Category: Poem Of The Day

Arizona Poem of the Day from AZPoetry.com

Goldfish poem by Beth May | AZpoetry.com

“Goldfish” by Beth May

grandma and I are caught in Loops hi
it’s B I’m good how are you I live in
Los Angeles and I love it traffic’s bad
but it gives me time to think my name
it’s Beth I live in LA and it’s great
traffic I hate it it’s Beth Grandma my
name is
Beth it is a myth that goldfish have a 3
second memory scientist there is
evidence that many fish including
goldfish have memories that last months
if not years one goldfish will call him
Howard just because learn to associate a
specific sound with food and perform
tricks when cued by the sound even after
a f month break no offense to scientists
but it blows my mind that they
know so much about goldfish and so
little about dementia grandma is losing
her memory becoming a paranoid pool
string of racism and worry I am worried
that she has always been this person she
just forgot that she shouldn’t be
grandma is losing her memory and I am
losing my patience I begun to treat
grandma like a goldfish like a
decoration best admired from across the
room not to be removed from her fragile
enclosure like drown on dry land Grandma
used to give the best hugs but now she
clings on for dear life she hates when
people say goodbye but does not realize
that she is the one leaving grandma and
I are both forgetting all the time she
is forgetting my face and I am
forgetting the person she used to be I
forgetting a grandma who is not a bitter
bigot a chore whose words do not disgust
me I’m remembering the fear that I will
be next that hate will bore its way into
me like it did grandma or worse that it
is already here grandma is forgetting
her life and I am forgetting how to love
what she has become we are mourning
Grandma while she is still awake talking
about her and uncertain Whispers as if
she is an unhelpful Prosper clue and the
puzzle that is her life and where we fit
in and where it ends as if it hasn’t
already ended Grandma shows me death
while we are both living reminds me that
I’ll be
forgotten so I memorize the poem and
call it Legacy I miss my old grandma but
call the new one family I forget if I am
losing grandma or losing my
Humanity I catch Grandma in Loops
introduce myself with the unkindness of
pretending I’m somebody I’m not but the
kindness of pretending I’m somebody
worth remembering they say wisdom comes
with age but I think there is a wisdom
in knowing it doesn’t that it can depart
us at any time like a name on the tip of
a tongue Grandma cannot remember my name
does not recognize that I’m caught in
the same Loop she
is hi it’s Beth I live in Los Angeles
and sometimes I feel so
alone the traffic’s awful but it reminds
me that we’re all going somewhere my
name it’s Howard the
Goldfish I’ll remind you in three
seconds that I love
you

Transcribed from the video “Goldfish” by Beth May

About the poet Beth May

Beth May’s poem Goldfish is a poignant exploration of the unraveling nature of memory, as she reflects on her grandmother’s battle with dementia. Through the lens of love, frustration, and the inevitable loops of forgetting, May juxtaposes the scientific precision of a goldfish’s memory with the emotional fragility of her grandmother’s fading identity. The poem mourns a loved one who is still alive but slipping away, while also wrestling with May’s own fears of forgetting, becoming, and the generational echoes of love and loss. It is a raw, unfiltered conversation about what it means to remember someone—and to let them go.

Beth May, a poet, writer, and performer raised in Phoenix, Arizona, brings her deeply personal experiences to life through her evocative and emotionally charged works. Now based in Los Angeles, she continues to explore themes of identity, mental health, and relationships through poetry, acting, and storytelling. You can read more about Beth’s work, including her poetry book The Immortal Soul Salvage Yard and her spoken word album Sunday Scaries, on her author page.

Read more poetry by writers inspired by Arizona HERE.

Hooked Claus by The Klute | AZpoetry.com

‘Hooked Claus’ by The Klute

For the longest time,
no one remembered how we were partners,
the Good Cop and Bad Cop of Yuletide,
a symphony of jingle bells and rattling chains
‘ere we drove out of sight.
How disturbed must they have been by the thought of me
looking over your shoulder and salivating
as you added children to the naughty list
for transgressions great and small.
You were the carrot,
oranges in the stocking,
presents under the tree,
half-eaten cookies as a reminder that you were there.
I was the stick,
birch branches in hand,
bathtub on my back,
my stew-pot bubbling in anticipation of fresh meat.
You were the red and green of holly and mistletoe,
I was the poison.

