Tag: Flagstaff

Discover Flagstaff by slam poets, cowboy poets, and literary giants inspired by the state of Arizona on AZpoetry.com!

My 20th Birthday Haiku by Joseph Nieves Comic Con Fan Fusion Batman

My 20th Birthday Haiku by Joseph Nieves

“My 20th Birthday Haiku” by Joseph Nieves

When I was a boy
I dreamed of being Batman
Now? Even more so.

About the poet Joseph Nieves

With the Phoenix Fan Fusion Nerd Poetry Slam hosted by Lauren Perry coming around the corner, AZpoetry.com introduces our readers with some nerdy poetry! Joseph Nieves’ “My 20th Birthday Haiku” is a deceptively simple, humorous, and deeply reflective three-line poem that captures the persistence of childhood dreams into adulthood. Written in the traditional 5-7-5 syllabic structure of a haiku, the poem offers a glimpse into the poet’s internal dialogue on the cusp of adulthood. The first two lines acknowledge a familiar rite of passage — a childhood fantasy of heroism and identity. The final line, punctuated by the sharp pivot of “Now? Even more so,” surprises the reader with a mature, self-aware reaffirmation of that boyhood dream.

Analysis

At first glance, Nieves’ haiku might seem like a lighthearted ode to Batman fandom. But beneath the surface, the poem taps into a deeper commentary on idealism, transformation, and the emotional terrain of growing older.

The first line — “When I was a boy” — evokes nostalgia, placing the speaker firmly in a reflective mode. It sets up an expectation of lost innocence or abandoned fantasies. Instead, the second line — “I dreamed of being Batman” — grounds that nostalgia in a specific pop culture icon, one that represents justice, strength, mystery, and moral complexity.

The twist comes in the third line: “Now? Even more so.” This punchline-like turn recasts the entire poem. Rather than outgrowing his dream, the speaker finds it more relevant with age. The tone is both humorous and poignant — perhaps adult life has shown him just how much the world needs a Batman, or how much he still yearns for control, courage, and transformation. The haiku suggests that maturity doesn’t always mean letting go of youthful desires; sometimes it means doubling down on them.

This clever use of haiku structure shows Nieves’ gift for economy of language. In just 17 syllables, he constructs a coming-of-age moment, a cultural reference, and a subtle emotional shift.

Cultural and Emotional Resonance

By invoking Batman — a hero born of trauma, who transforms pain into purpose — Nieves touches on the quiet yearning many feel as they enter their twenties. The pressure to find identity, direction, and control can feel overwhelming. In that context, the desire to be Batman becomes a metaphor for resilience and the hope of doing good in a chaotic world.

The poem also plays with the idea of authenticity. In a world where adult life often asks us to conform or abandon dreams, this haiku asserts the importance of staying true to what inspires us. Nieves’ subtle humor — rooted in comic book love and poetic restraint — makes the message all the more powerful.

Learn More About Joseph Nieves

From comic book shops to poetry slam stages, Joseph Nieves has always brought storytelling to life with heart and humor. His poetry fuses pop culture, introspection, and narrative craft. To read more about Joseph and his contributions to Arizona’s poetry scene, visit his full poet bio page on AZPoetry.com.

Joseph Nieves AZpoetry.com

Joseph Nieves

Joseph Nieves: From Comic Books to Poetry Slams in Arizona

Joseph Nieves was raised in San Jose, California, where his earliest adventures were on foot, following his grandfather into the heart of the city. Those walks — which included stops behind a Burger King where his grandfather sold marijuana — would spark an enduring connection to the power of storytelling. One fateful day, a visit to a comic book store tucked into a rough plaza behind a Walgreens opened a new world for young Joseph: the imaginative universe of superheroes, legends, and vivid language.

That encounter with comics wasn’t just a childhood fascination — it became the foundation for his creative life. Through comics, Nieves developed an early appreciation for narrative structure, myth-making, and bold emotional expression — elements that would later define his work as a poet.

New Beginnings in Arizona: Discovering Poetry Slam

In the late 1990s, Nieves’ family relocated to Mesa, Arizona. By then a teenager, Joseph found a job at a local comic book shop, immersing himself even deeper in the worlds of imagination. Around the same time, he stumbled into another transformative discovery: the world of poetry slam.

Drawn to the energy, the emotion, and the raw authenticity of spoken word, Nieves began attending slams across the Phoenix metro area. His talent for weaving powerful imagery, humor, and introspection into tight three-minute performances quickly earned him a reputation as a compelling voice in Arizona’s slam poetry community.

Rise to Prominence: Flagstaff Poetry Slam Champion

Seeking new adventures (and cooler temperatures), Joseph Nieves moved north to Flagstaff, Arizona. There, his presence on the poetry scene blossomed. In 2006, Nieves was crowned the Flagstaff Poetry Slam Champion, a major milestone that solidified his place among Arizona’s top spoken word artists.

Later that year, he proudly represented Flagstaff at the National Poetry Slam in Austin, Texas, competing alongside a talented team that included Troy Thurman, J.J. Valentine, and Aaron Hopkins-Johnson. Sharing a national stage with some of the best poets in the country only sharpened Nieves’ skills and deepened his commitment to using poetry as a vehicle for storytelling and transformation.

Featured Performances and Recordings

Joseph Nieves’ dynamic performances have been featured on platforms beyond the stage. He was highlighted on the influential spoken word podcast Indiefeed, bringing his evocative work to a worldwide audience. His poems — often balancing humor with heartbreak, nostalgia with grit — resonate with listeners because of their vivid honesty and accessible style.

