Tag: 1970s poetry

David Chorlton poet AZpoetry.com

David Chorlton

David Chorlton: Bridging Continents Through Poetry

From Austria to Arizona: A Journey Across Cultures

Born in Austria in 1948, David Chorlton spent his formative years in Manchester, England, amidst the industrial landscapes of the northern region. In his early twenties, he relocated to Vienna, Austria, where he immersed himself in the rich European art and music scene. In 1978, Chorlton moved to Phoenix, Arizona, with his wife, Roberta, marking the beginning of a profound connection with the American Southwest.

A Deep Connection with the Desert Landscape

Settling in Arizona, Chorlton developed a profound appreciation for the desert’s unique beauty and its diverse wildlife. This admiration is vividly reflected in his poetry, which often explores themes of nature and the environment. His collection, The Porous Desert, exemplifies this focus, offering readers an intimate portrayal of the Arizona landscape.

Acclaimed Works and Literary Contributions

Throughout his literary career, Chorlton has produced an impressive array of poetry collections. Notable works include:

  • Poetry Mountain
  • Waiting for the Quetzal (March Street Press)
  • The Devil’s Sonata (FutureCycle Press, 2012)
  • Selected Poems (FutureCycle Press, 2014)

His chapbooks have also garnered recognition, with The Lost River winning the Ronald Wardall Award from Rain Mountain Press in 2008, and From the Age of Miracles securing the Slipstream Chapbook Competition in 2009.

Exploring Fiction and Translation

Beyond poetry, Chorlton ventured into fiction with The Taste of Fog, a novel set in 1962 Vienna that delves into the complexities of a murder investigation. Additionally, he has contributed to literary translation, bringing to English audiences the works of Austrian poet Christine Lavant in Shatter the Bell in My Ear, published by The Bitter Oleander Press.

A Voice in Anthologies and Exhibitions

Chorlton’s poetry has been featured in various anthologies, including Fever Dreams (University of Arizona Press) and New Poets of the American West (Many Voices Press). His work also played a role in the “Fires of Change” exhibition, a collaboration between artists and scientists addressing the impact of climate change on forest management.

Get Back by Paul McCartney poem artwork AZpoetry.com

Get Back by Paul McCartney

“Get Back” by Paul McCartney

Jojo was a man who thought he was a loner
But he knew it couldn’t last
Jojo left his home in Tucson, Arizona
For some California grass

Get back, get back
Get back to where you once belonged
Get back, get back
Get back to where you once belonged
Get back Jojo

Go home

Get back, get back
Back to where you once belonged
Get back, get back
Back to where you once belonged, yeah
Oh, get back, Jo

Sweet Loretta Martin thought she was a woman
But she was another man
All the girls around her say she’s got it coming
But she gets it while she can

Oh, get back, get back
Get back to where you once belonged
Get back, get back
Get back to where you once belonged
Get back Loretta, woo, woo

Go home

Oh, get back, yeah, get back
Get back to where you once belonged
Yeah, get back, get back
Get back to where you once belonged

Ooh
Ooh, ooh
Get back, Loretta
Your mommy’s waitin’ for you
Wearin’ her high-heel shoes
And a low-neck sweater
Get back home, Loretta

Get back, get back
Get back to where you once belonged
Oh, get back, get back
Get back, oh yeah

Listen to “Get Back” by The Beatles on Spotify

About the poet Paul McCartney

At first listen, “Get Back” seems like a catchy, rollicking tune about two characters—Jojo and Loretta—both of whom find themselves out of place and in need of a return to their roots. But beneath its bluesy guitar riffs and laid-back energy lies a song with deeper cultural and lyrical resonance, not to mention a surprising connection to the Arizona desert.

A Story of Displacement and Return

The lyrics open with Jojo, “a man who thought he was a loner,” who leaves his home in Tucson, Arizona in search of “some California grass.” The reference to Tucson is not incidental; it offers a starting point that’s grounded, familiar, and earthy, in contrast to the vaguer, more dreamlike California destination. The phrase “California grass” may be interpreted as either literal pasture or a thinly veiled reference to the 1960s counterculture and its association with marijuana and idealism. Jojo’s journey to California—and the subsequent chorus urging him to “Get back to where you once belonged”—seems to caution against losing oneself in the pursuit of something that may be more illusion than reality.

