Tag: Phoenix

Read Phoenix Poetry written by slam poets, cowboy poets, and literary giants inspired by the state of Arizona!

Curt Kirkwood Arizona poet Meat Puppets songwriter

Curt Kirkwood

Curt Kirkwood: Arizona’s Alt-Rock Poet and the Visionary Behind the Meat Puppets

Curt Kirkwood is more than just a musician—he is a poetic force whose songwriting has left an indelible mark on Arizona’s alternative rock scene and beyond. As the founding member, lead vocalist, guitarist, and primary songwriter of the legendary band Meat Puppets, Kirkwood has crafted lyrics that merge desert surrealism, existential musings, and raw storytelling into a distinct poetic style. His songs, including the iconic tracks “Plateau,” “Oh, Me,” “Lake of Fire,” and “Backwater,” have captivated audiences worldwide and solidified his reputation as a lyrical poet of the American underground. Many of these alternative song classics are available on the album The Meat Puppets II.

Roots in Arizona and the Formation of a Legacy

Born on January 10, 1959, Curt Kirkwood’s journey began in Phoenix, Arizona, where he and his brother, Cris Kirkwood, would go on to form the Meat Puppets in 1980. Their genre-blending sound—fusing punk, country, and psychedelia—set them apart in the indie rock landscape and earned them a cult following. The arid landscapes of Arizona served as both a backdrop and inspiration for much of Kirkwood’s lyricism, evident in the dreamlike, often hallucinatory imagery present throughout his songwriting.

The Poetic Lyrical Style of Curt Kirkwood

Kirkwood’s lyrics defy easy classification. Part cosmic cowboy, part punk philosopher, he weaves narratives that blur the lines between reality and fantasy, humor and melancholy, existential dread and reckless joy. The desert, a recurring motif in his work, becomes both a physical and metaphysical space—a place of solitude, rebirth, and mystery. His distinct poetic voice transforms simple storytelling into something mythic, mystical, and deeply personal.

From Indie Legend to Mainstream Recognition

While the Meat Puppets gained underground acclaim in the 1980s, they rose to mainstream prominence in the 1990s when Nirvana’s Kurt Cobain handpicked them to perform on the legendary MTV Unplugged in New York special in 1993. Cobain’s reverence for Kirkwood’s songwriting led Nirvana to cover three Meat Puppets songs, introducing Kirkwood’s poetic lyricism to a new generation of fans.

A Career of Evolution and Experimentation

Beyond the Meat Puppets, Kirkwood has continued to explore the depths of his creativity, forming and playing in other projects such as:

  • Eyes Adrift (2002–2003) – a collaboration with Krist Novoselic (Nirvana) and Bud Gaugh (Sublime), blending folk and alternative rock.
  • Volcano (2004) – a short-lived project that further expanded his psychedelic, abstract storytelling.
  • Solo Career (2005–present) – His 2005 solo album Snow revealed a stripped-down, intimate side of his songwriting, showcasing a more raw, poetic expression.

A Visual Artist as Well as a Wordsmith

Kirkwood’s artistry isn’t limited to music—he is also a visual artist whose work has been featured on multiple Meat Puppets album covers and merchandise. His distinctive style mirrors his songwriting—colorful, surreal, and evocative of the untamed spirit of the Southwest.

The Meat Puppets’ Ongoing Legacy

After a brief hiatus, the Meat Puppets reunited in 2006, with Curt and Cris Kirkwood leading the charge. The band remains an active and influential force, releasing albums such as Rise to Your Knees (2007), Sewn Together (2009), Lollipop (2011), Rat Farm (2013), and Dusty Notes (2019). Kirkwood’s poetic sensibilities continue to shine, proving that his lyrical mysticism and desert-infused storytelling remain as vibrant as ever.

Curt Kirkwood: The Poetic Outlaw of Arizona’s Alternative Rock Scene

Curt Kirkwood’s impact on music and poetry is undeniable. His lyrics blur the line between song and spoken-word poetry, making him a true Arizona poet in the alternative rock tradition. His work has influenced generations of musicians and writers, proving that poetry isn’t confined to the page—it can roar through amplifiers, echo across the desert, and carve out its place in rock history.

To dive deeper into the poetic mind of Curt Kirkwood, visit his poet bio page here.

