Tag: 1980s Poetry

The Vegetarians Nightmare poem by Baxter Black artwork

The Vegetarian’s Nightmare poem by Baxter Black

“The Vegetarian’s Nightmare” a cowboy poem by Baxter Black

parsley power ladies and diner and make
you a shameful degrading confession a
deed of disgrace in the name of good
taste though I did it I meant no
aggression I had planted a garden last
April and lovingly sang it to Ballad but
later in June beneath the full moon
forgive me I wanted to salad so I I
slipped out and fondled a carrot
caressing its feather at all but the
first of a brute died power out the root
and the competent came with a pup and
laying my hand on a radish a jerk and it
left a small crater then with the blade
of my true value spade I exhumed a
slumbering Taylor
seller had pucked I twisted the squash
tomatoes were wincing in fear I choked
the romaine screamed out in pain their
anguish was filling my ears I finally
came to the latest as it cringed at the
top of the road with one wicked slice
there beheaded to twice as it rise I
dealt a death blow i butchered the
onions and parsley so my whole was all
covered with gore I chopped and I walked
without looking back then I stealthily
slipped in the door my bounty lay naked
dying so I drowned them to snuff out
their life I sliced and I peeled as they
thrashed and they reeled on the cutting
board under my knife I violated Tomatoes
so their innards could never survive I
grated and grounded they made not a
sound then I thought of the Tator alive
and then I took the small broken pieces
and tortured and killed with my hands
and touched them together heedless of
whether they suffered or made their
demands I ate them forgive me I’m sorry
but hear me no I’m a beginner of those
plants feel pain so it’s hard to explain
to someone who eats them for dinner and
tend to begin a crusade for plants
rights including chickpeas and the ACLU
will be helping me too in the meantime
please pass the blue cheese

Transcribed from “A Vegetarian’s Nightmare” by OddballVQ on YouTube.

Watch “The Vegetarian’s Nightmare” performed by the cowboy poet Baxter Black on YouTube.

About the poet Baxter Black

A Cowboy’s Darkly Hilarious Ode to Salad Suffering

In A Vegetarian’s Nightmare, legendary cowboy poet Baxter Black delivers a gut-busting, rhyme-heavy monologue that flips the ethical script on vegetarianism. This satirical performance poem opens as a self-confession, revealing the narrator’s horrifying crimes—against vegetables. What follows is a mock-epic of culinary violence, complete with carrots “fondled,” radishes “jerked,” lettuce that “screamed out in pain,” and romaine “beheaded” under moonlight.

With classic cowboy flair, Black uses elevated poetic diction mixed with gritty humor to describe the emotional and physical trauma inflicted upon his unsuspecting garden. His knife is no kitchen utensil—it’s a weapon of mass destruction. Through personification, vivid imagery, and his signature Western cadence, he paints the harvest as a battlefield. Tomatoes are violated, onions butchered, and potatoes tortured until they meet their end—only to be drowned in blue cheese.

Satire with a Sharp Edge

Black’s poem works brilliantly as a parody, skewering the moral high ground often claimed by vegetarians. Rather than arguing logically, he humorously leans into absurdity: if plants can feel pain, then aren’t vegetarians just as guilty of violence as meat eaters?

The poem plays with the reader’s expectations, starting off sounding like a sincere ethical admission, but quickly descending into over-the-top (yet skillfully rhymed) carnage. Black’s message isn’t to launch an actual crusade for “plant rights,” but rather to poke fun at the hypocrisy or blind spots in moral dietary choices. It’s an exaggerated cowboy logic: if you’re going to kill to eat, might as well own it.

Performance Roots and Cowboy Poetics

Like many of Baxter Black’s works, A Vegetarian’s Nightmare is best experienced aloud. The poem thrives on rhythm, timing, and dramatic delivery—a natural fit for Black’s background in performance poetry and radio. His voice—equal parts campfire storyteller and satirical commentator—makes the gruesome humor land with levity, not malice.

It also exemplifies a classic hallmark of cowboy poetry: transforming everyday ranching life (or in this case, eating salad) into a mythic, moral, and often hilarious tale. Black’s poem, while playful, also asks us to reconsider our assumptions with a wink and a laugh.

Discover More About Cowboy Poet Baxter Black

“A Vegetarian’s Nightmare” is just one example of Baxter Black’s unforgettable ability to mix wit, Western wisdom, and poetic technique. To learn more about the life, legacy, and literary contributions of this iconic Arizona cowboy poet, visit his full biography on AZpoetry.com.

