live instrumentation set his work apart, creating a distinctive sound that resonated with fans of both music and spoken word. Standifird’s innovative approach to combining poetry and music has opened doors to diverse creative collaborations, further enriching his artistic repertoire.

His talents extend into the world of independent film as well. Standifird has contributed to several soundtracks for independent and student films, and his occasional forays into acting in independent movies have showcased his versatility as an artist. Whether behind the microphone or in front of the camera, his creative energy and passion for storytelling shine through.

Impact on Arizona’s Arts and Culture

Jonathan Standifird’s influence on Arizona’s arts scene is profound. By actively participating in local poetry slams and cultural events, he has helped shape a community that thrives on creativity, inclusivity, and the fearless expression of ideas. His work with performance poetry has inspired countless emerging artists and poets across the state, establishing a legacy of artistic innovation and community engagement.

His efforts in elevating the art of performance poetry have made him a respected mentor and advocate within Arizona’s creative circles. Standifird’s commitment to fostering talent and encouraging artistic exploration continues to influence the next generation of poets and performers, ensuring that the vibrant spirit of Arizona’s spoken word community endures.

Legacy and Continuing Influence

Today, Jonathan Standifird remains a celebrated figure in the realm of Arizona poetry and independent arts. His career as a performance poet, musician, and creative collaborator has not only enriched the cultural landscape of the region but has also helped to bring Arizona’s dynamic art scene to a broader audience. Through his engaging performances, innovative musical projects, and dedication to the art of storytelling, Standifird has left an enduring impact on the communities he’s touched.

Whether performing at a local open mic or competing on the national stage, Jonathan Standifird’s work exemplifies the transformative power of art to inspire, connect, and elevate. His unique blend of poetry, music, and performance continues to be celebrated by audiences and artists alike, cementing his legacy as one of Arizona’s most influential creative voices.

For more information about Jonathan Standifird and to explore his work, visit his full bio on AZpoetry.com.