Tag: Tempe

Down Together by Roger Clyne and Refreshments Peacemakers poem lyrics | AZpoetry.com

Down Together by Roger Clyne

“Down Together” by Roger Clyne

We could write our names here in the mud
No one’s around to see them
We could hang our shoes right here in a tree
No one’s around to steal them

I could give you a star
You could give me one too
That way we’d be even
And I could sing this song way out of tune

And not care a bit about it
We could both wear cowboy hats
And pretend to speak Italian
Well I could eat some gum

And make my breath so minty fresh
To kiss you
Your breath will smell like wine
I like that a lot

Especially when I kiss you
And I could hit my funny bone really hard
And you could call me sweetheart

And who ever said there’s nothing new under the sun
Never thought much about individuals
But he’s dead anyways

So lets go down together
Down together
Down together
Together
Lets go down together
Down together
Down together
Together

We could all wear ripped up clothes
And pretend that we’re Dead Hot Workshop
I could drive long long way
And not even have the gas to make it
We could chase our shadows around
Till we’re both exhausted
I could forget the words just one more time
And hope that none of you notices

And who ever said there’s nothing new under the sun
Never thought much about me

What’s good for you is good for me
And what’s bad for you is bad for me
What’s good for you is good for me
And what’s bad for you is bad for me

Cars break and people break down and other things break down too
So lets go down together
Down together
Down together
Together
Lets go down together
Down together
Down together
Together

Watch “Down Together” by Roger Clyne and The Refreshments on YouTube

Listen to The Refreshments on Spotify

About the poet Roger Clyne

“Down Together” by Roger Clyne is a wry, reflective meditation on the beauty of life’s fleeting moments and the inevitability of its breakdowns. In the poem, Clyne opens with images of writing names in the mud and hanging shoes in a tree—simple acts that speak to our desire to leave a mark in a world where our impressions are often transient. His playful exchange of stars—”I could give you a star / You could give me one too”—serves as a metaphor for the balance of giving and receiving love, even when perfection is elusive.

One of the poem’s most memorable moments is when Clyne imagines, “We could both wear cowboy hats / And pretend to speak Italian.” Far from a mere quirky image, this line cleverly nods to the iconic Spaghetti Westerns—films made in Italy that reimagine the rugged mythos of the American West, a land Clyne knows well as an Arizona native. By invoking these cinematic references, he humorously underscores the paradoxes of identity and cultural expectation, merging the traditional with the irreverent.

As the poem unfolds, Clyne’s observations on everyday decay—“Cars break and people break down and other things break down too”—remind us that impermanence is an inherent part of life. Yet, amidst the disarray, there is a shared sense of resilience and togetherness, encapsulated in the repeated call to “go down together.” This refrain challenges us to embrace the imperfections of life and find solace in unity, even when all seems lost.

To dive deeper into the lyrical genius and creative journey of Roger Clyne, visit his full bio page on HERE.

Roger Clyne of the Peacemakers Refreshments poet songwriter | AZpoetry.com

Roger Clyne

Roger Clyne: Arizona’s Lyrical Storyteller and Cultural Icon

Roger Meade Clyne (born January 13, 1968) is a celebrated songwriter, lyricist, and performer whose work has come to define the musical and poetic landscape of Arizona. Best known as the lead singer, primary songwriter, and rhythm guitarist for Roger Clyne and the Peacemakers, Clyne’s creative output bridges the worlds of rock music and poetic storytelling. Although primarily recognized for his contributions to music, his lyricism—rich with narrative depth and cultural resonance—positions him as a true poet of the American Southwest.


Early Life and Arizona Roots

Born in Tucson, Arizona and raised in Tempe, Roger Clyne grew up immersed in the diverse landscapes and cultural tapestry of the Southwest. His formative years were a blend of suburban life and rugged rural experiences, as he frequently visited his grandparents’ ranch in southern Arizona. There, he learned the traditional values of hard work through riding horses, herding cattle, and fixing fences—a vivid backdrop that would later influence his poetic and musical sensibilities.