Ed Mabrey Revolution poem artwork

Revolution by Ed Mabrey

“Revolution” by Ed Mabrey

there’s a revolution. it spins like the
world on its axis, so fast it carries no
sound, no image, not even a vibration and
if you run fast, like a child, and come to
a sudden stop in your sprint, close your
eyes quick, and hold your breath. you’ll
feel it, you’ll hear it just say seconds
behind, or a lifetime ahead. right now,
there’s a Vietnamese boy running through
a field with a pair of Nikes tucked
under his arm, dodging bullets like
raindrops, his blistered feet barely
touching the grass, racing across the mud,
racing against consumerism. the shoes are
not for him, but for his grandmother so
that the time in the field can be
gentler in its monotony. right now, a
boy’s just found a stone, he checks his
weight for strength, it’s grooves for
accuracy, then darts off with his fist
held high, signaling to the other that
the stick ball game was officially on,
never knowing that the the rock he holds
is the last reigning piece to a church
bomb years ago in Selma, Alabama and the
sound he hears played after, when he
cracks a home run, is not the tinkling of
broken glass from Miss Johnson’s window,
but four little black angels crying
tears of joy, cheering him as his feet
hit every base. right now, in the Soviet
Union, where the red curtain might be
tatted, but its’ blood stained glow still
cast over the eyes of everyone living
there, and names like Stalin and Lenin
bring shivers colder than the Hudson in
December, and names like optimism, freedom,
and democracy can get you shot, killed if
you’re lucky. there was a girl sticking
her hand into a military bonfire
ignoring the pain and crackling of her
own skin, she takes out a book half charred,
which reads Three Sisters by Chekov
and tucks it underneath the shirt, not
for warmth, but salvation. right now, a
crackhead had waited 10 minutes longer than
he did yesterday, before going in the cop
and tells himself tomorrow I’ll shoot
for 20. a raced girl with bags underneath
her eyes, and in beneath the legs which
both by now her age stands, on the corner
Main & Champion, and when some Tide
State worker comes by flashing crisp $20
bills she gets on the bus and heads home
for the first time in months. can you
hear me now right now? a boy just ran for
his life to go to school today, some girl
got caught and smacked to some
piece of car, leaving her purse
behind, but not a virginity. can you hear
me now? right now, a man just cut off his
TV and actually had a conversation with
his kids. there is a revolution happening
around us every moment, of every day, and
it is not black power, nor white power, it
is not scary, not tyrannical, it is not
Hitler nor Gandhi, Martin or Malcolm, Mama,
no Nora. it is a young couple’s kiss
behind the bleachers and the old couple
holding hands in the mall, it is loving someone
intensely for 5 minutes, then letting go
when the song ends. it is your misfiring
synapses, your unfit high, your seemingly
miserable existence that still keeps
beating in your chest like some Drummer
Boy hellbent on getting through a
spiritual desert, it is writing a poem or
hearing one. it is your inhale and exhale.
right now, there’s a revolution being
fought right around us. look at the
person next to you. see the battle being
fought in their eyes and recognize it is
just a reflection of the same war being
fought inside you. it’s but the effort to
live your life the way you wish every
moment, every day of this life that you
have and that is the battle and that is
the Revolution and your goal tonight is
a inhale and exhale to living live
inhale, exhale. can you hear me now? if so
then fight on soldiers, ‘cuz the life you
saved this night will be your
own.

Transcribed from the video “Revolution” by Ed Mabrey and Poetry Slam Archives.

Watch Ed Mabrey perform “Revolution” on YouTube

About the poet Ed Mabrey

Ed Mabrey’s poem Revolution is an urgent and powerful meditation on the silent, ongoing battles that define human existence. Unlike traditional revolutions that are marked by violence, politics, or ideological shifts, the revolution in Mabrey’s poem is deeply personal, invisible to the untrained eye, yet ever-present in our lives.

The poem unfolds in a series of vignettes, each capturing a moment of struggle, resilience, or defiance from various corners of the world. A Vietnamese boy runs barefoot, dodging bullets, not for himself but to bring comfort to his grandmother. A child picks up a stone for a game, unaware that it is a remnant of a church bombing in Selma, infused with historical pain. A girl in the Soviet Union risks her life to rescue a banned book from flames—not for warmth, but for the survival of knowledge. A crack addict fights against addiction, pushing the boundaries of self-control. A young woman, forced into sex work, takes her first steps toward reclaiming her life.

Through these moments, Mabrey illustrates that revolution is not just found in grand historical narratives but in the quiet acts of endurance, courage, and self-reclamation that happen right now—in real time, all around us. He challenges the reader to recognize the struggles in the eyes of those around them and to see their own internal battles reflected there. The poem’s rhythmic repetition of “right now” creates a sense of immediacy, making the revolution feel not only inevitable but also deeply personal.

Mabrey’s final call to action is simple yet profound: breathe. The act of inhaling and exhaling, of continuing despite hardship, is itself an act of defiance, a way to reclaim one’s life. Revolution is not just about resistance; it is about existence, about the ongoing fight to live authentically and freely.

