Tag: 2020s Poetry

Read 2020s Poetry written by slam poets, cowboy poets, and literary giants inspired by the state of Arizona on AZpoetry.com!

Sean avery medlin poet | azpoetry. Com

Sean Avery Medlin

Sean Avery Medlin: Hip-Hop Nerd, Gamer, and Provocative Wordsmith

Sean Avery Medlin (he/they) is an innovative poet, playwright, and cultural advocate based in Arizona. A self-described gamer and hip-hop nerd, Medlin’s work boldly questions the limits of Black masculinity, media misrepresentation, and personal narrative. With a dream to create rap, poetry, prose, and performance full-time, they channel their passions into art that is as provocative as it is deeply personal.


A Unique Voice in Contemporary Culture

Medlin’s creative journey is defined by a distinct perspective that fuses elements of hip-hop culture, gaming, and speculative fiction. Their only wish in this world is to watch an unproblematic Black sci-fi TV show—a desire that humorously encapsulates the challenges and contradictions of contemporary media representation. This blend of cultural critique and self-aware humor fuels their work, inviting audiences to reconsider familiar narratives through a fresh, critical lens.


Literary and Performance Achievements

Sean Avery Medlin’s work spans multiple genres and platforms. As a performance poet and playwright, they have been a vibrant presence on stages across Arizona and beyond. Their thought-provoking pieces have graced prominent platforms and festivals, including the 2020 Tucson Poetry Festival and the 2018-2019 Chicago Hip-Hop Theater Festival. Their dynamic presence in the literary world has also led to features in notable publications such as the Phoenix New Times, Chicago Tribune, Los Angeles Review of Books, Teen Vogue, Afropunk, and Blavity.

Medlin’s artistic output includes a hip-hop play and album titled “skinnyblk,” available online at superseanavery.com, and their debut collection of essays and poetry, 808s & Otherworlds: Memories, Remixes, & Mythologies,” published by Two Dollar Radio. This collection is available in audio, digital, and print formats throughout the U.S., the U.K., and Canada, solidifying their reputation as a multifaceted and boundary-pushing artist.


Educator and Cultural Leader

In addition to their creative work, Sean Avery Medlin is committed to nurturing the next generation of writers and cultural activists. They teach creative writing on the side, sharing their passion for language and storytelling with students and emerging artists alike. Medlin also guides artistic and cultural work for various organizations across Arizona, helping to shape a more inclusive and dynamic arts community.

Their work in education is not just about imparting technical skills; it’s about inspiring a deeper understanding of identity and empowering others to question dominant narratives. Through their teaching, Medlin encourages students to explore the intersections of race, gender, and media representation, fostering critical thinking and creative expression.


A Vision for the Future

Sean Avery Medlin’s ambitions extend far beyond the classroom and stage. With a clear vision to create and perform full-time, they continue to push the boundaries of what poetry and performance can be. Their work is a call to action—a reminder that art is a powerful tool for challenging societal norms and advocating for change. Medlin’s unique voice, which melds hip-hop, gaming culture, and incisive social commentary, is paving the way for a new era of artistic expression in Arizona and across the globe.

Read Arizona Poetry

Pieces of the Night by Doug Hopkins
"Pieces of the Night" by Doug Hopkins Well is it any wonder …
Burn Wall Street Burn by The Klute
Read the poem "Burn Wall Street Burn" I watch CNBC.I read the …
‘Hooked Claus’ by The Klute
For the longest time,no one remembered how we were partners,the Good Cop …
“Birdwatcher” by Aaron Hopkins-Johnson
I’m a bird.One day, the thru-hiker came byand tried guessing my name.She …
‘Alas Poor Yorick’ by The Klute
Alas, Poor Yorick I regard the sad little manAs I stand in …
Haiku from Seventeen Syllables by Hisaye Yamamoto
"Haiku from Seventeen Syllables" by Hisaye Yamamoto it was so much easier …

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Laura Tohe
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Lydia Gates
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TC Tolbert
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Gary bowers poet | azpoetry. Com

Gary Bowers

Gary Bowers: Multimedia Poet and Creative Innovator of Central Arizona

Gary Bowers is a pioneering multimedia poet who has been electrifying audiences in central Arizona since 2007 with his innovative blend of spoken word, visual art, and performance. Known for his unique approach to poetry—where language meets imagery—Bowers has become a fixture in the local arts scene, transforming traditional poetry into an immersive, multimedia experience.


