Tag: Prescott

The Vegetarians Nightmare poem by Baxter Black artwork

The Vegetarian’s Nightmare poem by Baxter Black

“The Vegetarian’s Nightmare” a cowboy poem by Baxter Black

parsley power ladies and diner and make
you a shameful degrading confession a
deed of disgrace in the name of good
taste though I did it I meant no
aggression I had planted a garden last
April and lovingly sang it to Ballad but
later in June beneath the full moon
forgive me I wanted to salad so I I
slipped out and fondled a carrot
caressing its feather at all but the
first of a brute died power out the root
and the competent came with a pup and
laying my hand on a radish a jerk and it
left a small crater then with the blade
of my true value spade I exhumed a
slumbering Taylor
seller had pucked I twisted the squash
tomatoes were wincing in fear I choked
the romaine screamed out in pain their
anguish was filling my ears I finally
came to the latest as it cringed at the
top of the road with one wicked slice
there beheaded to twice as it rise I
dealt a death blow i butchered the
onions and parsley so my whole was all
covered with gore I chopped and I walked
without looking back then I stealthily
slipped in the door my bounty lay naked
dying so I drowned them to snuff out
their life I sliced and I peeled as they
thrashed and they reeled on the cutting
board under my knife I violated Tomatoes
so their innards could never survive I
grated and grounded they made not a
sound then I thought of the Tator alive
and then I took the small broken pieces
and tortured and killed with my hands
and touched them together heedless of
whether they suffered or made their
demands I ate them forgive me I’m sorry
but hear me no I’m a beginner of those
plants feel pain so it’s hard to explain
to someone who eats them for dinner and
tend to begin a crusade for plants
rights including chickpeas and the ACLU
will be helping me too in the meantime
please pass the blue cheese

Transcribed from “A Vegetarian’s Nightmare” by OddballVQ on YouTube.

Watch “The Vegetarian’s Nightmare” performed by the cowboy poet Baxter Black on YouTube.

About the poet Baxter Black

A Cowboy’s Darkly Hilarious Ode to Salad Suffering

In A Vegetarian’s Nightmare, legendary cowboy poet Baxter Black delivers a gut-busting, rhyme-heavy monologue that flips the ethical script on vegetarianism. This satirical performance poem opens as a self-confession, revealing the narrator’s horrifying crimes—against vegetables. What follows is a mock-epic of culinary violence, complete with carrots “fondled,” radishes “jerked,” lettuce that “screamed out in pain,” and romaine “beheaded” under moonlight.

With classic cowboy flair, Black uses elevated poetic diction mixed with gritty humor to describe the emotional and physical trauma inflicted upon his unsuspecting garden. His knife is no kitchen utensil—it’s a weapon of mass destruction. Through personification, vivid imagery, and his signature Western cadence, he paints the harvest as a battlefield. Tomatoes are violated, onions butchered, and potatoes tortured until they meet their end—only to be drowned in blue cheese.

Satire with a Sharp Edge

Black’s poem works brilliantly as a parody, skewering the moral high ground often claimed by vegetarians. Rather than arguing logically, he humorously leans into absurdity: if plants can feel pain, then aren’t vegetarians just as guilty of violence as meat eaters?

The poem plays with the reader’s expectations, starting off sounding like a sincere ethical admission, but quickly descending into over-the-top (yet skillfully rhymed) carnage. Black’s message isn’t to launch an actual crusade for “plant rights,” but rather to poke fun at the hypocrisy or blind spots in moral dietary choices. It’s an exaggerated cowboy logic: if you’re going to kill to eat, might as well own it.

Performance Roots and Cowboy Poetics

Like many of Baxter Black’s works, A Vegetarian’s Nightmare is best experienced aloud. The poem thrives on rhythm, timing, and dramatic delivery—a natural fit for Black’s background in performance poetry and radio. His voice—equal parts campfire storyteller and satirical commentator—makes the gruesome humor land with levity, not malice.

It also exemplifies a classic hallmark of cowboy poetry: transforming everyday ranching life (or in this case, eating salad) into a mythic, moral, and often hilarious tale. Black’s poem, while playful, also asks us to reconsider our assumptions with a wink and a laugh.


Discover More About Cowboy Poet Baxter Black

“A Vegetarian’s Nightmare” is just one example of Baxter Black’s unforgettable ability to mix wit, Western wisdom, and poetic technique. To learn more about the life, legacy, and literary contributions of this iconic Arizona cowboy poet, visit his full biography on AZpoetry.com.

Colorado Pete Arthur O. Peterson poet AZpoetry.com

Colorado Pete

Early Life and Service

Arthur Owen Peterson, better known by his pen name Colorado Pete, was born on July 23, 1896, in Fosston, Minnesota. The son of Norwegian immigrants, Peterson grew up in Bagley, where his family ran a hardware store on Main Street. He was a gifted student and graduated from Bagley High School at age sixteen before attending Carleton College in Northfield, Minnesota.