Whether recounting bittersweet memories of family life, unpacking the meaning of heroes and myths, or exploring the complexities of growing up amid shifting identities, Nieves’ poetry captures moments with a sharp, unflinching eye.

Academic and Literary Contributions

While perfecting his craft on the mic, Nieves also pursued academic excellence. He studied English at Mesa Community College before continuing at Westminster, where his passion for literature extended into leadership. He frequently hosted discussions, literary salons, and community events aimed at making literature more accessible and exciting to a new generation of readers and writers.

His belief in the power of storytelling — whether on a comic book page, in a poetry slam, or around a discussion table — has always been central to his mission as both a writer and educator.

Current Work: Nurturing Readers in Tempe, Arizona

Today, Joseph Nieves continues to share his love of words as the manager of a beloved bookstore in Tempe, Arizona. In his role, he fosters community engagement around books and creativity, helping to nurture the next wave of readers, writers, and poets.

While his professional life is rooted in literature, Joseph has never lost touch with his roots in performance poetry. His background in both comic book mythology and slam poetry gives his work a unique flavor — one that blends the fantastical with the deeply personal.

Whether he’s recommending graphic novels to customers, organizing literary events, or stepping up to a microphone for an impromptu reading, Joseph Nieves remains dedicated to the written and spoken word.

Joseph Nieves’ Impact on Arizona’s Literary Scene

As a poet, performer, educator, and community builder, Joseph Nieves embodies the spirit of Arizona’s literary culture — vibrant, diverse, resilient, and endlessly creative. His journey from a comic shop in San Jose to the slam stages of Flagstaff and beyond serves as an inspiring testament to the power of storytelling to transform lives.

Joseph Nieves’ story is a reminder that the seeds of creativity can be planted anywhere — even in the most unexpected corners — and that with passion and perseverance, those seeds can bloom into art that touches hearts across generations.

Posted in Poets  • 
Running In A Red State poem by Cymelle Leah Edwards AZpoetry.com

Running in a Red State by Cymelle Leah Edwards

“Running in a Red State” by Cymelle Leah Edwards

Don’t be political.

Sinclair Wash Trail:

Anger is that which your body recognizes as alien; that which has been whittled nonexistent; you temper that emotion at the age of eight when you indulge it and learn that your angry is angrier because it’s also darker; when you serve a man who says he’ll take his coffee like you; standing phone-to-ear at the bus stop when a woman nearby interrupts to say, you have great diction; when he lets his dogs off their leashes as you jog past; in your sleep when this all happens again; you forget what it’s like to be angry until your larynx stiffens from singed resistance; from charred light curdling in the back of your throat.

Don’t sit on a fence.

Woody Mt. Road:

I tried to be both; tried to cinephile-file roles; tried to balance our budget; tried to sleep in my own bed; tried to re-create memories; to be in two places at once; to protract the hours in a day; tried to be honest anyway; tried to sit on my hands so they wouldn’t reach for her; tried to spell without vowels; tried to circumnavigate her body; tried to sorrel our walls; tried to pray it away; to run it away; tried to away; this is when I learned to splinter. 

Saying nothing is saying something.

Fat Man’s Loop:

The dogs are off their leashes again, moments before I meet his path. I say to myself, don’t move over this time, let them move over. Let them disrupt their own PRs, mess up their own stride. Close enough to feel heat radiating off his jogging fluorescents, I inch to my right.

I can’t hear you.

Been dreaming about grandma lately, about running into her house after school and watching her rescue the princess on Nintendo classic. She was really good at being Mario, at moving through different worlds, at saving. I’d ask with my small voice can I play? She’d look at my school uniform covered in grass stains, my fingers sticky with the remnants of a pb&j. It’s hot right now, let the machine cool down. I’d wait thirty or so minutes which felt like hours, return to the living room, remove the cartridge and blow.

I could never make it through the underwater theme.

Not choosing is also a choice.

Buffalo Park:

They ride their bikes close so dirt kicks into my nostrils, they look back to watch me cough.

Silence speaks.

Walnut Canyon Ranch:

I learn to give her alfalfa pellets, to stretch my hand out flat, to pet her crest and say, that’s a good girl. I learn to stand parallel with her legs when removing her coat, to pat her bum before I unclip the left hook, to not bother with getting her to like me, she will never like me. I learn that naming a horse is an art. That it took Susan over a year to come up with “Yankee” and that she’s fine with it. I learn their names can’t be more than eighteencharacters, that I’ll never own Ubiquitouuuuuuuuus. I see the rope hanging in their front yard, chalk it up to a game for their grandkids, a tool to swing on. It is the noose at the end that makes me wonder if I should ever return to feed the horses. To find another subset of winona acreage to run through.

Say it, I dare you. 

Downtown:

Sometimes, when we experience trauma, we build a boundary of invincibility. We think, the worst has already happened and I survived. At least, this is what I did and still try to fake. I was assaulted last August, seven days after moving to a new town. I knew the guy; we went to high school together. Erring-on-the-side-of-caution was fleeting. I relied on a mutually established sense of trust over four years old. I wrote poems about it, some of which are in the ether right now, being traipsed by cursors and sponged with the fingertips of a stranger. After this event, this uncanny eventuality, I stopped running. This had always been my way of shedding; through perspiration and escapism, I let trees and trail markers lead me through unnerving, undoing, and misremembering. Like most of the runners on my high school track team and those I met while briefly a part of a collegiate team in Seattle, it is our sustenance, theoretically as important as air itself. This, if you couldn’t tell, is written in the vein of writing’s most repudiated word, passion. Back then I was a sprinter, I hadn’t learned to appreciate great distances, pacing, stride, or breath. Sealed-off from the outside world with chain-link barriers, I also didn’t know what it was like to run without the protection of synthetic rubber keeping me from traversing a world unknown.