A Journey into Multimedia Poetry

Since 2007, Gary Bowers has been at the forefront of Arizona’s poetry scene, performing at a wide range of local venues that celebrate creativity and innovation. His dynamic performances have been featured at Sound Effects, Monsoon Voices, Balboa House Poetry, Poetry at the Puppet Theatre, and Caffeine Corridor. Bowers’ work stands out for its fusion of classic poetic forms with modern visual techniques. Many of his poems are crafted as concrete poems, using acrostics and portraiture to visually illustrate his powerful messages, creating an art form where words are as much seen as they are heard.


Literary Contributions and Achievements

Bowers is not only a compelling performer but also a prolific writer. He is the author of Lives of the Eminent Poets of Greater Phoenix, Arizona, a work that celebrates the literary heritage of the region and highlights the contributions of local poets. This publication underscores his deep commitment to the Phoenix poetry community and his passion for elevating the voices of his fellow artists.

In 2010, Bowers achieved national recognition as the Second-Place Winner of Roger Ebert’s Great Limerick Contest. This accolade is a testament to his skill in blending humor with poetic form. As part of his award, he received an Edward Lear lithograph featuring a bird and a copy of The Owl and the Pussy-Cat—autographed by none other than Roger Ebert himself. This unique honor reflects Bowers’ ability to bridge the gap between high art and popular culture, infusing his work with wit and unexpected charm.


A Creative Force in Central Arizona

Residing in Cottonwood, Arizona, Gary Bowers has become a vital part of the local cultural landscape. His performances and public readings not only entertain but also challenge audiences to see poetry through a new, transformative lens. Bowers’ approach to poetry is deeply rooted in the spirit of Arizona, drawing inspiration from the region’s natural beauty, cultural diversity, and vibrant community life.

Through his innovative use of multimedia techniques, he has expanded the boundaries of what poetry can be. By incorporating visual elements like acrostics and graphic imagery into his work, he creates poems that are not only heard but also seen—a fusion that has captivated local audiences and continues to inspire poets and artists across the state.


Impact on the Arizona Poetry Scene

Gary Bowers’ contributions to Arizona poetry have made him a respected figure among local artists and audiences alike. His willingness to experiment and push creative boundaries has opened new avenues for expression in the region, setting a high standard for multimedia poetry. Bowers has played an instrumental role in shaping the cultural identity of central Arizona’s literary community, providing a platform for dialogue and creative exchange.

His work has resonated with those who value innovation and authenticity in art, and his efforts to spotlight local talent and celebrate regional literary heritage have left a lasting impact on the Arizona poetry scene. Bowers’ dedication to his craft continues to foster a creative environment where artists can explore new forms of expression and where the spirit of Arizona is celebrated in all its diverse glory.


Discover More About Gary Bowers

For poetry enthusiasts and art lovers eager to explore the dynamic world of Arizona poetry, Gary Bowers’ multimedia performances and written works offer a unique and captivating experience. His blend of spoken word, visual art, and innovative poetic form invites audiences to reimagine the possibilities of language and art. For a deep dive into Bowers’ work, visit his website: https://gwbcreations.org/.

