“Your Poem Is Not That Good Because (A Response)” by Christopher Fox Graham
I
Our poems were never that good
no one’s were
or the world we talked about
the revolution we prophesied
would have arrived by now
but it didn’t
and it isn’t
and it won’t
because poetry can’t change a world
drunk on its own power
deaf to so many voices
poetry is only the captured sincerity of a moment
we were the moment
So we kept writing
and slamming poems
and sparring on stages
spitting word graffiti against the walls we faced
or the walls we broke down
The good ol’ days of poetry slam
weren’t always as good as we remember
Though some days were better than we thought at the time,
remembering now and waxing nostalgic
The bastard son of jazz and Beats
born at Get Me High
and the Green Mill
where Capone could cover the exits
we spit to barflies and java junkies
book buyers and gallery goers
we had our holy places
Nuyorican, Cantab, Starry Plough
Red Sea, MAD Linguist, the Merc
Bowery and Lizard Lounge
Blind Lemon in Deep Ellum
in the heart of Texas
and Da Poetry Lounge
the hook there in the name
and a thousand temples
with a hot mic
a willing owner
and a free night
We crowd-walked like Jesus
called out and heard responses
used microphones and mic stands
as the props we were forbidden to bear
climbed on bars to be better heard
wrote poems for duos, trios, foursomes
to amplify our solo limitations
turned one-person plays into touchstones
persuasive essays into epics
street protests into soliloquies
cyphered in circles
telling tales about our adventures
Our grandfathers and grandmothers
did the same
when the cosmos was our companion
the stars our only stage lights
And civilization was just a campfire
Our skin or status
age, accent or origin
was wiped clean
we had three minutes and a ticking clock
to change the world
and ten seconds of grace
because we lost track of time
channeling the universe
We had arch rivals and forever allies
to push us forward
Titans and Olympians
who we worshiped
for crushing stages
like city walls
or opening hearts and minds
to other ways of thinking
or living
or loving
We had kings and goddesses
who blessed the microphones
in whispers and decrees
telling us to love ourselves
in spite of ourselves
“you are good enough”
“you are good enough”
“you, right now,
hearing this, reading this
YOU,
you are good enough
you are perfect”
We had heels and cads we loved to hate
hanging on every verse
waiting for a stolen stanza
a lifted lyric
a reference to clothing they wore
a cheater who judged them too knowingly
an untruth wrapped in beautiful fiction
we could later disprove
and turn into sin
Audiences didn’t care to know our strife
in the old days of poetry slam
they hung on the shimmering words
played out stanzas in their minds
heard old poems new to them
uttered at their first hearing
they left changed, bettered and brighter
the points were never the point
they were the gimmick
to get them in the door
We asked them to judge us
sans background, affiliation or inclination
no doctorate or bibliography required
their scores, our epitaphs
8.2, even on page
6.9 because it was a sex poem
9.7 worth the bus ride home
5.8, a punch to the gut
7.1 after we dropped a line
9.3 when we picked it up
a perfect 10 with tear-filled eyes
or guts sore with laughter
or hearing their story told through our lips
They judged our game
our struts and frets
in three minutes upon the stage
they were part of the show
they, the reason we spit:
Vox populi,
vox deus,
judicat poeta
We had demigods and divas
devils and demons
and sometimes,
perhaps too often,
we were they
We were “Beauty Ba Bo” perfectly translated
We had wingless seraphim
their halos lost in stage lights
Fallen angels seeking absolution
Mortals mid-apotheosis
We knew our saints by heart
could speak their names in mononyms
Shibboleths sans surname:
Marc,
Patricia,
Saul,
Beau, Reggie, Taylor, Buddy, Gary, Roger, Bob, Wammo, Marty, Shappy, Klute,
