Tag: 2000s Poetry

Read 2000s Poetry written by slam poets, cowboy poets, and literary giants inspired by the state of Arizona on AZpoetry.com!

Hang On To Your Chairs Ass Bomb poem by Bill Campana AZpoetry.com

Hang On To Your Chairs (Ass Bomb) by Bill Campana

April 9, 2025

“Hang On To Your Chairs (Ass Bomb)” by Bill Campana

Hang on to your chairs, I’m going back to school.

I’m getting my degree, a doctorate in science.
I’m going to MIT to study mathematics, quantum mechanics, nuclear physics
and whatever else it takes to get me to achieve my goal.

Because I am going to invent a bomb
a bomb that will shame all other bombs
I’m going to invent a bomb that will kill no one,
but will wipe everybody on their ass
right off your feet
flat on your ass
and then I am going to fire up another one
just in case I might have missed some people
who were sitting at the time
and then had gotten up just to investigate the commotion.

All over the world, on the appointed day
phones will ring.
The people calling will say,
“I fell on my ass at 10 o’clock this morning.”
and the people they are speaking with will reply,
“That’s funny… so did I…”

Newspapers will print enormous headlines:

AND THEN WE ALL FALL DOWN

DEATH TOLL ZERO AS WORLD FALLS ON ITS’ ASS

BILL UNLEASHES WEAPON OF ASS DESTRUCTION

I will show you,
that you can have a sense of humor,
that mass destruction just ain’t where it’s at.

Not terrorism, but performance terrorism.

So like that bomb the Soviet Union
dropped on us in the mid-sixties,
that bomb that made everybody want to say
the word “fuck”
freely
in public
forever.

Man, that was fucked up.

But when I walk down the street
with my silver squared
and my beard held high
people will say, “there goes Bill.
He invented the Ass Bomb.
He’s really not such a bad guy.”

I can see it now.
I will become Time Magazine’s “Ass of the Year”.
I will win the Nobel Prize for Ass
and with my winnings,
support an network of underground ass-droppers.
Getting through airport security
will be as easy as dropping trow.

And you will thank me.
Someday, you will ALL thank me,
from the bottom of your bottoms,
for being making global terrorism silly
and ground zero cleanup
nothing more than dusting off your pants.

So, hang on to your chairs.

I don’t know how I’m going to do this.
But, I’ll never find out
until I get up off my ass
and try.

Transcribed from “Hang On To Your Chairs (Ass Bomb) from The Hit List 2 by Bill Campana.

Listen to the poem “Hang On To Your Chairs (Ass Bomb)” from the spoken word album The Hit List 2 by Bill Campana.

About the poet Bill Campana

Summary and Analysis of “Hang On To Your Chairs (Ass Bomb)” by Bill Campana

Bill Campana’s poem “Hang On To Your Chairs (Ass Bomb)” is a wild, irreverent ride through performance poetry and political satire, packed with wit, absurdity, and a surprising undercurrent of hope. With his trademark humor and grounded delivery, Campana envisions a world-changing invention—not a bomb of destruction, but one of disruption. This imagined “Ass Bomb” doesn’t kill or harm. Instead, it knocks everyone flat on their backsides—an act that, in the poet’s vision, serves to unite, disarm, and humble humanity in one shared, absurd experience.

Summary

In this hilarious and sharply satirical piece, the speaker declares his intention to go back to school and study complex sciences—quantum mechanics, nuclear physics, and mathematics—not to build a weapon of mass destruction, but a weapon of “ass destruction.” This bomb won’t maim or kill; it will simply knock everyone off their feet. Whether standing, sitting, walking, or talking on the phone, people around the world will fall to the ground in synchronized, undignified unison.

The poet imagines global headlines reacting to this act of performance terrorism:

“AND THEN WE ALL FALL DOWN”
“DEATH TOLL ZERO AS WORLD FALLS ON ITS’ ASS”
“BILL UNLEASHES WEAPON OF ASS DESTRUCTION”

The piece swerves between the ridiculous and the reflective, revealing the poet’s wish for a gentler, funnier kind of revolution—one that uses laughter instead of violence. He points to a cultural shift in the 1960s where, in his words, “that bomb that made everybody want to say the word ‘fuck’ freely in public forever” broke down barriers of censorship. Now, his own imagined bomb would break down political and ideological barriers with comedy, reminding people that “mass destruction just ain’t where it’s at.”

By the end, the poem circles back to a personal call to action. The speaker doesn’t yet know how he’ll accomplish this dream, but one thing is certain: he has to get up off his ass and try.

Analysis

Campana masterfully uses humor to critique our obsession with violence, weaponry, and the spectacle of destruction. By flipping the traditional function of a bomb—from devastation to harmless absurdity—he challenges societal norms around power and conflict resolution. His “Ass Bomb” becomes a metaphor for a unifying jolt, an equalizer that reminds everyone—world leaders, ordinary citizens, and even the poet himself—that we all fall down sometimes.

This poem is classic Bill Campana: irreverent, self-aware, deeply human, and delivered with a wink and a truth bomb. The poem functions not just as a performance piece, but also as a vision for an alternative kind of power—one that doesn’t rely on fear but on humility, connection, and shared laughter.

It’s also a subtle commentary on agency and action. As the poem ends with,

“I don’t know how I’m going to do this. / But I’ll never find out / until I get up off my ass / and try.”

Campana speaks not just of his fictitious invention, but of the creative act itself—the need to rise and create, even if you don’t have the blueprint yet.