Read Arizona Poetry

Pieces of the Night by Doug Hopkins
"Pieces of the Night" by Doug Hopkins Well is it any wonder …
Burn Wall Street Burn by The Klute
Read the poem "Burn Wall Street Burn" I watch CNBC.I read the …
‘Hooked Claus’ by The Klute
For the longest time,no one remembered how we were partners,the Good Cop …
“Birdwatcher” by Aaron Hopkins-Johnson
I’m a bird.One day, the thru-hiker came byand tried guessing my name.She …
‘Alas Poor Yorick’ by The Klute
Alas, Poor Yorick I regard the sad little manAs I stand in …
Haiku from Seventeen Syllables by Hisaye Yamamoto
"Haiku from Seventeen Syllables" by Hisaye Yamamoto it was so much easier …

Discover Arizona Poets

Rosemarie Dombrowski
Rosemarie Dombrowski: Phoenix’s Trailblazing Poet Laureate and Literary Innovator Rosemarie Dombrowski is …
Tomas Stanton
Tomas Stanton: A Poet, Teaching Artist, and Advocate for Youth Empowerment Tomas …
Alberto Ríos
Alberto Ríos: A Celebrated Poet and Storyteller Alberto Ríos, an acclaimed writer, …
Corbet Dean
Honoring the Journey: Corbet Dean's Poetic Odyssey In the realm of Arizona …
Thomas Cooper
Thomas Cooper has performed poetry around the Valley of the Sun since …
Wisdom Soul
Wisdom Soul: The Voice of Positivity and Healing From the tender age …
Aaron hopkins-johnson azpoetry. Com lawn gnome publishing bookstore

Aaron Hopkins-Johnson

Aaron Hopkins-Johnson: Poet, Organizer, and Arts Advocate

Aaron Hopkins-Johnson, a revered artist and writer based in Phoenix, Arizona, has made an indelible impact on the spoken word and poetry communities across the Southwest and beyond. Known for his dynamic performances, tireless event organizing, and advocacy for the arts, Aaron’s influence has stretched across nearly two decades of Arizona’s literary and performance art history.


A Champion in Spoken Word Performance

Aaron’s accolades in performance poetry are both impressive and far-reaching. In 2001, he became the International Poetry Interpretation Champion at the International Forensics Association, showcasing his skill in crafting and delivering emotionally resonant poetry. Over the years, he has performed alongside iconic figures in spoken word and literature, including Gil Scott-Heron, Saul Williams, Buddy Wakefield, Andrea Gibson, Henry Rollins, and Rachel McKibbens, to name just a few.

As a competitor, Aaron represented Arizona on multiple National Poetry Slam (NPS) stages, earning spots on both the Flagstaff Poetry Slam Team and the Phoenix Poetry Slam Team. Notably, he was a Haiku Deathmatch Finalist at NPS and the Arcosanti Slab City Slam Regional Haiku Champion, demonstrating his creative range in both traditional and experimental formats.


Builder of Community and Platforms for Poetry

Aaron’s commitment to fostering the poetry community in Arizona is unparalleled. From 2006 to 2008, he served as the SlamMaster of FlagSlam, ensuring the vibrant Flagstaff poetry scene remained a cornerstone of regional spoken word culture. He also hosted the beloved Monday Night Open Mic at Applesauce Teahouse and directed various flagship events, including the Southwest Shootout Regional Qualifiers, the Treetop Poetry Regional Slam, and the 2014 Individual World Poetry Slam (IWPS).

Additionally, Hopkins-Johnson was on the 2009 Phoenix Poetry Slam team alongside Myrlin Hepworth, The Klute and Ed Mabrey – an incredible team that placed the highest of any slam poetry team from Arizona in a National Poetry Slam. Aaron worked as the Program Director of Operations at NORAZpoets, supporting and mentoring poets throughout Northern Arizona. His legacy as an organizer extends far beyond local borders, making Arizona a vital hub for poetry and performance.


A Decade with Lawn Gnome Publishing

From 2004 to 2023, Aaron operated Lawn Gnome Publishing, a multifaceted space that served as a poetry venue, indie bookstore, and cultural nexus in Phoenix. Hosting events almost daily for nearly two decades, Lawn Gnome became a community cornerstone for Arizona artists, poets, and creatives.


Grant Recipient and Teaching Artist

Aaron’s contributions to Arizona’s arts scene have been recognized with multiple prestigious grants, including funding from the Arizona Humanities Council, National Endowment for the Arts, and the Arizona Commission on the Arts. These grants supported a range of his educational and community projects, from public art installations to teaching artist residencies.