Forget about how hot it is. I don’t think about it. Running in Arizona is what it is. Hydrate, you’ll be fine. There are other dangers that lurk besides hyperthermia. Suburbs of Phoenix, like Gilbert or Casa Grande (maybe its own town and not a suburb), are mostly white communities. I grew up on the east side of Casa Grande. I built speed being chased by loose dogs in the neighborhood while walking to and from the bus stop. Apoplectic though they may have been, we understood we were helping one another out – me with learning to accelerate, them with their daily exercise. Is this what men with confederate flags billowing from the back of their F-150s believe too?

Who is this little black girl, and what is she running from?

Winning:

Winning a race used to involve medals, ribbons, clout.

Winning means punching code into my garage’s keypad, getting back. Winning is protracting, is living longer than yesterday.

About the poet Cymelle Leah Edwards

Summary and Analysis of “Running in a Red State” by Cymelle Leah Edwards

In “Running in a Red State”, Arizona-based poet Cymelle Leah Edwards crafts a poetic essay that powerfully intertwines personal memory, cultural identity, trauma, and resistance—both literal and figurative. The poem functions as a hybrid narrative, blending free verse, social commentary, and prose poetry with rich specificity of place, capturing scenes from Northern Arizona’s rugged trails to the subtle violence of everyday life in a politically conservative environment.

Structured as a series of meditations mapped across familiar trails like Sinclair Wash, Woody Mt. Road, Fat Man’s Loop, Buffalo Park, and Walnut Canyon Ranch, Edwards navigates what it means to run through a landscape that is at once physically beautiful and symbolically fraught. These trails aren’t merely places for physical movement—they become spaces of reflection, confrontation, survival, and reckoning.

Navigating Rage and Race

The poem opens with the assertion “Don’t be political”, only to dismantle that notion line by line. Edwards presents a litany of moments in which her Blackness is othered: a man making a racialized joke while ordering coffee, a woman praising her “diction” as if surprised, dogs unleashed in spaces where she runs, and the self-awareness that even anger—when expressed through a Black body—is perceived as more threatening. The poet confronts these aggressions with grace and measured defiance, describing them as embers, singed resistance, and “charred light curdling in the back of [her] throat.”

Queer Identity and Duality

On Woody Mt. Road, Edwards explores a layered identity with lines like, “tried to spell without vowels; tried to circumnavigate her body…” Here, she probes queer desire, the constraints of binary expectations, and the impossibility of fitting into a system that doesn’t accommodate complexity. In trying to “be both,” she introduces the metaphor of splitting—learning to “splinter”—and thus illustrates the emotional cost of existing in intersectional spaces that demand singularity.

The Silence of Compliance

At Fat Man’s Loop, the silence becomes palpable. The refusal to yield space—“don’t move over this time”—is itself a radical act. It represents a reclaiming of bodily autonomy and public space. The references to her grandmother playing Mario and saving princesses offer a tender respite from the poem’s heavier subjects. Yet even this nostalgic moment underscores her longing for safety, for someone to “rescue” her.

Violence, Trauma, and Recovery

In one of the most visceral sections—Downtown—Edwards speaks directly to her own trauma. “I was assaulted last August, seven days after moving to a new town.” With brave vulnerability, she recounts the emotional aftermath of sexual violence and the way it disrupted her sense of freedom. Running, once her method of release and healing, became unsafe. Here, Edwards captures the weight of trauma—how it rewires the body’s instincts, maps new caution into muscle memory, and alters a runner’s stride.

Running as Resistance

Despite these dangers, Edwards continues to run. She catalogs the subtle racism of white suburban Arizona—F-150s waving confederate flags, sideways glances, dirt kicked into her nostrils—and continues to find her rhythm.

“Winning is protracting, is living longer than yesterday.”

In this closing line, she redefines survival as success. Her poem is not just about running; it is about reclaiming space, healing, and moving forward through pain, oppression, and silence.

“Running in a Red State” is a poignant testimony to the lived experiences of a Black woman in Arizona, navigating identity, systemic racism, and resilience. Cymelle Leah Edwards’ voice is essential, powerful, and unflinching. Her ability to pair physical movement with emotional evolution makes this poem a landmark piece of Arizona literature.

👉 Learn more about Cymelle Leah Edwards on her AZPoetry.com poet bio page.

Cymelle Edwards Flagstaff Poet AZpoetry.com

Cymelle Leah Edwards

Flagstaff-Based Poet and Editor with National Recognition

Cymelle Leah Edwards is a rising literary voice from Flagstaff, Arizona, whose work echoes across page and stage. A Pushcart Prize nominee and recipient of the prestigious Diana Gabaldon Creative Writing Award, Edwards is quickly earning a place among the most vital poets in the Southwest. With a strong commitment to both craft and community, she balances creative output with leadership roles in Arizona’s vibrant literary scene.

Academic Excellence and Literary Leadership

Edwards holds an MFA in Creative Writing from Northern Arizona University, where her passion for poetry blossomed into a broader commitment to publishing and editing. She formerly served as the Poetry Editor for Thin Air Magazine, NAU’s long-running literary journal. Her editorial insight also extends as an editor at Kelp Journal, where she cultivated voices across genres.

