Tag: Phoenix

Read Phoenix Poetry written by slam poets, cowboy poets, and literary giants inspired by the state of Arizona!

Ed Mabrey Revolution poem artwork

Revolution by Ed Mabrey

“Revolution” by Ed Mabrey

there’s a revolution. it spins like the
world on its axis, so fast it carries no
sound, no image, not even a vibration and
if you run fast, like a child, and come to
a sudden stop in your sprint, close your
eyes quick, and hold your breath. you’ll
feel it, you’ll hear it just say seconds
behind, or a lifetime ahead. right now,
there’s a Vietnamese boy running through
a field with a pair of Nikes tucked
under his arm, dodging bullets like
raindrops, his blistered feet barely
touching the grass, racing across the mud,
racing against consumerism. the shoes are
not for him, but for his grandmother so
that the time in the field can be
gentler in its monotony. right now, a
boy’s just found a stone, he checks his
weight for strength, it’s grooves for
accuracy, then darts off with his fist
held high, signaling to the other that
the stick ball game was officially on,
never knowing that the the rock he holds
is the last reigning piece to a church
bomb years ago in Selma, Alabama and the
sound he hears played after, when he
cracks a home run, is not the tinkling of
broken glass from Miss Johnson’s window,
but four little black angels crying
tears of joy, cheering him as his feet
hit every base. right now, in the Soviet
Union, where the red curtain might be
tatted, but its’ blood stained glow still
cast over the eyes of everyone living
there, and names like Stalin and Lenin
bring shivers colder than the Hudson in
December, and names like optimism, freedom,
and democracy can get you shot, killed if
you’re lucky. there was a girl sticking
her hand into a military bonfire
ignoring the pain and crackling of her
own skin, she takes out a book half charred,
which reads Three Sisters by Chekov
and tucks it underneath the shirt, not
for warmth, but salvation. right now, a
crackhead had waited 10 minutes longer than
he did yesterday, before going in the cop
and tells himself tomorrow I’ll shoot
for 20. a raced girl with bags underneath
her eyes, and in beneath the legs which
both by now her age stands, on the corner
Main & Champion, and when some Tide
State worker comes by flashing crisp $20
bills she gets on the bus and heads home
for the first time in months. can you
hear me now right now? a boy just ran for
his life to go to school today, some girl
got caught and smacked to some
piece of car, leaving her purse
behind, but not a virginity. can you hear
me now? right now, a man just cut off his
TV and actually had a conversation with
his kids. there is a revolution happening
around us every moment, of every day, and
it is not black power, nor white power, it
is not scary, not tyrannical, it is not
Hitler nor Gandhi, Martin or Malcolm, Mama,
no Nora. it is a young couple’s kiss
behind the bleachers and the old couple
holding hands in the mall, it is loving someone
intensely for 5 minutes, then letting go
when the song ends. it is your misfiring
synapses, your unfit high, your seemingly
miserable existence that still keeps
beating in your chest like some Drummer
Boy hellbent on getting through a
spiritual desert, it is writing a poem or
hearing one. it is your inhale and exhale.
right now, there’s a revolution being
fought right around us. look at the
person next to you. see the battle being
fought in their eyes and recognize it is
just a reflection of the same war being
fought inside you. it’s but the effort to
live your life the way you wish every
moment, every day of this life that you
have and that is the battle and that is
the Revolution and your goal tonight is
a inhale and exhale to living live
inhale, exhale. can you hear me now? if so
then fight on soldiers, ‘cuz the life you
saved this night will be your
own.

Transcribed from the video “Revolution” by Ed Mabrey and Poetry Slam Archives.

Watch Ed Mabrey perform “Revolution” on YouTube

About the poet Ed Mabrey

Ed Mabrey’s poem Revolution is an urgent and powerful meditation on the silent, ongoing battles that define human existence. Unlike traditional revolutions that are marked by violence, politics, or ideological shifts, the revolution in Mabrey’s poem is deeply personal, invisible to the untrained eye, yet ever-present in our lives.

The poem unfolds in a series of vignettes, each capturing a moment of struggle, resilience, or defiance from various corners of the world. A Vietnamese boy runs barefoot, dodging bullets, not for himself but to bring comfort to his grandmother. A child picks up a stone for a game, unaware that it is a remnant of a church bombing in Selma, infused with historical pain. A girl in the Soviet Union risks her life to rescue a banned book from flames—not for warmth, but for the survival of knowledge. A crack addict fights against addiction, pushing the boundaries of self-control. A young woman, forced into sex work, takes her first steps toward reclaiming her life.