A committed educator, Aaron facilitated workshops and programming at the Mesa Center for the Arts, empowering young poets and fostering a love for the written word. His “We Are One” grant-funded projects through the City of Glendale and his collaborations with the City of Phoenix cemented his legacy as a key figure in Arizona’s arts development.


Published Works and Poetry Collections

Throughout his career, Aaron Hopkins-Johnson published multiple collections of poetry that highlight his wit, depth, and unique voice. His books include:

  • “Roach Killer For Her”
  • Chainsawsmoking
  • “Rights4Lefty”
  • “Watering The Poetry”
  • “Irony Stinks: My Life Is Irony”

Each collection reflects Aaron’s raw, honest, and unfiltered style, offering readers an intimate glimpse into his creative mind.


Retirement and Legacy

In 2023, Aaron Hopkins-Johnson officially retired from public performances, event organizing, and projects, leaving behind an extraordinary legacy of creativity and community impact. His years of tireless work have laid the foundation for future generations of poets, performers, and artists in Arizona and beyond.

Aaron’s story is a testament to the transformative power of art and the importance of building platforms for others to shine. Even in retirement, his influence continues to ripple through Arizona’s poetry scene, cementing his place as one of the most significant contributors to the spoken word community in the Southwest.

Listen to Aaron Hopkins-Johnson on Spotify

Read Featured Poetry

Pieces of the Night by Doug Hopkins
"Pieces of the Night" by Doug Hopkins Well is it any wonder …
Burn Wall Street Burn by The Klute
Read the poem "Burn Wall Street Burn" I watch CNBC.I read the …
‘Hooked Claus’ by The Klute
For the longest time,no one remembered how we were partners,the Good Cop …
“Birdwatcher” by Aaron Hopkins-Johnson
I’m a bird.One day, the thru-hiker came byand tried guessing my name.She …

Explore Similar Arizona Poets

Rosemarie Dombrowski
Rosemarie Dombrowski: Phoenix’s Trailblazing Poet Laureate and Literary Innovator Rosemarie Dombrowski is …
Tomas Stanton
Tomas Stanton: A Poet, Teaching Artist, and Advocate for Youth Empowerment Tomas …
Alberto Ríos
Alberto Ríos: A Celebrated Poet and Storyteller Alberto Ríos, an acclaimed writer, …
Corbet Dean
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Rex lee jim poet | azpoetry. Com

Rex Lee Jim

Rex Lee Jim: Diné Poet, Playwright, and Indigenous Leader

Rex Lee Jim is a renowned Diné poet, playwright, and Medicine Man whose work bridges the rich cultural heritage of the Navajo Nation with contemporary literary expression. Born and raised in Rock Point, Arizona on the Navajo Reservation, Jim belongs to the Red House People (Kin Łichíi’nii) and was born for the Red Streak Running into Water People (Táchii’nii). His lineage is a tapestry of tradition—his maternal grandfather hails from the Towering House people (Kin Yaa’áanii) while his paternal roots connect him to the Mexican branch of the Diné (Naakaii Dine’é). As a leader and advocate, Rex Lee Jim has served as a former Vice President of the Navajo Nation and has represented indigenous perspectives at the United Nations. His lifelong commitment to his people is deeply interwoven with his creative output, making him one of the most influential voices in contemporary Native American literature.


A Journey Rooted in Tradition and Education

Growing up in Rock Point, Jim was immersed in the traditional teachings and ceremonies of the Navajo people. Raised by his grandparents, he learned the Blessing Way ceremonies—a cornerstone of Diné spirituality—and absorbed the wisdom, language, and storytelling traditions of his community from an early age. These formative experiences continue to resonate throughout his poetry, offering readers a profound glimpse into the cultural and spiritual landscape of the Navajo Nation.

Determined to build on his heritage and expand his intellectual horizons, Rex Lee Jim pursued a diverse and rigorous education. He attended Rock Point Community School and furthered his studies at the Newfound School in Asheville, North Carolina, before graduating from the Colorado Rocky Mountain School in Carbondale, Colorado. His academic journey then led him to prestigious institutions such as Princeton University, the Middlebury Bread Loaf School of English, and its Oxford University campus in England. This blend of traditional Diné education and elite academic training uniquely positions Jim as a bridge between worlds—honoring his heritage while engaging with global literary and philosophical dialogues.