Clyne’s early exposure to life on the frontier instilled in him a deep appreciation for the land and its stories. His personal history, rooted in the heart of Arizona, continues to serve as the wellspring for his creative expression.


Musical Journey and Poetic Expression

Clyne’s artistic journey took flight during his years at Arizona State University, where he immersed himself in a Spanish language and cultural experience. While at ASU, he participated in a Spanish immersion program and even conducted ethnographic research on mariachis in Mexico City. This unique blend of academic inquiry and cultural exploration enriched his songwriting, infusing every album with authentic mariachi horns—a signature sound that reflects his deep connection to the borderlands.

Over the years, Roger Clyne has penned timeless lyrics that not only narrate tales of love, loss, and life in the Southwest but also celebrate the vibrant, eclectic spirit of the region. His poetic verses have transcended musical genres, whether in the catchy hooks of hits like the theme song for King of the Hill, the rousing victory anthem for the Arizona Diamondbacks (The D-Backs Swing), or in the introspective lyricism found on his band’s latest release, “Native Heart” (2017). His lyrics often read like poetry, evoking images of sun-drenched deserts, colorful border towns, and the timeless struggle between tradition and modernity.


Cultural Impact and Community Engagement

A true citizen of the Southwest, Roger Clyne’s work is imbued with the rich cultural influences of both Arizona and Sonora, Mexico. His frequent trips to Mexico, particularly to the beloved beach town of Puerto Peñasco (Rocky Point), have played a significant role in shaping his artistic vision. In 2000, his passion for the region culminated in the creation of Circus Mexicus, an annual four-day music festival that not only celebrates the vibrant music scene of Rocky Point but also hosts charity events like the Hot Dog & a Smile and the Rock & Beach Soccer Tournament. This festival has become a landmark event, drawing thousands of visitors and reinforcing Clyne’s status as a cultural ambassador for the Southwest.

Beyond music, Clyne’s contributions extend to various entrepreneurial ventures. He is the owner of his own tour bus, ensuring that his poetic narratives and musical stories reach audiences all over the United States. His business ventures also include a brand of ultra-premium tequila, originally known as Roger Clyne’s Mexican Moonshine Tequila and rebranded as Canción in 2021, as well as a part ownership in the popular Puerto Peñasco bar, Banditos.


A Legacy of Lyrical Brilliance

Roger Clyne’s enduring impact on Arizona’s cultural landscape is profound. His songwriting has become synonymous with the spirit of the Southwest—a unique blend of poetic narrative, authentic storytelling, and musical innovation. Whether he’s capturing the heartbeat of a border town or narrating the tales of everyday heroes, Clyne’s lyrics evoke the beauty, struggle, and resilience of life in Arizona.

His work not only entertains but also inspires, offering listeners a glimpse into the soul of the American Southwest. Through his poetic expression and musical collaborations, Roger Clyne has redefined what it means to be a storyteller in a region steeped in history and natural splendor.

Aaron Hopkins-Johnson AZpoetry.com Lawn Gnome Publishing bookstore

Aaron Hopkins-Johnson

Aaron Hopkins-Johnson: Poet, Organizer, and Arts Advocate

Aaron Hopkins-Johnson, a revered artist and writer based in Phoenix, Arizona, has made an indelible impact on the spoken word and poetry communities across the Southwest and beyond. Known for his dynamic performances, tireless event organizing, and advocacy for the arts, Aaron’s influence has stretched across nearly two decades of Arizona’s literary and performance art history.


A Champion in Spoken Word Performance

Aaron’s accolades in performance poetry are both impressive and far-reaching. In 2001, he became the International Poetry Interpretation Champion at the International Forensics Association, showcasing his skill in crafting and delivering emotionally resonant poetry. Over the years, he has performed alongside iconic figures in spoken word and literature, including Gil Scott-Heron, Saul Williams, Buddy Wakefield, Andrea Gibson, Henry Rollins, and Rachel McKibbens, to name just a few.

