Damn I’m a pearl Countless bedsores adorn my soul Check it, if you see my corpse walking round it’s a hoax Cause in my head I’m at home
Tomes tell of my liquified bones Don’t question it just keep an open mind And know I’m holed up inside and it’s alright It’s kinda like summer vacation Well it’s more like mummification It’s sorta like I’m Jason Statham But instead of punching I’m stuck in the basement Yup
And I’ll I’m transporting are snacks to my mouth All I look forward to is chilling out All of my memories center around How much I enjoy becoming one with the couch
Don’t tell me not to slouch these shoulders are heavy Weight of the world? More like an early Wednesday Wake up at 4 n then turn on the TV Repeat indefinitely Frozen pizza to me is a delicacy
Maybe people might say that I am my own worst enemy I get all tuckered out from not exerting any energy I prefer to be the middle link in human centipedes I don’t want to be deciding when it’s time to shit n eat Literally anything that isn’t sitting sickens me
I’ll pretend to be asleep when anybody intervenes My mama wants to say I got a problem naw man I’m taking after Grandma this rocker is awesome And I ain’t getting up until you toss me off it And then I’m probably gonna conk out on the carpet
Ooooo did I mention? All this inactivity has given me heightened senses I can smell a cheeto on the floor like it was incense I can ignore the doorbell better than anybody ever Got no competitors no natural predators
No feeling in my legs n no plans of leaving bed at all N I would eat your disapproval if that shit was edible I said it all before but I’m repetitive I’m The Laziest man in the world
Music Video of “The Laziest Man in the World” performed by Snailmate
About the Poet Kalen Lander
Kalen Lander’s “The Laziest Man in the World” is a humorous and self-aware exploration of extreme idleness. With witty imagery and a tongue-in-cheek tone, the poem delves into the comforts of slouching, snacking, and avoiding the hustle of daily life. Lander’s ability to blend humor with sharp observation reflects his unique voice in the world of poetry and performance.
To learn more about Kalen Lander’s creative journey, his contributions to Arizona’s arts scene, and his evolution as a performer and poet, visit his full biography HERE.
We could write our names here in the mud No one’s around to see them We could hang our shoes right here in a tree No one’s around to steal them
I could give you a star You could give me one too That way we’d be even And I could sing this song way out of tune
And not care a bit about it We could both wear cowboy hats And pretend to speak Italian Well I could eat some gum
And make my breath so minty fresh To kiss you Your breath will smell like wine I like that a lot
Especially when I kiss you And I could hit my funny bone really hard And you could call me sweetheart
And who ever said there’s nothing new under the sun Never thought much about individuals But he’s dead anyways
So lets go down together Down together Down together Together Lets go down together Down together Down together Together
We could all wear ripped up clothes And pretend that we’re Dead Hot Workshop I could drive long long way And not even have the gas to make it We could chase our shadows around Till we’re both exhausted I could forget the words just one more time And hope that none of you notices
And who ever said there’s nothing new under the sun Never thought much about me
What’s good for you is good for me And what’s bad for you is bad for me What’s good for you is good for me And what’s bad for you is bad for me
Cars break and people break down and other things break down too So lets go down together Down together Down together Together Lets go down together Down together Down together Together
Watch “Down Together” by Roger Clyne and The Refreshments on YouTube
Listen to The Refreshments on Spotify
About the poet Roger Clyne
“Down Together” by Roger Clyne is a wry, reflective meditation on the beauty of life’s fleeting moments and the inevitability of its breakdowns. In the poem, Clyne opens with images of writing names in the mud and hanging shoes in a tree—simple acts that speak to our desire to leave a mark in a world where our impressions are often transient. His playful exchange of stars—”I could give you a star / You could give me one too”—serves as a metaphor for the balance of giving and receiving love, even when perfection is elusive.
One of the poem’s most memorable moments is when Clyne imagines, “We could both wear cowboy hats / And pretend to speak Italian.” Far from a mere quirky image, this line cleverly nods to the iconic Spaghetti Westerns—films made in Italy that reimagine the rugged mythos of the American West, a land Clyne knows well as an Arizona native. By invoking these cinematic references, he humorously underscores the paradoxes of identity and cultural expectation, merging the traditional with the irreverent.
As the poem unfolds, Clyne’s observations on everyday decay—“Cars break and people break down and other things break down too”—remind us that impermanence is an inherent part of life. Yet, amidst the disarray, there is a shared sense of resilience and togetherness, encapsulated in the repeated call to “go down together.” This refrain challenges us to embrace the imperfections of life and find solace in unity, even when all seems lost.