➡️ Ready to experience more of Bill Campana’s bold, boundary-pushing poetry?
Visit his poet bio page on AZPoetry.com and discover why he’s considered one of the most iconic voices in Arizona’s spoken word scene.

Valerie Martínez

April 2, 2025

Valerie Martínez: Poet, Educator, and Advocate for Art, History, and Healing

Valerie Martínez is a celebrated American poet, writer, educator, translator, and arts administrator whose work transcends the boundaries of genre and discipline. Born and raised in Santa Fe, New Mexico, Martínez’s poetry is deeply rooted in the cultural, historical, and ecological landscape of the American Southwest. A descendant of both Spanish colonizers and Indigenous peoples, she brings a rich ancestral perspective to her writing—an intersection of memory, identity, and place.

From Santa Fe to the World: Life, Education, and Travel

Valerie Martínez left Santa Fe in 1979 to attend Vassar College, earning her A.B. in English and American Literature. She later pursued an MFA in Creative Writing/Poetry at the University of Arizona. Her life and poetry have been shaped by extensive travels across the United States and around the globe—including long stays in Swaziland (now Eswatini), Israel, Japan, South Africa, and Latin America.

Martínez’s time abroad, especially her years teaching English in Southern Africa, gave her a broad cultural perspective that informs the themes of empathy, environmental stewardship, and social justice that permeate her work.

A Distinguished Career in Education and Literary Arts

Before returning to New Mexico permanently in 2003, Martínez served as a college professor for more than 23 years, teaching courses in poetry, American literature, women’s literature, Latino/a literature, and Native American literature. From 2018 to 2021, she served as Director of History and Literary Arts at the National Hispanic Cultural Center in Albuquerque.

Her dedication to the intersection of art and community also led her to co-found Littleglobe, Inc., and later, the nonprofit arts and social change organization Artful Life. Most recently, she led the groundbreaking CHART project (Culture, History, Art, Reconciliation, and Truth), facilitating a year-long community engagement process addressing the complex cultural history of Santa Fe through inclusive storytelling and healing.

A Legacy of Poetry That Speaks to the World

Valerie Martínez is the author of six poetry collections, two chapbooks, and a book of translations. Her groundbreaking poetry blends lyricism with political and ecological awareness, giving voice to the voiceless and illuminating histories too often overlooked.

Notable Poetry Collections:

Count (University of Arizona Press, 2021)
A hybrid book-length poem that examines climate change through myth, personal memory, environmental data, and global storytelling. Count was adapted into a choral composition titled As the Waters Began to Rise by composer Peter Gilbert.
Each and Her (University of Arizona Press, 2010)
A powerful meditation on femicide and violence against women, particularly the murdered and disappeared women of Juárez, Mexico. The book was nominated for a Pulitzer Prize and received the 2011 Arizona Book Award.
Absence, Luminescent (Four Way Books, 1999; reissued 2010)
Her debut collection, which won the Larry Levis Prize and a Greenwall Grant from the Academy of American Poets. Jean Valentine praised it as “expansive, surprising, intelligent… filled with compassion.”
World to World (University of Arizona Press, 2004)
A collection that continues Martínez’s exploration of identity, ancestry, and spiritual inheritance.
And They Called it Horizon (Sunstone Press, 2010)
Written during her tenure as Poet Laureate of Santa Fe, this collection reflects her deep connection to place and community.

Publications, Honors, and Influence

Martínez’s poetry has been widely published in esteemed literary journals such as Poetry, American Poetry Review, AGNI, The Colorado Review, and Mandorla. Her work also appears in more than 30 anthologies including The Best American Poetry.

A frequent guest speaker and reader at national literary festivals and universities, Martínez continues to inspire a new generation of poets with her genre-blending work and community-focused approach to art.

Her poem “Bowl” was featured in the PBS/Poetry Foundation “Poetry Everywhere” series and was also set to music by composer Glen Roven and performed by soprano Talise Trevigne. Another poem, “September, 2001,” was featured in The Washington Post‘s “Poet’s Choice” column.

Poetry as Artful Action

What sets Valerie Martínez apart is her unwavering belief in the power of poetry as a tool for transformation—not just personal, but communal and ecological. Her work invites readers to bear witness, to reflect, and to act.

Whether she’s writing about climate change, cultural memory, femicide, or the beauty of New Mexico’s landscape, her poems ask us to reconsider the stories we tell and the silences we keep.

Curt Kirkwood

March 8, 2025

Curt Kirkwood: Arizona’s Alt-Rock Poet and the Visionary Behind the Meat Puppets

Curt Kirkwood is more than just a musician—he is a poetic force whose songwriting has left an indelible mark on Arizona’s alternative rock scene and beyond. As the founding member, lead vocalist, guitarist, and primary songwriter of the legendary band Meat Puppets, Kirkwood has crafted lyrics that merge desert surrealism, existential musings, and raw storytelling into a distinct poetic style. His songs, including the iconic tracks “Plateau,” “Oh, Me,” “Lake of Fire,” and “Backwater,” have captivated audiences worldwide and solidified his reputation as a lyrical poet of the American underground. Many of these alternative song classics are available on the album The Meat Puppets II.