In 1918, he enlisted in the U.S. Army during World War I and was deployed to France as a sergeant in the Fifty-Fourth Coast Artillery Corps. After the war, he returned home suffering from amoebic dysentery—an illness common among soldiers—that would eventually lead to long-term complications, including tuberculosis.

A Poet in the Desert

Peterson’s connection to Arizona began in the 1920s when his health necessitated long-term care in dry climates. He spent the winter of 1924–25 at the Whipple Veterans Hospital in Prescott, Arizona, a pivotal location in both his life and literary career. Surrounded by red rocks, desert skies, and the quiet solitude of recovery, Peterson began writing poetry under the pseudonym Colorado Pete. These poems captured not only his sharp wit but also the stark beauty and resilient spirit of the American Southwest.

Published in the Chicago Tribune

From his hospital bed, Colorado Pete’s words traveled far. Between 1923 and 1932, 111 of his poems were published in the Chicago Tribune, gaining a readership of over 700,000 at its peak. His debut poem, “The Dentist Intervenes,” appeared in September 1923 and marked the beginning of a prolific publishing journey. Though his work often carried a humorous tone, it also reflected deeper truths about life, nature, illness, and survival in the face of adversity.

Legacy in Arizona and Beyond

While his roots were in Minnesota, it was Arizona that helped shape Colorado Pete’s poetic legacy. His time in Prescott infused his poetry with a Southwestern sensibility—vivid landscapes, frontier wit, and moments of contemplative solitude. Despite his chronic illness, he continued to write until his final hospitalization at Fort Snelling, where he passed away on February 15, 1932, at the age of 35.

Upon his death, the Chicago Tribune honored him by writing, “Most of you … knew him only through his beautiful poems in the Line; but to those who knew Arthur Owen Peterson personally, he was, more even than a fine poet, a brave and gallant lad.”

Remembering Colorado Pete

Today, Colorado Pete stands as a voice of a generation touched by war and healed by the desert. His poems live on as a testament to the enduring power of humor, hope, and the transformative landscape of Arizona. AZPoetry.com proudly remembers him as one of Arizona’s early poetic voices whose work continues to echo through time.

Naughty A Mouse AKA Jordan Bubin poet | AZpoetry.com

Naughty A Mouse

Naughty A Mouse, AKA Jordan Bubin: A Maverick Voice in Arizona Slam Poetry

Naughty A. Mouse, also known as Jordan Bubin, has rapidly become a force to be reckoned with in Arizona’s vibrant poetry scene. A dynamic performance poet with a raw and authentic voice, Mouse burst onto the stage as the 6th Prescott Poetry Slam winner in March 2023, leaving audiences in awe with his intelligent execution, historical insights, and unfiltered honesty. His journey from a dedicated middle school teacher to a celebrated slam poet is a testament to his relentless passion for poetry and his commitment to building a thriving creative community in Arizona.


Discovering Slam Poetry in Phoenix

After moving out to Phoenix, Jordan Bubin discovered the electric world of slam poetry—a transformative moment that ignited his lifelong passion for the spoken word. Having written poetry for himself since he was a wee whippersnapper, Mouse always cherished the art of storytelling. It was his experience as a middle school teacher that introduced him to the realm of slam, as he began tracking down open mic events through the backpages of the New Times’ Events section. His journey led him to a Black Pearl event, hosted by two-time world champion Ed Mabrey, where touring poet Amy Everhart set the stage ablaze. That first immersive experience, reminiscent of an underground punk show, left an indelible mark on Mouse, confirming that slam poetry was his new church—a community where the art of performance and creative expression converged.


Overcoming Challenges and Embracing Creativity

Despite early successes, Mouse faced significant personal hurdles along the way. Two years ago, a concussion left him struggling with reading, writing, and even forming coherent sentences. For over a year, he battled to regain a sense of literacy and creative flow, often finding his inner critic overwhelming his ability to write. However, Mouse turned this challenge into a catalyst for growth. He discovered that setting manageable deadlines—such as the seven-minute response window at Ghost Poetry workshops—helped him reclaim his voice. By embracing small victories with every line written, he learned to silence his inner critic and continue producing work that resonates with authenticity and urgency.


Building Community Through Art and Innovation

A passionate advocate for Arizona poetry, Naughty A. Mouse has expanded his creative endeavors beyond performance. Recognizing the fragmented nature of the local poetry scene, he embarked on a project to produce both a monthly calendar and a comprehensive directory of Arizona poets and events. By blending traditional art forms with modern techniques—such as wheatpasting enlarged posters and digital artwork—Mouse has created an innovative bridge between the online and real-world poetry communities. His efforts not only celebrate the diversity of Arizona’s poetic landscape but also provide essential resources for touring poets and local organizers, ensuring that no vibrant segment of the community is left undiscovered.