If The Drum Is A Woman by Jayne Cortez and The Firespitters Artwork | AZpoetry.com

If The Drum Is A Woman by Jayne Cortez

“If The Drum Is A Woman” by Jayne Cortez

If the drum is a woman
why are you pounding your drum into an insane
babble
why are you pistol whipping your drum at dawn
why are you shooting through the head of your drum
and making a drum tragedy of drums
if the drum is a woman
don’t abuse your drum don’t abuse your drum
don’t abuse your drum
I know the night is full of displaced persons
I see skins striped with flames
I know the ugly disposition of underpaid clerks they constantly menstruate through the eyes
I know bitterness embedded in flesh
the itching alone can drive you crazy
I know that this is America and chicken are coming home to roost
on the MX missile
But if the drum is a woman
why are you choking your drum
why are you raping your drum
why are you saying disrespectful things
to your mother drum your sister drum
your wife drum and your infant daughter drum
If the drum is a woman
then understand your drum
your drum is not docile
your drum is not invisible
your drum is not inferior to you
your drum is a woman
so don’t reject your drum don’t try to dominate your drum
don’t become weak and cold and desert your drum
don’t be forced into the position
as an oppressor of drums and make a drum tragedy of drums
if the drum is a woman
don’t abuse your drum don’t abuse your drum
don’t abuse our drum

Listen to “If The Drum Is A Woman” by Jayne Cortez on YouTube

About the poet Jayne Cortez

“If The Drum Is A Woman” is a searing, allegorical poem in which Jayne Cortez challenges the audience to confront the abuse and exploitation inherent in objectifying femininity. In the poem, the drum serves as a powerful metaphor for women, embodying both strength and vulnerability. Cortez criticizes the violent, dismissive treatment of this symbol—questioning why one would “pistol whip” or “rape” the drum—thereby urging a respectful and empathetic approach toward all aspects of feminine identity. The raw language and vivid imagery highlight the pain and injustice inflicted upon those who are marginalized, while the refrain “don’t abuse your drum” serves as a passionate call for recognition, care, and equality.

To delve deeper into the life and work of Jayne Cortez, the revolutionary voice behind this bold poem, please visit her full bio HERE.

David Chorlton poet AZpoetry.com

David Chorlton

David Chorlton: Bridging Continents Through Poetry

From Austria to Arizona: A Journey Across Cultures

Born in Austria in 1948, David Chorlton spent his formative years in Manchester, England, amidst the industrial landscapes of the northern region. In his early twenties, he relocated to Vienna, Austria, where he immersed himself in the rich European art and music scene. In 1978, Chorlton moved to Phoenix, Arizona, with his wife, Roberta, marking the beginning of a profound connection with the American Southwest.

A Deep Connection with the Desert Landscape

Settling in Arizona, Chorlton developed a profound appreciation for the desert’s unique beauty and its diverse wildlife. This admiration is vividly reflected in his poetry, which often explores themes of nature and the environment. His collection, The Porous Desert, exemplifies this focus, offering readers an intimate portrayal of the Arizona landscape.

Acclaimed Works and Literary Contributions

Throughout his literary career, Chorlton has produced an impressive array of poetry collections. Notable works include:

  • Poetry Mountain
  • Waiting for the Quetzal (March Street Press)
  • The Devil’s Sonata (FutureCycle Press, 2012)
  • Selected Poems (FutureCycle Press, 2014)

His chapbooks have also garnered recognition, with The Lost River winning the Ronald Wardall Award from Rain Mountain Press in 2008, and From the Age of Miracles securing the Slipstream Chapbook Competition in 2009.

Exploring Fiction and Translation

Beyond poetry, Chorlton ventured into fiction with The Taste of Fog, a novel set in 1962 Vienna that delves into the complexities of a murder investigation. Additionally, he has contributed to literary translation, bringing to English audiences the works of Austrian poet Christine Lavant in Shatter the Bell in My Ear, published by The Bitter Oleander Press.

A Voice in Anthologies and Exhibitions

Chorlton’s poetry has been featured in various anthologies, including Fever Dreams (University of Arizona Press) and New Poets of the American West (Many Voices Press). His work also played a role in the “Fires of Change” exhibition, a collaboration between artists and scientists addressing the impact of climate change on forest management.

Posted in Poets  • 
The Dude Wrangler by Gail Gardner cowboy poetry artwork

The Dude Wrangler by Gail Gardner

“The Dude Wrangler” by Gail Gardner

I’ll tell you of a sad, sad story,
Of how a cowboy fell from grace,
Now really this is something awful,
There never was so sad a case.

One time I had myself a pardner,
I never knowed one half so good;
We throwed our outfits in together,
And lived the way that cowboys should.

He savvied all about wild cattle,
And he was handy with a rope,
For a gentle, well-reined pony,
Just give me one that he had broke.

He never owned no clothes but Levis,
He wore them until they was slick,
And he never wore no great big Stetson,
‘Cause where we rode the brush was thick.

He never had no time for women,
So bashful and so shy was he,
Besides he knowed that they was poison,
And so he always let them be.