Discover more about Ed Mabrey’s poetry and performance legacy here on his bio page.

Get Tickets to see Ed Mabrey, Individual World Poetry Slam Champion, feature at Ghost Poetry Show on April 9th, 2025!

April 9th, 2025 at The Rebel Lounge

Doors at 7:00PM | Show at 7:30PM

Advance Price: $10 + fees 
Day Of Show Price: $12 + fees

21+This is a special Ghost Poetry Show for National Poetry Month! Individual World Poetry Slam Champion ED MABREY features award-winning poetry live and in-your-face in the intimate setting of The Rebel Lounge!

15 poets compete in a poetry slam for cash prizes judged by 5 randomly selected audience members.

To sign up to perform email us at GhostPoetryShow@gmail.com

BUY TICKETS HERE

atlas st cloud grey walls poem artwork | AZpoetry.com

grey walls by atlas st. cloud

“grey walls” by atlas st. cloud

i am laying,
in an empty room.

the temperature is steadily dropping
and frost begins to crystalize on my eyelashes,
playing tricks with my irises.

i am a green eyed boy,
but ice has got me seeing with grey.

grey halls
with grey walls
led me to this hallowed space.

i am laying,
in an empty room.

the ceiling is a motley crew of colors,
galaxies are being spun before me.
two stars collide,
FLASH. BANG. BOOM.
the void opens up.

i stare into the vastness,
and the void whispers back,
“ice cannot kill a phoenix.”

i am laying,
in an empty room.

the stillness of space has no place in this room.
wind begins to howl,
ripping at the walls with nowhere to go.
this wind has teeth and it bites at my skin.

anger manifests monsters,
and this one is trying to
rip, freeze, tear me apart.

i am laying,
in an empty room.

the walls are closing in on me.
i exhale quick and can see my breath in fog.
my skin is beginning to plasticize
and i don’t know if i can move.

there once was a door,
but i can’t move my head to see if it is still there.

i am laying,
in an empty room.

my shoulders start to itch.
warmth floods my systems
and i can feel it in my chest.
my heart begins to beat.

blood flows once more
and something is happening to me.

i am laying,
in an empty room.

my shoulders begin to burn.
a tingle to go along with the itch.
then, suddenly,
i am screaming.

when i wake up,
i am on fire.

i am laying,
in an empty room.

and i sit up.

Originally published in Zilch Qualms, a Phoenix Poetry Slam anthology in 2019.

About the poet atlas st. cloud

atlas st. cloud’s poem grey walls is a haunting meditation on isolation, transformation, and rebirth. The poem places the speaker in an empty room, surrounded by the creeping cold that distorts perception—turning green eyes grey, freezing the breath, and numbing the senses. As the speaker remains motionless, they are enveloped by a void, an expanse of darkness filled with cosmic flashes and whispered reassurances. The line, “ice cannot kill a phoenix”, serves as a powerful moment of foreshadowing, hinting at an inevitable resurgence from the paralysis of despair.

The poem’s structure mirrors a cycle of entrapment and eventual release. The repetition of “I am laying, in an empty room” emphasizes stagnation, reinforcing the feeling of being stuck in an unchanging state. Yet, amid the cold and confinement, fire emerges. The warmth first presents itself as an itch, then an unbearable burn, until finally, the speaker erupts in flames—literally and metaphorically. The transformation is painful but necessary, illustrating a shift from suppression to liberation, from numbness to an awakening.

By the poem’s end, the speaker is no longer trapped in stillness. The final shift—from lying down to sitting up—marks a triumph over stasis, a rebirth from the ashes of struggle. grey walls is a deeply evocative piece that captures the internal battle between despair and resilience, ultimately leaving the reader with the image of survival and renewal.

Discover more about atlas st. cloud and his poetry here on his poet bio page.

A Frothy Limerick About Gail by AZpoet Gary Bowers

A Frothy Limerick About Gail by Gary Bowers

“A Frothy Limerick About Gail” by Gary Bowers

A thirsty young lass name of Gail
Took a long steady pull at her ale
Then with foamy mustache
She proceeded to slash
Through guitar riffs that made the gods wail.

About the poet Gary Bowers

Limericks are a time-honored poetic form known for their playful tone, rhythmic bounce, and humorous twists. Originating from Ireland and popularized in English by Edward Lear, limericks follow a five-line structure with a distinctive AABBA rhyme scheme and a strong, rollicking rhythm that makes them particularly engaging.