The second verse introduces Loretta Martin, who bends gender norms and challenges societal expectations. Her presence is rebellious and provocative, and she too is told to “get back.” In both verses, the refrain functions like a grounding mantra, reminding each character—and perhaps the listener—to return to what is real, authentic, and rooted in identity.

Satire, Rebellion, and Social Commentary

The Beatles were known for embedding humor and social critique in their lyrics, and “Get Back” is no exception. While it began as a satirical commentary on anti-immigrant sentiment in the UK, it evolved into a more playful and universal story of people who lose their way—or who are seen as out of place—being encouraged to return home. That invitation to “get back” could be heard as both nostalgic and ironic, depending on the listener’s perspective.

Paul McCartney’s casual vocal delivery and the band’s jam-like energy lend the song a sense of spontaneity and familiarity. It feels less like a polished studio track and more like a snapshot of a moment in time—fitting, since it was famously captured during The Beatles’ final rooftop concert in 1969.

Tucson’s Place in Beatles Lore

For fans in Arizona, Jojo’s roots in Tucson offer a special link to Beatles history. The lyric gives Tucson a place in the band’s legacy and hints at a real-life connection that goes far deeper. Paul McCartney later made Tucson a second home, purchasing a 150-acre ranch there in 1979 with his wife Linda. The couple shared many years in the Sonoran Desert, and Linda ultimately passed away at the Tucson ranch in 1998. Her ashes were scattered on the property, binding the McCartney family forever to Arizona soil.

So when Paul sings of Jojo leaving Tucson in “Get Back,” it’s easy to imagine his own emotional journey—a man forever navigating between the global spotlight and the grounded quietude of his desert home.


Want to explore more about Paul McCartney’s surprising and deeply personal ties to Arizona?
👉 Visit his poet bio page on AZPoetry.com to discover the full story behind one of the world’s most celebrated musicians and his meaningful connection to the Grand Canyon State.

The Dude Wrangler by Gail Gardner cowboy poetry artwork

The Dude Wrangler by Gail Gardner

“The Dude Wrangler” by Gail Gardner

I’ll tell you of a sad, sad story,
Of how a cowboy fell from grace,
Now really this is something awful,
There never was so sad a case.

One time I had myself a pardner,
I never knowed one half so good;
We throwed our outfits in together,
And lived the way that cowboys should.

He savvied all about wild cattle,
And he was handy with a rope,
For a gentle, well-reined pony,
Just give me one that he had broke.

He never owned no clothes but Levis,
He wore them until they was slick,
And he never wore no great big Stetson,
‘Cause where we rode the brush was thick.

He never had no time for women,
So bashful and so shy was he,
Besides he knowed that they was poison,
And so he always let them be.

Watch Cowboy Poet Baxter Black Recite Gail Gardner’s “The Dude Wrangler” on the Tonight Show with Johnny Carson

About the poet Gail Gardner

Gail Gardner’s classic cowboy poem “The Dude Wrangler” paints a humorous yet poignant picture of a cowboy’s descent from rugged authenticity to something… quite unexpected. Told from the perspective of a fellow cowhand, the poem begins with admiration for his old partner—a tough, skillful cowboy who once embodied the gritty ideals of the American West. But as the poem unfolds, readers witness the narrator’s dismay at his pardner’s transformation into a “dude wrangler,” catering to tourists and losing the essence of his cowboy soul.

Summary of “The Dude Wrangler”

The narrator recounts the virtues of his former riding partner, a man with true cowboy grit. This pardner was an expert at handling wild cattle, an exceptional horseman, and so dedicated to the cowboy life that he wore nothing but Levi’s and rode horses he broke himself. He had no use for flashy hats or romantic entanglements—he was all about the work, the land, and the simple life.

However, things take a tragicomic turn when the partner, once a symbol of stoic cowboy values, “falls from grace.” Though the poem cuts off here, the title “The Dude Wrangler” (and its well-known full version) gives away the punchline: the once-proud cowboy has become a guide for “dudes” (city slickers and tourists), donning fancy clothes and entertaining guests who only want to play at being cowboys. It’s a betrayal of the old ways, and the narrator’s sorrow is layered with gentle mockery.

Analysis of the Poem’s Themes and Style

Gail Gardner, one of Arizona’s most beloved cowboy poets, brings humor, irony, and affection to “The Dude Wrangler.” The poem plays on the tension between tradition and change—between the authentic cowboy lifestyle and the commercialization of the West. The narrator’s nostalgic tone reflects a broader cultural anxiety: the fear that the true cowboy is becoming an endangered species, replaced by tourism and spectacle.