Through these moments, Mabrey illustrates that revolution is not just found in grand historical narratives but in the quiet acts of endurance, courage, and self-reclamation that happen right now—in real time, all around us. He challenges the reader to recognize the struggles in the eyes of those around them and to see their own internal battles reflected there. The poem’s rhythmic repetition of “right now” creates a sense of immediacy, making the revolution feel not only inevitable but also deeply personal.

Mabrey’s final call to action is simple yet profound: breathe. The act of inhaling and exhaling, of continuing despite hardship, is itself an act of defiance, a way to reclaim one’s life. Revolution is not just about resistance; it is about existence, about the ongoing fight to live authentically and freely.

Discover more about Ed Mabrey’s poetry and performance legacy here on his bio page.

Get Tickets to see Ed Mabrey, Individual World Poetry Slam Champion, feature at Ghost Poetry Show on April 9th, 2025!

April 9th, 2025 at The Rebel Lounge

Doors at 7:00PM | Show at 7:30PM

Advance Price: $10 + fees 
Day Of Show Price: $12 + fees

21+This is a special Ghost Poetry Show for National Poetry Month! Individual World Poetry Slam Champion ED MABREY features award-winning poetry live and in-your-face in the intimate setting of The Rebel Lounge!

15 poets compete in a poetry slam for cash prizes judged by 5 randomly selected audience members.

To sign up to perform email us at GhostPoetryShow@gmail.com

BUY TICKETS HERE

atlas st cloud grey walls poem artwork | AZpoetry.com

grey walls by atlas st. cloud

“grey walls” by atlas st. cloud

i am laying,
in an empty room.

the temperature is steadily dropping
and frost begins to crystalize on my eyelashes,
playing tricks with my irises.

i am a green eyed boy,
but ice has got me seeing with grey.

grey halls
with grey walls
led me to this hallowed space.

i am laying,
in an empty room.

the ceiling is a motley crew of colors,
galaxies are being spun before me.
two stars collide,
FLASH. BANG. BOOM.
the void opens up.

i stare into the vastness,
and the void whispers back,
“ice cannot kill a phoenix.”

i am laying,
in an empty room.

the stillness of space has no place in this room.
wind begins to howl,
ripping at the walls with nowhere to go.
this wind has teeth and it bites at my skin.

anger manifests monsters,
and this one is trying to
rip, freeze, tear me apart.

i am laying,
in an empty room.

the walls are closing in on me.
i exhale quick and can see my breath in fog.
my skin is beginning to plasticize
and i don’t know if i can move.

there once was a door,
but i can’t move my head to see if it is still there.

i am laying,
in an empty room.

my shoulders start to itch.
warmth floods my systems
and i can feel it in my chest.
my heart begins to beat.

blood flows once more
and something is happening to me.

i am laying,
in an empty room.

my shoulders begin to burn.
a tingle to go along with the itch.
then, suddenly,
i am screaming.

when i wake up,
i am on fire.

i am laying,
in an empty room.

and i sit up.

Originally published in Zilch Qualms, a Phoenix Poetry Slam anthology in 2019.

About the poet atlas st. cloud

atlas st. cloud’s poem grey walls is a haunting meditation on isolation, transformation, and rebirth. The poem places the speaker in an empty room, surrounded by the creeping cold that distorts perception—turning green eyes grey, freezing the breath, and numbing the senses. As the speaker remains motionless, they are enveloped by a void, an expanse of darkness filled with cosmic flashes and whispered reassurances. The line, “ice cannot kill a phoenix”, serves as a powerful moment of foreshadowing, hinting at an inevitable resurgence from the paralysis of despair.

The poem’s structure mirrors a cycle of entrapment and eventual release. The repetition of “I am laying, in an empty room” emphasizes stagnation, reinforcing the feeling of being stuck in an unchanging state. Yet, amid the cold and confinement, fire emerges. The warmth first presents itself as an itch, then an unbearable burn, until finally, the speaker erupts in flames—literally and metaphorically. The transformation is painful but necessary, illustrating a shift from suppression to liberation, from numbness to an awakening.

By the poem’s end, the speaker is no longer trapped in stillness. The final shift—from lying down to sitting up—marks a triumph over stasis, a rebirth from the ashes of struggle. grey walls is a deeply evocative piece that captures the internal battle between despair and resilience, ultimately leaving the reader with the image of survival and renewal.

Discover more about atlas st. cloud and his poetry here on his poet bio page.

A Frothy Limerick About Gail by AZpoet Gary Bowers

A Frothy Limerick About Gail by Gary Bowers

“A Frothy Limerick About Gail” by Gary Bowers

A thirsty young lass name of Gail
Took a long steady pull at her ale
Then with foamy mustache
She proceeded to slash
Through guitar riffs that made the gods wail.