Gary Bowers’ limerick embraces these conventions while delivering a vibrant and entertaining narrative. The poem tells the story of Gail, a spirited young woman who enjoys her ale before unleashing an awe-inspiring musical performance.

In true limerick fashion, the humor comes from the unexpected contrast: the image of Gail as a casual drinker, momentarily adorned with a “foamy mustache,” shifts dramatically as she erupts into a powerful, almost godlike guitar performance. The final line, “through guitar riffs that made the gods wail,” elevates Gail’s musical prowess to mythic proportions, transforming what begins as a lighthearted pub scene into an epic rock ‘n’ roll moment.

Bowers’ clever use of internal imagery, humor, and rhythm captures the spontaneous joy of music, the camaraderie of a lively pub, and the unexpected talent that can emerge in the least expected places. The poem’s energy mirrors the rhythmic nature of a great song, making it a perfect example of how limericks can entertain while showcasing a poet’s skill with words and storytelling.

Gary Bowers is known for his sharp wit, clever wordplay, and engaging poetic style. To discover more of his limericks, poetry, and literary contributions, visit his poet bio page here.

Joshua Wiss poet | AZpoetry.com

Joshua Wiss

Joshua Wiss: Spoken Word Poet and DIY Wordsmith

Joshua Wiss is a spoken word poet, musician, and storyteller based in Phoenix, Arizona. A poet of deep feeling and vibrant imagery, Wiss captures the essence of modern life, love, death, and the perils of suburban existence through his evocative performances. With a background rooted in the DIY aesthetic, Wiss merges raw emotion with carefully crafted verse, making his poetry a visceral experience for audiences.

A Veteran of the Poetry Slam Scene

Having competed at four National Poetry Slams, representing Flagstaff, Sedona, and the Valley of the Sun. Wiss has shared the stage with some of the world’s top-ranking performance poets, proving himself as a formidable force in the spoken word community. His poetry is as much a performance as it is an intimate conversation, pulling listeners into the rhythms of his words and the landscapes of his mind.

A Poet Rooted in Analog and Nostalgia

Beyond the stage, Wiss is a collector of stories and artifacts of the past. He can often be found tinkering with typewriters, playing musical instruments, or sorting through vinyl records at his day job in a record store. A self-described feeler with a voice, he embraces the analog world—a poet who revels in the beauty of VHS tapes, cassette players, and the timeless swing of Louis Prima.

Themes and Style

Joshua Wiss’s poetry is infused with powerful, often dreamlike imagery, reflecting on themes of:

  • Love and loss – Capturing the fleeting nature of relationships and memory.
  • Time and the universe – Questioning the cyclical patterns of existence and the energy that connects us all.
  • The human experience – Chronicling life’s highs and lows with authenticity and grace.

His poem Wallflower is a perfect example of his craft, blending themes of memory, presence, and the ephemeral nature of time. Lines like “every good party needs a Wallflower to stand witness and materialize memories” illustrate his unique ability to translate the intangible into poetic form.

A Legacy in the Making

Wiss’s work goes beyond spoken word competitions—his poetry is an experience, a ritual, and a reflection of the world around him. Whether performing at slams or connecting with audiences in intimate settings, Joshua Wiss continues to be a powerful and unforgettable voice in Arizona’s poetry scene.

Free Admission poem by Cylie Naylor | AZpoetry.com

Free Admission by Cylie Naylor

“Free Admission” by Cylie Naylor

the welcome sign to the gallery of my
heart reads free admission open every
day of the year and everything here has
some history and there’s plenty to see
on account of how I can fall in love so
quickly you know the average heartbeat
of a woman is about eight beats a minute
faster than a man’s which might explain
why it’s so hard to keep up with me so I
hope you’re up to the chase and I hope
you like what I’ve done with the place
take your time make yourself at home
enjoy the space you’re greeted with wine
and a waiver upon entry I’ve done
everything possible to ensure that it’s
not empty and that you won’t be bored
there are love letters scrawled on the
baseboards and the molding and the
hinges of every door it’s a bit chaotic
but you’re intrigued to see more and
please ignore the caution tape as some
rooms are still under construction but
there’s still plenty of me left for your
consumption there are some films about
Obsession and letters from past loves
held in resin the first hand that I held
in the first lips that I kissed this
room interactive at your own risk
because some before have been Reckless
cut their hands on my rough edges left
bloody finger paintings all over my
walls so I have something left to
remember them by
and this room a voicemail playing him
saying goodbye for the last time and
that room shattered glass covers the
floor for every bottle I never meant
more than
every piece of every heart that I broke
on my own accord and this room a single
framed portrait that neatly reads I’m
sorry for every time I messily couldn’t
and this place has a room decorated by
every love I’ve ever met I adorned them
with every memory and story they’ve
given me and on your way out I’ll hand
each of you an apology for anything
frightful that you might have seen But
honestly the one thing this place could
use is a little better security because
you are here every day
first in line to stake your claim as if
you couldn’t see that the biggest room
they gave me is already titled with your
name you are my largest most tragic
display for everyone to see The
Menagerie of the mess you’ve made of me
and when passersby say that you could
just spend days in this Gallery I think
about how there are 60000
miles of blood vessels within you
enough to go around the world twice
which is about how long that I would
travel to hear my heartbeat against
yours for one more night plenty of time
spent wandering trying to find you at
the right place or the right time and I
am the desperate Starstruck Basquiat to
your Warhol and I’ll walk endless Halls
haunted by crooked portraits of our
could have bins and every time I let
myself look around for too long you
become my muse all over again
I begged them not to let you in but you
never listen or you’re forced your way
through them but you’ll still find me
here and my ear is in a box on your
doorstep eager to listen for eternity if
you’ll just come home to me and I’ve
been busy scrubbing this place of your
memory but anyway
I’ll make some calls about that security
thank you for coming please take this
survey rating how much you all felt
loved by me.