Stylistically, Gardner uses plainspoken language and rhythmic, musical verse to mirror the storytelling traditions of working cowboys. The use of cowboy slang (“pardner,” “Levis,” “Stetson”) grounds the poem in its Western setting and gives readers a sense of its authenticity. The poem’s charm lies in its simplicity and sincerity—it’s a light-hearted lament, a tall tale with a heart.

Baxter Black Revives the Classic on National TV

This beloved poem gained even wider recognition when Baxter Black, another iconic Arizona cowboy poet, performed “The Dude Wrangler” on The Tonight Show with Johnny Carson. Black’s performance, full of theatrical flair and comedic timing, brought Gardner’s words to life for a national audience. It was a perfect pairing: Black, like Gardner, understood the delicate balance between honoring cowboy tradition and laughing at its quirks.

Baxter’s rendition celebrated Gardner’s storytelling while showing how cowboy poetry can connect people across generations. It also marked a rare moment when cowboy poetry was broadcast on one of the biggest stages in American pop culture.


📚 Want to learn more about cowboy poetry in Arizona?

  • Explore the life and legacy of Gail Gardner, the Prescott cowboy and poet who penned “The Dude Wrangler.”
  • Discover the unforgettable humor and heart of Baxter Black, a modern cowboy poet who brought Western storytelling to millions.
  • Browse AZPoetry.com’s growing collection of cowboy poets and keep the spirit of the West alive—one verse at a time.
Linda Ronstadt poet | AZpoetry.com

Linda Ronstadt

Linda Ronstadt: Arizona’s Legendary Voice of Music and Poetry

Early Life and Arizona Roots

Born on July 15, 1946, in Tucson, Arizona, Linda Maria Ronstadt grew up surrounded by the vast landscapes and rich cultural heritage of the Sonoran Desert. Raised on a 10-acre ranch, she came from a family deeply rooted in Arizona’s pioneering history. Her father, Gilbert Ronstadt, was a businessman whose German-Mexican heritage connected him to Tucson’s early days, while her mother, Ruth Mary Ronstadt, was of German, English, and Dutch descent.

Music was a vital part of Ronstadt’s childhood. Her father was an avid singer, and her grandfather, Fred Ronstadt, was a wagon maker and musician who played a key role in Tucson’s early cultural scene. The Ronstadt family would often gather to sing traditional Mexican folk songs, exposing young Linda to the vibrant rhythms of rancheras, mariachi, and corridos. This influence would later become a defining element of her musical identity, particularly in her celebrated Spanish-language albums.

Ronstadt’s hometown of Tucson shaped her artistic sensibilities. She grew up hearing a blend of genres, from Mexican ballads to country-western tunes and early rock ‘n’ roll, which fueled her love for music. This deep connection to Arizona’s cultural diversity made her one of the most unique and influential voices in American music history.

Musical Beginnings and the Rise to Fame

Ronstadt’s professional career began in the mid-1960s when she moved to Los Angeles to pursue her musical dreams. She formed the folk-rock trio the Stone Poneys, alongside Bobby Kimmel and Kenny Edwards, both of whom she had met in Tucson. The band’s 1967 hit song, “Different Drum”, written by Michael Nesmith of The Monkees, became Ronstadt’s first major breakthrough, showcasing her powerful yet emotive voice.

Following the Stone Poneys’ success, Ronstadt launched her solo career with her 1969 album, Hand Sown… Home Grown, often cited as the first alternative country album by a female artist. However, it was in the 1970s that she dominated the music industry, earning the title of “The Queen of Rock”.

With hits like “You’re No Good,” “When Will I Be Loved,” “Blue Bayou,” and “It’s So Easy”, Ronstadt became one of the biggest-selling female artists of the decade. She was the first woman in rock to achieve multi-platinum success and was frequently featured on the covers of major music magazines, including Rolling Stone and Time. Her versatility in blending rock, country, folk, and pop set her apart from her contemporaries.

Arizona’s Influence on Her Music

Despite her immense success, Ronstadt’s heart remained in Arizona. She frequently spoke about her Southwestern upbringing and how it shaped her artistic vision. Tucson’s rich musical landscape, from Mexican rancheras to country-western ballads, directly influenced her musical style and song choices.