Literary Contributions and Multilingual Mastery

A prolific writer, Rex Lee Jim has authored several influential works that explore the intersections of language, identity, and the contemporary landscape. His notable works include the groundbreaking collections Áhí Ni’ Nikisheegiizh (1989) and Saad (1995), both of which reflect his mastery of Diné narrative and poetic expression. His most acclaimed work, Saad Lá Tah Hózhóón: A Collection of Diné Poetry, weaves together language and culture into a vibrant tapestry that speaks to the essence of his people, his land, and his enduring legacy. Written in Diné Bizaad (the Navajo language) and translated into English, this collection of 30 poems captures the imagination and hearts of those who share in the rhythms of the Southwest.

Fluent in Navajo, English, and Spanish, Jim’s literary work transcends linguistic boundaries, making his poetry accessible to a diverse audience. His writings serve as both a preservation of Diné language and a vehicle for contemporary expression, ensuring that the traditions of his ancestors continue to thrive in modern literature.


Leadership and Advocacy

Beyond his literary achievements, Rex Lee Jim is a dedicated leader and cultural advocate. His service as a former Vice President of the Navajo Nation underscores his commitment to the welfare of his people. Through his work as a Medicine Man, he has continued the ancient traditions of healing and spiritual guidance, offering support to his community during times of need.

Jim’s leadership extends into the international arena as well. He has represented indigenous peoples at the United Nations, advocating for their rights and cultural preservation on a global stage. His efforts in both political and cultural spheres have helped elevate the voices of the Diné people, ensuring that their stories and traditions are recognized and respected worldwide.


Legacy and Continuing Influence

Today, Rex Lee Jim resides in his hometown of Rock Point, Arizona, where he remains an active and vital force in his community. His work as a poet, playwright, and cultural leader continues to inspire new generations of Native American writers and artists. Through his eloquent poetry and steadfast advocacy, Jim offers a window into the soul of the Navajo Nation—a blend of ancient wisdom and contemporary insight that speaks to both the past and the future.

For those interested in exploring the rich tapestry of Diné poetry and understanding the vibrant cultural heritage of the Navajo people, Rex Lee Jim’s work is an essential resource. His legacy is a testament to the power of storytelling as a means of preserving history, fostering community, and inspiring change.

Discover more about Rex Lee Jim’s journey, his influential works, and his ongoing impact on Native American literature on AZpoetry.com.

Naughty a mouse aka jordan bubin poet | azpoetry. Com

Naughty A Mouse

Naughty A Mouse, AKA Jordan Bubin: A Maverick Voice in Arizona Slam Poetry

Naughty A. Mouse, also known as Jordan Bubin, has rapidly become a force to be reckoned with in Arizona’s vibrant poetry scene. A dynamic performance poet with a raw and authentic voice, Mouse burst onto the stage as the 6th Prescott Poetry Slam winner in March 2023, leaving audiences in awe with his intelligent execution, historical insights, and unfiltered honesty. His journey from a dedicated middle school teacher to a celebrated slam poet is a testament to his relentless passion for poetry and his commitment to building a thriving creative community in Arizona.


Discovering Slam Poetry in Phoenix

After moving out to Phoenix, Jordan Bubin discovered the electric world of slam poetry—a transformative moment that ignited his lifelong passion for the spoken word. Having written poetry for himself since he was a wee whippersnapper, Mouse always cherished the art of storytelling. It was his experience as a middle school teacher that introduced him to the realm of slam, as he began tracking down open mic events through the backpages of the New Times’ Events section. His journey led him to a Black Pearl event, hosted by two-time world champion Ed Mabrey, where touring poet Amy Everhart set the stage ablaze. That first immersive experience, reminiscent of an underground punk show, left an indelible mark on Mouse, confirming that slam poetry was his new church—a community where the art of performance and creative expression converged.