About the poet Gary Bowers

Limericks are a time-honored poetic form known for their playful tone, rhythmic bounce, and humorous twists. Originating from Ireland and popularized in English by Edward Lear, limericks follow a five-line structure with a distinctive AABBA rhyme scheme and a strong, rollicking rhythm that makes them particularly engaging.

Gary Bowers’ limerick embraces these conventions while delivering a vibrant and entertaining narrative. The poem tells the story of Gail, a spirited young woman who enjoys her ale before unleashing an awe-inspiring musical performance.

In true limerick fashion, the humor comes from the unexpected contrast: the image of Gail as a casual drinker, momentarily adorned with a “foamy mustache,” shifts dramatically as she erupts into a powerful, almost godlike guitar performance. The final line, “through guitar riffs that made the gods wail,” elevates Gail’s musical prowess to mythic proportions, transforming what begins as a lighthearted pub scene into an epic rock ‘n’ roll moment.

Bowers’ clever use of internal imagery, humor, and rhythm captures the spontaneous joy of music, the camaraderie of a lively pub, and the unexpected talent that can emerge in the least expected places. The poem’s energy mirrors the rhythmic nature of a great song, making it a perfect example of how limericks can entertain while showcasing a poet’s skill with words and storytelling.

Gary Bowers is known for his sharp wit, clever wordplay, and engaging poetic style. To discover more of his limericks, poetry, and literary contributions, visit his poet bio page here.

Joshua Wiss poet | AZpoetry.com

Joshua Wiss

Joshua Wiss: Spoken Word Poet and DIY Wordsmith

Joshua Wiss is a spoken word poet, musician, and storyteller based in Phoenix, Arizona. A poet of deep feeling and vibrant imagery, Wiss captures the essence of modern life, love, death, and the perils of suburban existence through his evocative performances. With a background rooted in the DIY aesthetic, Wiss merges raw emotion with carefully crafted verse, making his poetry a visceral experience for audiences.

A Veteran of the Poetry Slam Scene

Having competed at four National Poetry Slams, representing Flagstaff, Sedona, and the Valley of the Sun. Wiss has shared the stage with some of the world’s top-ranking performance poets, proving himself as a formidable force in the spoken word community. His poetry is as much a performance as it is an intimate conversation, pulling listeners into the rhythms of his words and the landscapes of his mind.

A Poet Rooted in Analog and Nostalgia

Beyond the stage, Wiss is a collector of stories and artifacts of the past. He can often be found tinkering with typewriters, playing musical instruments, or sorting through vinyl records at his day job in a record store. A self-described feeler with a voice, he embraces the analog world—a poet who revels in the beauty of VHS tapes, cassette players, and the timeless swing of Louis Prima.

Themes and Style

Joshua Wiss’s poetry is infused with powerful, often dreamlike imagery, reflecting on themes of:

  • Love and loss – Capturing the fleeting nature of relationships and memory.
  • Time and the universe – Questioning the cyclical patterns of existence and the energy that connects us all.
  • The human experience – Chronicling life’s highs and lows with authenticity and grace.

His poem Wallflower is a perfect example of his craft, blending themes of memory, presence, and the ephemeral nature of time. Lines like “every good party needs a Wallflower to stand witness and materialize memories” illustrate his unique ability to translate the intangible into poetic form.

A Legacy in the Making

Wiss’s work goes beyond spoken word competitions—his poetry is an experience, a ritual, and a reflection of the world around him. Whether performing at slams or connecting with audiences in intimate settings, Joshua Wiss continues to be a powerful and unforgettable voice in Arizona’s poetry scene.