As a competitor, Aaron represented Arizona on multiple National Poetry Slam (NPS) stages, earning spots on both the Flagstaff Poetry Slam Team and the Phoenix Poetry Slam Team. Notably, he was a Haiku Deathmatch Finalist at NPS and the Arcosanti Slab City Slam Regional Haiku Champion, demonstrating his creative range in both traditional and experimental formats.


Builder of Community and Platforms for Poetry

Aaron’s commitment to fostering the poetry community in Arizona is unparalleled. From 2006 to 2008, he served as the SlamMaster of FlagSlam, ensuring the vibrant Flagstaff poetry scene remained a cornerstone of regional spoken word culture. He also hosted the beloved Monday Night Open Mic at Applesauce Teahouse and directed various flagship events, including the Southwest Shootout Regional Qualifiers, the Treetop Poetry Regional Slam, and the 2014 Individual World Poetry Slam (IWPS).

Additionally, Hopkins-Johnson was on the 2009 Phoenix Poetry Slam team alongside Myrlin Hepworth, The Klute and Ed Mabrey – an incredible team that placed the highest of any slam poetry team from Arizona in a National Poetry Slam. Aaron worked as the Program Director of Operations at NORAZpoets, supporting and mentoring poets throughout Northern Arizona. His legacy as an organizer extends far beyond local borders, making Arizona a vital hub for poetry and performance.


A Decade with Lawn Gnome Publishing

From 2004 to 2023, Aaron operated Lawn Gnome Publishing, a multifaceted space that served as a poetry venue, indie bookstore, and cultural nexus in Phoenix. Hosting events almost daily for nearly two decades, Lawn Gnome became a community cornerstone for Arizona artists, poets, and creatives.


Grant Recipient and Teaching Artist

Aaron’s contributions to Arizona’s arts scene have been recognized with multiple prestigious grants, including funding from the Arizona Humanities Council, National Endowment for the Arts, and the Arizona Commission on the Arts. These grants supported a range of his educational and community projects, from public art installations to teaching artist residencies.

A committed educator, Aaron facilitated workshops and programming at the Mesa Center for the Arts, empowering young poets and fostering a love for the written word. His “We Are One” grant-funded projects through the City of Glendale and his collaborations with the City of Phoenix cemented his legacy as a key figure in Arizona’s arts development.


Published Works and Poetry Collections

Throughout his career, Aaron Hopkins-Johnson published multiple collections of poetry that highlight his wit, depth, and unique voice. His books include:

  • “Roach Killer For Her”
  • Chainsawsmoking
  • “Rights4Lefty”
  • “Watering The Poetry”
  • “Irony Stinks: My Life Is Irony”

Each collection reflects Aaron’s raw, honest, and unfiltered style, offering readers an intimate glimpse into his creative mind.


Retirement and Legacy

In 2023, Aaron Hopkins-Johnson officially retired from public performances, event organizing, and projects, leaving behind an extraordinary legacy of creativity and community impact. His years of tireless work have laid the foundation for future generations of poets, performers, and artists in Arizona and beyond.

Aaron’s story is a testament to the transformative power of art and the importance of building platforms for others to shine. Even in retirement, his influence continues to ripple through Arizona’s poetry scene, cementing his place as one of the most significant contributors to the spoken word community in the Southwest.