Community Organizer and Advocate for the Arts

Cymelle is not only a powerful writer, but also a champion of literary culture in Northern Arizona. She served as a board member for the Northern Arizona Book Festival, helping to organize and support one of the state’s most important annual literary events. Her work as an organizer underscores her dedication to amplifying diverse voices and creating inclusive platforms for poets and writers throughout the region.

Publishing Credits and Performance Poetry

Her written work has been published in respected literary journals such as Elm Leaves Journal, Contra Viento, and Ghost City Press. Beyond the page, Cymelle has made waves in Arizona’s spoken word scene, winning the Phoenix Poetry Slam at the downtown art venue Megaphone PHX, a hub for poetic performance and creative experimentation.

GCU Roots and the Arizona Connection

Before pursuing her MFA, Cymelle attended Grand Canyon University, an institution known for producing talented artists and thinkers. Her creative trajectory remains deeply tied to Arizona—from the desert landscape to the mountain views of Flagstaff—and her poetry often reflects the natural, cultural, and emotional terrain of the Southwest.

A Voice to Watch in Contemporary Poetry

Cymelle Leah Edwards represents the best of contemporary Arizona poetry: talented, thoughtful, and unafraid to confront personal and political truths. Whether through her haunting verse, her curatorial insight, or her work behind the scenes in the literary community, Edwards is a vital part of Arizona’s poetic identity and an emerging force on the national literary stage. She currently lives in Indianapolis, Indiana.

Posted in Poets  • 
Chris Lane NORAZpoets Sedona poetry AZpoetry.com

Christopher Lane

Christopher Lane: The Poetic Voice of Struggle, Advocacy, and Healing

Christopher Lane was more than a poet—he was a fearless advocate for truth, a champion for the power of poetry, and a voice for those struggling with addiction and loss. Though his life ended far too soon in August 2012, his words and work continue to inspire, comfort, and challenge those who encounter them.

As the founder and director of the Arizona chapter of the Alzheimer’s Poetry Project (APP) and a widely recognized poet and community leader, Lane dedicated his life and work to poetry as a tool for healing, connection, and self-exploration. His poetry captured the harsh realities of addiction, the depths of personal struggle, and the resilience of the human spirit, leaving behind a legacy that remains deeply relevant today.

A Poet of Raw Honesty and Unwavering Courage

Christopher Lane’s poetry was bold, unfiltered, and deeply personal. His work was heavily influenced by his own battles with addiction, mental health struggles, and self-reflection, which became central themes in his writing. His acclaimed poetry collection, who is your god now?, published by Woodley & Watts, serves as a powerful testament to his ability to capture pain, hope, and the complexities of human existence in breathtaking verse.

Through his writing, Lane fearlessly explored the emotional weight of addiction and recovery, creating poems that speak to those who feel unheard or unseen. His words resonated with anyone struggling to find meaning, battling inner demons, or searching for redemption, making him one of Arizona’s most powerful contemporary poetic voices.

Championing Poetry as a Tool for Healing

Beyond his literary achievements, Christopher Lane was a tireless advocate for poetry as a means of healing and human connection. He was deeply involved in Arizona’s poetry scene, performing at some of the state’s most prestigious literary events, including:

But his most profound impact extended beyond the traditional poetry stage. Lane was a key figure in bringing poetry to underserved communities, especially elders living with dementia.

The Alzheimer’s Poetry Project: Christopher Lane’s Lasting Legacy

One of Lane’s most remarkable contributions was his pioneering work in using poetry to connect with individuals living with Alzheimer’s disease and dementia. As the founder and director of the Arizona chapter of the Alzheimer’s Poetry Project (APP), he played a crucial role in expanding the program to other states.

The Alzheimer’s Poetry Project, founded by Gary Glazner, recognized Lane’s passion and commitment to this work. In a heartfelt tribute after his passing, APP wrote:

“We were deeply saddened to learn of Christopher’s death in August of 2012. In the early stages of the APP, Lane was the first person Glazner asked to help expand the project to other states. He was an amazing advocate for poetry. On working with elders living with dementia, Lane said, ‘I just see them as my Grandma and Grandpa and hug them just like I would my own loved ones.’ He will be truly missed.”

Under Lane’s direction, the Arizona chapter of APP, sponsored by Northern Arizona Poets (NORAZ Poets), began in 2003 and became an official 501(c)(3) nonprofit organization in 2005.

His deep compassion, dedication, and belief in poetry’s ability to break barriers and foster connection continue to shape APP’s mission today.

An Award-Winning Poet and Arts Advocate

Christopher Lane’s impact on Arizona’s literary and arts communities was widely recognized and celebrated. He received numerous honors for both his poetry and his dedication to fostering creativity and healing through art.

His notable awards and recognitions include:

  • 2010 Bill Desmond Writing Award – Arizona Commission on the Arts
  • 2009 Mayor’s Arts Award – City of Sedona (Individual Category)
  • 2009 Artist Project Grant – City of Sedona Arts and Culture Commission
  • 2008 Gardens for Humanity Visionary Grant
  • 2006 Emerging Artist Grant – City of Sedona Arts and Culture Commission

These awards reflect his tremendous influence as a poet, educator, and advocate, and his commitment to bringing poetry to diverse communities across Arizona.

