Tag: Phoenix

Read Phoenix Poetry written by slam poets, cowboy poets, and literary giants inspired by the state of Arizona!

Az poetry ashley naftule

Ashley Naftule

Ashley Naftule: Phoenix Poet, Playwright & Performance Artist

Ashley Naftule (they/them) is a dynamic poet, playwright, performer, and arts journalist based in Phoenix, Arizona. Known for blending speculative themes, queer and trans identity, and razor‑sharp lyricism, Naftule is deeply rooted in Arizona’s creative community through their innovative work at Space55 Theatre and beyond (Planet Scumm).


Early Artistic Journey & Literary Voice

Originally from California, Naftule relocated to Phoenix, where their writing and performance practice flourished. They became a resident playwright and Associate Artistic Director at Space55, producing plays like Ear, The First Annual Bookburners Convention, Radio Free Europa, and Peppermint Beehive (Planet Scumm). Their approach to poetry and prose draws on influences ranging from Grant Morrison’s surreal comics to Philip K. Dick’s speculative sci‑fi, imbuing text with dreamlike, uncanny resonance.


Published Poetry & Journalism

Naftule’s poems and short fiction have appeared in numerous outlets including Rinki Dink Press, Ghost City Review, The Molotov Cocktail, Occulum, and Amethyst Review (Phoenix Art Museum, Ashley Naftule). As a freelance journalist, their writing has been featured in major platforms such as Pitchfork, Phoenix New Times, Vice, The AV Club, and Longreads (Phoenix Art Museum).


Performance & Artistic Influence in Arizona

Through performances at Space55 and collaborations with local painters, musicians, and theater-makers, Naftule contributes significantly to Phoenix’s arts culture. Their interdisciplinary expertise—spanning poetry, theater, visual art, and performance—makes them a versatile and boundary-pushing presence in the Arizona literary scene.


Themes & Style

  • Surreal Colors and Dark Humor: Naftule’s work often mixes whimsy with the uncanny—Dadaist, feminist, sci‑fi, and existential threads entwine.
  • Gender Fluid & Queer Identity: Their writing negotiates fluid identity and nonbinary experience through poetic imagery and playful defiance.
  • Political & Cultural Critique: They explore how consumerism, technology, and systems of power intersect with individual expression.

Why Ashley Naftule Belongs on AZpoetry.com

  • Arizona Connection: Longtime Phoenix resident and Space55 collaborator contributes richly to the state’s literary ecosystem.
  • Literary Range: Bridges poetry, theater, journalism, and performance—enhancing Arizona’s scene across mediums.
  • Community Engagement: Their work includes mentorship, creative leadership, and inclusive programming for diverse artists.

Key Highlights & Features

HighlightDetails
ResidencyResident playwright & Associate Artistic Director at Space55 Theatre, downtown Phoenix (Planet Scumm)
PublicationsPoetry & fiction in Ghost City Review, Occulum, Rinky Dink Press, The Hard Times, and more (Ashley Naftule, Ghost City Press)
JournalismBylines in Phoenix New Times, Pitchfork, Vice, AV Club, Bandcamp, and others (Phoenix Art Museum, Medium)

In Their Own Words

Naftule reflects: “When I finish writing something … and it doesn’t immediately embarrass me, the feeling of satisfaction … feels like a hammer striking a nail.” Their form flourishes under constraint and fusion—combining prompt-based weirdness, spoken word punch, and speculative imagery into original poetic structures (Phoenix Art Museum).


What’s Next

Ashley is currently working on Peppermint Beehive, a play exploring gentrification in downtown Phoenix with nods to John Waters, The B‑52s, and cult aesthetics. They’ve also written an absurdist comedy novella inspired by Spuds MacKenzie and are involved in podcasts, chalk art installation, and emerging poetry collaborations (Phoenix Art Museum).


Discover More

Explore more of poets of Arizona HERE.

Ain't i an american by jeremiah blue poem azpoetry. Com

And Ain’t I An American by Jeremiah Blue

“And Ain’t I An American” by Jeremiah Blue

I do appreciate the eagle
but not enough to call it American
and tattoo it on my arm with banners
of “God Bless the USA”

Because I am hoping that the US will be
just one amongst others blessed by God

And ain’t I an American?