Overcoming Challenges and Embracing Creativity

Despite early successes, Mouse faced significant personal hurdles along the way. Two years ago, a concussion left him struggling with reading, writing, and even forming coherent sentences. For over a year, he battled to regain a sense of literacy and creative flow, often finding his inner critic overwhelming his ability to write. However, Mouse turned this challenge into a catalyst for growth. He discovered that setting manageable deadlines—such as the seven-minute response window at Ghost Poetry workshops—helped him reclaim his voice. By embracing small victories with every line written, he learned to silence his inner critic and continue producing work that resonates with authenticity and urgency.


Building Community Through Art and Innovation

A passionate advocate for Arizona poetry, Naughty A. Mouse has expanded his creative endeavors beyond performance. Recognizing the fragmented nature of the local poetry scene, he embarked on a project to produce both a monthly calendar and a comprehensive directory of Arizona poets and events. By blending traditional art forms with modern techniques—such as wheatpasting enlarged posters and digital artwork—Mouse has created an innovative bridge between the online and real-world poetry communities. His efforts not only celebrate the diversity of Arizona’s poetic landscape but also provide essential resources for touring poets and local organizers, ensuring that no vibrant segment of the community is left undiscovered.

Mouse’s dedication to community building is evident in his tireless work promoting open mic nights and poetry slams across the state. He has become a familiar face at events in Prescott, Phoenix, and beyond, always standing in the back of the room as one of the loudest fans, ready to support his fellow artists. His enthusiasm for poetry and his commitment to elevating others’ voices have cemented his reputation as a true pillar of Arizona poetry.


Legacy and Ongoing Impact

Today, Naughty A. Mouse continues to influence the Arizona poetry scene with his unique blend of performance, historical commentary, and candid self-expression. His journey—from discovering slam poetry in Phoenix to overcoming personal challenges and actively shaping the literary community—serves as an inspiration to both established poets and emerging voices in Arizona. His creative spirit and innovative projects are a testament to the power of poetry to transform lives and foster community connections.

Naughty A. Mouse’s contributions have helped unite disparate elements of the Arizona poetry landscape, encouraging artists to connect, collaborate, and celebrate their shared passion for the spoken word. As he continues to write and perform, his work remains a dynamic force in Arizona’s artistic heritage, ensuring that the rich tapestry of AZ poetry grows stronger with each passing day.


Discover more Arizona’s poets HERE.

Tombstones make macabre lawn ornaments poetry by bill campana | azpoetry. Com

“tombstones make macabre lawn ornaments, coffins are the worst kind of patio furniture” by Bill Campana

“tombstones make macabre lawn ornaments, coffins are the worst kind of patio furniture”

i saw my parents’ grave marker
twice…at saint ann’s on oak street.

once at my mother’s funeral,
and again at my father’s.

memory assures me
that they once lived.

their names etched in stone
remind me that they are gone.

i can’t imagine being there
when i’m not miserable.

About the poet Bill Campana

Bill Campana’s poem “tombstones make macabre lawn ornaments, coffins are the worst kind of patio furniture” is a raw and contemplative meditation on loss and the weight of memory. In just a few stark lines, Campana recounts the haunting experience of encountering his parents’ grave markers. The poem underscores how memory keeps alive the reality of their existence, even as their names etched in stone serve as a constant reminder of their absence. Ultimately, the poet reveals a poignant truth: his capacity to feel whole and content is intricately tied to the depths of his grief.

Discover more about Bill Campana’s journey as a poet and performer on his full bio page HERE.

Explore more Arizona poetry

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Stand your concession poem by shawnte orion | azpoetry. Com

‘Stand Your Concession’ by Shawnte Orion

Stand Your Concession

Please remember to switch
all handguns to silent

before shooting
impolite moviegoers

for texting
during the film

About the poet Shawnte Orion

Shawnte Orion’s poem offers a sharp, satirical glimpse into modern social irritations with his signature wit and dark humor. Known for blending pop culture and personal observations, Orion’s poetry often takes unexpected turns that leave readers both laughing and reflecting.