Watch Cowboy Poet Baxter Black Recite Gail Gardner’s “The Dude Wrangler” on the Tonight Show with Johnny Carson

About the poet Gail Gardner

Gail Gardner’s classic cowboy poem “The Dude Wrangler” paints a humorous yet poignant picture of a cowboy’s descent from rugged authenticity to something… quite unexpected. Told from the perspective of a fellow cowhand, the poem begins with admiration for his old partner—a tough, skillful cowboy who once embodied the gritty ideals of the American West. But as the poem unfolds, readers witness the narrator’s dismay at his pardner’s transformation into a “dude wrangler,” catering to tourists and losing the essence of his cowboy soul.

Summary of “The Dude Wrangler”

The narrator recounts the virtues of his former riding partner, a man with true cowboy grit. This pardner was an expert at handling wild cattle, an exceptional horseman, and so dedicated to the cowboy life that he wore nothing but Levi’s and rode horses he broke himself. He had no use for flashy hats or romantic entanglements—he was all about the work, the land, and the simple life.

However, things take a tragicomic turn when the partner, once a symbol of stoic cowboy values, “falls from grace.” Though the poem cuts off here, the title “The Dude Wrangler” (and its well-known full version) gives away the punchline: the once-proud cowboy has become a guide for “dudes” (city slickers and tourists), donning fancy clothes and entertaining guests who only want to play at being cowboys. It’s a betrayal of the old ways, and the narrator’s sorrow is layered with gentle mockery.

Analysis of the Poem’s Themes and Style

Gail Gardner, one of Arizona’s most beloved cowboy poets, brings humor, irony, and affection to “The Dude Wrangler.” The poem plays on the tension between tradition and change—between the authentic cowboy lifestyle and the commercialization of the West. The narrator’s nostalgic tone reflects a broader cultural anxiety: the fear that the true cowboy is becoming an endangered species, replaced by tourism and spectacle.

Stylistically, Gardner uses plainspoken language and rhythmic, musical verse to mirror the storytelling traditions of working cowboys. The use of cowboy slang (“pardner,” “Levis,” “Stetson”) grounds the poem in its Western setting and gives readers a sense of its authenticity. The poem’s charm lies in its simplicity and sincerity—it’s a light-hearted lament, a tall tale with a heart.

Baxter Black Revives the Classic on National TV

This beloved poem gained even wider recognition when Baxter Black, another iconic Arizona cowboy poet, performed “The Dude Wrangler” on The Tonight Show with Johnny Carson. Black’s performance, full of theatrical flair and comedic timing, brought Gardner’s words to life for a national audience. It was a perfect pairing: Black, like Gardner, understood the delicate balance between honoring cowboy tradition and laughing at its quirks.

Baxter’s rendition celebrated Gardner’s storytelling while showing how cowboy poetry can connect people across generations. It also marked a rare moment when cowboy poetry was broadcast on one of the biggest stages in American pop culture.

📚 Want to learn more about cowboy poetry in Arizona?

  • Explore the life and legacy of Gail Gardner, the Prescott cowboy and poet who penned “The Dude Wrangler.”
  • Discover the unforgettable humor and heart of Baxter Black, a modern cowboy poet who brought Western storytelling to millions.
  • Browse AZPoetry.com’s growing collection of cowboy poets and keep the spirit of the West alive—one verse at a time.
Baxter Black cowboy poet AZpoetry.com

Baxter Black

Baxter Black: The Cowboy Poet Who Rode Words Across America

Baxter Black (January 10, 1945 – June 10, 2022) wasn’t just a poet—he was a cowboy, veterinarian, humorist, and one of the most recognized voices in modern cowboy poetry. Known for his wit, insight, and deep understanding of rural and ranching life, Black penned more than 30 books and reached millions through radio, television, and live performances.

His work painted vivid and often hilarious portraits of the American West, blending homespun wisdom with sharp storytelling and infectious charm. From cattle drives to county fairs, Baxter Black gave a voice to the working cowboy—and in doing so, became a beloved figure in Western literature.

Early Life and Cowboy Roots

Born in Brooklyn Naval Hospital in New York City, Baxter Black was raised in Las Cruces, New Mexico, where he cultivated the cowboy spirit that would later define his career. A natural leader, he became president of the Future Farmers of America (FFA) and senior class president in high school. He lettered in wrestling and began riding bulls in local rodeos—an early indication of his fearless nature.

His academic path led him to New Mexico State University, followed by Colorado State University, where he earned a Doctor of Veterinary Medicine degree in 1969. For the next 13 years, he worked as a large-animal veterinarian, focusing on cattle and horses. It was during this time, traveling the country and swapping stories with ranchers, that Baxter found his true calling as a storyteller.