I am trying to free Tibet with the bumper of my car
rather than replacing it with an American flag

I think that free-trade zones aren’t often all that free

I wrote a poem about my national pride
and it didn’t say anything about keeping the Mexicans out

Being a small minority of the world’s population
while consuming nearly half its resources
sounds like a comfortable enough position
to not be all that well threatened by immigrants
sending paychecks home to impoverished families

And ain’t I an American?

I took classes in non-violent resistance
rather than studying my enemy for weaknesses
because ‘fighting for peace’ is like
‘fucking for virginity’
Sounds like a pretty reasonable argument to me?

And ain’t I an American?

Fox: not my primary source of news.

Reality TV doesn’t look anything like my reality.

I left my Top Gun jacket and mullet
in the era they came our and perished in

I am drinking Guinness over Bud Light every time

I prefer salsa and flamenco to Garth Brooks

I think hot dogs are immoral

and I haven’t been to a baseball game
since Baby Ruth named its candy bar after that one guy

And ain’t I an American?

I don’t think you need to be a lesbian
or a woman that is mad to be a feminist

I feel it is a more productive move away from institutionalized racism
to not fill our prisons with a majority of our black and brown men

I am starting to think that it has been just a little too long
since we have had a non-male or non-religious president

There are times when the thought crosses my mind
that the American Dream is just something
that those who have been handed it
dreamed up to keep
everyone else dreamin’

And America does not, at all times,
make me proud to be an American

And ain’t I an American?

About the poet Jeremiah Blue

Exploring National Identity in Jeremiah Blue’s “And Ain’t I An American”

Jeremiah Blue’s poem “And Ain’t I An American”, originally published in 2012, offers a thought-provoking examination of American identity, challenging conventional symbols and notions of patriotism. Through a series of introspective reflections, Blue invites readers to reconsider what it truly means to be an American in today’s diverse society.

Summary of “And Ain’t I An American”

The poem begins with the speaker acknowledging traditional emblems of American patriotism, such as the eagle and the phrase “God Bless the USA.” However, the speaker expresses a desire for inclusivity, hoping that divine blessings extend beyond the United States to encompass all nations. This sentiment sets the tone for the poem’s exploration of broader, more inclusive definitions of national pride.

Throughout the poem, the speaker reflects on various personal choices and beliefs that diverge from mainstream American norms:

  • Opting for a “Free Tibet” bumper sticker over an American flag decal.
  • Questioning the fairness of free-trade zones.
  • Writing about national pride without advocating for restrictive immigration policies.
  • Highlighting the disproportionate consumption of global resources by a small segment of the world’s population.
  • Choosing non-violent resistance over aggressive tactics.
  • Expressing skepticism toward mainstream media and reality television.
  • Preferring cultural elements from other countries, such as Guinness over Bud Light and salsa over country music.

The poem culminates with the speaker contemplating systemic issues within American society, including institutionalized racism, gender inequality in political leadership, and the elusive nature of the American Dream. Despite these critiques, the recurring refrain, “And ain’t I an American?” underscores the speaker’s assertion of their American identity, suggesting that questioning and critical reflection are integral components of true patriotism.

Analysis of Themes and Techniques

Jeremiah Blue employs several literary devices to convey the poem’s central themes:

  • Refrain: The repeated question, “And ain’t I an American?” serves as a powerful refrain, emphasizing the speaker’s challenge to narrow definitions of American identity and highlighting the diversity of experiences and beliefs that constitute the nation.
  • Irony and Satire: By juxtaposing traditional symbols of patriotism with personal choices that deviate from the norm, the poem utilizes irony to question the authenticity of conventional expressions of national pride.
  • Cultural Critique: The poem addresses various societal issues, including consumerism, media influence, systemic racism, and gender inequality, prompting readers to reflect on the complexities and contradictions inherent in American society.
  • Personal Reflection: Through the speaker’s candid sharing of personal preferences and beliefs, the poem underscores the importance of individual agency in defining one’s own sense of patriotism and belonging.

Overall, “And Ain’t I An American” invites readers to engage in a nuanced exploration of national identity, encouraging a more inclusive and critical understanding of what it means to be American.