Her landmark 1987 album, Canciones de Mi Padre, paid tribute to her Mexican heritage and became the best-selling non-English-language album in American history. The album featured traditional Mexican folk songs that she grew up listening to on her family’s ranch in Tucson. The title, Canciones de Mi Padre (Songs of My Father), was a tribute to her father’s influence on her musical upbringing.

Songs like “La Charreada” and “Dos Arbolitos” showcased her ability to interpret traditional Mexican music with authenticity, earning her a Grammy Award for Best Mexican-American Album. She followed up this success with two more Spanish-language albums, Mas Canciones (1991) and Frenesí (1992), further cementing her status as a cultural bridge between American and Mexican musical traditions.

Storytelling Through Music and Lyrics

Ronstadt was more than just a singer—she was a storyteller. Her songs, much like poetry, captured raw emotion, personal reflection, and vivid imagery. Whether singing about heartbreak, resilience, or the beauty of the desert, her lyrics painted a picture of the human experience.

Her signature song, “Blue Bayou,” tells the melancholic tale of longing for home, a theme that resonated deeply with Arizona’s wide-open landscapes and the feeling of nostalgia for familiar places. Similarly, “El Camino” and “Los Laureles” from Canciones de Mi Padre echoed the stories of love and loss in the Mexican-American experience, passed down through generations.

Her 1975 album, Prisoner in Disguise, included folk and country-infused ballads that read like poetic narratives, exploring themes of loneliness, hope, and self-discovery. Whether interpreting classic rock songs or traditional ballads, Ronstadt infused them with poetic depth, making her music not just a listening experience but an emotional journey.

Breaking Barriers and Musical Experimentation

Ronstadt’s career was marked by bold experimentation. She didn’t just stick to one genre—she explored rock, pop, country, opera, jazz, and Latin music, making her one of the most versatile artists of all time.

In the 1980s, she shocked the music world by recording a trilogy of traditional pop albums with Nelson Riddle, breathing new life into the Great American Songbook. Her albums What’s New (1983), Lush Life (1984), and For Sentimental Reasons (1986) introduced classic jazz standards to a new generation, proving that great music transcends time.

She also ventured into Broadway and film, starring in The Pirates of Penzance, which earned her a Tony Award nomination. In 1996, she recorded Dedicated to the One I Love, a collection of rock songs reimagined as lullabies, showcasing yet another facet of her artistic genius.

Honoring Her Legacy in Arizona

Even in retirement, Ronstadt’s Arizona connection remains strong. In 2022, the Tucson Music Hall was renamed The Linda Ronstadt Music Hall in her honor, recognizing her lifelong contributions to music and culture.

Though she retired from singing due to progressive supranuclear palsy, a neurological disorder initially diagnosed as Parkinson’s, she remains a powerful voice in the music industry. She has published memoirs, including Simple Dreams: A Musical Memoir and Feels Like Home: A Song for the Sonoran Borderlands, reflecting on her Arizona roots, music career, and cultural heritage.

Ronstadt’s Influence on Today’s Music Scene

Linda Ronstadt’s poetic approach to songwriting continues to influence new generations of musicians and poets. Her ability to convey deep emotions through song lyrics has inspired countless artists across multiple genres.

Her music is still widely recognized, appearing in films, television, and even video games. Songs like “Big Iron” and “El Paso” (which she famously covered) have been rediscovered by younger audiences, proving that her legacy is timeless.

Ronstadt’s impact on music, culture, and Arizona’s artistic identity cannot be overstated. She was more than just a singer—she was a poet of the desert, a voice of the Southwest, and an icon of musical storytelling.

Marty Robbins songwriter poet | AZpoetry.com

Marty Robbins

Marty Robbins: Arizona’s Balladeer of the American West

Marty Robbins, born Martin David Robinson on September 26, 1925, in Glendale, Arizona, was a prolific singer-songwriter whose poetic storytelling and masterful songwriting defined Western balladry for generations. Known for his evocative lyrics and rich narratives, Robbins brought the spirit of the American West to life through his music, making him one of the most celebrated songwriters in country and western history. Over his nearly four-decade career, Robbins crafted over 500 songs, including the timeless “El Paso” and “Big Iron”, both of which remain among the Top 100 Western Songs of All Time, as ranked by the Western Writers of America.

