Oh, land of the cactus and yucca,
Of towering rock and of sand,
Where silence is king of the daytime,
And the stars rule the night with their band.
Oh, land of the old and the mystic,
Of legends that linger and glow,
In the hearts of the men who have loved thee,
And the spirits that wander below.
Sharlot Madbirdth Hall (1870–1943) was an American historian and poet who wrote extensively about Arizona and its landscapes.
Sharlot Mabridth Hall (October 27, 1870 – April 9, 1943) was an American poet, historian, and pioneering woman whose works and efforts have left an indelible mark on the cultural and historical landscape of Arizona and the American Southwest. Born in Lincoln County, Kansas, Hall moved with her family to the Arizona Territory in 1882, a journey that would deeply influence her life’s work.
Hall’s early years in the rugged and untamed territory of Arizona fostered a deep connection to the land and its history. Her family settled in the Granite Creek area, near present-day Prescott, where she was exposed to the diverse cultures and stories of the region. These experiences profoundly shaped her writing and historical pursuits.
As a poet, Hall’s work is celebrated for its vivid depictions of the Arizona landscape and its people. Her poetry captures the spirit and beauty of the Southwest, often drawing on her own experiences and the rich tapestry of local legends and history. Hall’s verses reflect her deep love for the land, as well as her keen observations of its natural beauty and cultural complexities.
In addition to her poetry, Sharlot M. Hall was a dedicated historian and preservationist. She was appointed Territorial Historian in 1909, the first woman to hold an office in the Arizona Territorial government. In this role, she tirelessly collected and preserved the documents, stories, and artifacts that told the story of Arizona’s past. Her efforts culminated in the establishment of the Sharlot Hall Museum in Prescott, which remains a vital institution for the preservation of Arizona’s heritage.
Hall’s contributions to literature and history were recognized in her lifetime and continue to be celebrated today. She published several volumes of poetry, including “Cactus and Pine: Songs of the Southwest” (1910), which remains a significant work in the canon of Southwestern literature. Her poems often explore themes of nature, pioneer life, and the enduring spirit of the people of the Southwest.
Despite the challenges of being a woman in a male-dominated field, Hall’s determination and passion for her work earned her respect and recognition. She was a trailblazer who broke barriers and paved the way for future generations of women historians and writers.
Sharlot M. Hall passed away on April 9, 1943, but her legacy lives on through her writing and the museum that bears her name. The Sharlot Hall Museum continues to honor her memory and contributions, serving as a testament to her life’s work and dedication to the preservation of Arizona’s history and culture.
Hall’s life and work remain an inspiration, reflecting the power of resilience, the importance of preserving history, and the beauty of the American Southwest. Her poetry and historical endeavors have ensured that the stories and spirit of Arizona will be remembered and celebrated for generations to come.
Born along the captivating shores of Palm Beach, Florida, The Klute emerged with a deep affinity for the enigmatic creatures that dwell beneath the ocean’s surface. Nurturing a profound love for sharks, he became an advocate for their preservation, employing the medium of spoken word to raise awareness and champion their cause. From the majestic great whites of Isla Guadalupe, Mexico, to the graceful reef sharks of Egypt’s Red Sea coast, he has traversed the waves alongside these magnificent beings.
A poet of extraordinary talent, The Klute has represented the cities of Mesa, Phoenix, and Sedona at the National Poetry Slam a remarkable 10 times between 2002 and 2014. His poetic prowess has graced legendary venues such as Vancouver’s Cafe Deux Soliels and New York City’s Bowery Poetry Cafe, while also sharing stages with renowned spoken word superstars like Saul Williams and Amber Tamblyn.
In 2014, Brick Cave Media published a collection of his chapbooks titled “Klutocrypha, Vol.1,” showcasing the depth and brilliance of his poetic voice. His poems have been featured in anthologies published by Sergeant Press, Write Bloody, and Four Chambers Press, establishing him as a respected literary presence. In 2016, he embarked on a nationwide tour in support of his chapbook “Chumming the Waters,” followed by the release of his “Hate You Can Trust“. Both works serve as a testament to his commitment to sharks, with all profits donated to Fins Attached, a shark conservation organization based in Colorado Springs.
The Klute’s unique blend of political commentary, sharp wit, and captivating delivery has garnered acclaim from fellow artists and critics alike. Jesse Parent, a prominent YouTube sensation from Salt Lake City, lauds The Klute’s ability to deliver honest and profound observations on the political landscape while maintaining an engaging and humorous style. Meanwhile, Ed Mabrey, a TedX Speaker and Emmy Award Winner, places The Klute among the pantheon of great political satirists, recognizing his insightful and impactful contributions.