From Veterinary Practice to Cowboy Poetry Icon

By the early 1980s, Baxter Black’s humorous and heartfelt poems began turning heads across the Western U.S. His transition from veterinarian to full-time entertainer happened naturally. He began performing at events and quickly grew a national following. With over 250 speaking engagements per year during the early days of his poetic career, he became a familiar and beloved presence in rural communities.

Black’s breakout into mainstream media came when he became a regular commentator on NPR’s Morning Edition, where his weekly musings on cowboy life ran for 20 years. His radio show, Baxter Black on Monday, and syndicated column, On the Edge of Common Sense, were picked up by over 150 publications and stations nationwide, solidifying his role as America’s favorite cowboy poet.

A Cowboy’s Voice on Stage and Screen

Beyond the written word, Baxter Black’s presence shined on stage and screen. He hosted “Baxter Black and Friends” on public television and appeared regularly on RFD-TV and The Cowboy Channel, entertaining viewers with his unique brand of humor and poetry.

What made Baxter special was his authenticity. He wasn’t just writing about cowboy life—he lived it. Whether performing at rodeos, agricultural conventions, or small-town libraries, he connected with audiences of all backgrounds.

Life in Arizona and Philosophy

Baxter spent his later years in Benson, Arizona, with his wife Cindy Lou, on a ranch where they intentionally kept life simple—no TV, no cell phones, no fax machines. His deep respect for nature, simplicity, and cowboy values was evident in both his lifestyle and his writing.

He once said:

“In spite of all the computerized, digitalized, high-tech innovations of today, there will always be a need for a cowboy.”

When asked why he became a cowboy, his answer was classic Baxter:

“You either are one, or you aren’t. You never have to decide.”

Legacy and Final Years

In late 2021, Baxter Black officially retired from writing and public appearances due to declining health. On June 10, 2022, he passed away at the age of 77 from complications related to leukemia. But his legacy lives on—in books, recordings, and the memories of those who found joy, laughter, and comfort in his work.

His poetry and prose remain essential reading for anyone who loves the West, appreciates cowboy culture, or just enjoys a good story told well.

Baxter Black’s Books of Cowboy Poetry

Here are just a few of Baxter Black’s poetry books that celebrate his wit, wisdom, and storytelling brilliance. Each book is a tribute to the cowboy life—perfect for poetry fans, Western readers, or anyone who appreciates a good laugh:

👉 Looking to add these titles to your collection? Click each title to purchase through our Amazon affiliate links and support AZPoetry.com!

Remembering Baxter Black

Whether he was making you laugh with a tale of an ornery mule, reflecting on the beauty of ranch life, or reminding us of the grit and grace of the American cowboy, Baxter Black left a lasting mark on the literary and agricultural communities alike.

His poetry bridged the gap between rural and urban, humor and hardship, past and present. For generations to come, his voice will echo across plains, barns, and back porches everywhere.

📚 Explore more about Baxter Black’s life and legacy right here on AZPoetry.com.
🤠 Want more cowboy poets? Browse our growing collection of Arizona-based poets celebrating Western heritage.

Posted in Poets  • 
Curt Kirkwood Arizona poet Meat Puppets songwriter

Curt Kirkwood

Curt Kirkwood: Arizona’s Alt-Rock Poet and the Visionary Behind the Meat Puppets

Curt Kirkwood is more than just a musician—he is a poetic force whose songwriting has left an indelible mark on Arizona’s alternative rock scene and beyond. As the founding member, lead vocalist, guitarist, and primary songwriter of the legendary band Meat Puppets, Kirkwood has crafted lyrics that merge desert surrealism, existential musings, and raw storytelling into a distinct poetic style. His songs, including the iconic tracks “Plateau,” “Oh, Me,” “Lake of Fire,” and “Backwater,” have captivated audiences worldwide and solidified his reputation as a lyrical poet of the American underground. Many of these alternative song classics are available on the album The Meat Puppets II.

Roots in Arizona and the Formation of a Legacy

Born on January 10, 1959, Curt Kirkwood’s journey began in Phoenix, Arizona, where he and his brother, Cris Kirkwood, would go on to form the Meat Puppets in 1980. Their genre-blending sound—fusing punk, country, and psychedelia—set them apart in the indie rock landscape and earned them a cult following. The arid landscapes of Arizona served as both a backdrop and inspiration for much of Kirkwood’s lyricism, evident in the dreamlike, often hallucinatory imagery present throughout his songwriting.

The Poetic Lyrical Style of Curt Kirkwood

Kirkwood’s lyrics defy easy classification. Part cosmic cowboy, part punk philosopher, he weaves narratives that blur the lines between reality and fantasy, humor and melancholy, existential dread and reckless joy. The desert, a recurring motif in his work, becomes both a physical and metaphysical space—a place of solitude, rebirth, and mystery. His distinct poetic voice transforms simple storytelling into something mythic, mystical, and deeply personal.