From Arizona Roots to National Stardom

Raised in Glendale, Arizona, Robbins’ musical foundation was shaped by the vivid storytelling of his maternal grandfather, Texas Bob Heckle, who regaled him with tales of the Wild West. His time in the U.S. Navy during World War II also played a crucial role in his musical development, as he taught himself to play the guitar and began writing songs while stationed in the Solomon Islands. Upon returning home, he honed his craft in Phoenix’s clubs and radio stations, quickly gaining a local following before signing with Columbia Records in the early 1950s.

A Songwriter with a Poet’s Heart

Robbins’ lyrics read like poetry, painting cinematic landscapes of gunfights, outlaws, and doomed romance in the rugged terrain of the Southwest. His most iconic track, “El Paso” (1959), a Grammy Award-winning ballad, tells the tragic tale of a cowboy’s love and demise in the titular Texas town. The song, with its vivid imagery and dramatic storytelling, became a cultural touchstone, covered by numerous artists, including the Grateful Dead and Elvis Presley.

Beyond his Western ballads, Robbins’ versatility as a songwriter and poet shined through in his diverse catalog, spanning pop, country, rockabilly, and outlaw country. Songs like “A White Sport Coat and a Pink Carnation,” “Don’t Worry,” and “Devil Woman” showcased his ability to blend poetic lyricism with mainstream appeal, earning him commercial success across genres.

A Lasting Legacy in Music and Culture

Robbins was not only a Country Music Hall of Fame inductee but also named Artist of the Decade (1960s) by the Academy of Country Music. His songs continue to influence modern music and pop culture, appearing in films, television shows, and video games such as Fallout: New Vegas. His songwriting remains an inspiration for modern country artists, proving that the art of poetic storytelling through song never fades.

On December 8, 1982, Marty Robbins passed away at the age of 57, but his music endures as a testament to the power of poetic songwriting. His ability to craft lyrical narratives filled with adventure, romance, and the spirit of the American West solidifies his place as one of Arizona’s most legendary poets in song.

Alice Notley | AZpoetry.com

Alice Notley

Alice Notley: Arizona-Born, Epic Voice in Contemporary Poetry

Alice Notley was born on November 11, 1945, in Bisbee, Arizona, and has grown to become one of the most influential poets of our time. As a pioneering figure associated with the New York School of poets and deeply influenced by the rebellious spirit of the Beat Generation, Notley has redefined modern literature with her experimental style, profound emotional depth, and fearless exploration of themes such as grief, identity, and the intersection of personal and collective experience.


Early Roots and Literary Emergence

Hailing from the rugged landscapes of Bisbee, Arizona, Alice Notley’s early life set the stage for a literary journey that would eventually span decades and redefine poetic expression. Notley emerged as a powerful voice in the 1960s and 1970s, a period of intense cultural and social change that provided fertile ground for her innovative approach to poetry. Despite the expectations placed on her as an emerging writer, Notley quickly distinguished herself by refusing to be confined by conventional labels or literary trends.


Influences from the Beat and New York School Traditions

Notley’s work is marked by the rich legacy of the Beat Generation. Having worked closely with iconic figures such as Allen Ginsberg in the mid-1980s, she absorbed the bold, unfiltered energy of the Beats, who celebrated authenticity and cultural critique. This period was pivotal in shaping her voice—one that is equally lyrical and politically charged. Notley’s poetry carries the spirit of experimentation characteristic of the New York School, blending personal introspection with cosmic perspectives, and continually challenging literary norms.

In her own words, she identifies as an “epic poet,” a descriptor that underscores her ambition to reshape myth and redefine the way we perceive the world. Her willingness to push boundaries and engage with complex emotions and ideas has cemented her status as a dynamic and innovative literary force.


Thematic Depth and Experimental Style

At the core of Notley’s work is an unyielding exploration of the human condition. Her poetry delves into themes of grief, identity, and the transformative power of personal and collective memory. Through her daring experimentation with form and language, Notley captures the multifaceted nature of human experience—from the raw pain of loss to the exuberant joy of self-discovery.

Her work often defies easy categorization. Notley’s poems are layered, rich in metaphor, and at times, seemingly chaotic—yet every line serves a purpose, inviting readers to look beyond surface meanings and engage deeply with the text. This experimental approach not only challenges traditional poetic structures but also opens up new avenues for understanding and interpreting the complexities of life.


Legacy in Contemporary Poetry

Alice Notley’s contributions to contemporary poetry have left an enduring impact on the literary landscape. Her fearless approach to writing and her dedication to exploring the raw truths of existence have inspired countless poets and artists. As a literary innovator, Notley’s work continues to influence new generations who are eager to break free from conventional molds and express their own unique visions.