Discover More About Jeremiah Blue

To learn more about Jeremiah Blue’s work and contributions to contemporary poetry, visit his poet bio page on AZpoetry.com.

Natasha murdock arizona poet

Natasha Murdock

Natasha Murdock: Suburban Elegy and the Poetics of Everyday Awe

Natasha Murdock is a poet whose voice emerges from the quiet corners of suburban life, motherhood, and memory. Based in Gilbert, Arizona, Murdock holds an MFA in Poetry from Arizona State University, where she honed a poetic style that embraces clarity, understatement, and emotional depth. She is a part of the vibrant East Valley literary scene, balancing her writing life with her work as adjunct faculty at Mesa Community College.

A Poetic Eye on Domestic Spaces and Unspoken Moments

Murdock’s poetry reveals the sacred in the everyday—whether it’s the hum of household chores, the surreal exhaustion of parenthood, or the strange, persistent beauty found in life’s overlooked moments. Her poems capture what is often left unsaid, drawing readers into an interior world where grace and tension coexist. Through a minimal yet resonant style, she examines the ways silence speaks and gestures carry the weight of memory.

Published in BlazeVOX and The Cobalt Review

Her work has appeared in respected literary journals including BlazeVOX and The Cobalt Review, where readers and editors alike have praised her ability to render ordinary experience with lyric intensity. These publications reflect her place among contemporary voices that push against the boundaries of form without losing accessibility or human connection.

Teaching, Community, and Literary Advocacy

Beyond the page, Murdock is a dedicated educator. At Mesa Community College, she introduces new generations of students to poetry, creative writing, and the power of literary expression. Her work in the classroom echoes her own journey—one that is rooted in Arizona’s literary institutions and nurtured by the mentorship and community of the Southwest’s writing culture.

A Voice Rooted in Arizona

As a poet living in Gilbert and working in the greater Phoenix area, Natasha Murdock brings a distinctly Arizona voice to contemporary poetry—one that reflects the contradictions of desert life, the rhythms of family, and the challenge of reconciling selfhood with responsibility. Her poetry bridges the intimate and the expansive, the personal and the political.

Readers can expect more work from Murdock in the coming years, as she continues to explore the complexities of language, longing, and living fully in the moment.

Niccolea miou nance poet arizona

Niccolea Miou Nance

Niccolea Miou Nance: Poet, Artist, and Advocate for Healing Through Art

Niccolea Miou Nance is a multifaceted artist whose work spans poetry, visual arts, and performance. Her creative endeavors are deeply rooted in personal experiences and the narratives of those around her, aiming to foster healing and empowerment through artistic expression.

Early Life and Artistic Journey

Niccolea’s journey into the arts began early, with a passion for storytelling and self-expression. Over the years, she has cultivated a diverse artistic portfolio, encompassing poetry, painting, and performance art. Her work often delves into themes of personal growth, resilience, and the transformative power of creativity.

Published Works and Contributions

Niccolea’s poetry has been featured in publications such as Borderline, a journal known for its focus on personal narratives, and Canyon Voices, an Arizona State University journal that highlights emerging writers. These platforms have allowed her to share her voice and connect with a broader audience.

She has also published two books available on Amazon:

  • The Words I Hold: A self-published collection that offers an intimate look into her personal experiences and reflections.
  • For Those Who Outlast Their Pain: Released by Swimming With Elephants Publications, this charity project donates proceeds beyond printing and shipping costs to organizations supporting women and survivors of sexual assault. The book serves as a testament to the healing potential of poetry.

Artistic Philosophy and Advocacy

Niccolea believes in the power of art as a tool for healing and social change. Her work often addresses complex emotional landscapes, aiming to provide solace and understanding to those who engage with it. Through workshops and performances, she encourages others to explore their own creative paths as a means of personal empowerment.

Beyond the Page: Performance and Exploration

An amateur fire-spinner and aspiring world traveler, Niccolea’s artistic expression extends beyond traditional mediums. Her performances incorporate elements of movement and visual spectacle, creating immersive experiences that captivate audiences. With plans to embark on global travels via sailboat, she continues to seek inspiration from diverse cultures and landscapes.