Mouse’s dedication to community building is evident in his tireless work promoting open mic nights and poetry slams across the state. He has become a familiar face at events in Prescott, Phoenix, and beyond, always standing in the back of the room as one of the loudest fans, ready to support his fellow artists. His enthusiasm for poetry and his commitment to elevating others’ voices have cemented his reputation as a true pillar of Arizona poetry.


Legacy and Ongoing Impact

Today, Naughty A. Mouse continues to influence the Arizona poetry scene with his unique blend of performance, historical commentary, and candid self-expression. His journey—from discovering slam poetry in Phoenix to overcoming personal challenges and actively shaping the literary community—serves as an inspiration to both established poets and emerging voices in Arizona. His creative spirit and innovative projects are a testament to the power of poetry to transform lives and foster community connections.

Naughty A. Mouse’s contributions have helped unite disparate elements of the Arizona poetry landscape, encouraging artists to connect, collaborate, and celebrate their shared passion for the spoken word. As he continues to write and perform, his work remains a dynamic force in Arizona’s artistic heritage, ensuring that the rich tapestry of AZ poetry grows stronger with each passing day.


Discover more Arizona’s poets HERE.

Gail Gardner Cowboy Poet Arizona | AZpoetry.com

Gail Gardner

Gail Gardner: The Legendary Cowboy Poet of Prescott

Gail Irwin Gardner (1892–1988) was a trailblazing cowboy poet and rancher whose legacy is firmly rooted in the cultural history of Prescott, Arizona. Known for his humor, authenticity, and vivid storytelling, Gardner’s poems captured the rugged spirit of the Old West and earned him a place as one of the most beloved cowboy poets of his time.


Early Life in Arizona

Born on Christmas Day in 1892, Gail Gardner grew up in Prescott, Arizona, a town he would call home for nearly his entire life. Raised in the heart of the Wild West, Gardner’s childhood was shaped by the natural beauty and tough realities of frontier life.

Although he would eventually become synonymous with cowboy culture, Gardner was initially drawn to academia. He graduated from Prescott High School in 1910 and attended Dartmouth College in New Hampshire. However, the pull of the Arizona ranching lifestyle ultimately brought him back home.


A Life of Many Hats

Throughout his life, Gail Gardner wore many hats—both literally and figuratively. He was a scholar, an accomplished athlete, a reluctant storekeeper, a cowboy, a rancher, and even a postmaster. Yet no matter the role, Gardner always brought his unique perspective and sharp wit to his endeavors.

He was deeply involved in the Prescott community, becoming a key figure in some of its most iconic institutions. Gardner was a founding member of the Smoki People, a group dedicated to preserving Indigenous culture and history, and an original member of the Prescott Corral of Westerners International, an organization devoted to the history of the American West.

Gardner also played an integral role in Prescott’s “World’s Oldest Rodeo,” a celebrated tradition that exemplifies the region’s cowboy heritage.


Cowboy Poetry and “Sierry Petes”

Gail Gardner is best remembered for his cowboy poetry, which brought humor, authenticity, and a deep sense of place to tales of the Old West. His most famous poem, “Sierry Petes (Tying Knots in the Devil’s Tail),” is a rollicking story about two cowboys who encounter the Devil in the Arizona mountains. Written in 1917, the poem is cherished for its colorful language, lively rhythm, and timeless charm.

“Sierry Petes” became a cornerstone of cowboy poetry and has been performed and adapted by countless musicians and storytellers. The poem exemplifies Gardner’s talent for capturing the essence of cowboy life while entertaining audiences with larger-than-life characters and humorous twists.


Contributions to Western Culture

Gardner’s impact extended far beyond his poetry. As a rancher, he embodied the spirit of the West, working the land and living the life he so vividly described in his verse. As a storyteller, he preserved the traditions and values of a disappearing way of life, ensuring that the legends of the cowboy would endure for generations.

His work earned him recognition and admiration across the Southwest, and he became a celebrated figure in the cowboy poetry movement. Gardner’s legacy continues to inspire poets, musicians, and writers who seek to capture the spirit of the West in their art.


A Lasting Legacy

Gail Gardner passed away in 1988, but his contributions to Arizona’s cultural heritage remain. His poetry, especially “Sierry Petes,” is a testament to his talent as a wordsmith and his love for the rugged beauty of the American West.

Gardner’s work is a vital part of Arizona’s literary tradition, standing as a bridge between the past and the present. His ability to blend humor, authenticity, and storytelling has left an indelible mark on cowboy poetry and ensured his place as one of the genre’s most influential figures.

Discover More Arizona Poets HERE!