Transcribed from the video “Free Admission” by Ghost Poetry Show and Cylie Naylor.

Watch Cylie Naylor perform “Free Admission” at Ghost Poetry Show on YouTube

About the poet Cylie Naylor

In Free Admission, Cylie Naylor masterfully constructs an extended metaphor of the heart as a museum—an open gallery where love, heartbreak, and memories are on full display. The poem invites the reader into an intimate, emotional space, detailing the artifacts of past relationships, the remnants of love lost, and the scars left behind by reckless visitors. The speaker’s vulnerability is woven into every exhibit, from love letters etched into door frames to shattered glass symbolizing broken promises. The museum is chaotic, unfinished, yet mesmerizing—reflecting the speaker’s emotional history and the lingering presence of a past love who still looms as the gallery’s most tragic display.

Naylor’s use of striking imagery and juxtaposition creates a powerful emotional impact. The speaker is both curator and captive, struggling to move on while still hoping for a return. The final lines—where the speaker acknowledges their futile attempts to erase the past while joking about improving security—underscore the poem’s aching vulnerability and quiet resignation.

With its blend of personal reflection, raw emotion, and artistic metaphor, Free Admission speaks to the universal experience of love, loss, and the struggle to reclaim one’s heart.

To learn more about Cylie Naylor and her poetic journey, visit her bio page here.

Jack Evans Poet | AZpoetry.com

Jack Evans

Jack Evans: Illuminating Lives Through Poetry

Arizona’s Enduring Voice in Poetry and Healing

Jack Evans has been a central figure in Arizona’s poetry scene for over 40 years, leaving an indelible mark on the cultural landscape of the Valley of the Sun. A celebrated poet, spoken word artist, and creative director, Evans is best known for his deep, soulful verse and his commitment to exploring themes of memory, loss, and the healing power of art. As the former Poet Laureate of the Southwest Conference United Church of Christ and the author of the acclaimed book Rain Is The Hourglass Of Memory, Evans continues to inspire audiences with his timeless work.


A Storied Journey from the East to the Southwest

Born on the banks of the Hudson during the twilight years of Roosevelt II’s reign, Jack Evans’ early life was steeped in history and literary tradition. His journey eventually led him to a little house overlooking the dusty Agua Fria when Lesley King ruled the land—a transformative move that rooted him in the vibrant, rugged spirit of the American Southwest. Evans’ love for music, film, baseball, and books has always colored his work, infusing his poetry with both a passion for cultural heritage and a modern, relatable voice.


A Life Dedicated to Poetry and Performance

For decades, Jack Evans has dedicated himself to the art of poetry. He writes, reads, thinks, and shares poetry with an enthusiasm that has resonated across generations. His work has been published in numerous literary journals and magazines, and he has performed in venues throughout Arizona and from coast to coast since the 1970s. Whether on stage at intimate local gatherings or at major poetry festivals, Evans’ performances captivate audiences with their blend of narrative depth and energetic delivery.

As a director of spoken word series for over 30 years, Evans has played a pivotal role in nurturing and showcasing emerging voices in the art form. Currently, he is the co-director of the Caffeine Corridor series in downtown Phoenix—a vibrant forum where poets and spoken word artists come together to share their work and inspire new creative connections.