Joseph nieves azpoetry. Com

Joseph Nieves

Joseph Nieves: From Comic Books to Poetry Slams in Arizona

Joseph Nieves was raised in San Jose, California, where his earliest adventures were on foot, following his grandfather into the heart of the city. Those walks — which included stops behind a Burger King where his grandfather sold marijuana — would spark an enduring connection to the power of storytelling. One fateful day, a visit to a comic book store tucked into a rough plaza behind a Walgreens opened a new world for young Joseph: the imaginative universe of superheroes, legends, and vivid language.

That encounter with comics wasn’t just a childhood fascination — it became the foundation for his creative life. Through comics, Nieves developed an early appreciation for narrative structure, myth-making, and bold emotional expression — elements that would later define his work as a poet.

New Beginnings in Arizona: Discovering Poetry Slam

In the late 1990s, Nieves’ family relocated to Mesa, Arizona. By then a teenager, Joseph found a job at a local comic book shop, immersing himself even deeper in the worlds of imagination. Around the same time, he stumbled into another transformative discovery: the world of poetry slam.

Drawn to the energy, the emotion, and the raw authenticity of spoken word, Nieves began attending slams across the Phoenix metro area. His talent for weaving powerful imagery, humor, and introspection into tight three-minute performances quickly earned him a reputation as a compelling voice in Arizona’s slam poetry community.

Rise to Prominence: Flagstaff Poetry Slam Champion

Seeking new adventures (and cooler temperatures), Joseph Nieves moved north to Flagstaff, Arizona. There, his presence on the poetry scene blossomed. In 2006, Nieves was crowned the Flagstaff Poetry Slam Champion, a major milestone that solidified his place among Arizona’s top spoken word artists.

Later that year, he proudly represented Flagstaff at the National Poetry Slam in Austin, Texas, competing alongside a talented team that included Troy Thurman, J.J. Valentine, and Aaron Hopkins-Johnson. Sharing a national stage with some of the best poets in the country only sharpened Nieves’ skills and deepened his commitment to using poetry as a vehicle for storytelling and transformation.

Featured Performances and Recordings

Joseph Nieves’ dynamic performances have been featured on platforms beyond the stage. He was highlighted on the influential spoken word podcast Indiefeed, bringing his evocative work to a worldwide audience. His poems — often balancing humor with heartbreak, nostalgia with grit — resonate with listeners because of their vivid honesty and accessible style.

Whether recounting bittersweet memories of family life, unpacking the meaning of heroes and myths, or exploring the complexities of growing up amid shifting identities, Nieves’ poetry captures moments with a sharp, unflinching eye.

Academic and Literary Contributions

While perfecting his craft on the mic, Nieves also pursued academic excellence. He studied English at Mesa Community College before continuing at Westminster, where his passion for literature extended into leadership. He frequently hosted discussions, literary salons, and community events aimed at making literature more accessible and exciting to a new generation of readers and writers.

His belief in the power of storytelling — whether on a comic book page, in a poetry slam, or around a discussion table — has always been central to his mission as both a writer and educator.

Current Work: Nurturing Readers in Tempe, Arizona

Today, Joseph Nieves continues to share his love of words as the manager of a beloved bookstore in Tempe, Arizona. In his role, he fosters community engagement around books and creativity, helping to nurture the next wave of readers, writers, and poets.

While his professional life is rooted in literature, Joseph has never lost touch with his roots in performance poetry. His background in both comic book mythology and slam poetry gives his work a unique flavor — one that blends the fantastical with the deeply personal.

Whether he’s recommending graphic novels to customers, organizing literary events, or stepping up to a microphone for an impromptu reading, Joseph Nieves remains dedicated to the written and spoken word.

Joseph Nieves’ Impact on Arizona’s Literary Scene

As a poet, performer, educator, and community builder, Joseph Nieves embodies the spirit of Arizona’s literary culture — vibrant, diverse, resilient, and endlessly creative. His journey from a comic shop in San Jose to the slam stages of Flagstaff and beyond serves as an inspiring testament to the power of storytelling to transform lives.

Joseph Nieves’ story is a reminder that the seeds of creativity can be planted anywhere — even in the most unexpected corners — and that with passion and perseverance, those seeds can bloom into art that touches hearts across generations.