Throughout his poetic journey, The Klute has amassed a collection of accolades, including being crowned the 2005 Mesa Poetry Slam Grand Slam Champion and achieving the status of Semi-Finalist at multiple National Poetry Slam competitions. His unwavering dedication to the craft has earned him the admiration and respect of his peers.
Aaron Hopkins-Johnson is an artist and writer from Phoenix, AZ. The 2001 International Poetry Interpretation Champion has performed with the who’s who of the spoken word genre – Gil-Scot Heron, Saul Williams, Michael C Ford, Buddy Wakefield, B Dolan, CR Avery, Watsky, Diana Gabaldon, Lemony Snicket, Derrick Brown, Andrea Gibson, Henry Rollins, Rachel McKibbens, Rudy Francisco, and Jello Biafra. Hopkins-Johnson was the 2001 International Poetry Interpretation Champion (International Forensics Association), the Program Director of Operations at NORAZpoets, two time member of the Flagstaff Poetry Slam Team, the host of Monday Night Open Mic at Applesauce Teahouse in Flagstaff, AZ, the slammaster of FlagSlam from 2006 – 2008, the Arcosanti Slab City Slam Regional Haiku Champion, a two time member of the Phoenix Poetry Slam Team, a National Poetry Slam Haiku Deathmatch Finalist, event coordinator of the Southwest Shootout Regional Qualifiers, event director of the Treetop Poetry Regional Poetry Slam, organizer of sketch comedy show and pioneering online streaming show First Friday Night Live, and the event coordinator of the 2014 Individual World Poetry Slam. He is a recipient of a project grant from AZ Humanities Council, ‘We Are One’ Grant from the City of Glendale, ‘Public Art’ grant from the City of Phoenix Council of the Arts, a Mesa Center for the Arts teaching artist, and facilitator of programming and benefactor of project grants from the National Endowment of the Arts, and the Arizona Arts Commission. Aaron Hopkins-Johnson ran Lawn Gnome Publishing from 2004 until 2023, hosting or organizing events in Arizona, almost daily, for 20 years.
He has released several collections of poetry including “Roach Killer For Her”, “Chainsawsmoking”, “Rights4Lefty”, “Watering The Poetry”, and “Irony Stinks: My Life Is Irony”. He is retired from projects, businesses, and public performances.
Bill Campana is a poet who defies conventions and leaves audiences spellbound with his razor-sharp and entertaining poetry. With a career rooted in the vibrant 1990s poetry slam movement, Bill Campana has established himself as a versatile writer, exploring various styles and ideas in his published works and poetry recordings.
Known for his electrifying live performances, Bill Campana unleashes a relentless barrage of linguistic observations that hit you like a pocket pistol of poetic brilliance.
As a testament to his skill and talent, Bill Campana has proudly represented the Mesa National Poetry Slam Team on multiple occasions. His performances have earned him a well-deserved reputation as the loudest voice in poetry slam.
Beyond the realm of slam poetry, Bill Campana’s written works showcase his ability to traverse diverse styles and genres, proving his versatility as a writer. With an extensive body of published work, with releases on Brick Cave Media and Hoot n Waddle Press, he has crafted poems that both challenge and engage readers, showcasing his mastery of language and his fearless exploration of unique ideas.
Whether you’re a poetry enthusiast or a newcomer to the art form, Bill Campana’s poetry will leave an indelible mark on your soul. Prepare to be swept away by the intensity and brilliance of his words as he transports you to new realms of emotion and imagination.
Jimmy Santiago Baca is a renowned American poet and writer whose transformative journey from a troubled youth to a celebrated literary figure stands as a testament to the power of resilience and the redemptive potential of the written word. Born on January 2, 1952, in Santa Fe, New Mexico, Baca’s early life was marked by hardship and turmoil. Abandoned by his parents at a young age, he grew up in an orphanage and later, on the streets, which led him down a path of delinquency and eventual incarceration.
It was during his time in prison that Baca discovered the profound power of poetry. Initially illiterate, he taught himself to read and write, using words as a lifeline to transcend the confines of his cell and the constraints of his past. His early poems, written on scraps of paper and smuggled out of prison, began to attract attention for their raw emotion and lyrical beauty.
