In the Arizona desert,
Where the sun is fierce and high,
Where the purple shadows gather
Underneath the cloudless sky;
There the silent mountains beckon,
And the lonely mesas call,
There the cactus blooms in splendor,
And the golden poppies fall.
Charles S. Wortley was a lesser-known poet who captured the stark beauty of the Arizona desert in his works.
High in the sierras,
All the smouldering summer,
Sudden the thunder!
Rain on the mountains,
Rain on the dry hills,
Spate in the gullies.
Manna of heaven
That lays the dust of the valleys,
Manna of heaven,
Working a miracle.
Rain on the desert,
Meagre and moldy,
Kissed into blossom;
Nourished to comfort
My heart and my valley’s
After the thunder.
Mary Hunter Austin (1868–1934) was an American writer who wrote extensively about the American Southwest.
Leah Marché is a distinguished arts entrepreneur, performance poet, and journalist whose dynamic contributions to the literary and artistic communities of Phoenix, Arizona, and beyond have left a significant impact. Born and raised in Phoenix, Marché’s work spans multiple disciplines, showcasing her versatility and passion for the arts. Her dedication to fostering creative expression and community engagement is evident in her numerous accomplishments and ongoing projects.
Leah Marché’s journey into the world of poetry and arts began early in her life. With a natural inclination towards creative expression, she pursued her interests with vigor, eventually carving out a niche for herself in the vibrant artistic landscape of Phoenix. Her early exposure to the arts and her innate talent for storytelling laid the foundation for a prolific career as a performance poet and arts entrepreneur.
In 2005, Leah Marché co-founded BlackPoet Ventures (BPV), a performance arts company based in Phoenix. BPV is dedicated to producing spoken word theatrical performances that highlight the richness and diversity of Black culture and experiences. Under her leadership, BPV has created and performed in numerous critically acclaimed productions, captivating audiences with their powerful narratives and dynamic performances.
BPV’s innovative approach to spoken word and theatrical productions caught the attention of the Robert Rauschenberg Foundation, which awarded the company a surprise three-year seed grant in 2013. This grant provided crucial support, enabling BPV to expand its reach and continue its mission of promoting artistic excellence and cultural awareness.
Leah Marché has represented Phoenix on two National Poetry Slam teams, competing in 2007 and 2011. Her participation in these national events showcased her exceptional talent and solidified her reputation as a formidable performance poet. Beyond the National Poetry Slam, Marché has graced numerous stages and community events with her spoken word poetry, captivating audiences with her emotive delivery and poignant themes.
Her notable presentations include appearances at the GreenBiz Forum, the Arts & Business Council of Phoenix’s Annual Breakfast, Ignite Phoenix 10 with her talk “So You THINK You Can Design?”, and TEDx Phoenix/Scottsdale where she shared a poem and discussed the topic “Starving Artists.”
In addition to her performance career, Leah Marché has made significant contributions to the arts community through various roles and initiatives. She serves on the administrative staff at the Herberger Theater Center, a premier performing arts venue in Phoenix. Her work there underscores her commitment to supporting and promoting the arts within her community.
As a freelance graphic designer, Marché brings a creative flair to her visual projects, complementing her literary and performance work. She is a founding member and organizer of Convergent Arts, an initiative aimed at fostering collaboration and innovation among artists from different disciplines. Additionally, she co-coordinates the Several Lives Book Club and contributes as a writer for BroadwayBlack.com, a platform celebrating the achievements of Black artists in theater.
Leah Marché’s entrepreneurial spirit is evident in her creation of the Send-A-Poet project, which was selected for the inaugural Community Ventures Program of SEED SPOT, a social entrepreneur incubator. This project reflects her vision of using poetry as a means of connection and communication, bringing the art form to a broader audience and fostering a deeper appreciation for literary arts.
Marché has also made her mark in the realm of radio, hosting two weekly arts and culture programs on RadioPhoenix.org, an online community radio station. Her shows, “The Bungalow Show” and “LIVE POETIC,” provided a platform for artists and cultural discussions, further cementing her role as a key figure in the Phoenix arts scene.
Leah Marché’s contributions have been recognized with several prestigious awards. She was the recipient of the inaugural Arizona Art Tank grant in 2014, which supports innovative arts projects that engage and enrich the community. In 2013, she was a finalist in the Phoenix New Times Big Brain Awards, which honor creative individuals making significant contributions to the local arts and culture landscape.