Roots in Arizona and the Formation of a Legacy

Born on January 10, 1959, Curt Kirkwood’s journey began in Phoenix, Arizona, where he and his brother, Cris Kirkwood, would go on to form the Meat Puppets in 1980. Their genre-blending sound—fusing punk, country, and psychedelia—set them apart in the indie rock landscape and earned them a cult following. The arid landscapes of Arizona served as both a backdrop and inspiration for much of Kirkwood’s lyricism, evident in the dreamlike, often hallucinatory imagery present throughout his songwriting.

The Poetic Lyrical Style of Curt Kirkwood

Kirkwood’s lyrics defy easy classification. Part cosmic cowboy, part punk philosopher, he weaves narratives that blur the lines between reality and fantasy, humor and melancholy, existential dread and reckless joy. The desert, a recurring motif in his work, becomes both a physical and metaphysical space—a place of solitude, rebirth, and mystery. His distinct poetic voice transforms simple storytelling into something mythic, mystical, and deeply personal.

From Indie Legend to Mainstream Recognition

While the Meat Puppets gained underground acclaim in the 1980s, they rose to mainstream prominence in the 1990s when Nirvana’s Kurt Cobain handpicked them to perform on the legendary MTV Unplugged in New York special in 1993. Cobain’s reverence for Kirkwood’s songwriting led Nirvana to cover three Meat Puppets songs, introducing Kirkwood’s poetic lyricism to a new generation of fans.

A Career of Evolution and Experimentation

Beyond the Meat Puppets, Kirkwood has continued to explore the depths of his creativity, forming and playing in other projects such as:

Eyes Adrift (2002–2003) – a collaboration with Krist Novoselic (Nirvana) and Bud Gaugh (Sublime), blending folk and alternative rock.
Volcano (2004) – a short-lived project that further expanded his psychedelic, abstract storytelling.
Solo Career (2005–present) – His 2005 solo album Snow revealed a stripped-down, intimate side of his songwriting, showcasing a more raw, poetic expression.

A Visual Artist as Well as a Wordsmith

Kirkwood’s artistry isn’t limited to music—he is also a visual artist whose work has been featured on multiple Meat Puppets album covers and merchandise. His distinctive style mirrors his songwriting—colorful, surreal, and evocative of the untamed spirit of the Southwest.

The Meat Puppets’ Ongoing Legacy

After a brief hiatus, the Meat Puppets reunited in 2006, with Curt and Cris Kirkwood leading the charge. The band remains an active and influential force, releasing albums such as Rise to Your Knees (2007), Sewn Together (2009), Lollipop (2011), Rat Farm (2013), and Dusty Notes (2019). Kirkwood’s poetic sensibilities continue to shine, proving that his lyrical mysticism and desert-infused storytelling remain as vibrant as ever.

Curt Kirkwood: The Poetic Outlaw of Arizona’s Alternative Rock Scene

Curt Kirkwood’s impact on music and poetry is undeniable. His lyrics blur the line between song and spoken-word poetry, making him a true Arizona poet in the alternative rock tradition. His work has influenced generations of musicians and writers, proving that poetry isn’t confined to the page—it can roar through amplifiers, echo across the desert, and carve out its place in rock history.

To dive deeper into the poetic mind of Curt Kirkwood, visit his poet bio page here.

Chris Lane NORAZpoets Sedona poetry AZpoetry.com

Christopher Lane

March 7, 2025

Christopher Lane: The Poetic Voice of Struggle, Advocacy, and Healing

Christopher Lane was more than a poet—he was a fearless advocate for truth, a champion for the power of poetry, and a voice for those struggling with addiction and loss. Though his life ended far too soon in August 2012, his words and work continue to inspire, comfort, and challenge those who encounter them.

As the founder and director of the Arizona chapter of the Alzheimer’s Poetry Project (APP) and a widely recognized poet and community leader, Lane dedicated his life and work to poetry as a tool for healing, connection, and self-exploration. His poetry captured the harsh realities of addiction, the depths of personal struggle, and the resilience of the human spirit, leaving behind a legacy that remains deeply relevant today.

A Poet of Raw Honesty and Unwavering Courage

Christopher Lane’s poetry was bold, unfiltered, and deeply personal. His work was heavily influenced by his own battles with addiction, mental health struggles, and self-reflection, which became central themes in his writing. His acclaimed poetry collection, who is your god now?, published by Woodley & Watts, serves as a powerful testament to his ability to capture pain, hope, and the complexities of human existence in breathtaking verse.

Through his writing, Lane fearlessly explored the emotional weight of addiction and recovery, creating poems that speak to those who feel unheard or unseen. His words resonated with anyone struggling to find meaning, battling inner demons, or searching for redemption, making him one of Arizona’s most powerful contemporary poetic voices.

Championing Poetry as a Tool for Healing

Beyond his literary achievements, Christopher Lane was a tireless advocate for poetry as a means of healing and human connection. He was deeply involved in Arizona’s poetry scene, performing at some of the state’s most prestigious literary events, including:

Desert Nights, Rising Stars Writers Conference at Arizona State University
Tucson Poetry Festival

But his most profound impact extended beyond the traditional poetry stage. Lane was a key figure in bringing poetry to underserved communities, especially elders living with dementia.

The Alzheimer’s Poetry Project: Christopher Lane’s Lasting Legacy

One of Lane’s most remarkable contributions was his pioneering work in using poetry to connect with individuals living with Alzheimer’s disease and dementia. As the founder and director of the Arizona chapter of the Alzheimer’s Poetry Project (APP), he played a crucial role in expanding the program to other states.