Listen to Aaron Hopkins-Johnson on Spotify

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The Laziest Man in the World poem Arizona poet Kalen Lander | AZpoetry.com

“The Laziest Man in the World” by Kalen Lander

Behold!
The laziest man in the world

Damn I’m a pearl
Countless bedsores adorn my soul
Check it, if you see my corpse walking round it’s a hoax
Cause in my head I’m at home

Tomes tell of my liquified bones
Don’t question it just keep an open mind
And know I’m holed up inside and it’s alright
It’s kinda like summer vacation
Well it’s more like mummification
It’s sorta like I’m Jason Statham
But instead of punching
I’m stuck in the basement
Yup

And I’ll I’m transporting are snacks to my mouth
All I look forward to is chilling out
All of my memories center around
How much I enjoy becoming one with the couch

Don’t tell me not to slouch these shoulders are heavy
Weight of the world? More like an early Wednesday
Wake up at 4 n then turn on the TV
Repeat indefinitely
Frozen pizza to me is a delicacy

Maybe people might say that I am my own worst enemy
I get all tuckered out from not exerting any energy
I prefer to be the middle link in human centipedes
I don’t want to be deciding when it’s time to shit n eat
Literally anything that isn’t sitting sickens me

I’ll pretend to be asleep when anybody intervenes
My mama wants to say I got a problem naw man
I’m taking after Grandma this rocker is awesome
And I ain’t getting up until you toss me off it
And then I’m probably gonna conk out on the carpet

Ooooo did I mention?
All this inactivity has given me heightened senses
I can smell a cheeto on the floor like it was incense
I can ignore the doorbell better than anybody ever
Got no competitors no natural predators

No feeling in my legs n no plans of leaving bed at all
N I would eat your disapproval if that shit was edible
I said it all before but I’m repetitive I’m
The Laziest man in the world

Music Video of “The Laziest Man in the World” performed by Snailmate

About the Poet Kalen Lander

Kalen Lander’s “The Laziest Man in the World” is a humorous and self-aware exploration of extreme idleness. With witty imagery and a tongue-in-cheek tone, the poem delves into the comforts of slouching, snacking, and avoiding the hustle of daily life. Lander’s ability to blend humor with sharp observation reflects his unique voice in the world of poetry and performance.

To learn more about Kalen Lander’s creative journey, his contributions to Arizona’s arts scene, and his evolution as a performer and poet, visit his full biography HERE.

Kalen Lander poet | AZpoetry.com

Kalen Lander

Kalen Lander: Poet, Hip-Hop Artist, and Tempe Icon

Kalen Lander, a cornerstone of Arizona’s hip-hop and spoken word scene, has been a defining force in the artistic fabric of Tempe for over a decade. Known for his quick-witted rhymes and improvisational prowess, Lander has built a reputation as a dynamic live performer who brings poetry and hip-hop into every corner of the local music scene. His fearless approach to the stage and collaborative spirit has made him a vital contributor to Arizona’s creative community.


Early Roots and Rise in the Tempe Scene

Kalen Lander’s early years in Tempe cemented his legacy as one of the city’s most respected and sought-after hip-hop artists. At the height of Long Wong’s legendary era—a hotspot for Tempe’s musicians and creatives—Lander worked behind the bar while simultaneously leaving his mark on the stage. Known for his impromptu performances, he would jump into live sets to deliver fresh rhymes and enhance the energy of the moment, embodying the “in the moment” artistry that defines his career.

As the leader of TKLB? (The Kalen Lander Band), Lander became known for his beat-heavy soundscapes and impactful delivery. Though TKLB? never released a full album, Lander’s contributions to the Arizona music scene are significant, with collaborations spanning across genres and groups.


Collaborations and Contributions

Lander’s versatility as an artist has led to partnerships with some of Tempe’s most prominent bands. His hip-hop verses appear on tracks like “Ballad of Dean” and “House of Wood” by Japhy’s Descent, where his voice adds depth and energy to their storytelling. He’s also a frequent contributor to Sister Lip, lighting up their live performances with raps on tracks like “Pure Honey” and “Ride the Pony”.

From lending his talents to Beatles cover sets with Future Loves Past to collaborations with Darkness Dear Boy, Kalen Lander has consistently elevated the performances and recordings of fellow musicians. His ability to merge poetry, rhythm, and improvisation has made him a trusted and celebrated collaborator across Arizona’s creative circles.