From Indie Legend to Mainstream Recognition

While the Meat Puppets gained underground acclaim in the 1980s, they rose to mainstream prominence in the 1990s when Nirvana’s Kurt Cobain handpicked them to perform on the legendary MTV Unplugged in New York special in 1993. Cobain’s reverence for Kirkwood’s songwriting led Nirvana to cover three Meat Puppets songs, introducing Kirkwood’s poetic lyricism to a new generation of fans.

A Career of Evolution and Experimentation

Beyond the Meat Puppets, Kirkwood has continued to explore the depths of his creativity, forming and playing in other projects such as:

  • Eyes Adrift (2002–2003) – a collaboration with Krist Novoselic (Nirvana) and Bud Gaugh (Sublime), blending folk and alternative rock.
  • Volcano (2004) – a short-lived project that further expanded his psychedelic, abstract storytelling.
  • Solo Career (2005–present) – His 2005 solo album Snow revealed a stripped-down, intimate side of his songwriting, showcasing a more raw, poetic expression.

A Visual Artist as Well as a Wordsmith

Kirkwood’s artistry isn’t limited to music—he is also a visual artist whose work has been featured on multiple Meat Puppets album covers and merchandise. His distinctive style mirrors his songwriting—colorful, surreal, and evocative of the untamed spirit of the Southwest.

The Meat Puppets’ Ongoing Legacy

After a brief hiatus, the Meat Puppets reunited in 2006, with Curt and Cris Kirkwood leading the charge. The band remains an active and influential force, releasing albums such as Rise to Your Knees (2007), Sewn Together (2009), Lollipop (2011), Rat Farm (2013), and Dusty Notes (2019). Kirkwood’s poetic sensibilities continue to shine, proving that his lyrical mysticism and desert-infused storytelling remain as vibrant as ever.

Curt Kirkwood: The Poetic Outlaw of Arizona’s Alternative Rock Scene

Curt Kirkwood’s impact on music and poetry is undeniable. His lyrics blur the line between song and spoken-word poetry, making him a true Arizona poet in the alternative rock tradition. His work has influenced generations of musicians and writers, proving that poetry isn’t confined to the page—it can roar through amplifiers, echo across the desert, and carve out its place in rock history.

To dive deeper into the poetic mind of Curt Kirkwood, visit his poet bio page here.

Posted in Poets  • 
Linda Ronstadt poet | AZpoetry.com

Linda Ronstadt

Linda Ronstadt: Arizona’s Legendary Voice of Music and Poetry

Early Life and Arizona Roots

Born on July 15, 1946, in Tucson, Arizona, Linda Maria Ronstadt grew up surrounded by the vast landscapes and rich cultural heritage of the Sonoran Desert. Raised on a 10-acre ranch, she came from a family deeply rooted in Arizona’s pioneering history. Her father, Gilbert Ronstadt, was a businessman whose German-Mexican heritage connected him to Tucson’s early days, while her mother, Ruth Mary Ronstadt, was of German, English, and Dutch descent.

Music was a vital part of Ronstadt’s childhood. Her father was an avid singer, and her grandfather, Fred Ronstadt, was a wagon maker and musician who played a key role in Tucson’s early cultural scene. The Ronstadt family would often gather to sing traditional Mexican folk songs, exposing young Linda to the vibrant rhythms of rancheras, mariachi, and corridos. This influence would later become a defining element of her musical identity, particularly in her celebrated Spanish-language albums.

Ronstadt’s hometown of Tucson shaped her artistic sensibilities. She grew up hearing a blend of genres, from Mexican ballads to country-western tunes and early rock ‘n’ roll, which fueled her love for music. This deep connection to Arizona’s cultural diversity made her one of the most unique and influential voices in American music history.

Musical Beginnings and the Rise to Fame

Ronstadt’s professional career began in the mid-1960s when she moved to Los Angeles to pursue her musical dreams. She formed the folk-rock trio the Stone Poneys, alongside Bobby Kimmel and Kenny Edwards, both of whom she had met in Tucson. The band’s 1967 hit song, “Different Drum”, written by Michael Nesmith of The Monkees, became Ronstadt’s first major breakthrough, showcasing her powerful yet emotive voice.

Following the Stone Poneys’ success, Ronstadt launched her solo career with her 1969 album, Hand Sown… Home Grown, often cited as the first alternative country album by a female artist. However, it was in the 1970s that she dominated the music industry, earning the title of “The Queen of Rock”.

With hits like “You’re No Good,” “When Will I Be Loved,” “Blue Bayou,” and “It’s So Easy”, Ronstadt became one of the biggest-selling female artists of the decade. She was the first woman in rock to achieve multi-platinum success and was frequently featured on the covers of major music magazines, including Rolling Stone and Time. Her versatility in blending rock, country, folk, and pop set her apart from her contemporaries.