Leah Marché’s work as a poet, arts entrepreneur, and community advocate has left an indelible mark on the Phoenix arts scene. Her ability to blend performance, entrepreneurship, and community engagement highlights her multifaceted talent and dedication to fostering artistic expression. Through her various initiatives, Marché continues to inspire and uplift others, using her voice and vision to make a lasting impact.
Her contributions to poetry and the arts are a testament to the power of creativity and the importance of supporting and nurturing artistic communities. Leah Marché stands as a beacon of innovation and dedication, embodying the spirit of artistic entrepreneurship and community leadership.
For more information about Leah Marché and her work, visit AZpoetry.com.
Eirean Bradley is a contemporary poet whose work delves into the shadows of the human condition, uncovering moments of raw authenticity and illuminating them with stark, powerful prose. A 17 year-old Bradley discovered slam poetry by sneaking in a nightclub with a fake ID to see KUKQ‘s Mary McCann host a poetry slam in 1994. Eirean Bradley realized quickly he could write three poems then and there and take home the $50 cash prize, which was enough to motivate the young Bradley to keep pushing himself in the poetry world. Known for his bold material and unflinching honesty, Bradley’s poetry resonates with a truth that is both piercing and profound. His ability to convey the humor of the gallows, born from personal experience, lends his work a unique and compelling voice.
Details about Eirean Bradley’s early life remain relatively private, but it is evident that his experiences have profoundly shaped his poetic voice. Bradley’s poetry is marked by an exploration of the darker aspects of life—pain, struggle, and the resilience of the human spirit. He finds beauty in the bleakest corners, turning moments of despair into powerful narratives of survival and insight.
Eirean Bradley is a formidable presence in the world of slam poetry. He is a seven-time National Poetry Slam competitor, a two-time National Poetry Slam finalist, and Pushcart Prize nominated poet. His involvement in poetry slams across the United States has been extensive and influential, including active participation in the slam communities of Mesa, Arizona; Denver, Colorado; and Portland, Oregon. These diverse experiences have enriched his work, allowing him to draw from a wide range of perspectives and styles.
Bradley’s prowess as a performer is well-known in the poetry circuit. He has toured extensively, showcasing his talent in 46 states. His performances are celebrated for their intensity and emotional depth, captivating audiences with a blend of vulnerability and strength. Bradley’s ability to connect with listeners through his authentic and often raw delivery has earned him a dedicated following.
Eirean Bradley has written two notable books of poetry, both published by University of Hell Press. His debut collection, “The I In Team“ (2012), introduced readers to his unique voice and uncompromising exploration of personal and collective struggles. This work delves into themes of identity, resilience, and the complex dynamics of human relationships.
His second collection, “The Little Big Book of Go Kill Yourself“ (2013), is a small book with a big message. This collection is known for its unflinching look at mental health and existential despair, offering readers a profound reflection on the darker aspects of the human psyche. The book’s candid exploration of difficult topics is balanced with Bradley’s characteristic wit and insight, making it a powerful and lingering read.
Eirean Bradley’s poetry is characterized by its directness and emotional intensity. His work often addresses themes of mental health, existential dread, and the search for meaning in a chaotic world. Bradley’s use of stark, unadorned language and his ability to convey deep emotion through simple yet powerful imagery set his work apart.
Bradley’s poetry does not shy away from the harsh realities of life. Instead, he confronts them head-on, using his words to navigate through pain and emerge with a sense of understanding and even humor. His work is a testament to the resilience of the human spirit and the transformative power of art.
Eirean Bradley’s contributions to contemporary poetry, particularly within the slam poetry community, are significant. His bold, authentic voice challenges readers and listeners to confront their own vulnerabilities and to find strength in shared experiences. Bradley’s influence extends beyond the page and the stage, inspiring a new generation of poets to embrace their truths and to use poetry as a means of exploration and expression. He curates the online literary journal Drunk In A Midnight Choir.
In addition to his writing and performances, Bradley’s active participation in various poetry slam communities has helped to foster vibrant literary scenes across the United States. His commitment to the art form and to the communities that support it underscores his dedication to poetry as both a personal and communal practice.