To dive deeper into the lyrical genius and creative journey of Roger Clyne, visit his full bio page on HERE.
Roger Clyne: Arizona’s Lyrical Storyteller and Cultural Icon
Roger Meade Clyne (born January 13, 1968) is a celebrated songwriter, lyricist, and performer whose work has come to define the musical and poetic landscape of Arizona. Best known as the lead singer, primary songwriter, and rhythm guitarist for Roger Clyne and the Peacemakers, Clyne’s creative output bridges the worlds of rock music and poetic storytelling. Although primarily recognized for his contributions to music, his lyricism—rich with narrative depth and cultural resonance—positions him as a true poet of the American Southwest.
Early Life and Arizona Roots
Born in Tucson, Arizona and raised in Tempe, Roger Clyne grew up immersed in the diverse landscapes and cultural tapestry of the Southwest. His formative years were a blend of suburban life and rugged rural experiences, as he frequently visited his grandparents’ ranch in southern Arizona. There, he learned the traditional values of hard work through riding horses, herding cattle, and fixing fences—a vivid backdrop that would later influence his poetic and musical sensibilities.
Clyne’s early exposure to life on the frontier instilled in him a deep appreciation for the land and its stories. His personal history, rooted in the heart of Arizona, continues to serve as the wellspring for his creative expression.
Musical Journey and Poetic Expression
Clyne’s artistic journey took flight during his years at Arizona State University, where he immersed himself in a Spanish language and cultural experience. While at ASU, he participated in a Spanish immersion program and even conducted ethnographic research on mariachis in Mexico City. This unique blend of academic inquiry and cultural exploration enriched his songwriting, infusing every album with authentic mariachi horns—a signature sound that reflects his deep connection to the borderlands.
Over the years, Roger Clyne has penned timeless lyrics that not only narrate tales of love, loss, and life in the Southwest but also celebrate the vibrant, eclectic spirit of the region. His poetic verses have transcended musical genres, whether in the catchy hooks of hits like the theme song for King of the Hill, the rousing victory anthem for the Arizona Diamondbacks (The D-Backs Swing), or in the introspective lyricism found on his band’s latest release, “Native Heart” (2017). His lyrics often read like poetry, evoking images of sun-drenched deserts, colorful border towns, and the timeless struggle between tradition and modernity.
Cultural Impact and Community Engagement
A true citizen of the Southwest, Roger Clyne’s work is imbued with the rich cultural influences of both Arizona and Sonora, Mexico. His frequent trips to Mexico, particularly to the beloved beach town of Puerto Peñasco (Rocky Point), have played a significant role in shaping his artistic vision. In 2000, his passion for the region culminated in the creation of Circus Mexicus, an annual four-day music festival that not only celebrates the vibrant music scene of Rocky Point but also hosts charity events like the Hot Dog & a Smile and the Rock & Beach Soccer Tournament. This festival has become a landmark event, drawing thousands of visitors and reinforcing Clyne’s status as a cultural ambassador for the Southwest.
Beyond music, Clyne’s contributions extend to various entrepreneurial ventures. He is the owner of his own tour bus, ensuring that his poetic narratives and musical stories reach audiences all over the United States. His business ventures also include a brand of ultra-premium tequila, originally known as Roger Clyne’s Mexican Moonshine Tequila and rebranded as Canción in 2021, as well as a part ownership in the popular Puerto Peñasco bar, Banditos.
A Legacy of Lyrical Brilliance
Roger Clyne’s enduring impact on Arizona’s cultural landscape is profound. His songwriting has become synonymous with the spirit of the Southwest—a unique blend of poetic narrative, authentic storytelling, and musical innovation. Whether he’s capturing the heartbeat of a border town or narrating the tales of everyday heroes, Clyne’s lyrics evoke the beauty, struggle, and resilience of life in Arizona.
His work not only entertains but also inspires, offering listeners a glimpse into the soul of the American Southwest. Through his poetic expression and musical collaborations, Roger Clyne has redefined what it means to be a storyteller in a region steeped in history and natural splendor.
Aaron Hopkins-Johnson: Poet, Organizer, and Arts Advocate
Aaron Hopkins-Johnson, a revered artist and writer based in Phoenix, Arizona, has made an indelible impact on the spoken word and poetry communities across the Southwest and beyond. Known for his dynamic performances, tireless event organizing, and advocacy for the arts, Aaron’s influence has stretched across nearly two decades of Arizona’s literary and performance art history.