From the first,
I have been with them.
Born of the sands of Egpyt,
I was Abo Ragl Ma Slokha,
Man with the Burnt Leg,
bane of wicked tots.
Parents around the world would conjure me in story,
the Namahage,
le Croque-mitten,
Baba Yaga,
El Coco,
to keep their brats in line.
In their stories,
they always gave me horns,
yellow eyes,
a cloven hoof at the end of one leg,
a misshapen foot on the other,
my teeth sharp,
tongue so long it could reach them from under the bed
to taste their nightmares.
When I crossed the Alps, followed the Danube,
I found a new home under the Solstice moon.
As the fires of Yule cheer burned in the village squares,
I shouted my name so loud that every child would remember it,
whisper it to each other between shudders:
I
AM
THE
KRAMPUS!!!
When the willful boy or indolent girl came to a bad end
parents would remind the kinder:
Behave or the Krampus will come for you too.

When we first met, Santa Claus,
I thought you were there to kill me.
You came to my cave in regal glory.
Father Christmas! Jolly Old Saint Nick!
Your light washed away the darkness so I had no place to hide.
Trapped, I thought you were there to finally bring a gift
to those excluded as an annual tradition.
You cannot imagine my surprise when you extended your hand,
asked “won’t you ride my sleigh tonight?”.
You put me in chains as a precaution,
you still felt my wicked heart beat beneath my goatish chest,
but left me my bundle of sticks
because as you said: spare the rod, spoil the child.
Why does no one ever see the shadow behind your rosy cheeks?
Over the years, we brought so many children to goodness,
I rarely ate.
I did not mind,
I was able to drink in their fear like an elixir.

Then one foggy Christmas eve,
I noticed your sleigh was now driven by a broken buck with a freakish nose, your retinue filled out with polar bears drinking caramel-colored sugar water, the sack was filled with things never seen in your workshop before.
My eyes full of terrible wonder,
you leaned in,
smiled,
said one word: “Plastics“.
I did not like the sound of it.
As we flew over the city and marched down the streets,
your image was everywhere.
On billboards, in newspaper ads, on TV, in shopping malls.
I would have no part of this,
with sadness in your voice, you agreed: I would have no part of this.
You banished me back to the cave,
exiled into fading memory.

But I feel them pulling me back,
through of the Black Forest,
past the gingerbread house,
out of the fairy tales,
and into a cage.
They are corking my teeth,
dumping out my stew-pot,
reeling my tongue back in,
making me safe,
making me fun,
making me marketable.
It will not be long before I star in the limelight of cartoons,
baked into the shape of cookies,
imprisoned within  wrapping paper.
When I am a triumph marched down 5th Avenue on Thanksgiving,
I will know they have checked me off their list,
now as gelded as Donner and Blitzen.
I see you up there on your sleigh,
and for the first time since we first met, Santa Claus,
the Krampus is afraid.

About the Poet, The Klute

The Klute was arguably the most recognizable voice from Arizona during the poetry slam movement of the 1990’s – 2000’s. His early work is often humorous. Later in life, The Klute’s poetry took on a more serious tone, with the poet’s primary focus on increased awareness of ocean life. Today’s poem is a humorous poem, a parody of a serious poem by a slam poet from Utah, Jesse Parent. Learn more about The Klute HERE.

Discover more poetry inspired by Arizona HERE.

Thanksgiving Prayer poem by William S. Burroughs | AZpoetry.com

“Thanksgiving Prayer” by William S. Burroughs

thanksgiving day november 28th, 1986

thanks for the wild turkey and passenger pigeons
destined to be [  ] out through wholesome american guts
thanks for a comment to despoil and poison [Music]
thanks for indians to provide a modicum of challenge and danger
thanks for vast herds of bison to kill and skin leaving the carcasses to rot
thanks for bounties on wolves and coyotes
thanks for the american dream you vulgarize and falsify until the bear lies shine through
thanks for the kkk for [  ] killing long and feed in their notches
thanks for decent church going women with their mean ancient bitter evil faces
[Music]
thanks for killing queer for christ stickers
thanks for laboratory age
[Music]
thanks for prohibition and the war against drugs
[Music]
thanks for a country where nobody is allowed to mind his own business
thanks for a nation of things
yes thanks for all the memories all
right let’s see your arms
you always were a headache and you
always were a bore
thanks to the last and greatest betrayal
of the last and greatest
of human dreams
[Music]
you

Transcription from the video “Thanksgiving Prayer” by William S. Burroughs and Vimeo.