The laziest man in the world poem arizona poet kalen lander | azpoetry. Com

“The Laziest Man in the World” by Kalen Lander

Behold!
The laziest man in the world

Damn I’m a pearl
Countless bedsores adorn my soul
Check it, if you see my corpse walking round it’s a hoax
Cause in my head I’m at home

Tomes tell of my liquified bones
Don’t question it just keep an open mind
And know I’m holed up inside and it’s alright
It’s kinda like summer vacation
Well it’s more like mummification
It’s sorta like I’m Jason Statham
But instead of punching
I’m stuck in the basement
Yup

And I’ll I’m transporting are snacks to my mouth
All I look forward to is chilling out
All of my memories center around
How much I enjoy becoming one with the couch

Don’t tell me not to slouch these shoulders are heavy
Weight of the world? More like an early Wednesday
Wake up at 4 n then turn on the TV
Repeat indefinitely
Frozen pizza to me is a delicacy

Maybe people might say that I am my own worst enemy
I get all tuckered out from not exerting any energy
I prefer to be the middle link in human centipedes
I don’t want to be deciding when it’s time to shit n eat
Literally anything that isn’t sitting sickens me

I’ll pretend to be asleep when anybody intervenes
My mama wants to say I got a problem naw man
I’m taking after Grandma this rocker is awesome
And I ain’t getting up until you toss me off it
And then I’m probably gonna conk out on the carpet

Ooooo did I mention?
All this inactivity has given me heightened senses
I can smell a cheeto on the floor like it was incense
I can ignore the doorbell better than anybody ever
Got no competitors no natural predators

No feeling in my legs n no plans of leaving bed at all
N I would eat your disapproval if that shit was edible
I said it all before but I’m repetitive I’m
The Laziest man in the world

Music Video of “The Laziest Man in the World” performed by Snailmate

About the Poet Kalen Lander

Kalen Lander’s “The Laziest Man in the World” is a humorous and self-aware exploration of extreme idleness. With witty imagery and a tongue-in-cheek tone, the poem delves into the comforts of slouching, snacking, and avoiding the hustle of daily life. Lander’s ability to blend humor with sharp observation reflects his unique voice in the world of poetry and performance.

To learn more about Kalen Lander’s creative journey, his contributions to Arizona’s arts scene, and his evolution as a performer and poet, visit his full biography HERE.

Land alive by david chorlton poem artwork azpoetry. Com

Land Alive by David Chorlton

“Land Alive” by David Chorlton

The land isn’t empty, it’s thinking.
What will it become when
the clouds disappear and rocks take their place?
Where will the roads lead

when they reach the edge of human thought
and turn into philosophy
where the compass needle bends
and points toward itself?
How much history
can a lizard carry on its back
when it moves at the speed of a reflection

that waits for no one?
It’s as dark as dreams in the canyon
where shadows conspire
to climb the red walls
and fly, as questions do when

they outgrow any answers
that would have bound them
to the Earth.

Originally published online on September 3, 2024 by Lothlorien Poetry Journal, where you can visit to read Land Alive and four more poems.

About the poem Land Alive by David Chorlton

Discover the poem’s philosophical layers and explore the Arizona desert through Chorlton’s lens.

In “Land Alive,” Arizona poet David Chorlton challenges the notion of the desert as a barren, lifeless expanse. Instead, he breathes consciousness into the land, describing it as a force that thinks, reflects, and questions. The poem opens with a striking declaration—”The land isn’t empty, it’s thinking”—and from this premise, Chorlton invites readers to consider the Sonoran Desert not as a backdrop for human activity, but as a living, sentient presence.

The poem flows like a dream, moving from questions about geography and thought to surreal images of lizards carrying history and shadows conspiring to climb canyon walls. The language is both reflective and elusive, packed with metaphor and subtle philosophical questioning. What does it mean for a road to “reach the edge of human thought” or a compass to “point toward itself”? These images suggest a journey inward as much as outward, where the landscape provokes self-reflection and existential inquiry.