Arizona’s Influence on Her Music

Despite her immense success, Ronstadt’s heart remained in Arizona. She frequently spoke about her Southwestern upbringing and how it shaped her artistic vision. Tucson’s rich musical landscape, from Mexican rancheras to country-western ballads, directly influenced her musical style and song choices.

Her landmark 1987 album, Canciones de Mi Padre, paid tribute to her Mexican heritage and became the best-selling non-English-language album in American history. The album featured traditional Mexican folk songs that she grew up listening to on her family’s ranch in Tucson. The title, Canciones de Mi Padre (Songs of My Father), was a tribute to her father’s influence on her musical upbringing.

Songs like “La Charreada” and “Dos Arbolitos” showcased her ability to interpret traditional Mexican music with authenticity, earning her a Grammy Award for Best Mexican-American Album. She followed up this success with two more Spanish-language albums, Mas Canciones (1991) and Frenesí (1992), further cementing her status as a cultural bridge between American and Mexican musical traditions.

Storytelling Through Music and Lyrics

Ronstadt was more than just a singer—she was a storyteller. Her songs, much like poetry, captured raw emotion, personal reflection, and vivid imagery. Whether singing about heartbreak, resilience, or the beauty of the desert, her lyrics painted a picture of the human experience.

Her signature song, “Blue Bayou,” tells the melancholic tale of longing for home, a theme that resonated deeply with Arizona’s wide-open landscapes and the feeling of nostalgia for familiar places. Similarly, “El Camino” and “Los Laureles” from Canciones de Mi Padre echoed the stories of love and loss in the Mexican-American experience, passed down through generations.

Her 1975 album, Prisoner in Disguise, included folk and country-infused ballads that read like poetic narratives, exploring themes of loneliness, hope, and self-discovery. Whether interpreting classic rock songs or traditional ballads, Ronstadt infused them with poetic depth, making her music not just a listening experience but an emotional journey.

Breaking Barriers and Musical Experimentation

Ronstadt’s career was marked by bold experimentation. She didn’t just stick to one genre—she explored rock, pop, country, opera, jazz, and Latin music, making her one of the most versatile artists of all time.

In the 1980s, she shocked the music world by recording a trilogy of traditional pop albums with Nelson Riddle, breathing new life into the Great American Songbook. Her albums What’s New (1983), Lush Life (1984), and For Sentimental Reasons (1986) introduced classic jazz standards to a new generation, proving that great music transcends time.

She also ventured into Broadway and film, starring in The Pirates of Penzance, which earned her a Tony Award nomination. In 1996, she recorded Dedicated to the One I Love, a collection of rock songs reimagined as lullabies, showcasing yet another facet of her artistic genius.

Honoring Her Legacy in Arizona

Even in retirement, Ronstadt’s Arizona connection remains strong. In 2022, the Tucson Music Hall was renamed The Linda Ronstadt Music Hall in her honor, recognizing her lifelong contributions to music and culture.

Though she retired from singing due to progressive supranuclear palsy, a neurological disorder initially diagnosed as Parkinson’s, she remains a powerful voice in the music industry. She has published memoirs, including Simple Dreams: A Musical Memoir and Feels Like Home: A Song for the Sonoran Borderlands, reflecting on her Arizona roots, music career, and cultural heritage.

Ronstadt’s Influence on Today’s Music Scene

Linda Ronstadt’s poetic approach to songwriting continues to influence new generations of musicians and poets. Her ability to convey deep emotions through song lyrics has inspired countless artists across multiple genres.

Her music is still widely recognized, appearing in films, television, and even video games. Songs like “Big Iron” and “El Paso” (which she famously covered) have been rediscovered by younger audiences, proving that her legacy is timeless.

Ronstadt’s impact on music, culture, and Arizona’s artistic identity cannot be overstated. She was more than just a singer—she was a poet of the desert, a voice of the Southwest, and an icon of musical storytelling.

Posted in Poets  • 
Alice Notley | AZpoetry.com

Alice Notley

Alice Notley: Arizona-Born, Epic Voice in Contemporary Poetry

Alice Notley was born on November 11, 1945, in Bisbee, Arizona, and has grown to become one of the most influential poets of our time. As a pioneering figure associated with the New York School of poets and deeply influenced by the rebellious spirit of the Beat Generation, Notley has redefined modern literature with her experimental style, profound emotional depth, and fearless exploration of themes such as grief, identity, and the intersection of personal and collective experience.

Early Roots and Literary Emergence

Hailing from the rugged landscapes of Bisbee, Arizona, Alice Notley’s early life set the stage for a literary journey that would eventually span decades and redefine poetic expression. Notley emerged as a powerful voice in the 1960s and 1970s, a period of intense cultural and social change that provided fertile ground for her innovative approach to poetry. Despite the expectations placed on her as an emerging writer, Notley quickly distinguished herself by refusing to be confined by conventional labels or literary trends.