About the poet, William S. Burroughs

Arizona plays an unexpected yet significant role in preserving Burroughs’ legacy. The Hayden Library at Arizona State University in Tempe is home to a collection of Burroughs’ papers and manuscripts. Learn more about the William S. Burroughs Collection and his ties to Arizona HERE.

Read more poetry inspired by Arizona HERE.

They Don't Love You Like I Love You poem by Natalie Diaz AZpoetry.com

“They Don’t Love You Like I Love You” by Natalie Diaz

they don’t love you like i love you
my mother said this to me long before
beyonce lifted the lyrics from the yeah yeah yeahs
what my mother meant by don’t stray
was that she knew all about it the way
it feels to need someone to love you
someone not your kind someone white
someone some many who live because so
many of mine have not and further live
on top of those of ours who don’t
i’ll say say say i’ll say say say what
is the united states if not a clot of
clouds if not spilled milk or blood if
not the place we once were in the
millions
america is maps
maps are ghosts
white and layers of people and places i
see through
my mother
like your mother has always known best
knew that i’d been begging for them to
lay my face against their white labs to
be held in something more than the loud
light of their projectors as they
flicker themselves sepia or blue all
over my body
all this time i thought my mother said
wait as in give them a little more time
to know your worth
when really she said wait
meaning heft preparing me for the yoke
of myself the beast of my country’s
burdens which is less worse than my
country’s plow
yes when my mother said they don’t love
you like i love you she meant natalie
that doesn’t mean you aren’t good

Transcribed from the video “Natalie Diaz: They Don’t Love You Like I Love You” by Natalie Diaz and Mellon Foundation.

About the poet Natalie Diaz

With references to songs “Hold Up” by Beyonce and “Maps” by The Yeah Yeah Yeahs, this poem takes popular music references and invites us into the privacy of the poet’s family life to share their feelings and path to healing. Learn more about Natalie Diaz HERE.

Maps by The Yeah Yeah Yeahs

Hold Up by Beyonce

A House Called Tomorrow poem by Alberto Rios | AZpoetry.com

“A House Called Tomorrow” by Alberto Rios

a house called tomorrow you are not 15
or 12 or 17 you are a hundred wild
centuries and 15 bringing with you in
every breath and in every step everyone
who has come before you all the use that
you have been the mothers of your mother
the fathers of your father if someone in
your family tree was trouble a hundred
were not the bad do not win not finally
no matter how loud they are we simply
would not be here if that were so you
are made fundamentally from the good
with this knowledge you never march
alone you are the breaking news of the
century you are the good who has come
forward through it all even if so many
days feel otherwise but think when you
as a child learned to speak it’s not
that you didn’t know words it’s that
from the centuries you knew so many and
it’s hard to choose the words that will
be your own from those centuries we
human beings bring with us the simple
solutions and songs the river bridges
and star charts and song harmonies all
in service to a simple idea that we can
make a house called tomorrow what we
bring finally into the new day every day
is ourselves and that’s all we need to
start that’s everything we require to
keep going look back
only for as long as you must then go
forward into the history you will make
be good then better write books cure
disease make us proud
make yourself proud and those who came
before you when you hear thunder hear it
as their applause

Transcribed from the video “Alberto Ríos: Dear Poet 2019” by Poets.org and Alberto Rios.

About the poet Alberto Rios

Discover the brilliance of Alberto Ríos, Arizona’s inaugural Poet Laureate and a celebrated author whose works capture the beauty of the Southwest and the complexity of human connection. Explore more about his life and poetry on HERE.

A Cowboy's Prayer poem by Badger Clark | AZpoetry.com

“A Cowboy’s Prayer” by Badger Clark

A Cowboy’s Prayer

(Written for Mother)

Oh Lord, I’ve never lived where churches grow.
I love creation better as it stood
That day You finished it so long ago
And looked upon Your work and called it good.
I know that others find You in the light
That’s sifted down through tinted window panes,
And yet I seem to feel You near tonight
In this dim, quiet starlight on the plains.

I thank You, Lord, that I am placed so well,
That You have made my freedom so complete;
That I’m no slave of whistle, clock or bell,
Nor weak-eyed prisoner of wall and street.
Just let me live my life as I’ve begun
And give me work that’s open to the sky;
Make me a pardner of the wind and sun,
And I won’t ask a life that’s soft or high.