Her career spans decades of groundbreaking work, and her poetry has been celebrated both in academic circles and among everyday readers. By continuously reinventing her approach, Notley has ensured that her voice remains fresh and relevant—a true testament to the power of art to evolve and adapt over time.


A Lasting Connection to Her Arizona Roots

Despite her significant influence on national and international literary movements, Alice Notley’s identity remains firmly connected to her Arizona roots. The landscapes of Bisbee and the broader Southwest have provided a constant source of inspiration for her work. This connection to her home state imbues her poetry with a distinct sense of place—a blend of arid beauty, harsh realities, and the resilient spirit of the people who inhabit the desert.

Her work not only reflects the inner workings of the human soul but also serves as a bridge between her native Arizona and the broader literary world. Notley’s ability to weave together personal narrative with universal themes makes her a unique and compelling voice in American poetry.

If The Drum Is A Woman by Jayne Cortez and The Firespitters Artwork | AZpoetry.com

If The Drum Is A Woman by Jayne Cortez

“If The Drum Is A Woman” by Jayne Cortez

If the drum is a woman
why are you pounding your drum into an insane
babble
why are you pistol whipping your drum at dawn
why are you shooting through the head of your drum
and making a drum tragedy of drums
if the drum is a woman
don’t abuse your drum don’t abuse your drum
don’t abuse your drum
I know the night is full of displaced persons
I see skins striped with flames
I know the ugly disposition of underpaid clerks they constantly menstruate through the eyes
I know bitterness embedded in flesh
the itching alone can drive you crazy
I know that this is America and chicken are coming home to roost
on the MX missile
But if the drum is a woman
why are you choking your drum
why are you raping your drum
why are you saying disrespectful things
to your mother drum your sister drum
your wife drum and your infant daughter drum
If the drum is a woman
then understand your drum
your drum is not docile
your drum is not invisible
your drum is not inferior to you
your drum is a woman
so don’t reject your drum don’t try to dominate your drum
don’t become weak and cold and desert your drum
don’t be forced into the position
as an oppressor of drums and make a drum tragedy of drums
if the drum is a woman
don’t abuse your drum don’t abuse your drum
don’t abuse our drum

Listen to “If The Drum Is A Woman” by Jayne Cortez on YouTube

About the poet Jayne Cortez

“If The Drum Is A Woman” is a searing, allegorical poem in which Jayne Cortez challenges the audience to confront the abuse and exploitation inherent in objectifying femininity. In the poem, the drum serves as a powerful metaphor for women, embodying both strength and vulnerability. Cortez criticizes the violent, dismissive treatment of this symbol—questioning why one would “pistol whip” or “rape” the drum—thereby urging a respectful and empathetic approach toward all aspects of feminine identity. The raw language and vivid imagery highlight the pain and injustice inflicted upon those who are marginalized, while the refrain “don’t abuse your drum” serves as a passionate call for recognition, care, and equality.

To delve deeper into the life and work of Jayne Cortez, the revolutionary voice behind this bold poem, please visit her full bio HERE.

Jayne Cortez | AZpoetry.com

Jayne Cortez

Jayne Cortez: Arizona-Born Revolutionary Poet and Performance Icon

Jayne Cortez (born Sallie Jayne Richardson on May 10, 1934, – December 28, 2012) was a groundbreaking poet, performance artist, and cultural visionary whose work transformed the landscape of American poetry. Born in Fort Huachuca, Arizona, Cortez’s early life in the Southwest infused her creative spirit with a deep sense of place that would resonate throughout her illustrious career. Although her journey led her far beyond Arizona, her roots as an Arizona-born poet remain an integral part of her legacy, influencing generations of writers and performance artists alike.


Early Life and Formative Years

Raised in Arizona before her family moved to the Watts section of Los Angeles when she was just seven, Jayne Cortez grew up amidst both the rugged beauty of the Southwest and the vibrant energy of urban America. Her father, a veteran of both world wars, and her mother, a dedicated receptionist, provided a humble yet inspiring foundation for her early life. These contrasting environments—rural Arizona and urban Watts—fostered a unique perspective that would later define her poetic voice.