Eirean Bradley’s journey as a poet is marked by a fearless exploration of the dark corners of the human experience. His work is a powerful reminder of the importance of authenticity and the courage it takes to confront difficult truths. Through his poetry, Bradley offers a raw and unfiltered look at life, illuminating the path from despair to resilience with his compelling prose.
As a seven-time National Poetry Slam competitor, two-time finalist, and the author of two impactful poetry collections, Bradley’s legacy is one of boldness and honesty. His work continues to resonate with readers and audiences, offering a voice that is as uncompromising as it is necessary in the world of contemporary poetry. Eirean Bradley stands as a testament to the power of words to heal, to challenge, and to inspire.
C.S. Wortley, an American poet of the early 20th century, captured the stark beauty and profound solitude of the Arizona desert in his evocative verses. While less known than some of his contemporaries, Wortley’s work remains a testament to the power of poetry to convey the essence of a place and its impact on the human spirit.
Details about C.S. Wortley’s early life and background are sparse, reflecting his relatively obscure place in literary history. It is believed that Wortley developed a deep appreciation for the natural world from a young age, which later influenced his poetic works. His connection to the American Southwest, particularly Arizona, played a significant role in shaping his poetic vision.
Wortley’s poetry is characterized by its vivid imagery, emotional depth, and a profound sense of place. His poems often explore themes of isolation, the majesty of the natural landscape, and the quiet, enduring beauty of the desert. He had a unique ability to capture the subtle nuances of the Arizona desert, portraying it as a place of both harshness and tranquility.
One of Wortley’s most notable poems, “In the Arizona Desert,” beautifully encapsulates the essence of the region. Through his words, he paints a picture of a land where the sun reigns supreme, the shadows cast by mountains and mesas hold a mysterious allure, and the flora, including the blooming cactus and golden poppies, add splashes of color to the arid landscape. Wortley’s work invites readers to see the desert not as a barren wasteland, but as a place of profound beauty and quiet introspection.
Though C.S. Wortley did not achieve the same level of fame as some of his peers, his contributions to the poetic landscape of the American Southwest are significant. His work offers a unique perspective on the desert, providing a poetic lens through which readers can appreciate the stark, rugged beauty of Arizona.
Wortley’s poetry has been included in various anthologies and collections that celebrate the literature of the American West. His ability to evoke the spirit of the desert through his verses has earned him a place among the poets who have immortalized the landscapes of Arizona and the greater Southwest.
Little is known about Wortley’s later life, but his poetry continues to be appreciated by those who seek a deeper understanding of the American desert. His work is often cited in discussions about the literary representation of the Southwest, and his poems are included in public domain collections, allowing new generations of readers to discover his unique voice.
C.S. Wortley’s legacy lies in his ability to transform the vast, often desolate landscape of the Arizona desert into a place of poetic beauty and contemplation. His work reminds us of the power of nature to inspire and the enduring value of finding solace and inspiration in the natural world.
Through his poetry, Wortley offers a window into the soul of the desert, capturing its essence in a way that continues to resonate with readers today. His contributions to the literary portrayal of Arizona ensure that his voice remains an important part of the region’s poetic heritage.
Mary Hunter Austin (September 9, 1868 – August 13, 1934) was a pioneering American writer and poet whose work captured the essence of the American West, particularly the desert landscapes of California and the Southwest. Austin’s deep connection to the natural world and her insightful observations of human and environmental interactions made her one of the most significant literary figures of her time.
Mary Hunter Austin was born in Carlinville, Illinois, the fourth of six children in her family. Her early life was marked by the challenges of illness and the death of her father, which led to the family’s financial difficulties. Despite these hardships, Austin exhibited a keen intellect and a deep love for nature from an early age. She pursued her education at Blackburn College, where she developed her literary skills and began to cultivate her lifelong passion for writing.
In 1888, Austin and her family moved to California, seeking better opportunities and a healthier climate. They settled in the San Joaquin Valley, where Austin’s intimate connection with the land and its people began to take root. It was here that she wrote her first significant work, “The Land of Little Rain” (1903), a collection of essays that vividly described the life and landscape of the California desert. The book was a critical success, establishing Austin as a powerful voice in American literature and a passionate advocate for the preservation of natural landscapes.