Let me be easy on the man that’s down;
Let me be square and generous with all.
I’m careless sometimes, Lord, when I’m in town,
But never let ’em say I’m mean or small!
Make me as big and open as the plains,
As honest as the hawse between my knees,
Clean as the wind that blows behind the rains,
Free as the hawk that circles down the breeze!

Forgive me, Lord, if sometimes I forget.
You know about the reasons that are hid.
You understand the things that gall and fret;
You know me better than my mother did.
Just keep an eye on all that’s done and said
And right me, sometimes, when I turn aside,
And guide me on the long, dim, trail ahead
That stretches upward toward the Great Divide.

About the poet Badger Clark

“A Cowboy’s Prayer” was originally written and published in the 1910s by Badger Clark. The poem explores the poet’s musings on faith, career, and landscape as pillars of American life. Learn more about the poet HERE.

Artwork inspired by poem Here's What You Do by Mikel Weisser | AZpoetry.com

“Here’s What You Do” by Mikel Weisser

Here’s what you do:
You take every chance to make it
Never say no to anything
If you want it
Take the minute to take that every effort
‘cause chances not only come
But they go
Here’s where you go
You go that extra mile wherever it takes you
You go where you must
Where only fools tread
You go that extra mile
Especially when no one’s watching
You take that very first chance
To admit each and every one of your mistakes
Then still dive right off that next cliff
As if there’s a water cup waiting just the way you planned
Especially when you do not believe
That that’s true
Here is what I’ll do
Look before leaping then leap anyway
Run till I drop but land when I fall
Then rise from my weeping till I glow like the sun.

About the poet Mikel Weisser

Mikel Weisser was the son of a nightclub singer, a contestant on “Who Wants to Be a Millionaire”, the founder of the So-Hi Peace Sign Themepark, a middle school history teacher, a touring poet, an accomplished guitar player and songwriter, an elected official of the Arizona State Legislature, and a marijuana activist that saw a cultural shift during his tenure. Learn more about the late, great renaissance man and poet HERE.

Elected by Alice Cooper AZpoetry.com

“Elected” by Alice Cooper

I’m your top prime cut of meat, I’m your choice
I wanna be elected
I’m your yankee doodle dandy in a gold Rolls Royce
I wanna be elected
Kids want a savior, don’t need a fake
I wanna be elected
We’re gonna rock to the rules that I make
I wanna be elected, elected, elected
I never lied to you, I’ve always been cool
I wanna be elected
I gotta get the vote, and I told you about school
I wanna be elected, elected, elected
Hallelujah, I wanna be elected
Everyone in the United States of America
We’re gonna win this one, take the country by storm
We’re gonna be elected
You and me together, young and strong
We’re gonna be elected, elected, elected
Respected, selected, call collected
I wanna be elected, elected

About the poet Alice Cooper

Alice Cooper is a musician and songwriter known as one of the early innovators of shock rock. Learn more about the author of the poem “Elected” HERE.

Lydia Gates
Lydia Gates — Queer Autistic Performance Poet from Flagstaff, Arizona Lydia Gates …
“Birdwatcher” by Aaron Hopkins-Johnson
I’m a bird.One day, the thru-hiker came byand tried guessing my name.She …
Hip Hop Republican by The Klute | AZpoetry.com

“Hip-Hop Republican” by The Klute

This poem was a spoken word poem, often performed in poetry slams locally, and nationally by The Klute, and various other members of the Arizona poetry community, sometimes with the audience clapping in beat, and other times with beatboxing poetry performers such as Aaron Hopkins-Johnson or Ed Mabrey. It was originally written in 2007, and some of the references were periodically updated from performance to performance. This version is from 2012, and has slight variations from the published versions found on The Klute’s audio recording version on “Reading the Obituaries Over My Dead Body” and Brick Cave Media‘s published “Hate You Can Trust“.

Republican National Committee chairman Michael Steele
says the the Grand Ol’ Party is in need of a “hip-hop makeover.” I got this.