Sekou, Shihan, Ed, Derrick, Talib, Shane, Barbara, Miguel, Mahogany, Rachel, Sarah, Phil, Pat, MuMs, Jared, Henry, Mike, Scott, Suzi, Christopher, Hanif, Dayvid, Andy, Jack, Staceyann, Ken, Alvin, Corinna, Jaylee, Baz, Blair, Bao, Betsy, Sonya, Rives, Anis, Lauren, Bill, Patrick, Holly, Theresa, Billy, Jugga, Ragan, Steve, Sean, Suheir, Sou, Simone, Sully, Celena, Zork, Omar, Olivia, Oz, Iyeoka, Isaac, Corbet, Ebony, Eboni, Janean, Jamie, Jive, Jeremiah, Jasmine, Jerry, Cristin, Kenn, Eitan, Daphne, Danez, Donnie, Delrica, Duncan, De, Denise, Desiree, Darrell, Amelia, Xero, Mack, Paul, Stefan, Angela, Karen, Midnight, Erik, Sierra, Hakim, Adriana, Frannie, Ebo, Jesse, Matthew, Doc, Lindsay, Mickie, Maya, Laura, Emi, Nathan, Mikel, Mojdeh, Tank, Thadra, Robbie, Omari, Gypsee, Tristan, DaShade, Blue, Blythe, Tony, Rudy, Andrea, Ayinde, Abigail, Alex, Akua, Adam, Taalam, Rowie, Claire, Gabbi, Gabrielle, Genevieve, Goad, Taneka, Cass, Frank, Ryan, Valence, Evan, Josh, Nodalone, Neil, Briana, Brenna, Brit, Randy, Lydia, Jess, Naughtya, Eddie, Amy, Angelica, Caleb, Dylan, Dwain, Hakim, Lacey, Natasha, Zack, Panika, Amir, Chrysanthemum, Imani, Glori, Gigi, Tui, Jerri, Omni, Emanuelee, Ekabhumi, Javon, Jomar, George, Joyce, Joaquin, Mercedez, Mindy, Morris, Mckendy, Mayday, Matt, Esme, Brett, Dahled, Sam, Sevan, Suzee, Sabrina, Soul, Cheryl, Logan, Myrlin, James, Taz, Twain, Tova, Thomas, Crystal, Christa, Guante, Angelique, Colin, Theo, Jozer, Kealoha, Keith, Katie, Kat, Khary, Kataalyst, Bryan, Nazelah, Porsha, Daryl, Ian, Jon, Jay, Jeremyah, Jordan, Duke, FreeQuency, Flowmentalz, MrHumanity, Candy, Rage, Diamond, Nova, Tempest, Verbal, Vogue, Tapestry, Rooster, Toaster, Whoopeecat
Don, Damian and Danny, the Trinity of ABQ
AJ, RJ, RC, CR, GNO, IN-Q when initials were enough
Bowerbird just happy to be there
Mona turning spoken word into silent speech
Jeanne and Jim, no distance too far
Stephen and Julia with a Tattler
Arrian with a camera,
Inkera with a “welcome”
Clebo shirtless and rarefied
and Mighty Mike McGee, whose three names are always spoken as one
And after,
always after,
always underground
where only poets could enter
if you knew the password
the secret location
was Harlym125
the crownless king
holding court
for the best of us
to duel in the round
until last poet standing
but no cameras in the courtroom
no secrets from the sepulcher
no record made in this arena,
our Holy of Holies
Some of us were broken people
writing to survive
Some of us didn’t
some cut short by our own hands
some by fate we railed against
some by time, that takes us all
they all died too young
even the old ones
especially the old ones
Some of us never healed
some only healed through slam
because of the poems
because of the scores
because of the praise
because of the failures
because we got up again, and again and again
because we could banish our monsters
cast them back into darkness with wordmagic
because we would expose our sins
And find absolution by the last line
or because some stranger
we could not see under stage lights
said later in the lobby
or at the bar
or the afterparty,
“I loved that poem…
… you made me cry”
sometimes that alone was enough
perhaps too often,
it was enough
which is why we’re still here, still living
save one
and save the world entire
their tears saving us
from drowning ourselves
If not for the old days of poetry slam
we would not know each other
not have lived the stories in other skins
served in three-minute epics
or afterparties or hotel lobbies
we would not have a safe sofa,
a paying gig and eager crowd
in 50 cities and 500 small towns
a welcome smile from a host we’d never met
but who knew us intimately
from that poem,
you know the one
the one never that good
whose ending you tweaked
100 times trying to get right
but to someone, tonight,
it will be perfect
exactly what they needed to hear
“your poems are not good because”
you say over and over to yourself —
they’re not good —
to you —
swallowed in self-doubt and self-criticism,
but to someone,
tonight,
they are a masterpiece
wordmagic from a microphone
slammed by a wingless seraphim
halo lost in stage lights
chasing their monsters into the dark
The points weren’t the point
the point was poetry
we knew that, we knew the math:
1,590 teams went to nationals
only 118 touched finals stage
we went to lose
at nationals,
lose across states,
lose across town
hundreds of hours practicing
thousands of miles traveled
to be statistically eliminated on night one
to be cut from round two
to go over minute three
but we went to share
to become family
stay family
mourn lost family
you stopped caring about the scores
about winning
about fleeting victories
you cared about family
about impressing them with a poem
trying something new
and winning because
“your poems are good”