A Lasting Influence on Poetry and Advocacy

Christopher Lane’s legacy lives on through his written words, community work, and unwavering belief in poetry as a force for change. His poetry remains a beacon of truth for those struggling with addiction and mental health. His work with elders, students, and fellow poets continues to inspire poets, caregivers, and advocates who believe in the transformative power of storytelling.

Though he passed away at just 40 years old, his impact far exceeded his years, and his poetry continues to resonate with those seeking solace, understanding, and a voice that echoes their own. Christopher Lane was a published poet with who is your god now? published by Woodley & Watts.

Posted in Poets  • 
Joshua Wiss poet | AZpoetry.com

Joshua Wiss

Joshua Wiss: Spoken Word Poet and DIY Wordsmith

Joshua Wiss is a spoken word poet, musician, and storyteller based in Phoenix, Arizona. A poet of deep feeling and vibrant imagery, Wiss captures the essence of modern life, love, death, and the perils of suburban existence through his evocative performances. With a background rooted in the DIY aesthetic, Wiss merges raw emotion with carefully crafted verse, making his poetry a visceral experience for audiences.

A Veteran of the Poetry Slam Scene

Having competed at four National Poetry Slams, representing Flagstaff, Sedona, and the Valley of the Sun. Wiss has shared the stage with some of the world’s top-ranking performance poets, proving himself as a formidable force in the spoken word community. His poetry is as much a performance as it is an intimate conversation, pulling listeners into the rhythms of his words and the landscapes of his mind.

A Poet Rooted in Analog and Nostalgia

Beyond the stage, Wiss is a collector of stories and artifacts of the past. He can often be found tinkering with typewriters, playing musical instruments, or sorting through vinyl records at his day job in a record store. A self-described feeler with a voice, he embraces the analog world—a poet who revels in the beauty of VHS tapes, cassette players, and the timeless swing of Louis Prima.

Themes and Style

Joshua Wiss’s poetry is infused with powerful, often dreamlike imagery, reflecting on themes of:

  • Love and loss – Capturing the fleeting nature of relationships and memory.
  • Time and the universe – Questioning the cyclical patterns of existence and the energy that connects us all.
  • The human experience – Chronicling life’s highs and lows with authenticity and grace.

His poem Wallflower is a perfect example of his craft, blending themes of memory, presence, and the ephemeral nature of time. Lines like “every good party needs a Wallflower to stand witness and materialize memories” illustrate his unique ability to translate the intangible into poetic form.

A Legacy in the Making

Wiss’s work goes beyond spoken word competitions—his poetry is an experience, a ritual, and a reflection of the world around him. Whether performing at slams or connecting with audiences in intimate settings, Joshua Wiss continues to be a powerful and unforgettable voice in Arizona’s poetry scene.

Posted in Poets  • 
Satellite TV Sports poem by Nick Fox blog artwork | AZpoetry.com

Satellite TV Sports by Nick Fox

“Satellite TV Sports” by Nick Fox

you’re listening to the voice of Nick
Fox the Total Sports poet in five four
three fabulous new diet I lost 500 lb
act now and you can for the one on the
Green Bay too and this is what I’m
talking about put that salad down you do
not need protein shakes or tofu diets we
have pork rinds and onion dip to take
care of your nutritional needs so just
rear back in that Parco lounger feed off
the sonic waves beaming back from your
jumbotron home theaters personal satellite
in orbit 50 miles above the Earth and give
your thumb a workout because it’s Fourth
and one on the green
May 2 down by 5 and
3 seconds on the clock
all right boys I want classic
sweep around the outside
the pulling guard slamming the linebacker
like 300 lb of Frozen processed beef as
the tail back steps over the line for
six and The Crowd Goes

Wild

and now a word from our sponsor
drink this beer and beautiful women will
have sex with you


okay we’re back just
in time for full court match and a no look
dish to a man for unconscious threes I
want somebody in the zone high up the
fray before changing the chain net with a
backward crunching Jam his blue penny
hardaways all over the defender eyepiece
before dropping back to Earth and
shouting back that on you sun

a chill 66


it’s the greatest show on frozen water
roaring across thin ice on hot blades
give me a 90 mph Slap Shot Rapier glove
save and now a word from our sponsors

if you subscribe to Sports Illustrated
today we will send you this free
football phone wow is that a phone
really that looks just like a football
is that really
Hey, Scooter get load of this deal!

okay we’re back just a time
for football the old-fashioned way with
Henderson bicycle kicks and no hands
allow give me the neverending roar of a
singing Brazilian crowd
chanting Ole Ole Ole Ole
not make the blazing feet for a

GOAL!!!

Oh that’s got to hurt, Bob

I’m the greatest of all

to they’re up in ring of
the fifth race Island Park out the box
is old sport in the lead Follow by
Taylor man DP catcher with Baltimore Joe
bringing out the rear and here they come
in the first turn

CH 57 it’s the
American Passtime on a perfect summer’s
day and a farm boy fresher the miners
strides to the plate it’s a 3-2 count in
a one-run game in the bottom of the 9th
and the base is Juiced and the whole
crowd is chanting say it with me
now

CHARGE!

and now a word from our sponsor

these Nike shoes proudly endorsed by
Michael Jordan Andre Agassi and Tiger
Woods are specially engineered by
starving overworked underpaid third world
children to make you into your walking
billboard for a multinational corporation

okay we’re back he swings on single and
drives to the Gap whole stadium raises to
its feet the C man fry the whole stadium
screaming slide Willy slide up settle in
our home plate under a column
safe
safe
and that is when you realize that this
is the American Dream in action my
friends it is 550 channels of ass
kicking fan rooting six shooting fun
this is the American Dream in action
even if the world outside can’t see but
who the hell needs a life when you got
satellite TV

Watch “Satellite TV Sports” by Nick Fox on YouTube

About the poet Nick Fox

In Satellite TV Sports, Nick Fox delivers a satirical, rapid-fire commentary on the overwhelming spectacle of televised sports and the relentless consumer culture that fuels it. Nick Fox was the founder of the Flagstaff Poetry Slam. The poem mimics the high-energy voice of a sports announcer, bombarding the reader with play-by-play action from various sports—football, basketball, hockey, soccer, horse racing, and baseball—all interwoven with exaggerated commercial breaks that promise instant gratification through consumption.