The Alzheimer’s Poetry Project, founded by Gary Glazner, recognized Lane’s passion and commitment to this work. In a heartfelt tribute after his passing, APP wrote:

“We were deeply saddened to learn of Christopher’s death in August of 2012. In the early stages of the APP, Lane was the first person Glazner asked to help expand the project to other states. He was an amazing advocate for poetry. On working with elders living with dementia, Lane said, ‘I just see them as my Grandma and Grandpa and hug them just like I would my own loved ones.’ He will be truly missed.”

Under Lane’s direction, the Arizona chapter of APP, sponsored by Northern Arizona Poets (NORAZ Poets), began in 2003 and became an official 501(c)(3) nonprofit organization in 2005.

His deep compassion, dedication, and belief in poetry’s ability to break barriers and foster connection continue to shape APP’s mission today.

An Award-Winning Poet and Arts Advocate

Christopher Lane’s impact on Arizona’s literary and arts communities was widely recognized and celebrated. He received numerous honors for both his poetry and his dedication to fostering creativity and healing through art.

His notable awards and recognitions include:

2010 Bill Desmond Writing Award – Arizona Commission on the Arts
2009 Mayor’s Arts Award – City of Sedona (Individual Category)
2009 Artist Project Grant – City of Sedona Arts and Culture Commission
2008 Gardens for Humanity Visionary Grant
2006 Emerging Artist Grant – City of Sedona Arts and Culture Commission

These awards reflect his tremendous influence as a poet, educator, and advocate, and his commitment to bringing poetry to diverse communities across Arizona.

A Lasting Influence on Poetry and Advocacy

Christopher Lane’s legacy lives on through his written words, community work, and unwavering belief in poetry as a force for change. His poetry remains a beacon of truth for those struggling with addiction and mental health. His work with elders, students, and fellow poets continues to inspire poets, caregivers, and advocates who believe in the transformative power of storytelling.

Though he passed away at just 40 years old, his impact far exceeded his years, and his poetry continues to resonate with those seeking solace, understanding, and a voice that echoes their own. Christopher Lane was a published poet with who is your god now? published by Woodley & Watts.

Revolution by Ed Mabrey

March 7, 2025

“Revolution” by Ed Mabrey

there’s a revolution. it spins like the
world on its axis, so fast it carries no
sound, no image, not even a vibration and
if you run fast, like a child, and come to
a sudden stop in your sprint, close your
eyes quick, and hold your breath. you’ll
feel it, you’ll hear it just say seconds
behind, or a lifetime ahead. right now,
there’s a Vietnamese boy running through
a field with a pair of Nikes tucked
under his arm, dodging bullets like
raindrops, his blistered feet barely
touching the grass, racing across the mud,
racing against consumerism. the shoes are
not for him, but for his grandmother so
that the time in the field can be
gentler in its monotony. right now, a
boy’s just found a stone, he checks his
weight for strength, it’s grooves for
accuracy, then darts off with his fist
held high, signaling to the other that
the stick ball game was officially on,
never knowing that the the rock he holds
is the last reigning piece to a church
bomb years ago in Selma, Alabama and the
sound he hears played after, when he
cracks a home run, is not the tinkling of
broken glass from Miss Johnson’s window,
but four little black angels crying
tears of joy, cheering him as his feet
hit every base. right now, in the Soviet
Union, where the red curtain might be
tatted, but its’ blood stained glow still
cast over the eyes of everyone living
there, and names like Stalin and Lenin
bring shivers colder than the Hudson in
December, and names like optimism, freedom,
and democracy can get you shot, killed if
you’re lucky. there was a girl sticking
her hand into a military bonfire
ignoring the pain and crackling of her
own skin, she takes out a book half charred,
which reads Three Sisters by Chekov
and tucks it underneath the shirt, not
for warmth, but salvation. right now, a
crackhead had waited 10 minutes longer than
he did yesterday, before going in the cop
and tells himself tomorrow I’ll shoot
for 20. a raced girl with bags underneath
her eyes, and in beneath the legs which
both by now her age stands, on the corner
Main & Champion, and when some Tide
State worker comes by flashing crisp $20
bills she gets on the bus and heads home
for the first time in months. can you
hear me now right now? a boy just ran for
his life to go to school today, some girl
got caught and smacked to some
piece of car, leaving her purse
behind, but not a virginity. can you hear
me now? right now, a man just cut off his
TV and actually had a conversation with
his kids. there is a revolution happening
around us every moment, of every day, and
it is not black power, nor white power, it
is not scary, not tyrannical, it is not
Hitler nor Gandhi, Martin or Malcolm, Mama,
no Nora. it is a young couple’s kiss
behind the bleachers and the old couple
holding hands in the mall, it is loving someone
intensely for 5 minutes, then letting go
when the song ends. it is your misfiring
synapses, your unfit high, your seemingly
miserable existence that still keeps
beating in your chest like some Drummer
Boy hellbent on getting through a
spiritual desert, it is writing a poem or
hearing one. it is your inhale and exhale.
right now, there’s a revolution being
fought right around us. look at the
person next to you. see the battle being
fought in their eyes and recognize it is
just a reflection of the same war being
fought inside you. it’s but the effort to
live your life the way you wish every
moment, every day of this life that you
have and that is the battle and that is
the Revolution and your goal tonight is
a inhale and exhale to living live
inhale, exhale. can you hear me now? if so
then fight on soldiers, ‘cuz the life you
saved this night will be your
own.

Transcribed from the video “Revolution” by Ed Mabrey and Poetry Slam Archives.