Collaborative Performances and Healing Through Art

A notable aspect of Jack Evans’ career is his collaboration with guitarist Tom Bell. Their partnership, known as the Evans Bell Conversion, began with a memorable performance at Lawn Gnome Publishing on February 5, 2015. Since then, the duo has continued to push the boundaries of spoken word by integrating live music into their performances, creating immersive experiences that blend poetic narrative with melodic expression.

Their upcoming collaboration, showcased at the Healing Project, exemplifies Evans’ belief in the transformative power of art. This performance promises to be an experiential exploration of grief, death, loss, and change, inviting both performers and audience members to engage in a shared process of healing. Through conversation, reflection, and the potent force of the written word, the Evans Bell Conversion aims to help ease grief-related suffering and inspire hope.


Legacy and Impact on Arizona Poetry

Jack Evans’ legacy is a testament to his lifelong commitment to poetry and the arts. His work not only celebrates the rich cultural heritage of Arizona but also serves as a catalyst for healing and community connection. Evans’ influence extends far beyond his individual performances—he has nurtured countless emerging poets through his workshops, events, and creative leadership.

Living in Phoenix with his wife Judy, his dog, his cat, four parakeets, and a trusty laptop, Evans continues to embody the spirit of creativity and resilience. His ongoing contributions to the local poetry scene make him a cornerstone of Arizona literature, ensuring that the voices of the past, present, and future are heard and celebrated.

Read Arizona Poets

Rosemarie Dombrowski
Rosemarie Dombrowski: Phoenix’s Trailblazing Poet Laureate and Literary Innovator Rosemarie Dombrowski is …
Tomas Stanton
Tomas Stanton: A Poet, Teaching Artist, and Advocate for Youth Empowerment Tomas …
Mister Roberts
Mister Roberts: A Life Composed with Passion and Poetry Mark Robert Marshall, …
Alberto Ríos
Alberto Ríos: A Celebrated Poet and Storyteller Alberto Ríos, an acclaimed writer, …
Corbet Dean
Honoring the Journey: Corbet Dean's Poetic Odyssey In the realm of Arizona …
Thomas Cooper
Thomas Cooper has performed poetry around the Valley of the Sun since …
Nick Fox Voice of God poetry | AZpoetry.com

Nick Fox

Nick Fox: Founder, Performer, and “The Voice of God” in Slam Poetry

Nick Fox is a celebrated poet, performer, educator, and a pivotal figure in the American slam poetry movement. As the founder of the Flagstaff Poetry Slam and an early competitor in Arizona’s burgeoning poetry slam scene, Fox helped shape the vibrant spoken word community that thrives in the state today. His contributions extend far beyond Arizona, as Fox is also renowned for hosting the finals of the National Poetry Slam for over a decade, where he earned the nickname “The Voice of God” for his commanding presence and resonant delivery.


Early Days in Slam Poetry: The Mesa Years

Nick Fox’s journey into slam poetry began during the first wave of the movement, performing in Mesa, Arizona. As a competitor in the early days of Arizona’s slam scene, Fox showcased his ability to blend compelling storytelling with captivating performance, quickly becoming a standout voice in the community. His work explored themes of humanity, relationships, and the intricacies of everyday life, resonating deeply with audiences. His contributions during this time helped solidify Mesa as a hub for poetry slam in Arizona.


Founding the Flagstaff Poetry Slam

Fox’s passion for creating spaces where poets could thrive led him to establish the Flagstaff Poetry Slam. Under his leadership, the slam became a cornerstone of Flagstaff’s arts and culture scene, drawing poets and audiences from across the state. By fostering an inclusive and dynamic environment, Fox played an instrumental role in building a community where poets of all backgrounds could share their voices.

The Flagstaff Poetry Slam not only became a home for local poets but also attracted some of the most talented spoken word artists from across Arizona. Fox’s ability to nurture new talent and curate engaging events helped make Flagstaff a vibrant hub for spoken word poetry, with ripple effects felt throughout the state’s literary scene.


Hosting the National Poetry Slam Finals: “The Voice of God”

Nick Fox’s influence extended far beyond Arizona when he became the longtime host of the National Poetry Slam finals, one of the most prestigious events in the spoken word world. For over a decade, Fox’s booming voice, charismatic stage presence, and sharp wit elevated the event to new heights. His commanding presence as host earned him the nickname The Voice of God,” a testament to the respect and admiration he garnered from poets and audiences alike.

Fox’s role as host was not simply about announcing poets or performances—it was about creating an atmosphere of excitement, reverence, and community. His ability to connect with audiences and performers alike made the finals an unforgettable experience, cementing his legacy as a cornerstone of the national slam poetry movement.