Fox’s use of repetitive advertising language and hyperbolic imagery mocks the way sports broadcasting transforms athleticism into a commercialized, almost religious experience. The poem critiques corporate influence, as seen in the cynical nod to Nike shoes being produced by underpaid laborers, and the hollow promises of beer commercials that link consumption to sexual success. Beneath the humor of this poem originally written in 2003, the poem asks a deeper question: Has the American Dream become nothing more than an endless loop of entertainment, advertising, and passive consumption?

The final lines drive the point home: “Who the hell needs a life when you got satellite TV?”—a sharp indictment of a society that prioritizes escapism over reality. The poem doesn’t just describe the sports experience; it exposes the machinery behind it, revealing how entertainment and advertising have merged into an unstoppable force that dictates culture and identity.

Fox’s signature style blends sharp wit, social commentary, and an uncanny ability to capture the absurdity of modern life. To read more about Nick Fox’s poetic career and unique voice, click here to visit his bio page.

Derrick Brown poet | AZpoetry.com

Derrick Brown

Derrick Brown: A Poet of Humor, Heart, and Theatrical Brilliance

Derrick Brown’s work has resonated with many who seek not only entertainment but also profound reflections on the human experience. His ability to weave narratives that are both humorous and deeply moving sets him apart in the world of contemporary poetry. Each performance is not just a recitation of words but an immersive experience that invites the audience to feel, think, and reflect. Brown’s journey is a testament to the power of poetry to connect us all, regardless of our backgrounds.

His works often tackle themes of love, loss, and identity, reflecting the complexities of modern life. For instance, in his poem ‘The Art of Losing,’ Brown uses vivid metaphors and relatable scenarios to explore the pain of letting go, while still finding humor in the absurdity of life’s challenges. This balance of light and dark is a hallmark of his style, and it resonates with audiences who appreciate both the laughter and the tears in their poetic journeys.

His time in the military not only instilled discipline but also provided a wealth of experiences that would later influence his poetry. For example, the camaraderie and the struggles faced by soldiers often serve as metaphors in his work, showcasing the fragility of human connections. Through his poetry, Brown provides a lens into the lives of those who serve, highlighting their stories and the emotional toll of war. His ability to transform personal experiences into universal themes makes his work relatable to a wide audience.

Derrick C. Brown is a poet, performer, and publisher who has redefined contemporary poetry through his unique blend of humor, storytelling, and raw emotion. As the founder of Write Bloody Publishing, Brown has helped shape the modern poetry landscape, bringing spoken word to audiences across the country and publishing some of the most influential voices in the genre. His electrifying performances and distinctive poetic style have made him a sought-after figure in the world of spoken word, literature, and performance poetry.

Brown’s performances are not just readings; they are theatrical productions that engage the audience on multiple levels. He often employs storytelling techniques to draw listeners in, making them feel as though they are part of the narrative. His collaboration with musicians further enhances this experience, creating a rhythmic and dynamic atmosphere that captivates audiences. For instance, during a performance at the Nuyorican Poets Café, he combined spoken word with live jazz, resulting in an unforgettable evening that blurred the lines between poetry and music.

Early Life and Military Background: Finding Inspiration in Unlikely Places

Brown’s artistic collaborations extend beyond just music. He often works with visual artists to create multimedia experiences that enhance the storytelling aspect of his performances. For example, during a recent tour, he showcased the work of a local artist whose visuals reflected the themes of his poems, creating a powerful synergy between sight and sound. This innovative approach not only enriches the audience’s experience but also fosters a community of artists who support one another’s creative endeavors.

The Poetry Revival tour exemplifies Brown’s commitment to bringing poetry to the masses. This initiative not only showcases established poets but also provides a platform for emerging voices, ensuring that the art form continues to evolve. The tour features workshops and interactive sessions, allowing audiences to engage with poetry in a hands-on manner. Brown’s passion for fostering a love of poetry is evident in every aspect of this tour, from the selection of poets to the promotional strategies employed to attract diverse audiences.

Born on February 7, 1973, in California, Brown’s journey into poetry was anything but conventional. Before becoming a full-time poet, he served as a paratrooper in the 82nd Airborne Division, an experience that shaped his perspectives on life, loss, and the power of storytelling. His military service during the Gulf War left him with hearing loss due to artillery fire, but it also instilled in him the resilience and discipline that would later fuel his career as a performer and writer. Brown attended Northern Arizona University, studying speech, playwriting, and broadcast journalism.

As the founder of Write Bloody Publishing, Brown has not only provided a platform for poets but has also revolutionized how poetry is published. The press’s model allows authors to retain creative control over their work, a refreshing change in an industry often dominated by corporate interests. By prioritizing performance poets, Write Bloody has become a breeding ground for innovative voices, many of whom have gone on to achieve national acclaim. Brown’s belief in the importance of storytelling is at the core of this venture, as he actively seeks out unique narratives that challenge societal norms.