A Champion in Spoken Word Performance
Aaron’s accolades in performance poetry are both impressive and far-reaching. In 2001, he became the International Poetry Interpretation Champion at the International Forensics Association, showcasing his skill in crafting and delivering emotionally resonant poetry. Over the years, he has performed alongside iconic figures in spoken word and literature, including Gil Scott-Heron, Saul Williams, Buddy Wakefield, Andrea Gibson, Henry Rollins, and Rachel McKibbens, to name just a few.
As a competitor, Aaron represented Arizona on multiple National Poetry Slam (NPS) stages, earning spots on both the Flagstaff Poetry Slam Team and the Phoenix Poetry Slam Team. Notably, he was a Haiku Deathmatch Finalist at NPS and the Arcosanti Slab City Slam Regional Haiku Champion, demonstrating his creative range in both traditional and experimental formats.
Builder of Community and Platforms for Poetry
Aaron’s commitment to fostering the poetry community in Arizona is unparalleled. From 2006 to 2008, he served as the SlamMaster of FlagSlam, ensuring the vibrant Flagstaff poetry scene remained a cornerstone of regional spoken word culture. He also hosted the beloved Monday Night Open Mic at Applesauce Teahouse and directed various flagship events, including the Southwest Shootout Regional Qualifiers, the Treetop Poetry Regional Slam, and the 2014 Individual World Poetry Slam (IWPS).
Additionally, Hopkins-Johnson was on the 2009 Phoenix Poetry Slam team alongside Myrlin Hepworth, The Klute and Ed Mabrey – an incredible team that placed the highest of any slam poetry team from Arizona in a National Poetry Slam. Aaron worked as the Program Director of Operations at NORAZpoets, supporting and mentoring poets throughout Northern Arizona. His legacy as an organizer extends far beyond local borders, making Arizona a vital hub for poetry and performance.
A Decade with Lawn Gnome Publishing
From 2004 to 2023, Aaron operated Lawn Gnome Publishing, a multifaceted space that served as a poetry venue, indie bookstore, and cultural nexus in Phoenix. Hosting events almost daily for nearly two decades, Lawn Gnome became a community cornerstone for Arizona artists, poets, and creatives.
Grant Recipient and Teaching Artist
Aaron’s contributions to Arizona’s arts scene have been recognized with multiple prestigious grants, including funding from the Arizona Humanities Council, National Endowment for the Arts, and the Arizona Commission on the Arts. These grants supported a range of his educational and community projects, from public art installations to teaching artist residencies.
A committed educator, Aaron facilitated workshops and programming at the Mesa Center for the Arts, empowering young poets and fostering a love for the written word. His “We Are One” grant-funded projects through the City of Glendale and his collaborations with the City of Phoenix cemented his legacy as a key figure in Arizona’s arts development.
Published Works and Poetry Collections
Throughout his career, Aaron Hopkins-Johnson published multiple collections of poetry that highlight his wit, depth, and unique voice. His books include:
Each collection reflects Aaron’s raw, honest, and unfiltered style, offering readers an intimate glimpse into his creative mind.
Retirement and Legacy
In 2023, Aaron Hopkins-Johnson officially retired from public performances, event organizing, and projects, leaving behind an extraordinary legacy of creativity and community impact. His years of tireless work have laid the foundation for future generations of poets, performers, and artists in Arizona and beyond.
Aaron’s story is a testament to the transformative power of art and the importance of building platforms for others to shine. Even in retirement, his influence continues to ripple through Arizona’s poetry scene, cementing his place as one of the most significant contributors to the spoken word community in the Southwest.
Kalen Lander: Poet, Hip-Hop Artist, and Tempe Icon
Kalen Lander, a cornerstone of Arizona’s hip-hop and spoken word scene, has been a defining force in the artistic fabric of Tempe for over a decade. Known for his quick-witted rhymes and improvisational prowess, Lander has built a reputation as a dynamic live performer who brings poetry and hip-hop into every corner of the local music scene. His fearless approach to the stage and collaborative spirit has made him a vital contributor to Arizona’s creative community.
Early Roots and Rise in the Tempe Scene
Kalen Lander’s early years in Tempe cemented his legacy as one of the city’s most respected and sought-after hip-hop artists. At the height of Long Wong’s legendary era—a hotspot for Tempe’s musicians and creatives—Lander worked behind the bar while simultaneously leaving his mark on the stage. Known for his impromptu performances, he would jump into live sets to deliver fresh rhymes and enhance the energy of the moment, embodying the “in the moment” artistry that defines his career.