Nick Fox as a Writer and Traveler

Beyond his achievements in poetry and performance, Nick Fox is also a prolific writer and avid traveler. His travel blog, …said the Fox, chronicles his journeys across the globe, combining his poetic sensibilities with his love of storytelling. Through vivid descriptions and thoughtful reflections, Fox’s blog offers readers a glimpse into his experiences and the lessons he’s learned along the way.

His travel writing explores themes of identity, cultural discovery, and the connections we form with the world around us. The same attention to detail and emotional resonance that defines his poetry shines through in his prose, making his blog a must-read for fans of both travel and literary artistry.


Educator and Mentor

As an educator, Nick Fox has inspired countless poets, performers, and writers to explore their own creative voices. His dedication to fostering talent and building communities has left a lasting impact on Arizona’s literary and performance arts scenes. Fox’s ability to connect with people on a personal level, whether through his poetry or teaching, underscores his commitment to creating spaces where others can thrive.

Fox’s legacy in Arizona poetry is one of mentorship, innovation, and passion. His contributions to slam poetry, both as a competitor and as an organizer, have helped elevate the art form in Arizona and across the country.


Legacy and Influence

Nick Fox’s contributions to slam poetry and the arts have made him a vital figure in Arizona’s literary history. From his beginnings as a slam poet in Mesa to founding the Flagstaff Poetry Slam and hosting the National Poetry Slam finals, Fox has consistently demonstrated a commitment to amplifying voices and building vibrant artistic communities.

His unique blend of poetry, performance, and storytelling continues to inspire audiences and writers alike. Nick Fox’s legacy lives on in the thriving slam poetry scenes he helped cultivate and the countless poets he has mentored and influenced throughout his career.

For more about Nick Fox’s writing and travels, visit his blog at nickfox.wordpress.com.

Discover more poets and writers from Arizona HERE.

Pieces of the Night song Gin Blossoms Doug Hopkins poet | AZpoetry.com

“Pieces of the Night” by Doug Hopkins

“Pieces of the Night” by Doug Hopkins

Well is it any wonder that the stars don’t just rush by
When you’re only doin’ 60 through this oh-so-vacant night
But it’s lackin’ something big this time
What the hell did you expect to find?
Aphrodite on a barstool by your side

Twelfth night we go
After something everyone should know
Somewhere in the distance out of sight
Then I saw gin mill rainfall
What do you remember if at all?
Only pieces of the night

And is it any wonder in the middle of the crowd
If you let your feet get trampled on
When the music is that loud
But you wanted to be where you are
But it looked much better from afar
A hillside in shadow between the people and the stars

Twelfth night we go
After something everyone should know
Somewhere in the distance out of sight
Then I saw gin mill rainfall
What do you remember if at all?
Only pieces of the night

And it seems so distant
But still only half the night away
Where notions between your questions come too
Is it any wonder where
The pieces of the night have been?

Twelfth night we go
After something everyone should know
Somewhere in the distance out of sight
Then I saw gin mill rainfall
What do you remember if at all?
Only pieces of the night
Only pieces of the night
Then I saw
Only pieces of the night

Twelfth night we go
After something everyone should know
Somewhere in the distance out of sight
Then I saw gin mill rainfall
What do you remember if at all?
Only pieces of the night

Twelfth night we go
After something everyone should know
Somewhere in the distance out of sight
Then I saw gin mill rainfall

Watch “Pieces of the Night” by Gin Blossoms

About the poet Doug Hopkins

“Pieces of the Night” by Doug Hopkins, and performed by the Gin Blossoms, is a haunting meditation on the fleeting nature of our memories and experiences. Through vivid imagery—driving slowly through a vacant night, encountering the surreal sight of “gin mill rainfall,” and evoking the legendary allure of a mythical figure on a barstool—Hopkins captures how moments of beauty and chaos slip away, leaving us with only fragments. The recurring reference to “Twelfth night” hints at the cyclical nature of these ephemeral experiences, suggesting that even as time passes, the impressions of the night linger like scattered pieces of a once-vibrant puzzle.

Hopkins’ lyrics challenge us to reflect on what we truly remember when the night fades into dawn—are our memories as complete as we wish, or are they, like the stars, just fragments of a greater, elusive tapestry?

To learn more about Doug Hopkins, his unique poetic vision, and his contributions to Arizona’s cultural landscape, visit his full bio HERE.

Listen to Gin Blossoms on Spotify

Doug Hopkins Gin Blossoms poet songwriter | Azpoetry.com

Doug Hopkins

Doug Hopkins: The Lyrical Poet of the Arizona Desert

Doug Hopkins (April 13, 1961 – December 5, 1993) is remembered not only as the brilliant lead guitarist and founder of the Gin Blossoms but also as a songwriter whose deeply poetic lyrics captured the bittersweet beauty of the Arizona landscape and the human condition. Born and raised in Arizona, Hopkins’ work resonates with the raw, emotive energy of the Southwest, blending tender vulnerability with haunting imagery to create songs that are as much poetry as they are rock anthems.