Influences from the Beat and New York School Traditions

Notley’s work is marked by the rich legacy of the Beat Generation. Having worked closely with iconic figures such as Allen Ginsberg in the mid-1980s, she absorbed the bold, unfiltered energy of the Beats, who celebrated authenticity and cultural critique. This period was pivotal in shaping her voice—one that is equally lyrical and politically charged. Notley’s poetry carries the spirit of experimentation characteristic of the New York School, blending personal introspection with cosmic perspectives, and continually challenging literary norms.

In her own words, she identifies as an “epic poet,” a descriptor that underscores her ambition to reshape myth and redefine the way we perceive the world. Her willingness to push boundaries and engage with complex emotions and ideas has cemented her status as a dynamic and innovative literary force.

Thematic Depth and Experimental Style

At the core of Notley’s work is an unyielding exploration of the human condition. Her poetry delves into themes of grief, identity, and the transformative power of personal and collective memory. Through her daring experimentation with form and language, Notley captures the multifaceted nature of human experience—from the raw pain of loss to the exuberant joy of self-discovery.

Her work often defies easy categorization. Notley’s poems are layered, rich in metaphor, and at times, seemingly chaotic—yet every line serves a purpose, inviting readers to look beyond surface meanings and engage deeply with the text. This experimental approach not only challenges traditional poetic structures but also opens up new avenues for understanding and interpreting the complexities of life.

Legacy in Contemporary Poetry

Alice Notley’s contributions to contemporary poetry have left an enduring impact on the literary landscape. Her fearless approach to writing and her dedication to exploring the raw truths of existence have inspired countless poets and artists. As a literary innovator, Notley’s work continues to influence new generations who are eager to break free from conventional molds and express their own unique visions.

Her career spans decades of groundbreaking work, and her poetry has been celebrated both in academic circles and among everyday readers. By continuously reinventing her approach, Notley has ensured that her voice remains fresh and relevant—a true testament to the power of art to evolve and adapt over time.

A Lasting Connection to Her Arizona Roots

Despite her significant influence on national and international literary movements, Alice Notley’s identity remains firmly connected to her Arizona roots. The landscapes of Bisbee and the broader Southwest have provided a constant source of inspiration for her work. This connection to her home state imbues her poetry with a distinct sense of place—a blend of arid beauty, harsh realities, and the resilient spirit of the people who inhabit the desert.

Her work not only reflects the inner workings of the human soul but also serves as a bridge between her native Arizona and the broader literary world. Notley’s ability to weave together personal narrative with universal themes makes her a unique and compelling voice in American poetry.

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Jayne Cortez | AZpoetry.com

Jayne Cortez

Jayne Cortez: Arizona-Born Revolutionary Poet and Performance Icon

Jayne Cortez (born Sallie Jayne Richardson on May 10, 1934, – December 28, 2012) was a groundbreaking poet, performance artist, and cultural visionary whose work transformed the landscape of American poetry. Born in Fort Huachuca, Arizona, Cortez’s early life in the Southwest infused her creative spirit with a deep sense of place that would resonate throughout her illustrious career. Although her journey led her far beyond Arizona, her roots as an Arizona-born poet remain an integral part of her legacy, influencing generations of writers and performance artists alike.

Early Life and Formative Years

Raised in Arizona before her family moved to the Watts section of Los Angeles when she was just seven, Jayne Cortez grew up amidst both the rugged beauty of the Southwest and the vibrant energy of urban America. Her father, a veteran of both world wars, and her mother, a dedicated receptionist, provided a humble yet inspiring foundation for her early life. These contrasting environments—rural Arizona and urban Watts—fostered a unique perspective that would later define her poetic voice.

Cortez’s academic journey began at Compton Community College, where she started to explore her creative talents. Embracing a new identity as a poet, she chose to write under her maternal grandmother’s surname, marking the beginning of a lifelong transformation that would see her emerge as a powerful voice in the Black Arts Movement.

A Trailblazer in the Arts and Activism

In the 1960s, Jayne Cortez became deeply involved with the Student Nonviolent Coordinating Committee (SNCC), registering Black Mississippians to vote and actively participating in the civil rights movement. Her activism, interwoven with her art, positioned her as a multifaceted force for social change. In 1964, she founded the Watts Repertory Theater Company, where she delivered her first poetry readings—a bold step that would launch her career as a performance poet and cement her role as a pivotal figure in the Black Arts Movement.

Eight years later, recognizing the need for platforms that celebrated marginalized voices, Cortez founded Bola Press, her own publishing company dedicated to promoting innovative and experimental poetry. Through Bola Press, she not only published her own work but also provided a platform for other poets who challenged conventional narratives.