Yo, I’m a Republican and I come from the street
fresh for twenty ten with an old skool beat
ya’ll used to love us,
but now, not so much
Keith Olbermann thinks the party’s out of touch.
so tonight on countdown, now it’s rhymes that we’re fixin
like the original gangsta, Richard Milhouse Nixon
now we’re making mix tapes
we’re not gonna burn ’em
Watergate taught us lessons
and you suckas gonna learn ’em
gonna pump up the jams, like we did in the 80s
but now we’re not just white, we got some blacks, some ladies
okay not a lot
but at least half a dozen
Alan Keyes, Larry Elder, Strom Thurmond’s lost cousin
straight out the cabin like Abraham Lincoln
but still in the closet in case the Tea Baggers got ya thinkin’
because we’re down with the dirty, but only if it’s straight
that’s why we dropped dimes on California’s prop eight
we’re the party of God
just like the Taliban
over Mullah Omar’s the Reverend Pat Roberson
we got the mormons, catholics, pentacostals too
our Israel support is outreach to the Jews
we support home schoolin’, intelligent design
because dinosaurs and man, were at the same time
we save stem cells, we stop some abortions,
we’re pimpin’ out Jesus in generous proportions
The TV’s turned to Fox News
Rush Limbaugh is pumpin’
check it out o’er here,
Ann Coulter is crumpin
My DJ Adam Smith
call him Ghosthand for short
from the lower middle class
he likes to extort
because it’s class warfare when Mr. Potter gets smoked
when the poor takes the hit,
the markets get stoked
it’s trickle down economics
can’t you understand
the fact that you’re unemployed
has totally been planned.
Wit’ invisible hands,
MC Adam’s laying down the tracks
he’s gonna spin yall out
a motherfuggin flat tax
fifteen percent, fifteen percent, fifteen percent
that’s all you gotta pay
so step off tax man with your 1040A
i got a right to bare arms
and I know how to use it
posse of lobbyists so Im not gonna lose it
I roll with Dick Cheney
so you know Im a killah
cappin old geezers
makin grave land filler
Got glocks, uzis, machine guns too
permit from Sarah Palin to hunt moose at the zoo
like Jennifer Grey in Red Dawn lands,
you’ll only get my gun from my cold dead hands

all the wolverines here say HO
all the wolverines here say HO

Yeah
God, guns and money
you know that they’re with us
so like it says on the coin
who you gonna trust
forget about bush
cuz Reagan is out game
unlike the Gipper
you won’t forget our name

The preceding message was paid for by the Republican Party and is responsible for its content.

and I approve that message because the GOP is hype.
so peace out ya’ll
and to ya’ll a good a’ight!

Did I say peace? I meant WAR.

About the poet The Klute

You can listen to more audio recordings from The Klute from the album “Reading The Obituaries Over My Dead Body“, or read the poem in text form in a collection of poetry called “Hate You Can Trust“. Learn more about The Klute HERE.

Mac and Cheese by Kevin Flanagan | AZpoetry.com

“Fancy Mac and Cheese” by Kevin Flanagan

My mother used to cook for me
Which bears comment, these days
Dinner was a regimental affair
throughout my teen years.

Spaghetti,
jarred sauce,
garlic bread
and bagged salad.

Beef tacos-
Shredded lettuce,
Diced tomatoes,
and bagged cheese.

These are the dishes
we ate every week,
With the precision of
A swiss timekeeping device.

But once a year,
On the day of my birth
She would make this one thing
Especially for me.

Rotini pasta,
in a casserole dish
With squares of diced ham
and four kinds of cheese

Dusted with breadcrumbs
And baked in the oven
Till it settled in place
As a thick white brick

It was served with a spatula
In a square on my plate
Where it would slump in exaustion
And collapse on itself

I used to devour it
Excited for novelty
And the demarcation of time
Baked into its core

She still makes it for me
Every year on my birthday
Delivered in tupperware
Clear bottom, blue top

The dish has no name
But the one that she gave it
“Fancy mac and cheese”
Or “pasta putting on airs”

Nowadays I freeze it,
(Damn my glycemic index)
And birthdays are less
Of a celebration anymore

And on a day when my heartstrings
Twang for a moments nostalgia
I thaw that pale casserole
And set the oven to broil

In the heat, how it changes
As it slowly melts down
I look more and more like it
Every single new year

My palette has changed
Since I first said “I love this”
And moved towards the bitter,
As one often does.

But of this there’s no question,
I’ll defend with last breath:
My mother’s mac and cheese
Puts others to death.

About the poet Kevin Flanagan

Kevin Flanagan found his writing style while creating improv theater and performance art in the Phoenix, Arizona area. Recently published for science fiction and speculative fiction in various online journals, his poetry offers a unique flavor to the history of Arizona poets.