As the leader of TKLB? (The Kalen Lander Band), Lander became known for his beat-heavy soundscapes and impactful delivery. Though TKLB? never released a full album, Lander’s contributions to the Arizona music scene are significant, with collaborations spanning across genres and groups.
Collaborations and Contributions
Lander’s versatility as an artist has led to partnerships with some of Tempe’s most prominent bands. His hip-hop verses appear on tracks like “Ballad of Dean” and “House of Wood” by Japhy’s Descent, where his voice adds depth and energy to their storytelling. He’s also a frequent contributor to Sister Lip, lighting up their live performances with raps on tracks like “Pure Honey” and “Ride the Pony”.
From lending his talents to Beatles cover sets with Future Loves Past to collaborations with Darkness Dear Boy, Kalen Lander has consistently elevated the performances and recordings of fellow musicians. His ability to merge poetry, rhythm, and improvisation has made him a trusted and celebrated collaborator across Arizona’s creative circles.
Transition to Snailmate
Today, Kalen Lander is best known as half of the rock/hip-hop duo Snailmate, alongside multi-instrumentalist Bentley Monet. Known for their explosive energy and genre-defying sound, Snailmate combines Lander’s signature rap delivery with Monet’s synth-driven melodies, creating an entirely unique experience that continues to garner attention locally and nationally. The duo’s touring schedule and creative output have solidified Lander as a dynamic force in the indie music world.
Lander’s Poetry and Spoken Word Legacy
While primarily celebrated for his music, Kalen Lander’s roots in poetry and spoken word shine through in his intricate lyricism and live performances. A master of improvisation, his ability to craft impactful rhymes on the fly reflects the influence of poetry in his artistry. His presence in Tempe’s spoken word and music communities has inspired countless artists to experiment with blending poetry and hip-hop.
A Champion of Arizona’s Creative Spirit
Kalen Lander’s influence extends beyond the stage. As a collaborator, performer, and community figure, he embodies the innovative and inclusive energy of Arizona’s arts scene. Whether performing as part of Snailmate, jumping onstage for an impromptu rhyme, or amplifying the works of local artists, Lander continues to be a vital figure in the world of Arizona hip-hop and poetry.
Ed Mabrey is a powerhouse in the world of spoken word and slam poetry, earning his place as one of the most decorated poets in slam history. As a three-time Individual World Poetry Slam (IWPS) Champion—making history as the first Black poet to win the title—Ed has redefined what it means to connect with audiences through raw, emotional storytelling and performance. His accolades also include being named the 2012 Poetry Slam Artist of the Year at the National Poetry Awards and serving as a finalist in the National Poetry Slam four times.
Mabrey’s Arizona Connection: A Voice in Phoenix and Tempe
From 2008 to 2010, Ed Mabrey left a significant mark on Arizona’s poetry scene while living in the state. During this time, he hosted spoken word events in Phoenix and Tempe, nurturing the creative energy of local poets and audiences alike. Mabrey frequented poetry slams and open mics hosted by Homebase and Jeremiah Blue. Ed Mabrey was on the Phoenix Poetry Slam team with Aaron Hopkins-Johnson, The Klute, and Myrlin Hepworth in 2009. This team placed higher at the National Poetry Slam event than any team from Arizona. His time in Arizona was part of his larger mission to make poetry and performance accessible and impactful in communities across the country.
Beyond Slam Poetry: A Versatile Talent
Ed Mabrey’s talents extend far beyond the world of slam poetry. He is an Emmy-winning performer and actor, showcasing his skills on platforms like the television series Verses and Flow (Seasons 3 and 5). As a motivational speaker, he has traveled extensively, delivering workshops and keynotes to inspire personal growth and creative expression. His poetry has been featured in nationally recognized anthologies, including Spoken Word Revolution Redux, and he continues to mentor and uplift young artists at colleges and universities nationwide.
Poetry, Comedy, and Social Commentary
What sets Mabrey apart is his ability to blend humor with profound social commentary. His performances often navigate complex themes such as identity, race, and resilience, using both wit and vulnerability to engage his audience. This versatility has cemented him as a beloved figure in not only the poetry community but also in entertainment and education spheres.
Legacy and Influence
Ed Mabrey’s time in Arizona and his larger career have left an indelible impact on the poetry and performance world. Through his achievements and ongoing work, he exemplifies how poetry can serve as a bridge between personal storytelling and collective understanding, inspiring writers and performers to find their own unique voices.
Discover more about Ed Mabrey’s achievements and his contributions to the poetry world by exploring his website.