Literary Contributions and Global Influence

Over the course of her career, Jayne Cortez published a dozen volumes of poetry that captured the spirit of the times and redefined the boundaries of lyrical expression. Notable collections include:

In 2025, Nightboat Books released Firespitter: The Collected Poems of Jayne Cortez, edited by Margaret Busby, a comprehensive anthology that solidifies her status as one of the most influential poets of her generation. Her work, which has been translated into twenty-eight languages, continues to inspire and provoke thought across global literary communities.

Cortez also made significant strides in music and performance. She released a number of recordings, many with her band The Firespitters, including Taking the Blues Back Home (1997), Cheerful & Optimistic (1994), Everywhere Drums (1991), and Maintain Control (1986). These recordings showcase her talent for merging poetry with the rhythmic pulse of jazz and blues, creating a distinctive sound that captures the raw energy of her spoken word.

Legacy, Teaching, and Global Reach

Jayne Cortez’s influence extended well beyond her publications. An inspiring educator and lecturer, she performed, taught, and spoke at numerous universities, museums, and festivals. In 1991, she founded the Organization of Women Writers of Africa, reflecting her commitment to fostering diverse voices in literature. Her international experiences, including living in Dakar, Senegal, and New York City, enriched her perspective and allowed her to connect with audiences around the world.

Cortez’s contributions to literature, performance art, and social activism have earned her numerous awards, including fellowships from the National Endowment for the Arts and the New York Foundation for the Arts, the International African Festival Award, and the American Book Award. Her fearless exploration of themes such as Black identity, gender, and the human condition continues to resonate today.

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Jack Evans Poet | AZpoetry.com

Jack Evans

Jack Evans: Illuminating Lives Through Poetry

Arizona’s Enduring Voice in Poetry and Healing

Jack Evans has been a central figure in Arizona’s poetry scene for over 40 years, leaving an indelible mark on the cultural landscape of the Valley of the Sun. A celebrated poet, spoken word artist, and creative director, Evans is best known for his deep, soulful verse and his commitment to exploring themes of memory, loss, and the healing power of art. As the former Poet Laureate of the Southwest Conference United Church of Christ and the author of the acclaimed book Rain Is The Hourglass Of Memory, Evans continues to inspire audiences with his timeless work.

A Storied Journey from the East to the Southwest

Born on the banks of the Hudson during the twilight years of Roosevelt II’s reign, Jack Evans’ early life was steeped in history and literary tradition. His journey eventually led him to a little house overlooking the dusty Agua Fria when Lesley King ruled the land—a transformative move that rooted him in the vibrant, rugged spirit of the American Southwest. Evans’ love for music, film, baseball, and books has always colored his work, infusing his poetry with both a passion for cultural heritage and a modern, relatable voice.

A Life Dedicated to Poetry and Performance

For decades, Jack Evans has dedicated himself to the art of poetry. He writes, reads, thinks, and shares poetry with an enthusiasm that has resonated across generations. His work has been published in numerous literary journals and magazines, and he has performed in venues throughout Arizona and from coast to coast since the 1970s. Whether on stage at intimate local gatherings or at major poetry festivals, Evans’ performances captivate audiences with their blend of narrative depth and energetic delivery.

As a director of spoken word series for over 30 years, Evans has played a pivotal role in nurturing and showcasing emerging voices in the art form. Currently, he is the co-director of the Caffeine Corridor series in downtown Phoenix—a vibrant forum where poets and spoken word artists come together to share their work and inspire new creative connections.

Collaborative Performances and Healing Through Art

A notable aspect of Jack Evans’ career is his collaboration with guitarist Tom Bell. Their partnership, known as the Evans Bell Conversion, began with a memorable performance at Lawn Gnome Publishing on February 5, 2015. Since then, the duo has continued to push the boundaries of spoken word by integrating live music into their performances, creating immersive experiences that blend poetic narrative with melodic expression.

Their upcoming collaboration, showcased at the Healing Project, exemplifies Evans’ belief in the transformative power of art. This performance promises to be an experiential exploration of grief, death, loss, and change, inviting both performers and audience members to engage in a shared process of healing. Through conversation, reflection, and the potent force of the written word, the Evans Bell Conversion aims to help ease grief-related suffering and inspire hope.

Legacy and Impact on Arizona Poetry

Jack Evans’ legacy is a testament to his lifelong commitment to poetry and the arts. His work not only celebrates the rich cultural heritage of Arizona but also serves as a catalyst for healing and community connection. Evans’ influence extends far beyond his individual performances—he has nurtured countless emerging poets through his workshops, events, and creative leadership.

Living in Phoenix with his wife Judy, his dog, his cat, four parakeets, and a trusty laptop, Evans continues to embody the spirit of creativity and resilience. His ongoing contributions to the local poetry scene make him a cornerstone of Arizona literature, ensuring that the voices of the past, present, and future are heard and celebrated.

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