A Career in Performance Poetry and Music

His latest collection of poetry delves into themes of vulnerability and strength, exploring how personal experiences shape our identities. Each poem serves as a testament to the resilience of the human spirit, inviting readers to reflect on their own stories. Readers who may be unfamiliar with Brown’s work are encouraged to explore his books and spoken word albums, as they encapsulate the depth and breadth of his artistic vision.

Brown first discovered his passion for poetry while in the military, but it was his involvement in the Long Beach and Orange County Poetry Slam scene that launched his career. He quickly gained national recognition, placing second in the National Poetry Slam individual championship in 1998. Since then, Brown has performed at over 1,800 venues and universities worldwide, including CBGB’s, the Nuyorican Poets Café, La Sorbonne in Paris, and the Berlin International Literary Festival.

Brown is known for merging poetry with music and theater, having collaborated with The Cold War Kids, Flaming Lips, and David Cross. His performances often incorporate elements of comedy, surrealism, and deep emotional truths, making his readings as entertaining as they are profound.

The Poetry Revival and Unique Touring Style

In 2007, Brown co-founded The Poetry Revival, a national spoken word tour featuring Anis Mojgani, Buddy Wakefield, and other renowned poets. These high-energy performances brought poetry to new audiences in packed theaters and unconventional venues. Brown also curated unique events like Double Decker Poetry Bus Parties and Poetry Cruises, reinforcing his reputation as an innovator in live literary experiences.

Founder of Write Bloody Publishing

In 2004, Brown founded Write Bloody Publishing, an independent press that has revolutionized contemporary poetry publishing. Unlike traditional presses, Write Bloody follows a record label model, prioritizing performance poets and touring artists. The press has published over 100 books from some of the most exciting voices in modern poetry, further cementing Brown’s influence on the literary world.

Books and Albums

Derrick Brown has authored numerous books, including:

In addition to his books, Brown has released spoken word albums such as:

Derrick Brown’s Legacy

In his pursuit of pushing boundaries, Derrick Brown’s legacy is not just about his own work but about the community he has cultivated. Through workshops, mentorship programs, and literary events, he actively inspires the next generation of poets. His influence extends beyond the stage or page, as he advocates for the importance of poetry in education and community building. Brown’s commitment to fostering creativity and connection is a vital part of his legacy, ensuring that poetry remains a vibrant and accessible art form for all.

Derrick Brown’s poetry challenges the boundaries between humor, heartbreak, and performance. His work is known for its cinematic imagery, absurdist wit, and deeply human storytelling. Whether on stage, in print, or through his publishing endeavors, Brown remains a trailblazer in modern poetry, constantly finding new ways to engage and inspire audiences.

Posted in Poets  • 
Bob Dylan's Love and Theft poem by Dom Flemons | AZpoetry.com

Bob Dylan’s Love and Theft by Dom Flemons

“Bob Dylan’s ‘Love and Theft’ by Dom Flemons

well you’ve heard a lot of stories
I’m going to tell you one

love and theft

it was the 10th of September 2001
and I went to bed knowing
that I would wake up the next day and
consume the album which I had waited
four years to buy
love and theft
the newest Bob Dylan album which I had pretty
high expectations for because I really
enjoyed the Grammy Award winning album
which had preceded it but as you all
might have guessed my delusion of sleep
was ruptured by something I’m going to
get into because the world has already
looked it over satired it analyzed it
digested it and it came out as a commercial

all I can think of when I see these scenes is love and theft
I love life
I love people
I love children
I love America
even with all of its faults


it’s like a friend that you’ve known all of your life who has a drug problem
because you know something’s wrong
but you don’t know how to say something that’s going to make a difference


and theft
when I dropped the 20 bucks
and when I knew I was overdrawn at that bank
and I knew that charge was going to cost me
more than that CD ever did yes


and theft when I watched that body count going
theft of the lives that were taken but damn
I love listening to Bob Dylan
but you see with this album the songs are all right
but the man’s voice showed the 60 years that I until then never regarded
because he used to phrase the words so well on the old AM
but now the words just go together and they go into a continuous phase
and they don’t seem to make that much sense anyway
but damn who knew someone was going to take a plane
and they would but I’m not going to get into that
because all I can think of is love and theft

now I hear people say I hate America
I hate George Bush
I hate capitalism
and I hate
but you know what
I hate hate
but what does that make when you hate is all you do
is embrace the theft of love
the theft of Freedom
the theft of letting people learn from their own mistakes
the theft of condemning people for not feeling the same way about something that you do
just let them fuck up

I’m sorry but
unless your life is in their hands and
you’re on the scene just let them fuck up
because after more of a year of
hearing about who did this who did that
who Jihad is righteous which crusade are
we in this time goddamn I don’t know
what’s going to go on and random bombing
in Palestine 30 people were killed and
175 were injured maybe it’s with
Al-Qaeda maybe it’s was some terrorist
group that could be linked with Bin
Laden who was with Saddam Hussein maybe
I think that we were thinking about that
in the news

I don’t care cuz when I look around
and I see all these scenes and I see
this one thing that happened September
11th what happened it stopped the whole
world in its tracks all I can think of is
is how much did
love and theft truly cost?

Transcribed from the video “unknown title” by Poetry Slam Archive and Dom Flemons.