Mary Hunter Austin’s deep connection to the desert landscapes extended beyond California into Arizona, where she spent significant time in Mojave County. This period was crucial in shaping her literary output and solidifying her reputation as a chronicler of the American desert. Her experiences in Mojave County allowed her to immerse herself in the unique environment and culture of the region, which profoundly influenced her writing.
During her time in Mojave County, Austin explored the rugged terrain, interacted with the local Native American tribes, and observed the flora and fauna of the desert. She was particularly fascinated by the relationship between the land and its inhabitants, a theme that would permeate much of her work. Austin’s ability to capture the spirit of the desert and its people with authenticity and respect made her writings about Arizona an essential part of her literary legacy.
Mary Hunter Austin’s work is characterized by its lyrical prose, keen observations, and deep empathy for the natural world and its inhabitants. Her writing often explored the interconnectedness of humans and the environment, emphasizing the need for harmony and respect between the two. Austin’s portrayal of the desert as a living, breathing entity with its own rhythms and secrets challenged the prevailing notion of the desert as a barren wasteland.
One of the central themes in Austin’s work is the portrayal of Native American cultures and their relationship with the land. She was deeply influenced by her interactions with Native American communities in both California and Arizona, and she sought to portray their traditions and wisdom with sensitivity and accuracy. Austin’s writings provided a counter-narrative to the often stereotypical and romanticized portrayals of Native Americans in early 20th-century literature.
In addition to “The Land of Little Rain,” Mary Hunter Austin’s body of work includes several other notable books and essays that reflect her deep connection to the desert landscapes of the Southwest. “The Flock” (1906) and “The Basket Woman” (1904) are collections of stories that highlight her ability to weave together the natural world and human experience with lyrical elegance.
Austin’s novel “The Ford” (1917) is another significant work that explores the themes of environmental conservation and the impact of industrialization on the land. The book reflects her growing concern for the preservation of natural landscapes and her advocacy for sustainable development practices.
Mary Hunter Austin was not only a prolific writer but also an outspoken advocate for environmental conservation and women’s rights. She was actively involved in the early conservation movement, working alongside notable figures such as John Muir and Gifford Pinchot. Austin’s writings and public speeches emphasized the importance of preserving natural landscapes for future generations and the need for responsible stewardship of the environment.
In addition to her environmental activism, Austin was a passionate advocate for women’s rights and social justice. She was a member of various women’s organizations and worked tirelessly to promote women’s education and empowerment. Her advocacy for women’s rights is evident in her writings, which often featured strong, independent female characters who challenged societal norms and expectations.
In her later years, Mary Hunter Austin continued to write and advocate for the causes she believed in. She traveled extensively, lecturing on environmental and social issues, and remained an influential figure in the literary and conservation communities until her death in 1934. Austin’s legacy lives on through her writings, which continue to inspire readers with their profound insights into the natural world and the human spirit.
Mary Hunter Austin’s time in Mojave County, Arizona, remains a significant part of her literary legacy. Her deep connection to the desert landscapes of Arizona and her ability to capture the spirit of the land and its people make her an essential inclusion in AZpoetry.com. Austin’s work not only enriches our understanding of the American Southwest but also serves as a powerful reminder of the importance of preserving and respecting the natural world.
Mary Hunter Austin’s contributions to American literature and environmental advocacy are profound and enduring. Her ability to weave together the beauty and complexity of the desert landscapes with the lives and traditions of its inhabitants has left an indelible mark on the literary world. Austin’s time in Mojave County, Arizona, was a pivotal period in her life, providing the inspiration and material for some of her most significant works. Her legacy as a poet, writer, and advocate continues to inspire and resonate with readers today, making her an invaluable part of Arizona’s literary heritage.
A land of mesas and of rocky spires,
Of wondrous canyons and eternal fires,
Of boundless spaces, mighty, grim, and grand,
Where silence keeps the secrets of the land.
Clarence Urmy (1851–1923) was a poet known for his vivid descriptions of the landscapes of the American West.
Clarence Thomas Urmy (1851 – 1923) was an American poet known for his vivid and heartfelt depictions of the American West. Born in San Francisco, California, Urmy grew up amid the burgeoning cultural and artistic movements of the late 19th and early 20th centuries. His work is celebrated for its lyrical beauty, emotional depth, and the rich imagery that brings the landscapes and spirit of the West to life.