Upon his release, Baca’s poetic voice continued to flourish. He published his first major collection, “Immigrants in Our Own Land,” in 1979, which garnered critical acclaim for its unflinching portrayal of life behind bars and the struggles of marginalized communities. This was followed by several other collections, including “Martin & Meditations on the South Valley,” which won the American Book Award in 1989.
Baca’s poetry is characterized by its powerful imagery, emotional depth, and social consciousness. His work often reflects his own experiences and challenges, addressing themes of identity, oppression, and the quest for personal redemption. Through his words, Baca offers a voice to the voiceless, shedding light on the experiences of those who are often overlooked by society.
Jimmy Santiago Baca’s connection to Arizona is both personal and professional, enriching his life and work with the unique experiences and landscapes of the region. Baca has spent significant time in Arizona, where he has engaged deeply with local communities through his writing and advocacy work. His time in Arizona allowed him to connect with the rich cultural tapestry of the state, particularly its diverse Latino communities, which have influenced his perspectives and writings.
In Arizona, Baca has been involved in numerous literary and educational initiatives, often working with schools, universities, and community organizations to promote literacy and creative expression. He has conducted writing workshops and readings across the state, inspiring students and aspiring writers with his story of transformation and the power of the written word. His engagements in cities like Phoenix and Tucson have solidified his role as a mentor and advocate for those seeking to find their voice through poetry and storytelling.
Baca’s experiences in Arizona have also informed his activism, particularly in advocating for the rights and education of at-risk youth and prisoners. His nonprofit organization, Cedar Tree, Inc., has partnered with various Arizona-based organizations to provide resources and support for marginalized individuals, helping them to harness the power of writing as a means of personal and social change.
Beyond his work as a poet, Baca has made significant contributions as a writer and educator. He has published several memoirs, novels, and screenplays, all of which continue to explore the themes central to his poetry. His memoir, “A Place to Stand,” which details his early life (some of which takes place in Southern Arizona) and his journey through incarceration to literary success, was adapted into a critically acclaimed documentary.
In addition to his literary achievements, Baca is deeply committed to social justice and education. He founded the nonprofit organization Cedar Tree, Inc., which is dedicated to providing educational resources and support to at-risk youth, prisoners, and marginalized communities. Through workshops and outreach programs, Baca empowers individuals to find their own voices and to use writing as a tool for personal and social transformation.
Jimmy Santiago Baca’s journey from illiteracy and incarceration to becoming one of America’s most influential poets is a powerful testament to the transformative power of education and creativity. His work continues to inspire and challenge readers, offering a profound exploration of the human condition and the enduring quest for freedom and justice.
Discover more Arizona poets and poetry HERE.
Edward Paul Abbey, born on January 29, 1927, in Indiana, Pennsylvania, left an indelible mark on American literature and environmental activism. A fervent advocate for the American Southwest, Abbey’s best-known works include the iconic novel “The Monkey Wrench Gang” and the influential non-fiction piece “Desert Solitaire.” His writings not only critiqued public land policies but also echoed anarchistic political views, embodying a spirit of rebellion and deep environmental consciousness.
Abbey’s journey into the heart of the Southwest began in 1945, when, as a rebellious 18-year-old, he ventured into the Four Corners region. The crags, pinnacles, and vast silences of the desert resonated with his soul, creating a lifelong connection with the land where the tangible and the mythical converged.
Despite a stint in the military police during his early adulthood, Abbey’s distrust for authority and large institutions only deepened. His military experience, marked by demotions due to his opposition to authority, further fueled his anarchist beliefs. Taking advantage of the G.I. Bill, Abbey pursued higher education at the University of New Mexico, earning degrees in philosophy and English.
During his undergraduate years, Abbey’s role as an editor saw him publish an article titled “Some Implications of Anarchy,” which foreshadowed his lifelong defiance of societal norms. His master’s thesis delved into anarchism and the morality of violence, showcasing Abbey’s intellectual depth and his commitment to challenging the status quo.
In 1957, Abbey’s creative journey led him to Stanford University on a Wallace Stegner Creative Writing Fellowship. However, his love affair with the American Southwest endured. Abbey became an enduring figure in the literary and environmental landscape, with his commitment to nature and disdain for overbearing authority evident in his works.
The desert, with its rugged beauty, became the canvas for Abbey’s words. His passion for the region translated into a fervent call for environmental conservation. Abbey’s tireless efforts in this regard, coupled with his literary legacy, continue to inspire generations.