Free Admission poem by Cylie Naylor | AZpoetry.com

Free Admission by Cylie Naylor

“Free Admission” by Cylie Naylor

the welcome sign to the gallery of my
heart reads free admission open every
day of the year and everything here has
some history and there’s plenty to see
on account of how I can fall in love so
quickly you know the average heartbeat
of a woman is about eight beats a minute
faster than a man’s which might explain
why it’s so hard to keep up with me so I
hope you’re up to the chase and I hope
you like what I’ve done with the place
take your time make yourself at home
enjoy the space you’re greeted with wine
and a waiver upon entry I’ve done
everything possible to ensure that it’s
not empty and that you won’t be bored
there are love letters scrawled on the
baseboards and the molding and the
hinges of every door it’s a bit chaotic
but you’re intrigued to see more and
please ignore the caution tape as some
rooms are still under construction but
there’s still plenty of me left for your
consumption there are some films about
Obsession and letters from past loves
held in resin the first hand that I held
in the first lips that I kissed this
room interactive at your own risk
because some before have been Reckless
cut their hands on my rough edges left
bloody finger paintings all over my
walls so I have something left to
remember them by
and this room a voicemail playing him
saying goodbye for the last time and
that room shattered glass covers the
floor for every bottle I never meant
more than
every piece of every heart that I broke
on my own accord and this room a single
framed portrait that neatly reads I’m
sorry for every time I messily couldn’t
and this place has a room decorated by
every love I’ve ever met I adorned them
with every memory and story they’ve
given me and on your way out I’ll hand
each of you an apology for anything
frightful that you might have seen But
honestly the one thing this place could
use is a little better security because
you are here every day
first in line to stake your claim as if
you couldn’t see that the biggest room
they gave me is already titled with your
name you are my largest most tragic
display for everyone to see The
Menagerie of the mess you’ve made of me
and when passersby say that you could
just spend days in this Gallery I think
about how there are 60000
miles of blood vessels within you
enough to go around the world twice
which is about how long that I would
travel to hear my heartbeat against
yours for one more night plenty of time
spent wandering trying to find you at
the right place or the right time and I
am the desperate Starstruck Basquiat to
your Warhol and I’ll walk endless Halls
haunted by crooked portraits of our
could have bins and every time I let
myself look around for too long you
become my muse all over again
I begged them not to let you in but you
never listen or you’re forced your way
through them but you’ll still find me
here and my ear is in a box on your
doorstep eager to listen for eternity if
you’ll just come home to me and I’ve
been busy scrubbing this place of your
memory but anyway
I’ll make some calls about that security
thank you for coming please take this
survey rating how much you all felt
loved by me.

Transcribed from the video “Free Admission” by Ghost Poetry Show and Cylie Naylor.

Watch Cylie Naylor perform “Free Admission” at Ghost Poetry Show on YouTube

About the poet Cylie Naylor

In Free Admission, Cylie Naylor masterfully constructs an extended metaphor of the heart as a museum—an open gallery where love, heartbreak, and memories are on full display. The poem invites the reader into an intimate, emotional space, detailing the artifacts of past relationships, the remnants of love lost, and the scars left behind by reckless visitors. The speaker’s vulnerability is woven into every exhibit, from love letters etched into door frames to shattered glass symbolizing broken promises. The museum is chaotic, unfinished, yet mesmerizing—reflecting the speaker’s emotional history and the lingering presence of a past love who still looms as the gallery’s most tragic display.

Naylor’s use of striking imagery and juxtaposition creates a powerful emotional impact. The speaker is both curator and captive, struggling to move on while still hoping for a return. The final lines—where the speaker acknowledges their futile attempts to erase the past while joking about improving security—underscore the poem’s aching vulnerability and quiet resignation.

With its blend of personal reflection, raw emotion, and artistic metaphor, Free Admission speaks to the universal experience of love, loss, and the struggle to reclaim one’s heart.

To learn more about Cylie Naylor and her poetic journey, visit her bio page here.

Jack Evans Poet | AZpoetry.com

Jack Evans

Jack Evans: Illuminating Lives Through Poetry

Arizona’s Enduring Voice in Poetry and Healing

Jack Evans has been a central figure in Arizona’s poetry scene for over 40 years, leaving an indelible mark on the cultural landscape of the Valley of the Sun. A celebrated poet, spoken word artist, and creative director, Evans is best known for his deep, soulful verse and his commitment to exploring themes of memory, loss, and the healing power of art. As the former Poet Laureate of the Southwest Conference United Church of Christ and the author of the acclaimed book Rain Is The Hourglass Of Memory, Evans continues to inspire audiences with his timeless work.


A Storied Journey from the East to the Southwest

Born on the banks of the Hudson during the twilight years of Roosevelt II’s reign, Jack Evans’ early life was steeped in history and literary tradition. His journey eventually led him to a little house overlooking the dusty Agua Fria when Lesley King ruled the land—a transformative move that rooted him in the vibrant, rugged spirit of the American Southwest. Evans’ love for music, film, baseball, and books has always colored his work, infusing his poetry with both a passion for cultural heritage and a modern, relatable voice.


A Life Dedicated to Poetry and Performance

For decades, Jack Evans has dedicated himself to the art of poetry. He writes, reads, thinks, and shares poetry with an enthusiasm that has resonated across generations. His work has been published in numerous literary journals and magazines, and he has performed in venues throughout Arizona and from coast to coast since the 1970s. Whether on stage at intimate local gatherings or at major poetry festivals, Evans’ performances captivate audiences with their blend of narrative depth and energetic delivery.