Watch Dom Flemons perform “Bob Dylan’s Love and Theft” on YouTube

About the poet Dom Flemons

Before Timothée Chalamet brought Grammy-winner Bob Dylan back into the cultural zeitgeist with the film “A Complete Unknown”, and before songwriter Dom Flemons received his own Grammy, he performed “Unknown Title” or “Bob Dylan’s Love and Theft” at the 2003 National Poetry Slam in Chicago Illinois while representing the Flagstaff Poetry Slam.

“Love and Theft” is a reflective, bittersweet meditation on the collision of personal anticipation and collective tragedy. In the poem, Flemons recounts the night before September 11th, 2001, a night filled with mundane plans, like eagerly awaiting a Bob Dylan album he had long desired, only to be abruptly confronted by the overwhelming reality of loss and change. The refrain “love and theft” captures the dual nature of human experience: the love we hold for life, people, and moments, juxtaposed with the theft of innocence, freedom, and memory wrought by unspeakable events. With a blend of humor and raw honesty, the poem critiques the commercialization of tragedy and challenges us to confront the true cost of loss.

Learn more about The American Songster, Dom Flemons, HERE.

Nick Fox Voice of God poetry | AZpoetry.com

Nick Fox

Nick Fox: Founder, Performer, and “The Voice of God” in Slam Poetry

Nick Fox is a celebrated poet, performer, educator, and a pivotal figure in the American slam poetry movement. As the founder of the Flagstaff Poetry Slam and an early competitor in Arizona’s burgeoning poetry slam scene, Fox helped shape the vibrant spoken word community that thrives in the state today. His contributions extend far beyond Arizona, as Fox is also renowned for hosting the finals of the National Poetry Slam for over a decade, where he earned the nickname “The Voice of God” for his commanding presence and resonant delivery.

Early Days in Slam Poetry: The Mesa Years

Nick Fox’s journey into slam poetry began during the first wave of the movement, performing in Mesa, Arizona. As a competitor in the early days of Arizona’s slam scene, Fox showcased his ability to blend compelling storytelling with captivating performance, quickly becoming a standout voice in the community. His work explored themes of humanity, relationships, and the intricacies of everyday life, resonating deeply with audiences. His contributions during this time helped solidify Mesa as a hub for poetry slam in Arizona.

Founding the Flagstaff Poetry Slam

Fox’s passion for creating spaces where poets could thrive led him to establish the Flagstaff Poetry Slam. Under his leadership, the slam became a cornerstone of Flagstaff’s arts and culture scene, drawing poets and audiences from across the state. By fostering an inclusive and dynamic environment, Fox played an instrumental role in building a community where poets of all backgrounds could share their voices.

The Flagstaff Poetry Slam not only became a home for local poets but also attracted some of the most talented spoken word artists from across Arizona. Fox’s ability to nurture new talent and curate engaging events helped make Flagstaff a vibrant hub for spoken word poetry, with ripple effects felt throughout the state’s literary scene.

Hosting the National Poetry Slam Finals: “The Voice of God”

Nick Fox’s influence extended far beyond Arizona when he became the longtime host of the National Poetry Slam finals, one of the most prestigious events in the spoken word world. For over a decade, Fox’s booming voice, charismatic stage presence, and sharp wit elevated the event to new heights. His commanding presence as host earned him the nickname “The Voice of God,” a testament to the respect and admiration he garnered from poets and audiences alike.

Fox’s role as host was not simply about announcing poets or performances—it was about creating an atmosphere of excitement, reverence, and community. His ability to connect with audiences and performers alike made the finals an unforgettable experience, cementing his legacy as a cornerstone of the national slam poetry movement.

Nick Fox as a Writer and Traveler

Beyond his achievements in poetry and performance, Nick Fox is also a prolific writer and avid traveler. His travel blog, “…said the Fox”, chronicles his journeys across the globe, combining his poetic sensibilities with his love of storytelling. Through vivid descriptions and thoughtful reflections, Fox’s blog offers readers a glimpse into his experiences and the lessons he’s learned along the way.

His travel writing explores themes of identity, cultural discovery, and the connections we form with the world around us. The same attention to detail and emotional resonance that defines his poetry shines through in his prose, making his blog a must-read for fans of both travel and literary artistry.

Educator and Mentor

As an educator, Nick Fox has inspired countless poets, performers, and writers to explore their own creative voices. His dedication to fostering talent and building communities has left a lasting impact on Arizona’s literary and performance arts scenes. Fox’s ability to connect with people on a personal level, whether through his poetry or teaching, underscores his commitment to creating spaces where others can thrive.

Fox’s legacy in Arizona poetry is one of mentorship, innovation, and passion. His contributions to slam poetry, both as a competitor and as an organizer, have helped elevate the art form in Arizona and across the country.

Legacy and Influence

Nick Fox’s contributions to slam poetry and the arts have made him a vital figure in Arizona’s literary history. From his beginnings as a slam poet in Mesa to founding the Flagstaff Poetry Slam and hosting the National Poetry Slam finals, Fox has consistently demonstrated a commitment to amplifying voices and building vibrant artistic communities.

His unique blend of poetry, performance, and storytelling continues to inspire audiences and writers alike. Nick Fox’s legacy lives on in the thriving slam poetry scenes he helped cultivate and the countless poets he has mentored and influenced throughout his career.

For more about Nick Fox’s writing and travels, visit his blog at nickfox.wordpress.com.

Discover more poets and writers from Arizona HERE.

Posted in Poets  •