because you became the captured sincerity of a moment
the points weren’t the point
the point was we wiped clean
skin and status
age, accent and origin
to become stories in skinsuits
we were words walking
the bards, bhats, griots, skalds, seanchaithe,
of our slam scenes back home
and a family wherever we were
we knew that
in the “old days of poetry slam”
II
We forget now
the churning civil war inside ourselves
“The revolution will not be televised”
we believed wholeheartedly
poets may start revolutions,
but we don’t lead them
without an army, armed and funded
no one fights them
airwaves aren’t free
raised fists don’t rake in ratings
empty seats at finals add up over time
But we refused to be bought
we refused to cash in
we refused to sell out
even when bankruptcy came knocking
Our poems were never that good
but we believed our own bios
in the old days of poetry slam
Gaslit by our own press releases
we knew the money would come
the chapbooks would one day be bound
TV gigs and book deals were around the corner
bars would become Broadway
book thrift shops would lead to theaters
finals night would be standing-room only
MFAs were as good as MBAs
success would fall off the shelf
if this poem was perfect
this line was just right
if this hook had teeth
if we unfurled our dreams into a ship’s sail
we could make it to Avalon or Valinor
Penguin, Simon & Schuster,
Random House, HarperCollins
PBS or HBO’s Def Poets
presidential inaugurations,
UN floor speeches
White House dinners
Olympic openings
like the other poets who did
But we forgot
no one reads poetry anymore
no one reads print anymore
we pay to be published
selling books at slams
to make it to the next gig
and we’re left with
bookshelves of others’ words from
The old days of poetry slam
It was never enough to be brilliant
you have to do the work to prove it
sometimes you have to break into Harvard
and put your poetry book on the Woodberry shelf
for it to be found there
Now we count our scars and remember
the sins and stages, the dream teams
the host hotels and victory poems
hip-hop battles and haiku head-to-heads
nerd quizzes and fifth-wheel features
group pieces and late-night erotica
a trophy we once tore in half
the beautiful bouts 0.1 points apart
with the whim of a judge —
some college kid on a date
some mom from the suburbs
some closet writer with her journal at home
some wannabe rapper
some grizzled retiree reliving his youth
or sweet grandma seeing what the kids are doing now —
deciding between prize money and parting gift
We were Kings of Kings, shouting:
“Look on my words, ye Mighty, and despair!
All statutes crumble
All empires fall
All languages change over time
or die on lips of the last speaker
“The old days of poetry slam”
are the “old days” for a reason
and the reasons were legion,
but sometimes
but perhaps too often,
we were they
III
But words never die
not once uttered and amplified
they echo endlessly across eternity
or get swallowed back into the throat
for a new voice to speak
The new slam isn’t the old slam
it’s better, it’s worse,
it doesn’t follow the rules
that we belabored and bickered over at slammasters meetings
ensconced in scripture we printed before Nationals
but it’s here and it’s now
and it’s asking us to dance
the steps are new
the new music is different
but we learned the last time
and danced waltzes across stages
“Your poems are not good …”
we shout on social media
with a million reasons why
some don’t read other poets
some don’t read better poets
some shun critique or criticism
some forget it’s a gimmick not godhood
some outshine their mentors
some have no mentors to follow
some first drafts stay final drafts
some value victories over craft
notching one-night slams into headboards
like some of us did
time will cull or cure
like it did us —
we forgotten heroes uncelebrated
we word barons stripped of fiefdoms
we veterans with razorblade tongues
Our poems were never that good
but they were good enough
and the proof is new slam is here
in the echo of the old
They love slam like we did
because we taught them to
the high schooler in the back out past curfew
the fan who bought our chapbook with $1s
the one-time judge, drunk on our fire
the mourner who saw us grieve in public
watching a man cry without sin or shame,
the teen who added 100 to your view count
didn’t you see them?
were the stage lights too bright
in “the old days of poetry slam”?