As a director of spoken word series for over 30 years, Evans has played a pivotal role in nurturing and showcasing emerging voices in the art form. Currently, he is the co-director of the Caffeine Corridor series in downtown Phoenix—a vibrant forum where poets and spoken word artists come together to share their work and inspire new creative connections.


Collaborative Performances and Healing Through Art

A notable aspect of Jack Evans’ career is his collaboration with guitarist Tom Bell. Their partnership, known as the Evans Bell Conversion, began with a memorable performance at Lawn Gnome Publishing on February 5, 2015. Since then, the duo has continued to push the boundaries of spoken word by integrating live music into their performances, creating immersive experiences that blend poetic narrative with melodic expression.

Their upcoming collaboration, showcased at the Healing Project, exemplifies Evans’ belief in the transformative power of art. This performance promises to be an experiential exploration of grief, death, loss, and change, inviting both performers and audience members to engage in a shared process of healing. Through conversation, reflection, and the potent force of the written word, the Evans Bell Conversion aims to help ease grief-related suffering and inspire hope.


Legacy and Impact on Arizona Poetry

Jack Evans’ legacy is a testament to his lifelong commitment to poetry and the arts. His work not only celebrates the rich cultural heritage of Arizona but also serves as a catalyst for healing and community connection. Evans’ influence extends far beyond his individual performances—he has nurtured countless emerging poets through his workshops, events, and creative leadership.

Living in Phoenix with his wife Judy, his dog, his cat, four parakeets, and a trusty laptop, Evans continues to embody the spirit of creativity and resilience. His ongoing contributions to the local poetry scene make him a cornerstone of Arizona literature, ensuring that the voices of the past, present, and future are heard and celebrated.

Read Arizona Poets

Rosemarie Dombrowski
Rosemarie Dombrowski: Phoenix’s Trailblazing Poet Laureate and Literary Innovator Rosemarie Dombrowski is …
Tomas Stanton
Tomas Stanton: A Poet, Teaching Artist, and Advocate for Youth Empowerment Tomas …
Alberto Ríos
Alberto Ríos: A Celebrated Poet and Storyteller Alberto Ríos, an acclaimed writer, …
Corbet Dean
Honoring the Journey: Corbet Dean's Poetic Odyssey In the realm of Arizona …
Thomas Cooper
Thomas Cooper has performed poetry around the Valley of the Sun since …
Wisdom Soul
Wisdom Soul: The Voice of Positivity and Healing From the tender age …
Nick Fox Voice of God poetry | AZpoetry.com

Nick Fox

Nick Fox: Founder, Performer, and “The Voice of God” in Slam Poetry

Nick Fox is a celebrated poet, performer, educator, and a pivotal figure in the American slam poetry movement. As the founder of the Flagstaff Poetry Slam and an early competitor in Arizona’s burgeoning poetry slam scene, Fox helped shape the vibrant spoken word community that thrives in the state today. His contributions extend far beyond Arizona, as Fox is also renowned for hosting the finals of the National Poetry Slam for over a decade, where he earned the nickname “The Voice of God” for his commanding presence and resonant delivery.


Early Days in Slam Poetry: The Mesa Years

Nick Fox’s journey into slam poetry began during the first wave of the movement, performing in Mesa, Arizona. As a competitor in the early days of Arizona’s slam scene, Fox showcased his ability to blend compelling storytelling with captivating performance, quickly becoming a standout voice in the community. His work explored themes of humanity, relationships, and the intricacies of everyday life, resonating deeply with audiences. His contributions during this time helped solidify Mesa as a hub for poetry slam in Arizona.


Founding the Flagstaff Poetry Slam

Fox’s passion for creating spaces where poets could thrive led him to establish the Flagstaff Poetry Slam. Under his leadership, the slam became a cornerstone of Flagstaff’s arts and culture scene, drawing poets and audiences from across the state. By fostering an inclusive and dynamic environment, Fox played an instrumental role in building a community where poets of all backgrounds could share their voices.

The Flagstaff Poetry Slam not only became a home for local poets but also attracted some of the most talented spoken word artists from across Arizona. Fox’s ability to nurture new talent and curate engaging events helped make Flagstaff a vibrant hub for spoken word poetry, with ripple effects felt throughout the state’s literary scene.


Hosting the National Poetry Slam Finals: “The Voice of God”

Nick Fox’s influence extended far beyond Arizona when he became the longtime host of the National Poetry Slam finals, one of the most prestigious events in the spoken word world. For over a decade, Fox’s booming voice, charismatic stage presence, and sharp wit elevated the event to new heights. His commanding presence as host earned him the nickname The Voice of God,” a testament to the respect and admiration he garnered from poets and audiences alike.