Transition to Snailmate

Today, Kalen Lander is best known as half of the rock/hip-hop duo Snailmate, alongside multi-instrumentalist Bentley Monet. Known for their explosive energy and genre-defying sound, Snailmate combines Lander’s signature rap delivery with Monet’s synth-driven melodies, creating an entirely unique experience that continues to garner attention locally and nationally. The duo’s touring schedule and creative output have solidified Lander as a dynamic force in the indie music world.


Lander’s Poetry and Spoken Word Legacy

While primarily celebrated for his music, Kalen Lander’s roots in poetry and spoken word shine through in his intricate lyricism and live performances. A master of improvisation, his ability to craft impactful rhymes on the fly reflects the influence of poetry in his artistry. His presence in Tempe’s spoken word and music communities has inspired countless artists to experiment with blending poetry and hip-hop.


A Champion of Arizona’s Creative Spirit

Kalen Lander’s influence extends beyond the stage. As a collaborator, performer, and community figure, he embodies the innovative and inclusive energy of Arizona’s arts scene. Whether performing as part of Snailmate, jumping onstage for an impromptu rhyme, or amplifying the works of local artists, Lander continues to be a vital figure in the world of Arizona hip-hop and poetry.

Discover more Arizona Poets HERE!

Ed Mabrey poet | AZpoetry.com

Ed Mabrey

Ed Mabrey: Poet, Performer, and Slam Champion

Ed Mabrey is a powerhouse in the world of spoken word and slam poetry, earning his place as one of the most decorated poets in slam history. As a three-time Individual World Poetry Slam (IWPS) Champion—making history as the first Black poet to win the title—Ed has redefined what it means to connect with audiences through raw, emotional storytelling and performance. His accolades also include being named the 2012 Poetry Slam Artist of the Year at the National Poetry Awards and serving as a finalist in the National Poetry Slam four times.

Mabrey’s Arizona Connection: A Voice in Phoenix and Tempe

From 2008 to 2010, Ed Mabrey left a significant mark on Arizona’s poetry scene while living in the state. During this time, he hosted spoken word events in Phoenix and Tempe, nurturing the creative energy of local poets and audiences alike. Mabrey frequented poetry slams and open mics hosted by Homebase and Jeremiah Blue. Ed Mabrey was on the Phoenix Poetry Slam team with Aaron Hopkins-Johnson, The Klute, and Myrlin Hepworth in 2009. This team placed higher at the National Poetry Slam event than any team from Arizona. His time in Arizona was part of his larger mission to make poetry and performance accessible and impactful in communities across the country.

Beyond Slam Poetry: A Versatile Talent

Ed Mabrey’s talents extend far beyond the world of slam poetry. He is an Emmy-winning performer and actor, showcasing his skills on platforms like the television series Verses and Flow (Seasons 3 and 5). As a motivational speaker, he has traveled extensively, delivering workshops and keynotes to inspire personal growth and creative expression. His poetry has been featured in nationally recognized anthologies, including Spoken Word Revolution Redux, and he continues to mentor and uplift young artists at colleges and universities nationwide.

Poetry, Comedy, and Social Commentary

What sets Mabrey apart is his ability to blend humor with profound social commentary. His performances often navigate complex themes such as identity, race, and resilience, using both wit and vulnerability to engage his audience. This versatility has cemented him as a beloved figure in not only the poetry community but also in entertainment and education spheres.

Legacy and Influence

Ed Mabrey’s time in Arizona and his larger career have left an indelible impact on the poetry and performance world. Through his achievements and ongoing work, he exemplifies how poetry can serve as a bridge between personal storytelling and collective understanding, inspiring writers and performers to find their own unique voices.

Discover more about Ed Mabrey’s achievements and his contributions to the poetry world by exploring his website.