Watch Ed Mabrey perform “Revolution” on YouTube

About the poet Ed Mabrey

Ed Mabrey’s poem Revolution is an urgent and powerful meditation on the silent, ongoing battles that define human existence. Unlike traditional revolutions that are marked by violence, politics, or ideological shifts, the revolution in Mabrey’s poem is deeply personal, invisible to the untrained eye, yet ever-present in our lives.

The poem unfolds in a series of vignettes, each capturing a moment of struggle, resilience, or defiance from various corners of the world. A Vietnamese boy runs barefoot, dodging bullets, not for himself but to bring comfort to his grandmother. A child picks up a stone for a game, unaware that it is a remnant of a church bombing in Selma, infused with historical pain. A girl in the Soviet Union risks her life to rescue a banned book from flames—not for warmth, but for the survival of knowledge. A crack addict fights against addiction, pushing the boundaries of self-control. A young woman, forced into sex work, takes her first steps toward reclaiming her life.

Through these moments, Mabrey illustrates that revolution is not just found in grand historical narratives but in the quiet acts of endurance, courage, and self-reclamation that happen right now—in real time, all around us. He challenges the reader to recognize the struggles in the eyes of those around them and to see their own internal battles reflected there. The poem’s rhythmic repetition of “right now” creates a sense of immediacy, making the revolution feel not only inevitable but also deeply personal.

Mabrey’s final call to action is simple yet profound: breathe. The act of inhaling and exhaling, of continuing despite hardship, is itself an act of defiance, a way to reclaim one’s life. Revolution is not just about resistance; it is about existence, about the ongoing fight to live authentically and freely.

Discover more about Ed Mabrey’s poetry and performance legacy here on his bio page.

Get Tickets to see Ed Mabrey, Individual World Poetry Slam Champion, feature at Ghost Poetry Show on April 9th, 2025!

April 9th, 2025 at The Rebel Lounge

Doors at 7:00PM | Show at 7:30PM

Advance Price: $10 + fees
Day Of Show Price: $12 + fees

21+This is a special Ghost Poetry Show for National Poetry Month! Individual World Poetry Slam Champion ED MABREY features award-winning poetry live and in-your-face in the intimate setting of The Rebel Lounge!

15 poets compete in a poetry slam for cash prizes judged by 5 randomly selected audience members.

To sign up to perform email us at GhostPoetryShow@gmail.com

BUY TICKETS HERE

Satellite TV Sports poem by Nick Fox blog artwork | AZpoetry.com

Satellite TV Sports by Nick Fox

February 27, 2025

“Satellite TV Sports” by Nick Fox

you’re listening to the voice of Nick
Fox the Total Sports poet in five four
three fabulous new diet I lost 500 lb
act now and you can for the one on the
Green Bay too and this is what I’m
talking about put that salad down you do
not need protein shakes or tofu diets we
have pork rinds and onion dip to take
care of your nutritional needs so just
rear back in that Parco lounger feed off
the sonic waves beaming back from your
jumbotron home theaters personal satellite
in orbit 50 miles above the Earth and give
your thumb a workout because it’s Fourth
and one on the green
May 2 down by 5 and
3 seconds on the clock
all right boys I want classic
sweep around the outside
the pulling guard slamming the linebacker
like 300 lb of Frozen processed beef as
the tail back steps over the line for
six and The Crowd Goes

Wild

and now a word from our sponsor
drink this beer and beautiful women will
have sex with you

okay we’re back just
in time for full court match and a no look
dish to a man for unconscious threes I
want somebody in the zone high up the
fray before changing the chain net with a
backward crunching Jam his blue penny
hardaways all over the defender eyepiece
before dropping back to Earth and
shouting back that on you sun

a chill 66

it’s the greatest show on frozen water
roaring across thin ice on hot blades
give me a 90 mph Slap Shot Rapier glove
save and now a word from our sponsors

if you subscribe to Sports Illustrated
today we will send you this free
football phone wow is that a phone
really that looks just like a football
is that really
Hey, Scooter get load of this deal!

okay we’re back just a time
for football the old-fashioned way with
Henderson bicycle kicks and no hands
allow give me the neverending roar of a
singing Brazilian crowd
chanting Ole Ole Ole Ole
not make the blazing feet for a

GOAL!!!

Oh that’s got to hurt, Bob

I’m the greatest of all

to they’re up in ring of
the fifth race Island Park out the box
is old sport in the lead Follow by
Taylor man DP catcher with Baltimore Joe
bringing out the rear and here they come
in the first turn

CH 57 it’s the
American Passtime on a perfect summer’s
day and a farm boy fresher the miners
strides to the plate it’s a 3-2 count in
a one-run game in the bottom of the 9th
and the base is Juiced and the whole
crowd is chanting say it with me
now

CHARGE!

and now a word from our sponsor

these Nike shoes proudly endorsed by
Michael Jordan Andre Agassi and Tiger
Woods are specially engineered by
starving overworked underpaid third world
children to make you into your walking
billboard for a multinational corporation

okay we’re back he swings on single and
drives to the Gap whole stadium raises to
its feet the C man fry the whole stadium
screaming slide Willy slide up settle in
our home plate under a column
safe
safe
and that is when you realize that this
is the American Dream in action my
friends it is 550 channels of ass
kicking fan rooting six shooting fun
this is the American Dream in action
even if the world outside can’t see but
who the hell needs a life when you got
satellite TV

Watch “Satellite TV Sports” by Nick Fox on YouTube

About the poet Nick Fox

In Satellite TV Sports, Nick Fox delivers a satirical, rapid-fire commentary on the overwhelming spectacle of televised sports and the relentless consumer culture that fuels it. Nick Fox was the founder of the Flagstaff Poetry Slam. The poem mimics the high-energy voice of a sports announcer, bombarding the reader with play-by-play action from various sports—football, basketball, hockey, soccer, horse racing, and baseball—all interwoven with exaggerated commercial breaks that promise instant gratification through consumption.