Fox’s role as host was not simply about announcing poets or performances—it was about creating an atmosphere of excitement, reverence, and community. His ability to connect with audiences and performers alike made the finals an unforgettable experience, cementing his legacy as a cornerstone of the national slam poetry movement.


Nick Fox as a Writer and Traveler

Beyond his achievements in poetry and performance, Nick Fox is also a prolific writer and avid traveler. His travel blog, …said the Fox, chronicles his journeys across the globe, combining his poetic sensibilities with his love of storytelling. Through vivid descriptions and thoughtful reflections, Fox’s blog offers readers a glimpse into his experiences and the lessons he’s learned along the way.

His travel writing explores themes of identity, cultural discovery, and the connections we form with the world around us. The same attention to detail and emotional resonance that defines his poetry shines through in his prose, making his blog a must-read for fans of both travel and literary artistry.


Educator and Mentor

As an educator, Nick Fox has inspired countless poets, performers, and writers to explore their own creative voices. His dedication to fostering talent and building communities has left a lasting impact on Arizona’s literary and performance arts scenes. Fox’s ability to connect with people on a personal level, whether through his poetry or teaching, underscores his commitment to creating spaces where others can thrive.

Fox’s legacy in Arizona poetry is one of mentorship, innovation, and passion. His contributions to slam poetry, both as a competitor and as an organizer, have helped elevate the art form in Arizona and across the country.


Legacy and Influence

Nick Fox’s contributions to slam poetry and the arts have made him a vital figure in Arizona’s literary history. From his beginnings as a slam poet in Mesa to founding the Flagstaff Poetry Slam and hosting the National Poetry Slam finals, Fox has consistently demonstrated a commitment to amplifying voices and building vibrant artistic communities.

His unique blend of poetry, performance, and storytelling continues to inspire audiences and writers alike. Nick Fox’s legacy lives on in the thriving slam poetry scenes he helped cultivate and the countless poets he has mentored and influenced throughout his career.

For more about Nick Fox’s writing and travels, visit his blog at nickfox.wordpress.com.

Discover more poets and writers from Arizona HERE.

Doug Hopkins Gin Blossoms poet songwriter | Azpoetry.com

Doug Hopkins

Doug Hopkins: The Lyrical Poet of the Arizona Desert

Doug Hopkins (April 13, 1961 – December 5, 1993) is remembered not only as the brilliant lead guitarist and founder of the Gin Blossoms but also as a songwriter whose deeply poetic lyrics captured the bittersweet beauty of the Arizona landscape and the human condition. Born and raised in Arizona, Hopkins’ work resonates with the raw, emotive energy of the Southwest, blending tender vulnerability with haunting imagery to create songs that are as much poetry as they are rock anthems.


Early Life and Arizona Roots

Growing up in the vibrant and rugged environment of Arizona, Doug Hopkins was deeply influenced by the stark beauty of the desert and the complex cultural tapestry of the Southwest. His early exposure to the natural splendor and the challenges of life in the desert instilled in him an enduring connection to his home state—a connection that would later permeate his songwriting. From a young age, Hopkins discovered a passion for music and literature, learning to see the world in metaphors and lyrical snapshots. This formative experience not only shaped his artistic sensibilities but also laid the groundwork for a career that would redefine the fusion of music and poetry.


Songwriting and Lyrical Brilliance

Hopkins’ songwriting is renowned for its evocative, introspective quality. His lyrics often explored themes of heartbreak, longing, and the complexities of life, all conveyed with a poetic sensibility that transcended conventional rock music. Songs such as “Hey Jealousy” and “Found Out About You” became emblematic of his ability to blend raw emotion with vivid imagery, transforming personal pain and hope into timeless verses.

His poetic prowess lay in his ability to craft lyrics that were both accessible and deeply moving. With a voice that echoed the melancholy of a fading sunset over the desert and the passionate intensity of the Arizona spirit, Hopkins’ work became a voice for those who felt the weight of loss, longing, and the perpetual search for meaning. His music was a canvas for his inner world—one where every line was meticulously penned, each chord struck resonated with raw authenticity, and the desert’s infinite beauty provided both inspiration and solace.


Trials, Tribulations, and a Lasting Legacy

Despite his undeniable talent, Doug Hopkins’ career was marred by personal struggles, including battles with alcoholism and personal demons that eventually led to his tragic early passing in 1993. Though his life was cut short, his legacy endures through the powerful lyrics he left behind. Hopkins’ work remains an enduring testament to the human spirit—a reminder that even in our darkest moments, there is beauty to be found in the act of creation.