Chorlton, a longtime Phoenix resident and visual artist, brings an abstract sensibility to his desert poetry. “Land Alive” feels at home in his broader body of work, which often fuses nature, art, and meditations on place. The desert isn’t just scenery—it’s a character, an entity with memory and imagination. The lizard, a frequent figure in Southwestern imagery, is transformed into a metaphor for time, memory, and motion—“moving at the speed of a reflection / that waits for no one.”

The poem culminates in a moment of mystery and release, as questions “outgrow any answers / that would have bound them / to the Earth.” In this sense, “Land Alive” celebrates not just the land’s physical resilience, but its capacity to outlive and outthink human limitations.

Themes and Style

  • Philosophy of Place: The poem explores the mind-like quality of the land, raising questions about its future, history, and consciousness.
  • Nature as a Living Entity: The desert is not empty but active—filled with thought, movement, and ancient stories.
  • Metaphor and Surrealism: Chorlton’s imagery blends the real and the abstract, painting a landscape that is both physical and metaphysical.
  • Existential Tone: There’s an underlying sense of mystery and questioning, with no easy answers—only poetic observations.

Why It Belongs in Arizona’s Literary Canon

David Chorlton has lived in Phoenix since the late 1970s, and his poetry is deeply rooted in the desert Southwest. In “Land Alive,” his knowledge of the Sonoran landscape and his background in visual art converge to create a unique lyrical experience. This poem is not just about Arizona—it thinks like Arizona: expansive, enigmatic, and quietly profound.


Discover more about David Chorlton, his poetic vision, and his connection to Arizona’s desert landscapes by visiting his poet bio page on AZPoetry.com.

David tabor phoenix poet azpoetry. Com

David Tabor

David Tabor: Analog Artist, Photographer, and Arizona Poet

A Creative Rooted in Arizona’s Poetry and Art Scene

David Tabor is a multidisciplinary artist whose creative journey blends poetry, photography, and performance. Based in Arizona, Tabor made his early mark in the local poetry slam community, creating zines that featured his work and the work of fellow poets. His passion for the written word evolved alongside his deep love of visual storytelling—capturing life through analog photography and hand-crafted zines.

Poetry Slam Veteran and DIY Publisher

Tabor was an active voice in Phoenix’s spoken word scene, performing and producing zines during the Essenza Coffee Shop days. His eye for aesthetics and reverence for authenticity gave rise to a body of work that valued intimacy, imperfection, and the handmade. Zines were often his publishing medium of choice, a perfect format for sharing raw, immediate poetic experiences with a grassroots audience.

A Return to Analog Photography

During the pandemic, Tabor returned to one of his earliest creative loves: analog photography. Drawing on skills he developed in the ’90s, he embraced traditional film, darkroom printing, and a slower, more contemplative process. In just a few years, he produced four photo zines and honed a distinctive style centered on “finding beauty in what’s already there.

His photographic work often explores ordinary moments and overlooked textures of urban and natural spaces. Through zines and hand-printed darkroom pieces, Tabor invites audiences to experience stillness and see the poetry embedded in the everyday.

Collaboration and Connection

One of his proudest accomplishments is a collaborative photo book with artist Lisa Tang Liu. The project was a labor of love—combining visual artistry and editorial rigor, and pushing Tabor’s creative boundaries further than ever before.

Bells, Books, and Improvisation

When he’s not behind the camera, David Tabor works as a bell maker and staff photographer at Cosanti Originals in Paradise Valley, Arizona. The overlap of craftsmanship in both photography and bronze casting has become part of his artistic ethos—use the tools at hand, trust the process, and let the work speak for itself.

A man of many talents, Tabor is also an ordained minister. He once performed spontaneous wedding ceremonies during “7 Minutes in Heaven,” a beloved performance series at Phoenix’s Space 55 Theater.

The Perspective of Time

Tabor attributes much of his recent success to personal growth and perspective. Once deterred by self-doubt, he’s come to embrace failure as a stepping stone in the creative process. Whether through poetry, photography, or zines, David Tabor continues to explore new frontiers while remaining rooted in authenticity and intention.

Jeff falk arizona poet azpoetry. Com

Jeff Falk

Jeff Falk: Visual Artist, Poet, and Arizona Arts Icon

From the Heartland to the Desert

Born in Nebraska and raised in Kansas, Jeff Falk moved with his family to Phoenix, Arizona in 1959. Since then, he has firmly rooted himself in the Arizona arts scene as both a groundbreaking visual artist and an influential figure in the world of spoken word poetry. His creative contributions—spanning visual media, poetry, and community-building—have made Falk a cornerstone of the Grand Avenue arts movement in downtown Phoenix.