Fox’s use of repetitive advertising language and hyperbolic imagery mocks the way sports broadcasting transforms athleticism into a commercialized, almost religious experience. The poem critiques corporate influence, as seen in the cynical nod to Nike shoes being produced by underpaid laborers, and the hollow promises of beer commercials that link consumption to sexual success. Beneath the humor of this poem originally written in 2003, the poem asks a deeper question: Has the American Dream become nothing more than an endless loop of entertainment, advertising, and passive consumption?

The final lines drive the point home: “Who the hell needs a life when you got satellite TV?”—a sharp indictment of a society that prioritizes escapism over reality. The poem doesn’t just describe the sports experience; it exposes the machinery behind it, revealing how entertainment and advertising have merged into an unstoppable force that dictates culture and identity.

Fox’s signature style blends sharp wit, social commentary, and an uncanny ability to capture the absurdity of modern life. To read more about Nick Fox’s poetic career and unique voice, click here to visit his bio page.

Bob Dylan's Love and Theft poem by Dom Flemons | AZpoetry.com

Bob Dylan’s Love and Theft by Dom Flemons

February 20, 2025

“Bob Dylan’s ‘Love and Theft’ by Dom Flemons

well you’ve heard a lot of stories
I’m going to tell you one

love and theft

it was the 10th of September 2001
and I went to bed knowing
that I would wake up the next day and
consume the album which I had waited
four years to buy
love and theft
the newest Bob Dylan album which I had pretty
high expectations for because I really
enjoyed the Grammy Award winning album
which had preceded it but as you all
might have guessed my delusion of sleep
was ruptured by something I’m going to
get into because the world has already
looked it over satired it analyzed it
digested it and it came out as a commercial

all I can think of when I see these scenes is love and theft
I love life
I love people
I love children
I love America
even with all of its faults

it’s like a friend that you’ve known all of your life who has a drug problem
because you know something’s wrong
but you don’t know how to say something that’s going to make a difference

and theft
when I dropped the 20 bucks
and when I knew I was overdrawn at that bank
and I knew that charge was going to cost me
more than that CD ever did yes

and theft when I watched that body count going
theft of the lives that were taken but damn
I love listening to Bob Dylan
but you see with this album the songs are all right
but the man’s voice showed the 60 years that I until then never regarded
because he used to phrase the words so well on the old AM
but now the words just go together and they go into a continuous phase
and they don’t seem to make that much sense anyway
but damn who knew someone was going to take a plane
and they would but I’m not going to get into that
because all I can think of is love and theft

now I hear people say I hate America
I hate George Bush
I hate capitalism
and I hate
but you know what
I hate hate
but what does that make when you hate is all you do
is embrace the theft of love
the theft of Freedom
the theft of letting people learn from their own mistakes
the theft of condemning people for not feeling the same way about something that you do
just let them fuck up

I’m sorry but
unless your life is in their hands and
you’re on the scene just let them fuck up
because after more of a year of
hearing about who did this who did that
who Jihad is righteous which crusade are
we in this time goddamn I don’t know
what’s going to go on and random bombing
in Palestine 30 people were killed and
175 were injured maybe it’s with
Al-Qaeda maybe it’s was some terrorist
group that could be linked with Bin
Laden who was with Saddam Hussein maybe
I think that we were thinking about that
in the news

I don’t care cuz when I look around
and I see all these scenes and I see
this one thing that happened September
11th what happened it stopped the whole
world in its tracks all I can think of is
is how much did
love and theft truly cost?

Transcribed from the video “unknown title” by Poetry Slam Archive and Dom Flemons.

Watch Dom Flemons perform “Bob Dylan’s Love and Theft” on YouTube

About the poet Dom Flemons

Before Timothée Chalamet brought Grammy-winner Bob Dylan back into the cultural zeitgeist with the film “A Complete Unknown”, and before songwriter Dom Flemons received his own Grammy, he performed “Unknown Title” or “Bob Dylan’s Love and Theft” at the 2003 National Poetry Slam in Chicago Illinois while representing the Flagstaff Poetry Slam.

“Love and Theft” is a reflective, bittersweet meditation on the collision of personal anticipation and collective tragedy. In the poem, Flemons recounts the night before September 11th, 2001, a night filled with mundane plans, like eagerly awaiting a Bob Dylan album he had long desired, only to be abruptly confronted by the overwhelming reality of loss and change. The refrain “love and theft” captures the dual nature of human experience: the love we hold for life, people, and moments, juxtaposed with the theft of innocence, freedom, and memory wrought by unspeakable events. With a blend of humor and raw honesty, the poem critiques the commercialization of tragedy and challenges us to confront the true cost of loss.

Learn more about The American Songster, Dom Flemons, HERE.