To learn more about Shawnte Orion’s unique style and his contributions to Arizona’s literary scene, visit his bio page on AZpoetry.com.

Explore popular poetry themes

1900s Poetry 1910s Poetry 1920s Poetry 1930s Poetry 1940s poetry 1950s poetry 1960s Poetry 1970s poetry 1980s Poetry 1990s Poetry 2000s Poetry 2010s Poetry 2020s Poetry Academia Badger Clark Beat Generation Black Voices Classic Poetry Cowboy Poetry Desert Poetry Edward Abbey Flagstaff Ghost Poetry Show Haiku Humor Inspirational Poetry Landscape Mesa Military Poetry Native American Native Voices Nature Phoenix Poetry Slam Prescott Queer Voices Satire Sedona Shakespeare Slam poetry Songwriters Sonoran Tempe Tucson Women Voices

Chircahuas sold a barrel at the gates by logan phillips | azpoetry. Com

“Chircahuas Sold A Barrel at the Gates” by Logan Phillips

Chircahuas Sold A Barrel at the Gates

Presidio of Tucson, May 1856

Late sun; sweat
pulled from the pores
by the giant sweat-eating sky.
Slowly drying up
there, spirits and steel.

Under suicide glide of sun, fifty nearly dead
drunk on periphery of presidio. Whiskey
in wounded wood, barrel from back
where whiskey is born, brought on
wagon train to the edge, to the adobe
fortress under changing flags.
Dark liquor & dark lips.

Leather is a type of skin.
Barrel tastes like gunmetal,
like the fingers near the lips.

Sun-hot, glass made with lead,
oil dancing on the outskirts of water

Whiskey, well-sat in sun, burning
the gut, held in its skeleton racks;
the barrel bound in its metal straps.

Camped there along the Santa Cruz,
the Chiricahuas are sold a barrel, sold

a slow powder keg,
a weapon to dull the stories.

Alcohol—a way of negotiating,
sign language of fist and grimace.

Alcohol held in the gut
as the horizon grows dim.

About the poet Logan Phillips

Logan Phillips’ poem “Chiricahuas Sold A Barrel at the Gates” vividly portrays a haunting historical moment on the harsh, sun-scorched frontier. Through rich, sensory imagery, Phillips captures the intersection of cultures, where whiskey becomes both a weapon and a bitter form of negotiation. The poem reflects on themes of colonialism, exploitation, and the human cost of survival under unrelenting desert skies.

To explore more about Logan Phillips, his bilingual work, and his contributions to poetry and performance art, visit his bio page on AZpoetry.com.

Explore More Featured Poems on AZpoetry.com

Pieces of the Night by Doug Hopkins
"Pieces of the Night" by Doug Hopkins Well is it any wonder …
Burn Wall Street Burn by The Klute
Read the poem "Burn Wall Street Burn" I watch CNBC.I read the …
‘Hooked Claus’ by The Klute
For the longest time,no one remembered how we were partners,the Good Cop …
“Birdwatcher” by Aaron Hopkins-Johnson
I’m a bird.One day, the thru-hiker came byand tried guessing my name.She …
December in the morning alberto rios artwork | azpoetry. Com

December Morning In The Desert by Alberto Rios

The morning is clouded and the birds are hunched,
More cold than hungry, more numb than loud,

This crisp, Arizona shore, where desert meets
The coming edge of the winter world.

It is a cold news in stark announcement,
The myriad stars making bright the black,

As if the sky itself had been snowed upon.
But the stars—all those stars,

Where does the sure noise of their hard work go?
These plugs sparking the motor of an otherwise quiet sky,

Their flickering work everywhere in a white vastness:
We should hear the stars as a great roar

Gathered from the moving of their billion parts, this great
Hot rod skid of the Milky Way across the asphalt night,

The assembled, moving glints and far-floating embers
Risen from the hearth-fires of so many other worlds.