Cortez’s academic journey began at Compton Community College, where she started to explore her creative talents. Embracing a new identity as a poet, she chose to write under her maternal grandmother’s surname, marking the beginning of a lifelong transformation that would see her emerge as a powerful voice in the Black Arts Movement.


A Trailblazer in the Arts and Activism

In the 1960s, Jayne Cortez became deeply involved with the Student Nonviolent Coordinating Committee (SNCC), registering Black Mississippians to vote and actively participating in the civil rights movement. Her activism, interwoven with her art, positioned her as a multifaceted force for social change. In 1964, she founded the Watts Repertory Theater Company, where she delivered her first poetry readings—a bold step that would launch her career as a performance poet and cement her role as a pivotal figure in the Black Arts Movement.

Eight years later, recognizing the need for platforms that celebrated marginalized voices, Cortez founded Bola Press, her own publishing company dedicated to promoting innovative and experimental poetry. Through Bola Press, she not only published her own work but also provided a platform for other poets who challenged conventional narratives.


Literary Contributions and Global Influence

Over the course of her career, Jayne Cortez published a dozen volumes of poetry that captured the spirit of the times and redefined the boundaries of lyrical expression. Notable collections include:

In 2025, Nightboat Books released Firespitter: The Collected Poems of Jayne Cortez, edited by Margaret Busby, a comprehensive anthology that solidifies her status as one of the most influential poets of her generation. Her work, which has been translated into twenty-eight languages, continues to inspire and provoke thought across global literary communities.

Cortez also made significant strides in music and performance. She released a number of recordings, many with her band The Firespitters, including Taking the Blues Back Home (1997), Cheerful & Optimistic (1994), Everywhere Drums (1991), and Maintain Control (1986). These recordings showcase her talent for merging poetry with the rhythmic pulse of jazz and blues, creating a distinctive sound that captures the raw energy of her spoken word.


Legacy, Teaching, and Global Reach

Jayne Cortez’s influence extended well beyond her publications. An inspiring educator and lecturer, she performed, taught, and spoke at numerous universities, museums, and festivals. In 1991, she founded the Organization of Women Writers of Africa, reflecting her commitment to fostering diverse voices in literature. Her international experiences, including living in Dakar, Senegal, and New York City, enriched her perspective and allowed her to connect with audiences around the world.

Cortez’s contributions to literature, performance art, and social activism have earned her numerous awards, including fellowships from the National Endowment for the Arts and the New York Foundation for the Arts, the International African Festival Award, and the American Book Award. Her fearless exploration of themes such as Black identity, gender, and the human condition continues to resonate today.

Jack Evans Poet | AZpoetry.com

Jack Evans

Jack Evans: Illuminating Lives Through Poetry

Arizona’s Enduring Voice in Poetry and Healing

Jack Evans has been a central figure in Arizona’s poetry scene for over 40 years, leaving an indelible mark on the cultural landscape of the Valley of the Sun. A celebrated poet, spoken word artist, and creative director, Evans is best known for his deep, soulful verse and his commitment to exploring themes of memory, loss, and the healing power of art. As the former Poet Laureate of the Southwest Conference United Church of Christ and the author of the acclaimed book Rain Is The Hourglass Of Memory, Evans continues to inspire audiences with his timeless work.


A Storied Journey from the East to the Southwest

Born on the banks of the Hudson during the twilight years of Roosevelt II’s reign, Jack Evans’ early life was steeped in history and literary tradition. His journey eventually led him to a little house overlooking the dusty Agua Fria when Lesley King ruled the land—a transformative move that rooted him in the vibrant, rugged spirit of the American Southwest. Evans’ love for music, film, baseball, and books has always colored his work, infusing his poetry with both a passion for cultural heritage and a modern, relatable voice.


A Life Dedicated to Poetry and Performance

For decades, Jack Evans has dedicated himself to the art of poetry. He writes, reads, thinks, and shares poetry with an enthusiasm that has resonated across generations. His work has been published in numerous literary journals and magazines, and he has performed in venues throughout Arizona and from coast to coast since the 1970s. Whether on stage at intimate local gatherings or at major poetry festivals, Evans’ performances captivate audiences with their blend of narrative depth and energetic delivery.

As a director of spoken word series for over 30 years, Evans has played a pivotal role in nurturing and showcasing emerging voices in the art form. Currently, he is the co-director of the Caffeine Corridor series in downtown Phoenix—a vibrant forum where poets and spoken word artists come together to share their work and inspire new creative connections.