Hopkins’ poetic songwriting continues to inspire not only musicians but also poets and artists across Arizona and beyond. His ability to evoke deep emotion with a few well-chosen words has cemented his status as a cultural icon whose influence resonates in every corner of Arizona’s artistic landscape.


Influence on Arizona’s Cultural Landscape

In Arizona, where the desert meets the soul, Doug Hopkins’ work has found a special place. His songs, imbued with the spirit of the Southwest, capture the essence of life in a land defined by both beauty and hardship. His lyrical legacy has influenced generations of Arizona musicians, poets, and writers who see in his work a reflection of their own experiences—of love, loss, resilience, and the unyielding passage of time.

Hopkins’ poetic lyrics have become a source of inspiration for those who seek to express their own truths. His ability to translate the complexities of the human heart and the stark realities of the desert into song has opened a path for a new kind of poetic expression in modern music—a path that continues to be explored by artists who call Arizona home.

Discover Arizona Poets

Chelsea Guevara
Chelsea Guevara: U.S.-Salvadoran Voice, Slam Champ & Storyteller of Memory & Belonging …
Ashley Naftule
Ashley Naftule: Phoenix Poet, Playwright & Performance Artist Ashley Naftule (they/them) is …
Rex Arrasmith
Rex Carey Arrasmith: Bridging Worlds Through Poetry and Fiction Rex Carey Arrasmith …
Gary Every
Sedona’s Storyteller, Poet Laureate, and Genre-Bending Wordsmith Gary Every, the Poet Laureate …
Natasha Murdock
Natasha Murdock: Suburban Elegy and the Poetics of Everyday Awe Natasha Murdock …
Josh Rathkamp
Josh Rathkamp: Arizona Poet, Educator, and Voice of the Everyday Sacred Josh …

Read Arizona Poetry

‘Alas Poor Yorick’ by The Klute
Alas, Poor Yorick I regard the sad little manAs I stand in …
Haiku from Seventeen Syllables by Hisaye Yamamoto
"Haiku from Seventeen Syllables" by Hisaye Yamamoto it was so much easier …
Green & Red by Ashley Naftule
"Green & Red" by Ashley Naftule When I was six,my favorite part …
And Ain’t I An American by Jeremiah Blue
"And Ain't I An American" by Jeremiah Blue I do appreciate the …
WHAT’S WRONG WITH BEING HUMAN poem by Josh Rathkamp
"WHAT'S WRONG WITH BEING HUMAN" by Josh Rathkamp I lived two houses …
The Vegetarian’s Nightmare poem by Baxter Black
"The Vegetarian's Nightmare" a cowboy poem by Baxter Black parsley power ladies …
History of the Cosmos by Lauren Deja | AZpoetry.com

“History of the Cosmos” by Lauren Deja

When you turned your head, my heart tapped my head.
It said.
RUN.
I don’t know where this one is from.
He’s gonna render you dumb.
Your lungs will become numb.
Paralyzed in his eyes.
His words are like diamonds,
Sending rays of light.
Enlightened.
Silence.
Indicted my heart to the island of your enticement.
RUN.
Then my feet unable to leave said,
He’s perfect.
The man of my dreams.
To which my head said,
Give me a minute.
Disbelief.
You.
My love motif.
And I shot through the atmosphere like a angel propelled by light.
Leaving wings behind I soared and the universe began to demonstrate.
Stars took shapes, taking breaths, in an attempt to explicate.
You.
The how of loving you is a mystery.
The depth of loving you is seen only in the eyes of furthest reaching nebular sea.
The possibility is life defying.
You.
Are mystifying.
I’m left with my heart hanging on stars.
Time travelling through the universe, looking for reservoirs.
Mementos of the memories we never made.
Petrified.
Afraid.
I’ll love you from here.
Because I may lose you out there.
From here, our love is pristine.
Caught up in the unforeseen quarantine of the in between.
In between.
You.
And me.
Then my heart tapped my head
And said,
Approach with caution.
To which my head responded.
Love like a Jedi.
Love from the other side of the veil.
Love from the cosmos will not fail.
Inhale.
Exhale.
Under your spell.
Impaled.
Hopeless expanse.
Derailed.
Then you turned your head.
And the universe began to concentrate.
Compiling every memory into the space between you and me.
Compacting every molecule in existence between you and me.
And now, I know how
love and black holes grow.

About the poet Lauren Deja

Lauren Deja is a dynamic artist and holistic healer, blending her talents as a poet, musician, actor, and certified breathwork practitioner. Her work spans the realms of performance and wellness, guiding others toward self-discovery and inner peace. To learn more about her journey, explore her full bio HERE.