Where does the noise of it all go
If not into the ears, then hearts of the birds all around us,

Their hearts beating so fast and their equally fast
Wings and high songs,

And the bees, too, with their lumbering hum,
And the wasps and moths, the bats, the dragonflies—

None of them sure if any of this is going to work,
This universe—we humans oblivious,

Drinking coffee, not quite awake, calm and moving
Into the slippers of our Monday mornings,

Shivering because, we think,
It’s a little cold out there.

About the poet Alberto Rios

In this evocative poem, Alberto Ríos captures the serene intersection of humanity and nature on a cold Arizona morning. The imagery of a crisp desert landscape juxtaposed with the celestial movements of stars and the industrious hum of birds and insects serves as a meditation on the quiet persistence of life. Ríos subtly reflects on the human tendency to overlook the vast, intricate workings of the universe as we carry on with mundane routines.

To learn more about Alberto Ríos, Arizona’s first Poet Laureate and a master of blending everyday moments with universal reflections, visit his bio page here and delve into the life and work of this celebrated poet.

Kalen lander poet | azpoetry. Com

Kalen Lander

Kalen Lander: Poet, Hip-Hop Artist, and Tempe Icon

Kalen Lander, a cornerstone of Arizona’s hip-hop and spoken word scene, has been a defining force in the artistic fabric of Tempe for over a decade. Known for his quick-witted rhymes and improvisational prowess, Lander has built a reputation as a dynamic live performer who brings poetry and hip-hop into every corner of the local music scene. His fearless approach to the stage and collaborative spirit has made him a vital contributor to Arizona’s creative community.


Early Roots and Rise in the Tempe Scene

Kalen Lander’s early years in Tempe cemented his legacy as one of the city’s most respected and sought-after hip-hop artists. At the height of Long Wong’s legendary era—a hotspot for Tempe’s musicians and creatives—Lander worked behind the bar while simultaneously leaving his mark on the stage. Known for his impromptu performances, he would jump into live sets to deliver fresh rhymes and enhance the energy of the moment, embodying the “in the moment” artistry that defines his career.

As the leader of TKLB? (The Kalen Lander Band), Lander became known for his beat-heavy soundscapes and impactful delivery. Though TKLB? never released a full album, Lander’s contributions to the Arizona music scene are significant, with collaborations spanning across genres and groups.


Collaborations and Contributions

Lander’s versatility as an artist has led to partnerships with some of Tempe’s most prominent bands. His hip-hop verses appear on tracks like “Ballad of Dean” and “House of Wood” by Japhy’s Descent, where his voice adds depth and energy to their storytelling. He’s also a frequent contributor to Sister Lip, lighting up their live performances with raps on tracks like “Pure Honey” and “Ride the Pony”.

From lending his talents to Beatles cover sets with Future Loves Past to collaborations with Darkness Dear Boy, Kalen Lander has consistently elevated the performances and recordings of fellow musicians. His ability to merge poetry, rhythm, and improvisation has made him a trusted and celebrated collaborator across Arizona’s creative circles.


Transition to Snailmate

Today, Kalen Lander is best known as half of the rock/hip-hop duo Snailmate, alongside multi-instrumentalist Bentley Monet. Known for their explosive energy and genre-defying sound, Snailmate combines Lander’s signature rap delivery with Monet’s synth-driven melodies, creating an entirely unique experience that continues to garner attention locally and nationally. The duo’s touring schedule and creative output have solidified Lander as a dynamic force in the indie music world.


Lander’s Poetry and Spoken Word Legacy

While primarily celebrated for his music, Kalen Lander’s roots in poetry and spoken word shine through in his intricate lyricism and live performances. A master of improvisation, his ability to craft impactful rhymes on the fly reflects the influence of poetry in his artistry. His presence in Tempe’s spoken word and music communities has inspired countless artists to experiment with blending poetry and hip-hop.


A Champion of Arizona’s Creative Spirit

Kalen Lander’s influence extends beyond the stage. As a collaborator, performer, and community figure, he embodies the innovative and inclusive energy of Arizona’s arts scene. Whether performing as part of Snailmate, jumping onstage for an impromptu rhyme, or amplifying the works of local artists, Lander continues to be a vital figure in the world of Arizona hip-hop and poetry.

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