Jack Evans

February 20, 2025

Jack Evans: Illuminating Lives Through Poetry

Arizona’s Enduring Voice in Poetry and Healing

Jack Evans has been a central figure in Arizona’s poetry scene for over 40 years, leaving an indelible mark on the cultural landscape of the Valley of the Sun. A celebrated poet, spoken word artist, and creative director, Evans is best known for his deep, soulful verse and his commitment to exploring themes of memory, loss, and the healing power of art. As the former Poet Laureate of the Southwest Conference United Church of Christ and the author of the acclaimed book Rain Is The Hourglass Of Memory, Evans continues to inspire audiences with his timeless work.

A Storied Journey from the East to the Southwest

Born on the banks of the Hudson during the twilight years of Roosevelt II’s reign, Jack Evans’ early life was steeped in history and literary tradition. His journey eventually led him to a little house overlooking the dusty Agua Fria when Lesley King ruled the land—a transformative move that rooted him in the vibrant, rugged spirit of the American Southwest. Evans’ love for music, film, baseball, and books has always colored his work, infusing his poetry with both a passion for cultural heritage and a modern, relatable voice.

A Life Dedicated to Poetry and Performance

For decades, Jack Evans has dedicated himself to the art of poetry. He writes, reads, thinks, and shares poetry with an enthusiasm that has resonated across generations. His work has been published in numerous literary journals and magazines, and he has performed in venues throughout Arizona and from coast to coast since the 1970s. Whether on stage at intimate local gatherings or at major poetry festivals, Evans’ performances captivate audiences with their blend of narrative depth and energetic delivery.

As a director of spoken word series for over 30 years, Evans has played a pivotal role in nurturing and showcasing emerging voices in the art form. Currently, he is the co-director of the Caffeine Corridor series in downtown Phoenix—a vibrant forum where poets and spoken word artists come together to share their work and inspire new creative connections.

Collaborative Performances and Healing Through Art

A notable aspect of Jack Evans’ career is his collaboration with guitarist Tom Bell. Their partnership, known as the Evans Bell Conversion, began with a memorable performance at Lawn Gnome Publishing on February 5, 2015. Since then, the duo has continued to push the boundaries of spoken word by integrating live music into their performances, creating immersive experiences that blend poetic narrative with melodic expression.

Their upcoming collaboration, showcased at the Healing Project, exemplifies Evans’ belief in the transformative power of art. This performance promises to be an experiential exploration of grief, death, loss, and change, inviting both performers and audience members to engage in a shared process of healing. Through conversation, reflection, and the potent force of the written word, the Evans Bell Conversion aims to help ease grief-related suffering and inspire hope.

Legacy and Impact on Arizona Poetry

Jack Evans’ legacy is a testament to his lifelong commitment to poetry and the arts. His work not only celebrates the rich cultural heritage of Arizona but also serves as a catalyst for healing and community connection. Evans’ influence extends far beyond his individual performances—he has nurtured countless emerging poets through his workshops, events, and creative leadership.

Living in Phoenix with his wife Judy, his dog, his cat, four parakeets, and a trusty laptop, Evans continues to embody the spirit of creativity and resilience. His ongoing contributions to the local poetry scene make him a cornerstone of Arizona literature, ensuring that the voices of the past, present, and future are heard and celebrated.

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Nick Fox

February 20, 2025

Nick Fox: Founder, Performer, and “The Voice of God” in Slam Poetry

Nick Fox is a celebrated poet, performer, educator, and a pivotal figure in the American slam poetry movement. As the founder of the Flagstaff Poetry Slam and an early competitor in Arizona’s burgeoning poetry slam scene, Fox helped shape the vibrant spoken word community that thrives in the state today. His contributions extend far beyond Arizona, as Fox is also renowned for hosting the finals of the National Poetry Slam for over a decade, where he earned the nickname “The Voice of God” for his commanding presence and resonant delivery.

Early Days in Slam Poetry: The Mesa Years

Nick Fox’s journey into slam poetry began during the first wave of the movement, performing in Mesa, Arizona. As a competitor in the early days of Arizona’s slam scene, Fox showcased his ability to blend compelling storytelling with captivating performance, quickly becoming a standout voice in the community. His work explored themes of humanity, relationships, and the intricacies of everyday life, resonating deeply with audiences. His contributions during this time helped solidify Mesa as a hub for poetry slam in Arizona.

Founding the Flagstaff Poetry Slam

Fox’s passion for creating spaces where poets could thrive led him to establish the Flagstaff Poetry Slam. Under his leadership, the slam became a cornerstone of Flagstaff’s arts and culture scene, drawing poets and audiences from across the state. By fostering an inclusive and dynamic environment, Fox played an instrumental role in building a community where poets of all backgrounds could share their voices.

The Flagstaff Poetry Slam not only became a home for local poets but also attracted some of the most talented spoken word artists from across Arizona. Fox’s ability to nurture new talent and curate engaging events helped make Flagstaff a vibrant hub for spoken word poetry, with ripple effects felt throughout the state’s literary scene.

Hosting the National Poetry Slam Finals: “The Voice of God”

Nick Fox’s influence extended far beyond Arizona when he became the longtime host of the National Poetry Slam finals, one of the most prestigious events in the spoken word world. For over a decade, Fox’s booming voice, charismatic stage presence, and sharp wit elevated the event to new heights. His commanding presence as host earned him the nickname “The Voice of God,” a testament to the respect and admiration he garnered from poets and audiences alike.

Fox’s role as host was not simply about announcing poets or performances—it was about creating an atmosphere of excitement, reverence, and community. His ability to connect with audiences and performers alike made the finals an unforgettable experience, cementing his legacy as a cornerstone of the national slam poetry movement.