Early Life and Arizona Roots

Growing up in the vibrant and rugged environment of Arizona, Doug Hopkins was deeply influenced by the stark beauty of the desert and the complex cultural tapestry of the Southwest. His early exposure to the natural splendor and the challenges of life in the desert instilled in him an enduring connection to his home state—a connection that would later permeate his songwriting. From a young age, Hopkins discovered a passion for music and literature, learning to see the world in metaphors and lyrical snapshots. This formative experience not only shaped his artistic sensibilities but also laid the groundwork for a career that would redefine the fusion of music and poetry.


Songwriting and Lyrical Brilliance

Hopkins’ songwriting is renowned for its evocative, introspective quality. His lyrics often explored themes of heartbreak, longing, and the complexities of life, all conveyed with a poetic sensibility that transcended conventional rock music. Songs such as “Hey Jealousy” and “Found Out About You” became emblematic of his ability to blend raw emotion with vivid imagery, transforming personal pain and hope into timeless verses.

His poetic prowess lay in his ability to craft lyrics that were both accessible and deeply moving. With a voice that echoed the melancholy of a fading sunset over the desert and the passionate intensity of the Arizona spirit, Hopkins’ work became a voice for those who felt the weight of loss, longing, and the perpetual search for meaning. His music was a canvas for his inner world—one where every line was meticulously penned, each chord struck resonated with raw authenticity, and the desert’s infinite beauty provided both inspiration and solace.


Trials, Tribulations, and a Lasting Legacy

Despite his undeniable talent, Doug Hopkins’ career was marred by personal struggles, including battles with alcoholism and personal demons that eventually led to his tragic early passing in 1993. Though his life was cut short, his legacy endures through the powerful lyrics he left behind. Hopkins’ work remains an enduring testament to the human spirit—a reminder that even in our darkest moments, there is beauty to be found in the act of creation.

Hopkins’ poetic songwriting continues to inspire not only musicians but also poets and artists across Arizona and beyond. His ability to evoke deep emotion with a few well-chosen words has cemented his status as a cultural icon whose influence resonates in every corner of Arizona’s artistic landscape.


Influence on Arizona’s Cultural Landscape

In Arizona, where the desert meets the soul, Doug Hopkins’ work has found a special place. His songs, imbued with the spirit of the Southwest, capture the essence of life in a land defined by both beauty and hardship. His lyrical legacy has influenced generations of Arizona musicians, poets, and writers who see in his work a reflection of their own experiences—of love, loss, resilience, and the unyielding passage of time.

Hopkins’ poetic lyrics have become a source of inspiration for those who seek to express their own truths. His ability to translate the complexities of the human heart and the stark realities of the desert into song has opened a path for a new kind of poetic expression in modern music—a path that continues to be explored by artists who call Arizona home.

Discover Arizona Poets

Curt Kirkwood
Curt Kirkwood: Arizona’s Alt-Rock Poet and the Visionary Behind the Meat Puppets …
Christopher Lane
Christopher Lane: The Poetic Voice of Struggle, Advocacy, and Healing Christopher Lane …
Linda Ronstadt
Linda Ronstadt: Arizona’s Legendary Voice of Music and Poetry Early Life and …
Marty Robbins
Marty Robbins: Arizona’s Balladeer of the American West Marty Robbins, born Martin …
Joshua Wiss
Joshua Wiss: Spoken Word Poet and DIY Wordsmith Joshua Wiss is a …
Derrick Brown
Derrick Brown: A Poet of Humor, Heart, and Theatrical Brilliance Derrick Brown's …

Read Arizona Poetry

Desert Rain by Mary Hunter Austin
"Desert Rain" by Mary Hunter Austin High in the sierras, All the …
Revolution by Ed Mabrey
"Revolution" by Ed Mabrey there's a revolution. it spins like theworld on …
Arizona by Clarence Urmy
"Arizona" by Clarence Urmy A land of mesas and of rocky spires, …
grey walls by atlas st. cloud
"grey walls" by atlas st. cloud i am laying,in an empty room. …
A Frothy Limerick About Gail by Gary Bowers
"A Frothy Limerick About Gail" by Gary Bowers A thirsty young lass …
Night in Arizona by Sara Teasdale
"Night in Arizona" by Sara Teasdale The moon is a chiseled snowflake, …