Collaborative Performances and Healing Through Art

A notable aspect of Jack Evans’ career is his collaboration with guitarist Tom Bell. Their partnership, known as the Evans Bell Conversion, began with a memorable performance at Lawn Gnome Publishing on February 5, 2015. Since then, the duo has continued to push the boundaries of spoken word by integrating live music into their performances, creating immersive experiences that blend poetic narrative with melodic expression.

Their upcoming collaboration, showcased at the Healing Project, exemplifies Evans’ belief in the transformative power of art. This performance promises to be an experiential exploration of grief, death, loss, and change, inviting both performers and audience members to engage in a shared process of healing. Through conversation, reflection, and the potent force of the written word, the Evans Bell Conversion aims to help ease grief-related suffering and inspire hope.


Legacy and Impact on Arizona Poetry

Jack Evans’ legacy is a testament to his lifelong commitment to poetry and the arts. His work not only celebrates the rich cultural heritage of Arizona but also serves as a catalyst for healing and community connection. Evans’ influence extends far beyond his individual performances—he has nurtured countless emerging poets through his workshops, events, and creative leadership.

Living in Phoenix with his wife Judy, his dog, his cat, four parakeets, and a trusty laptop, Evans continues to embody the spirit of creativity and resilience. His ongoing contributions to the local poetry scene make him a cornerstone of Arizona literature, ensuring that the voices of the past, present, and future are heard and celebrated.

Read Arizona Poets

Rosemarie Dombrowski
Rosemarie Dombrowski: Phoenix’s Trailblazing Poet Laureate and Literary Innovator Rosemarie Dombrowski is …
Tomas Stanton
Tomas Stanton: A Poet, Teaching Artist, and Advocate for Youth Empowerment Tomas …
Alberto Ríos
Alberto Ríos: A Celebrated Poet and Storyteller Alberto Ríos, an acclaimed writer, …
Corbet Dean
Honoring the Journey: Corbet Dean's Poetic Odyssey In the realm of Arizona …
Thomas Cooper
Thomas Cooper has performed poetry around the Valley of the Sun since …
Wisdom Soul
Wisdom Soul: The Voice of Positivity and Healing From the tender age …
Paul McCartney AZpoetry.com

Paul McCartney

Paul McCartney: Legendary Songwriter with Deep Arizona Roots

Though known around the world as a founding member of The Beatles and one of the most influential songwriters of all time, Sir Paul McCartney also shares a meaningful and lasting connection to Arizona. His ties to the desert Southwest are not just incidental—they are heartfelt, personal, and poetic in nature, echoing throughout both his music and his memories.

In 1979, Paul and his late wife, Linda McCartney, purchased a 150-acre ranch nestled in the Tanque Verde area of Tucson. This desert sanctuary became the family’s cherished retreat, where they enjoyed quiet days of horseback riding, hiking the arid trails, and relaxing under the vast Arizona skies. It was here, in April 1998, that Linda passed away from cancer, and her ashes were lovingly scattered on the property—forever linking her spirit with the land she loved.

Linda’s deep affection for Tucson and the Southwest was well known. She embraced the region’s landscape, culture, and lifestyle with open arms, and the McCartney family was often seen around town shopping, dining, or quietly blending into the local community. Neighbors fondly remember them as kind, grounded, and generous.

Arizona continues to be part of McCartney’s life. In November 2024, he made a heartfelt visit to Arizona State University in Tempe, where he attended a special event honoring his current wife, Nancy Shevell McCartney, who was inducted into the W.P. Carey Alumni Hall of Fame. It was a touching moment that brought Paul back to a place full of personal history and resonance.

Paul’s creative legacy also includes visual tributes to Arizona. His music video for “Stranglehold” was filmed in the small town of Amado, capturing the rustic charm of Southern Arizona’s landscape. And in 2023, the University of Arizona’s Center for Creative Photography hosted The Linda McCartney Retrospective, a deeply moving exhibition that celebrated Linda’s groundbreaking work as a photographer and animal rights advocate.

While Paul McCartney’s poetic songwriting has spanned continents and cultures, his connection to Arizona is unmistakably personal and poignant. From the quiet beauty of his Tucson ranch to his public appearances in Tempe and beyond, McCartney’s presence in Arizona adds a layer of intimate meaning to his legendary body of work.

You can learn more about Paul McCartney, his poetic contributions, and other poets with Arizona ties on AZPoetry.com.