Nick Fox as a Writer and Traveler

Beyond his achievements in poetry and performance, Nick Fox is also a prolific writer and avid traveler. His travel blog, “…said the Fox”, chronicles his journeys across the globe, combining his poetic sensibilities with his love of storytelling. Through vivid descriptions and thoughtful reflections, Fox’s blog offers readers a glimpse into his experiences and the lessons he’s learned along the way.

His travel writing explores themes of identity, cultural discovery, and the connections we form with the world around us. The same attention to detail and emotional resonance that defines his poetry shines through in his prose, making his blog a must-read for fans of both travel and literary artistry.

Educator and Mentor

As an educator, Nick Fox has inspired countless poets, performers, and writers to explore their own creative voices. His dedication to fostering talent and building communities has left a lasting impact on Arizona’s literary and performance arts scenes. Fox’s ability to connect with people on a personal level, whether through his poetry or teaching, underscores his commitment to creating spaces where others can thrive.

Fox’s legacy in Arizona poetry is one of mentorship, innovation, and passion. His contributions to slam poetry, both as a competitor and as an organizer, have helped elevate the art form in Arizona and across the country.

Legacy and Influence

Nick Fox’s contributions to slam poetry and the arts have made him a vital figure in Arizona’s literary history. From his beginnings as a slam poet in Mesa to founding the Flagstaff Poetry Slam and hosting the National Poetry Slam finals, Fox has consistently demonstrated a commitment to amplifying voices and building vibrant artistic communities.

His unique blend of poetry, performance, and storytelling continues to inspire audiences and writers alike. Nick Fox’s legacy lives on in the thriving slam poetry scenes he helped cultivate and the countless poets he has mentored and influenced throughout his career.

For more about Nick Fox’s writing and travels, visit his blog at nickfox.wordpress.com.

Discover more poets and writers from Arizona HERE.

Gary Bowers

February 13, 2025

Gary Bowers: Multimedia Poet and Creative Innovator of Central Arizona

Gary Bowers is a pioneering multimedia poet who has been electrifying audiences in central Arizona since 2007 with his innovative blend of spoken word, visual art, and performance. Known for his unique approach to poetry—where language meets imagery—Bowers has become a fixture in the local arts scene, transforming traditional poetry into an immersive, multimedia experience.

A Journey into Multimedia Poetry

Since 2007, Gary Bowers has been at the forefront of Arizona’s poetry scene, performing at a wide range of local venues that celebrate creativity and innovation. His dynamic performances have been featured at Sound Effects, Monsoon Voices, Balboa House Poetry, Poetry at the Puppet Theatre, and Caffeine Corridor. Bowers’ work stands out for its fusion of classic poetic forms with modern visual techniques. Many of his poems are crafted as concrete poems, using acrostics and portraiture to visually illustrate his powerful messages, creating an art form where words are as much seen as they are heard.

Literary Contributions and Achievements

Bowers is not only a compelling performer but also a prolific writer. He is the author of Lives of the Eminent Poets of Greater Phoenix, Arizona, a work that celebrates the literary heritage of the region and highlights the contributions of local poets. This publication underscores his deep commitment to the Phoenix poetry community and his passion for elevating the voices of his fellow artists.

In 2010, Bowers achieved national recognition as the Second-Place Winner of Roger Ebert’s Great Limerick Contest. This accolade is a testament to his skill in blending humor with poetic form. As part of his award, he received an Edward Lear lithograph featuring a bird and a copy of The Owl and the Pussy-Cat—autographed by none other than Roger Ebert himself. This unique honor reflects Bowers’ ability to bridge the gap between high art and popular culture, infusing his work with wit and unexpected charm.

A Creative Force in Central Arizona

Residing in Cottonwood, Arizona, Gary Bowers has become a vital part of the local cultural landscape. His performances and public readings not only entertain but also challenge audiences to see poetry through a new, transformative lens. Bowers’ approach to poetry is deeply rooted in the spirit of Arizona, drawing inspiration from the region’s natural beauty, cultural diversity, and vibrant community life.

Through his innovative use of multimedia techniques, he has expanded the boundaries of what poetry can be. By incorporating visual elements like acrostics and graphic imagery into his work, he creates poems that are not only heard but also seen—a fusion that has captivated local audiences and continues to inspire poets and artists across the state.

Impact on the Arizona Poetry Scene

Gary Bowers’ contributions to Arizona poetry have made him a respected figure among local artists and audiences alike. His willingness to experiment and push creative boundaries has opened new avenues for expression in the region, setting a high standard for multimedia poetry. Bowers has played an instrumental role in shaping the cultural identity of central Arizona’s literary community, providing a platform for dialogue and creative exchange.

His work has resonated with those who value innovation and authenticity in art, and his efforts to spotlight local talent and celebrate regional literary heritage have left a lasting impact on the Arizona poetry scene. Bowers’ dedication to his craft continues to foster a creative environment where artists can explore new forms of expression and where the spirit of Arizona is celebrated in all its diverse glory.

Discover More About Gary Bowers

For poetry enthusiasts and art lovers eager to explore the dynamic world of Arizona poetry, Gary Bowers’ multimedia performances and written works offer a unique and captivating experience. His blend of spoken word, visual art, and innovative poetic form invites audiences to reimagine the possibilities of language and art. For a deep dive into Bowers’ work, visit his website: https://gwbcreations.org/.