When we gave up
when the old slam became old
when we euthanized it at 34
in the city where it was born
at a meeting of 200 who loved slam so much
we had to cut its throat
when we took ”kill your darlings” too literally
they rose up
where our words had sowed them
and built temples
with the blueprints we burned
enriching their soil with our echoes
A legacy isn’t a carbon copy
it’s not a clone or a rerun
children may have our names
but they are only half-us
half-someone else
wholly themselves
something new built on the old
they read our poems in school
in chapbooks, on websites
shared our voices, videos and clips
In mixtapes, LiveJournal, MySpace,
YouTube, Instagram, Facebook,
Tumblr, TikTok, TedX,
Button, Write About Now
They heard us say
“you are good enough”
“you are good enough”
“you are good enough”
like we were taught
and they believed us
even when we didn’t believe ourselves
they still believe us
because our poems were that good
they outlived their makers
words still speaking
“Poetry is Necessary”
like food, shelter, water, poetry is necessary
No cataclysm can kill poetry
manmade or otherwise,
not really, not forever,
it’ll rise from the corpses, the ashes,
the broken bones and fallen towers
emerge from the flood waters
that could kill,
but not drown
Team SNO taught us that
We martyred ourselves in suffering
on stages or pages
but not in vain
and not in silence
and someone was listening
even if we didn’t hear it
They heard about a thing called slam
how it could change the world some day
if the poem was perfect
the line was just right
if the hook had teeth
and when the old slam became old
they made it new again
The new slam isn’t the old slam
it’ll wander and conquer and collapse
and get back up, like we did
they will learn by doing, like we did.
they will learn by failing, like we did.
they will learn but getting up again and again and again
they will anoint new saints in new styles
they will take the ghost from our rebel skeleton
and outshine their ancestors
it is out legacy even if our name is absent
We were candles in the dark
but one can light another
and still burn brightly
our words remain to light the way
even if we don’t,
some new poets will become furnaces,
others bonfires,
some just brief matches and flashes in the pan
some will come in like a fireball,
burn into explosion and fade away into the dark
like some of us did
sometimes it’s enough
just to light the flame
Our poems were never that good
they didn’t have to be
but they were enough
to someone, somewhere
and sometimes,
perhaps too often,
that someone
was me
New slam is here
there are first-timers on stage
new voices in old skins
old voices with new poems
legends in renaissance
prodigies proving themselves
and audiences oblivious to the difference
but they heard about a thing called slam
because they’re here
our poems were good enough
they’re ready to listen to wingless seraphim
see halos in stage lights
show them the glory
of the old days
in the new temples
leave them changed, bettered and brighter
like in “the old days of poetry slam”
There’s a sign up list
and a hot mic
if you have a poem to share
or an open seat for tonight
if you want to lend your ears
They just want to be heard
like we did
want to say to us —
but more so to themselves —
“you are good enough”
“you are good enough”
“you are good enough”
and hear us answer
sincerely
simply,
with hope
and with thunderous applause
Reclaiming the Stage: A Slam Poet’s Retrospective
Christopher Fox Graham’s poem, “Your Poems Are Not That Good Because (A Response),” serves as a heartfelt homage to the evolution of slam poetry. Through vivid recollections, Graham chronicles the journey from the early days of slam—marked by raw energy and communal passion—to its present state, reflecting on the art form’s challenges and triumphs.
The Pulse of Slam: Community, Competition, and Catharsis
Graham delves into the essence of slam poetry, highlighting its role as a platform for marginalized voices and a catalyst for personal and collective transformation. He emphasizes the communal bonds forged through shared experiences on stage, where poets confront personal demons and societal issues alike, seeking solace and solidarity in the rhythm of spoken word.
Legacy and Renewal: The Ever-Evolving Art of Slam
Acknowledging the inevitable changes within the slam community, Graham reflects on the new generation of poets who carry the torch forward. He underscores the importance of mentorship and the enduring impact of past performances, asserting that while styles may evolve, the core mission of slam—to give voice to the voiceless—remains steadfast.
Discover More About Christopher Fox Graham
Christopher Fox Graham is a prominent figure in the Arizona poetry scene, known for his dynamic performances and contributions to the slam community. With a career spanning over two decades, he has represented Flagstaff and Sedona on multiple National Poetry Slam teams and continues to mentor emerging poets.
To explore more about Graham’s work and his impact on the poetry world, visit his official biography.