Edward Abbey passed away on March 14, 1989, in Tucson, Arizona. True to his irreverent spirit, Abbey left behind instructions for his final rites. He wanted his body to nourish the growth of the Southwest’s flora, rejecting conventional burial practices. Abbey’s legacy lives on not only in the arid landscapes he so dearly loved but also in the hearts of those who find inspiration in his written words.
For those who wish to delve deeper into Abbey’s profound connection with the Southwest and his literary achievements, his works remain a vital resource. “Desert Solitaire” and “The Monkey Wrench Gang” stand as testaments to his enduring influence on environmental literature and activism.
Explore and learn more about poets and poetry from Arizona HERE.
By exploring Edward Abbey’s life and work, readers can gain a deeper appreciation for the unique beauty of the Southwest and the importance of environmental conservation. Abbey’s writings continue to resonate, offering timeless insights into the human condition and our relationship with the natural world.
Austin Davis is a multifaceted artist and advocate whose work spans poetry, music, and social activism. Born in Indiana, Davis found his creative and activist calling after moving to Arizona, where he pursued a degree in creative writing at Arizona State University. His deep commitment to both his art and community has made him a significant figure in the Arizona cultural and advocacy scenes.
As a poet, Davis has made a considerable impact with his evocative and thought-provoking works. He is the author of two critically acclaimed poetry collections, “Lotus & The Apocalypse” and “Compulsive Swim.” His poems often explore themes of existential reflection, personal growth, and the complexities of human experience. Davis’s ability to convey profound emotions and intricate thoughts through his lyrical and accessible style has garnered him a dedicated following.
In addition to his literary accomplishments, Davis is also a musician. He creates music under the name LOTUS, blending his poetic sensibilities with melodic expression to create a unique artistic fusion. His music, much like his poetry, delves into the depths of the human condition, offering listeners a poignant and immersive experience.
Beyond his artistic endeavors, Davis is a passionate advocate for those experiencing homelessness. He is the founder of AZ HUGS (Homeless United Giving and Service), an organization dedicated to providing support, resources, and a sense of community to individuals facing homelessness in Arizona. Through AZ HUGS, Davis organizes outreach events, donation drives, and community-building activities aimed at addressing the immediate needs of the homeless population and fostering long-term solutions.
Davis’s commitment to social justice and his empathetic approach to advocacy have made a tangible difference in the lives of many. His work with AZ HUGS exemplifies his belief in the power of community and the importance of extending compassion and support to those in need.
Born in Indiana and shaped by his experiences in Arizona, Austin Davis continues to inspire through his words, music, and actions. His dedication to his craft and his community serves as a testament to the impact one individual can have when they combine their passion with purpose. Whether through a stirring poem, a soulful song, or a heartfelt act of service, Davis’s contributions resonate deeply, reflecting his unwavering commitment to making the world a more understanding and compassionate place.
In his poetry collection “Lotus & The Apocalypse,” Davis explores themes of apocalypse and renewal, using vivid imagery and reflective narratives to capture the essence of human resilience and vulnerability. “Compulsive Swim” takes readers on a journey through the turbulent waters of mental health, relationships, and the search for self-understanding. Both collections showcase his talent for intertwining personal anecdotes with universal themes, making his work relatable and impactful.
As a musician under the moniker LOTUS, Davis’s songs echo the poetic nature of his written work. His music blends elements of indie, folk, and spoken word, creating a sound that is both haunting and uplifting. Through his performances, Davis creates an intimate atmosphere, drawing audiences into his contemplative and often introspective world.
Davis’s role as a community leader is perhaps most evident in his work with AZ HUGS. He has spearheaded numerous initiatives to support the homeless community in Arizona, including organizing food and clothing drives, providing essential supplies, and offering a platform for the voices of those who are often marginalized. His hands-on approach and genuine concern for the well-being of others have earned him respect and admiration from those he serves and the broader community.
In addition to his direct work with AZ HUGS, Davis frequently collaborates with other organizations and activists to amplify their efforts and bring about positive change. He believes in the power of collective action and strives to build a network of support that extends beyond immediate relief, aiming for systemic changes that address the root causes of homelessness.
Austin Davis’s journey from Indiana to Arizona is marked by his unwavering dedication to his art and advocacy. His poetry and music provide a platform for exploring deep and often challenging emotions, while his work with AZ HUGS demonstrates his commitment to making a tangible difference in the world. Through his multifaceted approach to life and work, Davis continues to inspire others to engage with their communities and pursue their passions with purpose and empathy.