Sean Avery Medlin poet | AZpoetry.com

Sean Avery Medlin

Sean Avery Medlin: Hip-Hop Nerd, Gamer, and Provocative Wordsmith

Sean Avery Medlin (he/they) is an innovative poet, playwright, and cultural advocate based in Arizona. A self-described gamer and hip-hop nerd, Medlin’s work boldly questions the limits of Black masculinity, media misrepresentation, and personal narrative. With a dream to create rap, poetry, prose, and performance full-time, they channel their passions into art that is as provocative as it is deeply personal.


A Unique Voice in Contemporary Culture

Medlin’s creative journey is defined by a distinct perspective that fuses elements of hip-hop culture, gaming, and speculative fiction. Their only wish in this world is to watch an unproblematic Black sci-fi TV show—a desire that humorously encapsulates the challenges and contradictions of contemporary media representation. This blend of cultural critique and self-aware humor fuels their work, inviting audiences to reconsider familiar narratives through a fresh, critical lens.


Literary and Performance Achievements

Sean Avery Medlin’s work spans multiple genres and platforms. As a performance poet and playwright, they have been a vibrant presence on stages across Arizona and beyond. Their thought-provoking pieces have graced prominent platforms and festivals, including the 2020 Tucson Poetry Festival and the 2018-2019 Chicago Hip-Hop Theater Festival. Their dynamic presence in the literary world has also led to features in notable publications such as the Phoenix New Times, Chicago Tribune, Los Angeles Review of Books, Teen Vogue, Afropunk, and Blavity.

Medlin’s artistic output includes a hip-hop play and album titled “skinnyblk,” available online at superseanavery.com, and their debut collection of essays and poetry, 808s & Otherworlds: Memories, Remixes, & Mythologies,” published by Two Dollar Radio. This collection is available in audio, digital, and print formats throughout the U.S., the U.K., and Canada, solidifying their reputation as a multifaceted and boundary-pushing artist.


Educator and Cultural Leader

In addition to their creative work, Sean Avery Medlin is committed to nurturing the next generation of writers and cultural activists. They teach creative writing on the side, sharing their passion for language and storytelling with students and emerging artists alike. Medlin also guides artistic and cultural work for various organizations across Arizona, helping to shape a more inclusive and dynamic arts community.

Their work in education is not just about imparting technical skills; it’s about inspiring a deeper understanding of identity and empowering others to question dominant narratives. Through their teaching, Medlin encourages students to explore the intersections of race, gender, and media representation, fostering critical thinking and creative expression.


A Vision for the Future

Sean Avery Medlin’s ambitions extend far beyond the classroom and stage. With a clear vision to create and perform full-time, they continue to push the boundaries of what poetry and performance can be. Their work is a call to action—a reminder that art is a powerful tool for challenging societal norms and advocating for change. Medlin’s unique voice, which melds hip-hop, gaming culture, and incisive social commentary, is paving the way for a new era of artistic expression in Arizona and across the globe.

Read Arizona Poetry

‘Alas Poor Yorick’ by The Klute
Alas, Poor Yorick I regard the sad little manAs I stand in …
Haiku from Seventeen Syllables by Hisaye Yamamoto
"Haiku from Seventeen Syllables" by Hisaye Yamamoto it was so much easier …
Green & Red by Ashley Naftule
"Green & Red" by Ashley Naftule When I was six,my favorite part …
And Ain’t I An American by Jeremiah Blue
"And Ain't I An American" by Jeremiah Blue I do appreciate the …
WHAT’S WRONG WITH BEING HUMAN poem by Josh Rathkamp
"WHAT'S WRONG WITH BEING HUMAN" by Josh Rathkamp I lived two houses …
The Vegetarian’s Nightmare poem by Baxter Black
"The Vegetarian's Nightmare" a cowboy poem by Baxter Black parsley power ladies …

Discover Arizona Poets

Chelsea Guevara
Chelsea Guevara: U.S.-Salvadoran Voice, Slam Champ & Storyteller of Memory & Belonging …
Ashley Naftule
Ashley Naftule: Phoenix Poet, Playwright & Performance Artist Ashley Naftule (they/them) is …
Rex Arrasmith
Rex Carey Arrasmith: Bridging Worlds Through Poetry and Fiction Rex Carey Arrasmith …
Gary Every
Sedona’s Storyteller, Poet Laureate, and Genre-Bending Wordsmith Gary Every, the Poet Laureate …
Natasha Murdock
Natasha Murdock: Suburban Elegy and the Poetics of Everyday Awe Natasha Murdock …
Josh Rathkamp
Josh Rathkamp: Arizona Poet, Educator, and Voice of the Everyday Sacred Josh …