Urmy’s poetry captures the essence of the American frontier, reflecting the awe-inspiring beauty and rugged challenges of the natural world. His deep connection to the landscapes of California and the wider American West is evident in his verses, which often explore themes of nature, pioneer life, and the passage of time. Through his work, Urmy paints a vivid picture of the vast, untamed wilderness and the pioneering spirit of the people who lived there.
Some of Urmy’s most notable works include his collections “Songs of the Sierras” and “Echoes from the Foothills,” which were widely appreciated for their evocative portrayals of the Western landscape. His poems often delve into the lives and struggles of the settlers, capturing the blend of hope, hardship, and resilience that characterized the pioneer experience.
In addition to his poetic achievements, Clarence Urmy was a respected educator and cultural figure in California. He contributed to the literary community not only through his writing but also by fostering a greater appreciation for the arts and humanities. His dedication to capturing the spirit of the West and his ability to convey deep emotions through his poetry have left a lasting legacy in American literature.
Urmy’s work remains a testament to the power of poetry to convey the beauty and complexity of the world around us. His vivid descriptions and heartfelt reflections continue to inspire readers, offering a glimpse into the rich tapestry of life in the American West. Clarence Urmy’s legacy lives on through his timeless verses, celebrating the natural beauty and indomitable spirit of the land he loved.
Across the burnished mesas
They march in lines of jade,
The thunder-heads assembled
To crush the light parade.
The shadow of their wingspread
Sweeps through the cañon’s door;
Out leaps a sounding fury,
And torrent floods the floor.
John Gould Fletcher (1886–1950) was a Pulitzer Prize-winning poet who often drew inspiration from the landscapes of the American Southwest.
John Gould Fletcher (January 3, 1886 – May 10, 1950) was an influential American poet and literary critic known for his vivid imagery and innovative free verse. As a prominent figure in the Imagist movement, Fletcher’s work is characterized by its clear, precise imagery and emotional intensity. His poetry reflects a deep connection to the landscapes of the American South and Southwest, capturing the unique beauty and spirit of these regions.
Born into a wealthy and influential family in Little Rock, Arkansas, Fletcher’s early life was marked by privilege and intellectual stimulation. He was educated at Phillips Academy in Andover, Massachusetts, and later attended Harvard University. However, disillusioned with academia, he left Harvard in 1907 before completing his degree. Fletcher then traveled extensively in Europe, immersing himself in the literary and artistic circles of the time.
Fletcher’s exposure to European modernist movements profoundly influenced his poetic style. He became associated with the Imagist movement, which emphasized clarity of expression, precision in language, and the use of free verse. His first major collection, “Irradiations: Sand and Spray” (1915), is a testament to his mastery of these principles, blending vivid natural imagery with a contemplative exploration of human emotions.
Throughout his career, Fletcher published several significant works, including “Goblins and Pagodas” (1916), “Breakers and Granite” (1921), and “The Tree of Life” (1947). His poetry often drew inspiration from the natural world, with a particular focus on the landscapes of the American South and Southwest. His travels in these regions provided rich material for his work, allowing him to capture the stark beauty and dynamic contrasts of the desert, mountains, and plains.
Fletcher’s contributions to literature were recognized with numerous accolades, including the Pulitzer Prize for Poetry in 1939 for his collection “Selected Poems.” This prestigious award highlighted his ability to blend traditional forms with modernist innovations, creating a unique and powerful poetic voice.
In addition to his work as a poet, Fletcher was an astute literary critic and essayist. He wrote extensively on the role of poetry in modern society, advocating for a return to classical forms and themes while also embracing the innovations of contemporary literature. His critical essays and reviews appeared in various literary journals and helped shape the discourse on modern poetry.
Despite his professional successes, Fletcher’s personal life was often marked by struggle. He battled with depression throughout his life, a condition that ultimately led to his tragic suicide in 1950. However, his legacy as a pioneering poet and advocate for the Imagist movement endures, influencing generations of poets and writers.
John Gould Fletcher’s work remains a testament to the power of poetry to capture the essence of the natural world and the complexities of human experience. His vivid imagery, innovative use of free verse, and deep connection to the landscapes of the American South and Southwest continue to inspire and resonate with readers today. Through his poetry, Fletcher invites us to see the world with fresh eyes, to appreciate the beauty in the everyday, and to find meaning in the intricate interplay of nature and emotion.