In every aspect of his life, from the lines of his poetry to the melodies of his music and the compassionate actions he takes daily, Austin Davis embodies the spirit of creativity and kindness. His story is a powerful reminder of the impact one person can have when they channel their talents and energies toward making the world a better place for everyone.
Discover more poets and poetry through AZpoetry.com HERE.
Ryan Brown’s poetic journey began in 2007 when he discovered Flagstaff’s FlagSlam, a vibrant poetry community that ignited his passion for spoken word. Brown, alongside a small group of like-minded young people, began writing poetry, eventually stepping into the role of Slammaster in the fall of 2008. This pivotal year saw the Flagstaff poetry scene flourish, with notable features such as Gypsee Yo and Andrea Gibson gracing the Flagstaff stages for the first time. Their performances reinvigorated a slam community that pulled poets from Northern Arizona University, Sedona, and Phoenix, creating one of the largest and most consistent poetry slams in Arizona.
After slamming at his first National Poetry Slam in 2008, Brown honed his writing to focus on themes of community, social networking, and the timeless topics of love, intimate relationships, and human connection. His dedication to these ideals and his craft earned him a place on the Flagstaff National Poetry Slam Teams in 2008, 2009, 2010, and 2012. He was also part of the 2008 National Poetry Slam semifinalist team.
Teaming up with Frank O’Brien on Flagstaff Nationals teams in 2008, 2009, and 2010, Brown’s journey took an interesting turn when he worked on herb and coffee farms in Hawaii in late 2010. This period of introspection and hard work eventually led him back to Northern Arizona University (NAU), where he pursued an English degree, graduating with the class of 2012.
Ryan Brown’s contributions to the FlagSlam scene have been instrumental in its growth and sustainability. The weekly poetry slams at Firecreek Coffee Co. thrive in an all-ages environment, drawing upwards of 100 people on school nights and attracting poets from miles away. His leadership and passion have helped build a robust and dynamic poetry community in Flagstaff.
Beyond poetry, Brown’s interests are as diverse as his talents. He is an avid baseball fan, skateboarder, and enjoys deep, meaningful conversations on patios with a few good friends or his brothers. These elements of his life enrich his poetry, bringing authenticity and relatability to his work.
Arizona poet, Ryan Brown credits John Cartier, Frank O’Brien, Jessica Guadarrama, Aaron Hopkins-Johnson, and Josh Wiss as his biggest influences, both in poetry and life. These individuals have shaped his poetic voice and personal philosophy, inspiring him to explore the depths of human emotion and connection through his art.
Ryan Brown’s journey is a testament to the power of community, the importance of creative expression, and the enduring human spirit. His poetry continues to resonate with audiences, capturing the essence of love, relationships, and the intricate web of human connections that define our lives.
Discover more poets and poetry from Arizona HERE.
Harold Branch, is sometimes affectionately known as HB or Homebase. Or as he says in one of his most well-known poems, “I am the Kaiser Sozer of falling down.” This mini biography invites you to explore the transformative path that led Harold from adversity to becoming a prominent figure in Phoenix’s vibrant creative community.
Harold Branch’s early years were marked by challenging family circumstances and the hurdles of navigating life as a young man. Growing up, he faced obstacles that resulted in him leaving high school without completing his education. However, in the face of adversity, Harold’s determination and resilience prevailed.
Fortuitously, a ray of hope emerged when Harold discovered an opportunity through the Genesis West program at EMCC (Estrella Mountain Community College). This program provided a chance for individuals who had previously dropped out of high school to simultaneously earn their diploma while pursuing a college degree. It was within this transformative environment that Harold found his calling and began his journey towards self-discovery and poetic expression.
As a key figure within Phoenix’s creative community, Harold Branch is the visionary founder of HomeBase Poetry (and promotion company Good Energy Productions), a groundbreaking open mic poetry event that has become one of the largest of its kind in the country. HomeBase Poetry serves as a haven for artists to share their voice, connect with like-minded individuals, and find solace in the power of spoken word.
With his magnetic stage presence and lyrical prowess, Harold captivates audiences with his poignant and thought-provoking performances. His words carry the weight of his personal experiences, serving as a testament to the resilience of the human spirit and an invitation for others to embrace their own unique narratives.
Harold Branch’s journey from hardship to poetic inspiration is a testament to the transformative power of art and the human capacity for growth and triumph. Through his creative endeavors and tireless dedication, he continues to uplift and empower individuals within his community and beyond.