A Creative Force in Phoenix Since 1984

Since the early 1980s, Falk has been developing a uniquely expressive style through mixed media art. Working with painting, drawing, collage/decollage, glue, wood, paper, and found objects, he believes that “a work of art is the sum of its parts”—each piece a fusion of tangible materials and intangible personal experiences. Falk often employs “materials at hand” as a philosophical approach to creativity, emphasizing authenticity, resourcefulness, and intuitive composition.

Champion of Spoken Word Poetry in Arizona

While Falk is primarily known as a visual artist, his impact on Arizona’s poetry scene is equally significant. As the founder of the gallery Deus Ex Machina on Grand Avenue, he created a welcoming and experimental venue for poets and artists alike. It was at this gallery that Falk launched “The Poetry Industrial Complex” and “Caffeine Corridor,” two beloved spoken word series that became integral to the development of Phoenix’s contemporary poetry scene.

Many Arizona poets—including Jack Evans, Bill Campana, and Shawnte Orion—credit Jeff Falk with offering a creative home where they could grow their voices and find their audience. These events became cultural institutions, giving a platform to emerging and established writers while blurring the lines between performance, activism, and art.

Poetry as Communication and Critique

Jeff Falk’s poetic philosophy is as uncompromising and insightful as his artwork. He writes with the belief that “getting inside other people’s heads with words is the last vestige of semi-honest communication left in a world that mistakes opinions for fact, celebrities for heroes, loudness for meaning, and glitz and glamor for truth.” His poetry cuts through noise, offering readers sharp, poignant reflections on society, identity, and the human experience.

A Legacy of Raw Creativity and Community

Whether in a gallery or behind a microphone, Falk has spent decades inspiring Arizona’s creative community through honesty, originality, and unfiltered expression. His commitment to nurturing the arts has left a permanent mark on Phoenix’s cultural identity.

David chorlton poet azpoetry. Com

David Chorlton

David Chorlton: Bridging Continents Through Poetry

From Austria to Arizona: A Journey Across Cultures

Born in Austria in 1948, David Chorlton spent his formative years in Manchester, England, amidst the industrial landscapes of the northern region. In his early twenties, he relocated to Vienna, Austria, where he immersed himself in the rich European art and music scene. In 1978, Chorlton moved to Phoenix, Arizona, with his wife, Roberta, marking the beginning of a profound connection with the American Southwest.

A Deep Connection with the Desert Landscape

Settling in Arizona, Chorlton developed a profound appreciation for the desert’s unique beauty and its diverse wildlife. This admiration is vividly reflected in his poetry, which often explores themes of nature and the environment. His collection, The Porous Desert, exemplifies this focus, offering readers an intimate portrayal of the Arizona landscape.

Acclaimed Works and Literary Contributions

Throughout his literary career, Chorlton has produced an impressive array of poetry collections. Notable works include:

  • Poetry Mountain
  • Waiting for the Quetzal (March Street Press)
  • The Devil’s Sonata (FutureCycle Press, 2012)
  • Selected Poems (FutureCycle Press, 2014)

His chapbooks have also garnered recognition, with The Lost River winning the Ronald Wardall Award from Rain Mountain Press in 2008, and From the Age of Miracles securing the Slipstream Chapbook Competition in 2009.

Exploring Fiction and Translation

Beyond poetry, Chorlton ventured into fiction with The Taste of Fog, a novel set in 1962 Vienna that delves into the complexities of a murder investigation. Additionally, he has contributed to literary translation, bringing to English audiences the works of Austrian poet Christine Lavant in Shatter the Bell in My Ear, published by The Bitter Oleander Press.

A Voice in Anthologies and Exhibitions

Chorlton’s poetry has been featured in various anthologies, including Fever Dreams (University of Arizona Press) and New Poets of the American West (Many Voices Press). His work also played a role in the “Fires of Change” exhibition, a collaboration between artists and scientists addressing the impact of climate change on forest management.